Rodinal Special / R09 Spezial
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Europe, The Netherlands, Zuid Holland, Rotterdam, Cool, Coolhaven, Little C, Balconies (slightly cut from all sides)
Much has already been said and written about Little C. See the previous post for a little sample.
The style of the building complex can partly be traced back to the inherent cynicism of the project developers that created a project that uses the morphology of ultimately very problematic urban districts/housing complexes like The Projects (New York) -and the long ago demolished Kowloon (Hong Kong) quarter.
This is for now the last of the Little C mini-series.
This is number 1343 of Minimalism / explicit Graphism.
Fuji Acros in Finol (N-1),
Kallitype on Hahnemühle Platinum Rag,
Sodium acetate developer, MT3 Vario toner, followed by MT10 Gold toner
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Delta 100 4x5 in MZB,
Kallitype on HPR, Ferric oxalate no.4 toner test, Sodium acetate developer.
MT3 Vario toner: bleach 1+50 30 secs, toner setting A50+40+900ml 30 secs.
I keep the horses' riding tack—bridle, bit, and reins—hung on brackets on the wall of the little hay barn, one set for Spirit and one for Andy. To keep the long reins from drooping down to the floor, where they would be imperiled by passing goat hooves and cat paws, I loop the lower end of the reins up over the mounting bracket, creating the droplet shapes shown here, caught in the morning light spilling through the barn door.
Camera: Vivitar 220/SL (circa 1976, with Pentax Super-Takumar 55mm f/1.8 lens).
Film: 35mm 100 ISO Arista.edu Ultra, developed in Arista Liquid Developer for 6:10 minutes @ 71 degrees, and scanned with an Epson V600 scanner.
Cullasaja Gorge, Nantahala National Forest
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Before I give the credits to the developer let me first apologize to those who have followed me up to this point. my activity in the last 6 months has been minimal due to a horrible laptop. the other day I fixed that in buying myself a new computer, so I'm hoping that I'll be able to take more ambitious photography than ever. my inactivity got me unfollowed by countless members, and banned from multiple groups, so you can imagine I wont be doing that again :)
This lovely landscape was on my list for some time, I had seen it briefly on my old computer but there was no hope of capturing it before. not quite the WL I was looking for, but all my choice WL's are saved on my other computer. (side not if anyone knows how to convert a WL to file and transfer it, paint me interested and in turn, my windlights would be up for grabs to anyone interested.) I'll certainly have to be back or to one of their many other, equally beautiful sims when I get my WL's sorted.
Soul2Soul River - Thames River Valley and Private Rentals
Soul2Soul river rentals Thames sailing sun cottage private home waterfront rental photo white dunes jazz music popular nature cabin blog romantic photography romance beach scenic views hangout gacha flickr blogger shores riverbank sim forest 1960s 60s
Hasselblad 501CM, Planar 80mm,
Efke IR820 in Finol,
Kallitype on Hahnemühle Platinum Rag,
Sodium citrate developer,
Citric acid clearing bath,
ATS acidic fixer.
Where to end this nostalgic search for lost time? Perhaps by saying goodbye to my parents. My last photo of my father (with C) in Mallorca in 2001. I was on a whirlwind tour: Colombia, UK, Ghana, Nigeria, UK, Spain, UK, Colombia, the US and back to Cali, Colombia, where I was working at the time. Jack died a couple of days after Christmas, one month after my third child was born, who was named after his grandfather. www.theguardian.com/news/2002/jan/19/guardianobituaries.b...
This fine American steam yacht was photographed by John S. Johnston for the Detroit Publishing Co. in July, 1894. My colorization ofthe original image in the Library of Congress archive. The name of the yacht is "Sapphiro" according to the Library caption. However, I think there is reason to believe that the yacht is in fact theatrical manager John Stetson´s (1836 - 1896) yacht Sapphire, designed by Edward Burgess, and launched in 1888.
"John Stetson was one of the most successful theatrical managers of his time. He owned and managed theaters in New York and Boston and also became a financier and real estate developer. He was married to Kate Stokes, the famed bare-back equestrian and actress.
In addition to their home in Boston, the couple owned a summer residence at Burgess Point in Beverly, Mass., which later became the summer White House of William Howard Taft."
(Find a Grave)
Iris planifolia
Pentax Z-1p, smc Pentax-FA 1:1.4 50mm, f/3.3, 1/60
Ilford Delta 100 film/Adox FX-39 II 1+9 developer
The analogue photographs show the „Due Laghi“ region between Lago Maggiore and Lago di Orta in Italy/Piedmont.
Die analogen Fotografien zeigen die Region „Due Laghi“ zwischen Lago Maggiore und Lago di Orta in Italien/Piemont
# Camera: Rollei 35S
# Scanner: Nikon Coolscan 5000ED with VueScan Software
# Film: Ilford XP2
# Edited with Iridient Developer
An old oak tree in the middle of a meadow near of my home. I walk this meadow very often and the tree has become a friend of mine. Leica M6, Summilux-M 1,4/35mm asph. (ltd. edition), Kodak TriX 400 prozessed with MZB two bath- balanced developer at ISO 250, scanned with Nikon Supercoolscan 8000ED.
ALL RIGHT RESERVED
All material in my gallery MAY NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission.
Mamiya 6MF + 50mm f4 Lens + Panoramic Adapter
Bergger Panaro 400 Film + ID11 Developer (Stock 10min)
Event: Weston Park Classic Car Show
Location: Weston Park, Weston-under-Lizard, Nr Shifnall, Shropshire
Camera: Canon EOS IX7
Lens(s): Canon EF 28mm f/1.8
Film: Jessops SHR200 - expired 2003
Shot ISO: 50
Light Meter: Camera
Lighting: Overcast & muddy
Mounting: Hand-held
Firing: Shutter Button
Developer: Bellini C-41 Kit
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
Photo information:
ISO: 100
Film type: 120
Film name: Rollei RPX 100
Developer: Kodak D-76
Process: 20°C.
Developer dilution: Stock
Developing time: 9'
Camera: Pentax 645n
Lens: SMC Pentax-FA 645 1:2.8 45mm
Filter(s) used: no
Aperture: 8
Exposure time: 1/45
Focal length: 45
Scanner manufacturer: Epson Perfection V550 Photo.
Konica Auto-Reflex 60's SLR camera
Hexanon lens 57mm 1:1.4
Ilford Fp4+ Film
f 5.6 at 1/250
Home Developed by www.flickr.com/photos/ukke_photo/
Rodinal Developer 1+25
"An early-morning walk is a blessing for the whole day."
Henry David Thoreau
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”
E. M. Forster
“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown
This photo was shot on an unusually sunny and warm winter day on Kodak Gold 200 in 135 (35mm) format. It was developed and digitized at home by yours truly. This is part of my continuing quest to achieve the best results possible from film at the lowest possible investment of production time and money. I'm not there yet, but I am quite happy with the improvements so far.
Technical information:
Camera: Canon EOS 3
Lens: Canon EF 35mm f/2 IS USM
Film: Kodak Gold 200 (at ISO 160)
Developer: Bellini C-41
Digitized with a Canon EOS R5, a Sigma 105mm macro lens, the Valoi 360 film holder, the CS-Lite light source, and a copy stand made out of an old Durst enlarger.
Software conversion: Negative Lab Pro 3.0
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
This is the MacDonald Stump image made on Kodak Tmax 400, rated at 200 ASA and developed in Thornton 2 Bath developer (5 + 5), for comparison with the one made on Ilford FP4+. Both good, both very different in look/feel.
But TMY is remarkable when developed with the Thornton 2 Bath developer. Grain practically vanishes, and the tonality is exceptional.
See the FP4 version here: flic.kr/p/2r2ppjG
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Paine’s Bridge, Chatsworth, Derbyshire, England.
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
A cold Sunday in Dayton.
Technical information:
Camera: Bronica ETRSi
Lens: Zenzanon PE 50mm f/3.5
Film: Kodax Tri-X 400
Developer: Adox FX-39 II
Scanner: Canon EOS R camera with Sigma 105mm macro
Other tools: Kasier Slimline Plano Lightbox and Essential Film Holder
º
Nikon F-801s
GN Auto Nikkor 45mm ƒ2.8 - Ai-converted
Kodak Ektachrome 100D_5285 Cine film [exp. 2008]
DIY ECN-2_3:45min
3 x 2-panel stitches
º
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Event: Tatton Park Classic Car Show
Location: Tatton Park, Knutsford, Cheshire
Camera: Pentax ME Super
Lens(s): SMC Pentax-M 50mm f/1.7 + ND8 Filter
Film: Harman Phoenix 200
Shot ISO: 200
Light Meter: Camera
Exposure: Mostly f/2.8
Lighting: Mostly Sunny
Mounting: Hand-held
Firing: Shutter Button
Developer: Bellini C-41 Kit
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Rolleiflex 3.5F TLR Camera. Planar Lens.
Ilford FP4 Film + XTOL Developer.
Negative scanned using a Fuji GFX-50s + Kipon Adapter + Pentax 645 120 Macro Lens + Negative Lab Pro Software.