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Fabric: Chiffon & crepe silk
Color: Sea Green
Details: Anarkali Dress in sea green chiffon, hand embroidered on bodice with threads, sequins, and crystals.
Grey custom print on bodice, and blue hand printed piece inside panels.
full sleeves, finished with blue printed and dark green pipin.
Trouser: Crepe silk trouser in sea green.
Dupatta/Scarf: Chiffon dupatta in sea green and blue finished with grey printed pipin and dark green.
Buy Online: nazjunaid.com/store/anarkali-dress-london.html
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Tee Laotian Fashion Designer and Model in Denim Blue Jeans and Crop Top Posing for a Photoshoot on Hampstead Heath London B&W March 2003
Case Study - Superheats Broadband - Digital Scotland
Tom Madden - web designer
Is now very happy have superheats broadband at his West Lothian home.
Tom Madden
Tom is Head of Development at D8, a design agency in Glasgow. He lives with his partner Ann and Ann’s 18 year old son, Lewis, in the village of Bridgehouse in West Lothian. He often works from his home office in a wooden cabin at the bottom of the garden, overlooking the pond. Now they have a fibre broadband connection, Tom is able to work from home just as effectively as from the office, boosting his productivity and improving his quality of life.
Staying ahead
Tom says: “I can now rely on broadband speeds of 36 Mbps download, which is more than ten times faster than the speeds we received before. That makes a tremendous difference to the way I can work from home. For example, I recently had to download a huge file from a client that would previously have taken 24 hours! With the fibre broadband connection, it took no longer than two hours, which meant that I could get on with the project and deliver the client what he wanted faster. Design is a competitive industry and speed helps us stay ahead.
“Having fibre broadband will make an even more dramatic difference in winter. On days when it is snowing or there are transport problems, I can continue working from home, without any loss of productivity, rather than try to battle in to the office.”
Productive video calls
“Fibre broadband is also making it so much easier to use Skype. We frequently use video calls to speak to clients, but if I joined a call from home before, it would often break up. Now it is perfect quality. I often want to show a client a website when on a video call but I used to hesitate to do this as it would make the quality even worse. Now, I can show websites and share slides on a video call, and it makes no difference at all to the crystal clear video and audio. This makes it so much easier to have productive meetings with clients over Skype.”
Connecting instantly
Tom adds: “I can also rely on instant connection to the office servers via our Virtual Private Network (VPN). This means I can access all the office files whenever I need them. In the past, if I was going to work from home, I had to plan it in advance and take the files home with me. Now, I do not have to worry about that and can always access whatever I need from the office as well as respond speedily to any unexpected client demands.
“One time I really notice the improvement in speeds when I am making amendments to a website. Now, these copy to the server instantly whereas before there would be a delay of a few minutes each time. Whenever that happened, I would lose concentration and it had a significant impact on productivity overall. Now I can just crack through the work.
Music throughout the house
Tom continues: “As well as changing the way I can work from home, fibre broadband is making a difference to the way we live. Ann and I love music and now we will be able to install a Sonos system and enjoy multi-room music, controlled from our mobile phone or tablet. We can pick music from Spotify and create exactly the mood we want throughout the house and office. For example, I find certain types of music help me concentrate and work faster. Now all this will be at our fingertips.
Connecting all the family
“We are also making full use of catch up TV on iPlayer now, which we could hardly use at all before, because it kept buffering. And, especially with a teenager in the household, it is wonderful to be able to rely on the same fast broadband regardless of how many of us are online at the same time. Lewis is a big user of social media and YouTube. He is interested in Anime, a Japanese film animation style, and he talks to friends and other Anime enthusiasts around the world. So he is really delighted we have the fibre connection as we used to ask him to get off the internet, if we needed the bandwidth for something else. You can imagine his frustration and how pleased we all are that this is in the past.
“It’s also fantastic to be able to use Skype to talk to Ann’s daughter, who is travelling in India. It makes all the difference to be able to have long face to face conversations and even see the hotels she is staying in – and all at no cost!
Tom concludes: “Fibre broadband is making a huge difference to my ability to work from home as well as improving the quality of life for everyone in my family.”
PIC PHIL WILKINSON
info@philwilkinson.net
01316186373 - 07740444373
Wall light
REF: 01754
STYLE: Bauhaus Modernism
DESIGNER: ZEITLOS – BERLIN
COUNTRY: Germany
MANUFACTURER: ZEITLOS – BERLIN
MATERIAL: chrome plated metall, glass
YEAR: 2005
CONDITION: new
DIMENSIONS: diameter: 75 cm
Bird Lounge Chair and Ottoman
REF: 01766
STYLE: Mid Century
DESIGNER: Harry Bertoia
COUNTRY: U.S.A.
MANUFACTURER: Knoll International
MODEL: Bird Lounge Chair
MATERIAL: chrome-plated steel, fabric upholstery, hard rubber
YEAR: 1970
CONDITION: original
DIMENSIONS: h.: 102 cm x w.: 97 cm x d.: 90 cm
Diamond Chair
REF: 01768
STYLE: Mid Century
DESIGNER: Harry Bertoia
COUNTRY: USA
MANUFACTURER: Knoll International
MODEL: Diamond Chair
MATERIAL: chrome plated , fabric upholstery
YEAR: 1970
CONDITION: original
DIMENSIONS: h.: 75 cm x w.: 87 cm x d.: 75 cm
Designer: Maria Sinayskaya
Parts: 30
Paper: 5*5 cm
Final height: ~ 6.5 cm
Joint: no glue
www.flickr.com/photos/goorigami/5487872135/in/pool-354590...
Jordyn and Brandon 🌹 Prom 2k18 @instagram t.co/3fINjfr9dK - Jordyn Jones Photo | Published by Social Media: @JordynOnline - twitter.com/JordynOnline/status/993670667030749184 | Website: www.jordynonline.com | Official Website: www.jordynjonesofficial.com | Tags: #jordynjones #jordyn #jones #actress #model #singer #dancer #designer
San Diego Fashion Week 2014 - SS 15 Collection - Oseas Villatoro Collection
Oseas Villatoro is a woman’s & men’s ready to wear designer. He combines different fabrics with unique patterns and draping techniques to create young, chic, & edgy designs. Inspired by his artful interpretation of emotional and melodic music, he integrates different styles of music into his designs. Born in Los Angeles, with his background coming from his El Salvador and Guatemala roots, Villatoro pulls from his background in his designs. Besides being a full time designer, Villatoro is a full time dad, husband, and alumni of Fashion Careers College. He constantly envisions people everywhere expressing their feelings through their fashion choices. That is what he wants to provide expression to his clients through his designs. “Fashion will remain the most astonishing activity of mankind. Born to struggle between wisdom and madness between dream and reality in our edgy mind”. We look forward to Villatoro’s S/S 2016 line, after he launched his S/S 2015 line last year at FWSD.
LAFW - Style Fashion Week 2015 - Kaye Morales Collection
L.A. designer Kaye Morales debuted her Spring/Summer 2015 "Centepede" line to an eclectic downtown audience at The Reef for Style Fashion Week. As the lights of the tented venue dimmed, Morales, always daring to be different, revealed a short video showcasing a few of her models in her centepede designs.
As the heavy bass dropped, the first model strutted onto the long, white runway. Setting her apart from the wearable streetwear shows that preceded, Morales presented a line that included masks, straps and headpieces that were more like art than actual clothing. While some pieces were sheer and others lined, the collection had a costume-y feel that would appeal to only the most daring of fashionistas.
Red, black and white were the colors Morales used in her show. Each outfit was highly embroidered or bedazzled with silver and gold accents that gave the otherwise punk attire a soft and elegant feel.
Showing both men’s and women’s clothing, dresses and bodysuits were shown for women, while the men’s looks came in the form of suit jackets and pants or in one case, a crop top over matching fitted pants. The models wore their hair down and slicked-back with the men wearing their hair in a similar fashion.
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Tanya poses for a company photo.
ZURB is a close-knit team of interaction designers and strategists that help companies design better (www.zurb.com).
In 1953 the Council for Industrial Design, publishers of "Design", initiated a competition in assocaition with the City of Birmingham to design outdoor seating as part of a campaign to increase interest in the quality of street furniture. This was part of a long debate, that included the CoID, Architectural Review, Ian Nairn and John Betjeman and others, during the 1950s about the appearance of such items as street lights, benches, bins and bus shelters.
In later years the CoID and its successor the Design Council continued to endorse designs, issuing catalogues of 'recommended' designs. This competition judged by such as Herbert Manzoni, Birmingham's long serving City Engineer and architect of the city's post-war reconstruction, along with his long suffering colleague, A G Sheppard Fidler, the actual City Architect. There's also designers and architects including Gordon Cullen, Gordon Russell and Basil Spence who selected a range of benches and seats. The designers and manufacturers include various 'known' names. I wonder what became of the trials and later report?
Studiolo from the Ducal Palace in Gubbio
•Designer: Designed by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed under the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut base
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Number: 39.153
On view at The Met Fifth Avenue in Gallery 501.
This detail is from a study, (or studiolo), intended for meditation and study. Its walls are carried out in a wood-inlay technique known as intarsia. The latticework doors of the cabinets, shown open or partly closed, indicate the contemporary interest in linear perspective. The cabinets display objects reflecting Duke Federico’s wide-ranging artistic and scientific interests, and the depictions of books recall his extensive library. Emblems of the Montefeltro are also represented. This room may have been designed by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A similar room, in situ, was made for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the eternal nurselings of the venerable mother // Men pre-eminent in learning and genius, // How they fall with bared neck before // …… // ………………………………………………knee. // Honored loyalty prevails over justice, and no one // Repents having yielded to his foster mother.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482); Prince Filippo Massimo Lancellotti, Frascati (from 1874); Lancelotti family, Frascati (until 1937; sold to Adolph Loewi, Venice); [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Art History
•Essays
oCollecting for the Kunstkammer
oDomestic Art in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft School
oPeriod Rooms in The Metropolitan Museum of Art
oPainting Words, Sculpting Language: Creative Writing Activities at The Metropolitan Museum of Art
oOne Met. Many Worlds.
oMusical Instruments: Highlights of The Metropolitan Museum of Art
oThe Metropolitan Museum of Art. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Art Guide (Spanish)
oThe Metropolitan Museum of Art Guide (Russian)
oThe Metropolitan Museum of Art Guide (Portuguese)
oThe Metropolitan Museum of Art Guide (Korean)
oThe Metropolitan Museum of Art Guide (Japanese)
oThe Metropolitan Museum of Art Guide (Italian)
oThe Metropolitan Museum of Art Guide (German)
oThe Metropolitan Museum of Art Guide (French)
oThe Metropolitan Museum of Art Guide (Chinese)
oThe Metropolitan Museum of Art Guide (Arabic)
oThe Metropolitan Museum of Art Guide
oThe Metropolitan Museum of Art Guide
oMasterpieces of The Metropolitan Museum of Art
oMasterpieces of The Metropolitan Museum of Art
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Art Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Art
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Young Knight in a Landscape: Christian Champion and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Project: What Artists See When They Look At Art
oThe Artist Project
oThe Art of Renaissance Europe: A Resource for Educators
oThe Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art
oArt and Love in Renaissance Italy
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Barbie® doll's favorite "ringmaster" of glamorous fashion — Bob Mackie — presents a stylish circus. Inspired by the exciting world beneath the Big Top, this doll wears an elaborate laced coat with extravagant red plumes. Her red boots and top hat are accented with a golden star and she comes seated on a black and golden trapeze swing. Costume, boots, gloves and hat are not removable. Doll may be removed from swing, but legs and arms will remain in a fixed position.
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