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Thomas Thornn, he's a CEO, genius, billionaire, philanthropist. Oh, and a narcissist. So what does he decide to do? Become a superhero of course! Why? Is it for the honor? To help the helpless? No, for the publicity.
He used his company's resources to develope his own super, suit and weapons. Once everything was complete, he hit the streets as the Crimson Cape. (Borrowing the name and outfit from the Crimson Cloak as to gain more publicity.)
For the next month's he, very publicly, fought various villains, always making sure that the press was there to see it. He continued this way building hype for when he would reveal his identity. (Though this was only to produce publicity for his company.) But, unbeknownst to him, his little publicity stunts were attracting the wrong kind of attention from Mr. Night who resented Thornn. Not only for foiling his plans but for drawing attention to Mr. Night, who always works in the shadows.
When the big day came and Thomas showed the world that he was the Crimson Cape everything was looking up, he company was making more money than ever, he was famous beyond belief and he was making the world a better place, but that was at the back of his mind.
When he came home to share his happiness with his wife, he found her dead, murdered by Mr. Night. After this he fell into a deep depressio. He immediately quit his hero work and developed a drinking addiction that caused him to almost lose his entire company.
One night after walking home from once again drinking his worries away at a bar he was stopped by a mysterious figure who pulled him into an alleyway. They snapped him out of his stupor and reminded him of the true meaning of being a hero.
Afterward, he found a renewed sense of purpose and went back to fighting, though now he fights for honor, following in the footsteps of the Crimson Cloak.
He never discovered the identity of the man in the alleyway, he believes it to be the true Crimson Cloak, but that remains to be seen...
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I want to say that is probably the darkest backstory I came up with, though I will admit this is one of my better backstories.
I might just end up using this guy for my planned story... we shall see.
Also, I may have gone a tad overboard with the editing. (What's new? But I am really digging the shine effect.
I hope you enjoyed!
The League of LEGO heroes: "Suit up, sign up."
Built in 1935 in Bexhill, Sussex. The manifesto was for
"A modernist building of world renown that will become a crucible for creating a new model of cultural provision in an English seaside town which is going to lead to the growth, prosperity and the greater culture of our town"
Well perhaps, but it is widely recognised as one of the most iconic Modernist buildings in Britain.
We haven't had the rains and flooding of the continent but the last week has been depressingly gloomy. It was meant to be better yesterday, I was on my own and planned to get away for some much overdue colour shooting. Alas, apart from the five minutes or so around which I took this It was grey featureless skies. The analogue produces a bleak run down seaside town feel though
Olympus OM2n
Ilford HP5
Pushed one stop in Tmax Develope
Busto Arsizio 2018-05-12
Leica M2 + VC 35 f1.4 Nokton Classic
Kentmere 100 @ 100
Studional 1+30 x 9 min
Rotazioni 30 sec + 10 sec ogni minuto
Milano via Gonin - Scorcio Urbano
Gennaio 2025
Rolleiflex 2.8 C
Schneider-Kreuznach Xenotar 80mm f2.8 + filtro giallo -1,5
FomaPan 100
R09 Studio 1+31 x 10 min
Milano - Dicembre 2022
Scorcio Urbano
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kodak T-max 100
R09 Studio 1+30 x 10 min
Busto Arsizio - scorcio urbano
Gennaio 2023
Hasselblad 500 CM
Zeiss Distagon 50 mm f4 CT*
Bergger Pancro 400
R09 OneShot 1+25 x 8min
Busto Arsizio - Scorcio urbano
Ottobre 2025
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kentemere 200
Bellini Euro HC 1+31 x 5,5 min
Busto Arsizio
Scorcio Urbano
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Fomapan 100
R09 Studio 1+31 x 10 min
I have yet to develope the wings that will lead to my freedom.
This is my interpretation of Teleidoscope's theme, "develope"
Also inspired by the fact that I am grounded, again.
So funny story, making this picture was really the most frustrating thing in the world. First of all it took forever to make, and it didn't even turn out the way I wanted it to. Secondly, saving this picture literally took 45 minutes, only to have an error at the end saying: error saving. your computer has reached it's maximum memory capacity!!
Critique is welcomed with open arms.
IN ENGLISH BELOW THE LINE
El cementiri de Sabadell, amb un detall certament mortuori.
Placa de col•lodió sec, mètode Major Russell (col•lodió-taní), en format 4x5; realitzat amb una Graflex Crown Graphic fabricada cap al 1951; Graflex Optar f4,7 de 135mm; 2 minuts a f4.7 (EV 13.5). Aquesta placa en concret fou oblidada per mí durant mesos o quasi un any en una caixa fosca i vaig provar-la just per veure si funcionava, i realment ha anat prou bé, considerant el temps que portava feta. I a sobre sembla que és de les que vaig fer amb goma aràbiga en comptes de taní, que m'han costat més de fer servir (tot i que son molt més convenients i ràpides, si van bé).
Les plaques cobertes amb co•lodió (i anteriorment albuminades, part essencial del procés) es preparen com per a una placa humida usual. En el moment de treure-les del bany de plata, comença la diversió. Cal rentar la placa, sota llum roja, en dues safates d'aigua destilada, i seguidament, submerir-la en una sol•lució d'aigua, taní i etanol. Son uns 10 minutes per placa, en total. Un cop feta la exposició, encara més important el revelat també és per inmersió. Primer s’humidifica la placa seca amb aigua i etanol, i després es submergeix 5 minuts en una solució d’acid pirogalic i citric, amb unes gotes de nitrat de plata. Amb això s’inicia el revelat, però cal afegir més nitrat de plata passats els cinc minuts i usualment fins als 10-12 minuts.
Les plaques de col•lodió sec son força desconegudes però es varen fer servir en paral•lel al més famós col•lodió humit. Eren molt pràctiques per eliminar la necessitat de portar a sobre tots els quimics i una cambra fosca portatil, però com les exposicions son molt llargues, de diversos minuts com a mínim, en queden exclosos els retrats. Aquest tipus de procediment en concret, conegut com a mètode Russell, data de 1861.
cool.culturalheritage.org/albumen/library/monographs/monc...
ca.wikipedia.org/wiki/Sant_Corneli_de_Collbat%C3%B3
==============================================
The a deadly detail in the cemetery of my hometown, Sabadell.
Dry collodion plate, Major Russell process (tannin-collodion) in 4x5 format; taken with a Graflex Crown Graphic, made c. 1951; Graflex Optar f4,7 de 135mm lens; exposed for 2 minutes at f4.7 (EV 13.5). This particular plate was very "old" (that is, months or even a full year), and I used it just to see if it worked, and IT DID! And even more it was a gum arabic collodion dry plate, not a tannin one, as noted by myself in it, althoug I can't recall the exact details of manufacture.
The dry collodion is a quite convenient "evolution" from the wet collodion, as it allows to go out there without any box of chemicals and a dark box following you. But it never gained more popularity due to it's own problems, like even more complex manipulations and specially much less sensibility, with expositions in the minutes range, limiting it to landscape photography. This method, discovered by Major Russell in 1861, uses tannin to preserve the sensitivity of the plates once dry.
Glass plates covered with collodion (and previously albuminized, an essential part of the process) are prepared as for a usual wet plate. The moment you take them out of the silver bath, the fun begins. The plate must be washed, under red light, in two trays of distilled water, and then immersed in a solution of water, tannin and ethanol. It's about 10 minutes per plate, in total
Once the exposure is made, even more important is to develope also by immersion. First, the dry plate is moistened with water and ethanol, and then immersed for 5 minutes in a solution of pyrogallic and citric acid, with a few drops of silver nitrate. This starts the development, but it is necessary to add more silver nitrate after five minutes and usually up to 10-12 minutes.
cool.culturalheritage.org/albumen/library/monographs/monc...
Busto Arsizio - Scorcio urbano
Marzo 2026
Canon P
Voigtlander 21mm f4 LTM
Kentemere 200
Bellini Euro HC 1+39 x 5,5 min
Busto Arsizio - Scorcio Urbano
Febbraio 2024
FujiFilm GSW690 III
EBC Fujinon-SW 65mm f5,6 + yellow filter 1 stop
FomaPan 400
R09 Studio 1+30 x 12 min
Castellanza - Scorcio Urbano
(test Nikomat ELW + Nikkor NC auto 24mm f/2.8)
Marzo 2022
Nikon Nikomat ELW
Nikkor NC auto 24mm f/2.8
Kentmere 100
Bellini Hydrofen 1+31 x 8 min
Castellanza - Scorcio urbano
Giugno 2025
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kentemere 100
R09 Studio 1+30 x 9 min
Castellanza - Scorcio Urbano
(test Nikomat ELW + Nikkor NC auto 24mm f/2.8)
Marzo 2022
Nikon Nikomat ELW
Nikkor NC auto 24mm f/2.8
Kentmere 100
Bellini Hydrofen 1+31 x 8 min
Gallarate Aprile 2024
Scorcio Urbano
Leica III F
Elmar 50 f3,5 Ltm
Kodak Eastman 5222 Double-x 250asa@200 asa
R09 Studio 1+30 x 7 min
Busto Arsizio - Scorcio Urbano
Aprile 2025
Rolleiflex 2.8 C
Schneider-Kreuznach Xenotar 80mm f2.8
(double-exposition)
Kentemere 100
R09 Studio 1+30 x 9 min
Busto Arsizio - Scorcio Urbano
Aprile 2023
Nikon F2A
Nikkor AI 35mm f2
Rollei SuperPan 200@200
Bellini Hydrofen 1+30 x 13 min
Busto Arsizio - Luglio 2021
Olympus OM-1n
Olympus OM Zuiko 50mm f1.4
Kentmere 100 - R09 Studio 1+30 x 9 min
Busto Arsizio - Scorcio Urbano
(test Nikon FE) - Giugno 2022
Nikon FE
Nikkor NC auto 24 mm f/2.8 mod AI
Nikkor 35 mm f/2 AI
Nikkor 105 mm f/2.5 AIS
Kodak Tmax 100
R09 Studio 1+30 x 10 min
Milano Bonola
2019-02-05
Ricoh 500 G - Rikenon 40mm f2.8
Fomapan 100
Studional 1+31 x 10 min
Le altre in questo album: flic.kr/s/aHskNsF2ap
Busto Arsizio - Dicembre 2020
Scorcio Urbano (test Rolleicord VB)
Rolleicord Vb
Schneider-Kreuznach Xenar 75mm f3.5
Fomapan 100
Hydrofen 1+39 x 8 min
Busto Arsizio
Dicembre 2021
Rollei-Magic II - full Auto
Schneider-Kreuznach Xenar 75mm f3.5
Fomapan 100@100 + filtro giallo -1.5
R09 Studio 1+31 x 10 min
Castellanza - Scorcio urbano
Settembre 2025
Hasselblad 500 C (first model)
Zeiss Planar 80mm f2,8 (six lens)
Kentmere 100
Bellini Hydrofen 1+31 x 8 min
Busto Arsizio
2018-11-18
Leica M5
Summicron-c 40 mm f2
Kodak Eastman 5222 Double-x
Studional 1+31 x 7 min
Segue in questo album flic.kr/s/aHsmnbWvbQ
Busto Arsizio - Scorcio urbano
Gennaio 2026
Olympus OM-3
OM Zuiko 35mm f2
Kentmere 100
R09 Studio 1+30 x 9 min
Milano Gallaratese - Scorcio urbano
Maggio 2025
Olympus 35 RD
F.Zuiko 40mm f1,7 + Filtro giallo -1 stop
Kodak Eastman 5222
Bellini Hydrofen 1+39 x 5,30 min
Castiglione Olona - Scorcio U
rbano
Dicembre 2025
Hasselblad 500 C/M
Zeiss Planar 100 mm f3.5 + yellow filter -1
Rollei SuperPan 200
Bellini Hydrophen 1+30 x 10 min
Busto Arsizio - scorcio urbano
Giugno 2023
Leica M5
Leica Summicron-c 40mm f2
Leica Elmarit-m 28mm f2,8 ASPH
Kodak Eastman double-x 5222 250 asa@200 asa
R09 Studio 1+31 x 7 min
Milano via Gonin - Scorcio Urbano
Gennaio 2025
Rolleiflex 2.8 C
Schneider-Kreuznach Xenotar 80mm f2.8 + filtro giallo -1,5
FomaPan 100
R09 Studio 1+31 x 10 min
Castiglione Olona - Scorcio U
rbano
Dicembre 2025
Hasselblad 500 C/M
Zeiss Planar 100 mm f3.5 + yellow filter -1
Rollei SuperPan 200
Bellini Hydrophen 1+30 x 10 min
Talbot Sunbeam Lotus (1979-81) Engine 2172 cc S4 DOC 16 v Production 2308
Registration Number HWK 77 V (Coventry)
TALBOT SET
www.flickr.com/photos/45676495@N05/sets/72157623918911117...
The Chrysler Sunbeam had been aimed at the super-mini sector when launched in 1977. But it was felt that a hot hatch was needed to boost the sporty image. To this end the Chrysler Sunbeam Ti was launched in 1979 with a 1600 cc twin Weber carbs and an output of 100 bhp
Chrysler had also commissioned Lotus to develope a rally version. The car was unveiled at the 1979 Geneva Motor show , but the road going version was not offered to the public until after the re-branding and became the Talbot Sunbeam Lotus. With a 2172 cc version of the Lotus 2.0 ltr 16v engine and ZF gearbox
The car won the World Rally Championship with Henri Toivonen in 1981 and the 1980 Lombard RAC Rally. This is a pre-facelift model, the following shot (135) shows the newer style head light.
Diolch yn fawr am 71,620,764 o olygfeydd anhygoel, mwynhewch ac arhoswch yn ddiogel
Thank you 71,620,764 amazing views, enjoy and stay safe
Shot 21.04.2019 at the annual Weston Park, Easter car show Ref 138-502
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Busto Arsizio
Febbraio 2019
Leica CL
Summicron-c 40mm f2
Ilford FP4+
Studional 1+31 x 7 min
Album flic.kr/s/aHsmacWJEg
Castano Primo - Marzo 2021
Rolleicord Vb
Schneider-Kreuznach Xenar 75mm f3.5 + yellow filter
Ilford HP5+ @ asa 320
Bellini Hydrofen 1+30 x 8 min
Today I learned a new concept, wabi-sabi, a japanese word that means to find the beauty in the imperfection, I guess I will try to develope more my photography in this direction...cheers everyone
Legnano
Novembre 2022
Nikon F2A
Nikkor AI 20mm f4
Nikkor AI 35mm f2
Nikkor AIS 105 f2.5
Agfa APX100 @100
Bellini Hydrofen 1+30 x 8 min
Busto Arsizio
Cimitero Monumentale - Ampliamento 1970 arch. Ciapparella
Settembre 2022
Hasselblad SWC (1968)
Zeiss Biogon 38 mm f4,5
Rollei SuperPan 200
Bellini Hydrofen 1+30 x 13 min
Captures of my video-presentation.
I'm Mikel Canal, a student of Motionmaker and Graphic Design, from Barcelona (1991).
Since 2009 I'm making my own projects in Motion trying to develope new styles. I just wanted to animate my identity making this video...
Busto Arsizio
Febbraio 2019
Leica CL
Summicron-c 40mm f2
Ilford FP4+
Studional 1+31 x 7 min
Album flic.kr/s/aHsmacWJEg