Ilford ID-11
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Ilford HP5 35mm film, developer ID-11 10' at 20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Morning light on the marsh, Bald Head Island. Two-shot stitched panorama.
590nm IR-converted Pentax K-5
SMC Pentax 1:1.8 55mm
Iridient Developer
Affinity Photo
Django Reinhardt, Stephane Grapelli, J'Attendrai
TD : Ilford HP5 35mm film, developer ID-11 25' at 20°C. Exposure ISO 1000 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
Looking back down the path, with Gibson Knott at the end of the ridge, and Helm Crag beyond it. Seat Sandal's summit is lost in the clouds and so is Fairfield behind it.
Processed in SilkyPix
Adelaida, AUSTRÀLIA 2023
The General Post Office is a colonial-era building situated on 141 King William Street on the north-west corner of King William Street and Victoria Square. It is the former General Post Office for South Australia. Postal services operated from the building between 6 May 1872 and 11 October 2019.
A 14-story hotel was built behind the historic structure, starting in 2021. It opened as the Adelaide Marriott Hotel in 2024.
History
General Post Office
The original building was constructed in the period 1867–1872, and was the most expensive building constructed to that time by the colonial government in South Australia. It was constructed from Glen Osmond and Glen Ewin stone, and ornamented with Bath limestone.
A competition was held in March 1866 for the design of the building, with the winning design submitted by Edmund Wright in collaboration with Edward Hamilton. They were at the time in practice with Edward John Woods, and Robert G. Thomas may have had a hand in the design.
Prince Alfred, The Duke of Edinburgh, was involved in laying the foundation stone, who also officially named the clock tower Victoria Tower on 1 November 1867. The capstone was put in place at a ceremony on 25 May 1870. The height of the tower was put at 154 feet (46.9 m), a little taller than the Albert Tower of the Town Hall on the other side of King William Street. The original plans had the tower somewhat taller, but R. G. Thomas was obliged to redesign it, as a cost-saving measure.
The building was extended in 1891-92.
There was also an office tower addition to the original post office in the 1920s.
Hotel
On 14 October 2019, Adelaide's GPO was relocated to the adjacent GPO Exchange tower at 10 Franklin Street. Plans were announced for the original building to have with a Westin hotel built atop it.
In April 2021, South Australian premier Steven Marshall attended a sod-turning ceremony, to mark the beginning of construction on the hotel. The hotel was estimated to cost A$200, with property developer Greaton handling the construction. Designed by local architects Baukultur, the tower, on the site of the 1920s addition, will retain the entire original GPO building, with some sections incorporated into the new hotel. Upgrades to the structure as well as additional seismic retrofit have been added, to ensure the structural integrity of both the old and new buildings. The topping out ceremony took place in October 2023, and included an Aboriginal smoking ceremony by traditional owner representatives Kuma Kaaru.
The 285-room, 14-story hotel opened as the Adelaide Marriott Hotel on 22 August 2024.
Wikipedia
A 691 acre state park originally called Westbrook, was designed by noted landscape architect Frederick Law Olmstead while the mansion in the Tudor style was created by Charles C. Haight all for William Bayard Cutting, an attorney, financier, real estate developer and sugar beet refiner, in 1886.
This part of the house faces the Connetquat River which empties into Nicoll Bay and finally the Great South Bay of Long Island.
Camera: Rolleiflex 3.5F Modell 3 (1964)
Lens: Carl Zeiss Planar 3.5/75mm
Film: Bergger Panchro 400
Developer: Bergger PKM
Location: Piazza Adriana, Roma, Italia
Minolta XR, 58mm f1.4
Kodak double X, ND76
I developed the film in a room of over 35 degrees. I first let the developer below 20 degrees, but would rise over 24 degrees while developing. That might affect the result.
暑い部屋で現像したので，現像中に現像液の温度が上がってしまい，ざらついた結果になったのか？
© 2024 Daniel Novak Photo | Blog | Instagram
© All rights reserved!
I don't often get an opportunity to spend a day walking and it allowed me to see more of Toronto and of course take more pictures. So here ... #etbtsy
Continued on my blog:
Toronto Film Shooters (TFS): After the May 2024 Midtown Photo Walk, Heading Downtown
Photographed with a 35mm Nikon FE2 camera on Kodak Double-X 5222 Black & White Negative Film, developed in D-23 developer.
Camera: Nikon F6
Lens: Nikkor AF S 35mm F/1.8 G FX
Film: Kodak Portra 400
Developer: Lab
Scanner: Lab
Software: Camera Raw
Zeiss Ikon Super Ikonta A 530 4,5 x 6 cm, 1937
Fomapan 100@100 ISO
Yellow filter
Moersch Eco Developer
DSLR scan
Replica of a 1957 classroom during the height of the Cold War and fears of global nuclear war. The Henry Ford Museum, Dearborn, Michigan
Technical information:
Camera: Canon EOS 3
Lens: Canon EF 24mm f/2.8 IS STM
Film: Kodak Portra 800
Developer: Home developed manually in Bellini C-41
Digitized with a Canon EOS R5, a Sigma 105mm macro lens, the Valoi 360 film holder, the CS-Lite light source, and a copy stand made out of an old Durst enlarger.
Software conversion: Negative Lab Pro 3.0
Camera: Pentax K-1000
Lens: SMC Pentax-M 1.4/50
Filter: None
Film: HP5 400 @ 200 ISO
Developer: Pyrocat HD 1+1+100 7.5 min. 70°
Scanned from lith print on Slavich Unibrom 160 FB SW.
Arista Liquid Lith
SEE THE CAMERA HERE:
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
Minolta Autocord, Kentmere 100 @ISO100, Caffenol CL-CS, 15°C starting temperature, 60 minutes, Zone Imaging Eco Zonefix. 1/8 strength K&F black mist filter used during scanning.
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Paine’s Bridge, Chatsworth, Derbyshire, England.
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Event: NEC Classic Motor Show
Location: National Exhibition Centre (NEC), Birmingham, UK
Camera: Pentax ME Super
Lens(s): SMC Pentax-M 50mm f/1.7
Film: Ilford HP5+
Shot ISO: 400
Exposure: f/2.8 or f/2 - 1/60 mostly
Light Meter: Camera
Lighting: Overhead LED
Mounting: Hand-held
Firing: Shutter button
Developer: Ilford DD-X(1+4) for 10 mins
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
(Mamiya RB67; Sekor 4.5/250; Ilford FP4+ developed in Moersch Eco Film Developer; digitized with DSLR+hugin; edited with GIMP
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Canon F1n + 50mm FD f2.8 Lens
T-Max 3200 + TMAX Developer.
A revisit of these images, taken 30 years ago.
Upper section of Quarry Falls, Cullasaja Gorge, Nantahala National Forest
Pentax K-1
SMC Pentax-A 1:2.8 24mm (4-shot stitch)
Iridient Developer
Affinity Photo
Canon EOS 50E, Tamron 28-75/2.8, film Foma 200, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, printing two negatives, scanner Epson 3200
storm waves breaking on the Sydney coast, winter 2021. Strong winds sculpt the spray. The dark object in the air is probably a piece of seaweed thrown up by the wave.
Camera: Nikonos III
Lens: Nikkor 35mm f/2.5
Film: Ilford HP5+ @ISO800
Filtration: None
Developer: Ilfotec HC dilution 1+31
Scan: Epson V700
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2021 Lynn Burdekin. All Rights Reserved.
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
************************
In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
(Mamiya RB67; Sekor C 3.8/90mm; Ilford FP4+ developed in Moersch Eco Film Developer; digitized with DSLR+hugin; edited with GIMP)
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
Rolleiflex 2.8C Xenotar 2,8/80, with the Rollei Plate adapter, 6,5x9cm for 6x6 frame, Ilford FP4 Plus 125 film sheet, Romek PQ7 1+3 developer
Event: Smallwood Vintage Show
Location: Love Lane, Sandbach, Cheshire
Camera: Pentax auto 110
Lens(s): Pentax 24mm f/2.8
Film: Lomography Turquoise
Shot ISO: What the camera decided!
Light Meter: Camera
Lighting: Overcast
Mounting: Hand-held
Developer: Bellini C-41 Kit
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)