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i was cleaning my boxes and found my old design stuff...
wow... memories!
/for real/ this is what i do for living /
/this is a make-ready sheet. back side (2 color) overprinting on the front.
(Not to be confused with the Mr. Run Away painting) This is a digital piece I did for a Runway Network CD compilation. The painting "Mr. Run Away" was inspired by this piece.
Book: Faber and Faber: Eighty Years of Book Cover Design
Author: Joseph Connolly
Publisher: Faber and Faber
Year: 2009
The Willoughby Design Barn started out as a small project. Ann Willoughby had in mind some kind of small building for storage and retreat, to complement her modest farmhouse in Weston, Missouri. After entertaining several ideas, Ann and Dan Maginn of el dorado architects visited a friend's farm for inspiration.
That's where she fell in love: with a real life, heavy-duty, partially dismantled barn frame, a century-old timber structure in the process of being dismantled to be sold to a builder on the East Coast. The barn frame went to Weston instead, and her project got to be not so small.
Together with el dorado, architects, Ann created the perfect sustainable solution for her barn. It respects the farm, the frame and the house. It is extremely flexible, as a good barn should be. Every year we use it for slightly different things, and every year the farm grows a little bit differently.
We had sat together looking at fabric swatches from some of my mail-order sources. After seeing the sketches, however, Seraphina didn't like any of them. We took a little field trip to Britex, a local fabric store.
She was much more comfortable being able to hold up larger pieces next to her skin. We also decided to reverse the original idea of the bodice colors: making the majority of the bodice the dark color (for a slimming effect), with only the center front panel in the cream of the skirt.
Abstract colour landscape symbolism. A revision of maxima with the original Southern Cross device rotated (in the Sky) to place a larger Alpha Crucis in the canton corner as a feature, while portraying a 'size/brightness' hierarchy down to Epsilon the smallest, with reference to earlier versions of the Australian flag.
©2015 mpathesii CC NC ND This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Australia License creativecommons.org/licenses/by-nc-nd/3.0/au/
For the digital storytelling course ds106 we were challenged to go on a 'design safari' - this house reminded me of Guadi architecture in Barcelona, that is organic in nature and is relaxing to look at because it has a flowing rhythm rather than a regular one.
The t-shirt I designed for Ozone for the St. Hilaire, Coupe Icare festival in France. They were going to have a flock of sheep at their booth with one black one spray painted with the logo. It fell through. Bummer.
This piece of work was inspired by a drawing I made from plant life.
It is made from hand needle lace sewn onto a commercial printed and machine embroidered fabric, with seperate free form hand needlace to make the frame.