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This design/build Sukkah (Temporary Structure used to celebrate a Jewish Festival know as the Feast of Tabernacles) project has cloth sides and a bamboo roof. Find out more information about how you can design and build here own Sukkah by clicking here.
This is from Dazzling Knits by Patricia Werner. The color is off a bit in this photo but I still like it.
These are for a project-in-progress, but I like the way they were subconsciously assembled when I moved them.
Nowadays, we continually share data: a message via WhatsApp, a picture on Instagram, an update on Facebook or an e-mail through Gmail. With whom do we really share this data? And how can we make sure that our personal data stay strictly personal?
This exhibition addresses issues of online privacy and digital surveillance. Next to several historical examples of encrypting, ‘Design my Privacy’ also shows some surprising contemporary strategies by more than 35 young designers and artists to maintain control over our data.
With work by Roel Roscam Abbing, Zineb Benassarou & Jorick De Quaasteniet, Josh Begley, Dennis de Bel, Caitlin Berner & Jana Blom, Heath Bunting, F.A.T., Giada Fiorindi, Front 404, Roos Groothuizen, Arantxa Gonlag & Eva Maria Martinez Rey, Monika Grūzīte, Rafaël Henneberke, Jan Huijben, Daniel C. Howe & Helen Nissenbaum & Vincent Toubiana, Rosa Menkman, Owen Mundy, Naomi Naus, Joyce Overheul, Ruben Pater, Wim Popelier, Freek Rutkens, Vera van de Seyp, Mark Sheppard, Dimitri Tokmetzis & Yuri Veerman, Janne Van Hooff & Christina Yarashevich, Michaele Lakova, Jasper van Loenen, Jeroen van Loon, Esther Weltevrede & Sabine Niederer, Leanne Wijnsma & Froukje Tan, Joeri Woudstra, Sander Veenhof and Simone Niquille.
An exhibition by MOTI, Museum of the Image in Breda (NL)
27.03 to 29.05.2016
Photo: Kristof Vrancken / Z33
É com prazer que lanço hoje, como parte das atividades do Dia Nacional do Design, o projeto design_ref, que em sua vertente principal visa apresentar exemplares pouco conhecidos da produção gráfica brasileira a partir dos anos 1950.
2011-10-09
model: Kara
hair: MaCray Huff
make up: Lex Ewing
stylist: Liz
wardrobe on sale at: Design Archives
downtown Greensboro, NC
Nikon F3
Nikon Ai 50mm f/1.4 lens
Ilfrod Delta 100 (200-push) 35mm film
Agfa Rodinal (1+50) developer
20ºC - 19min
Cognitive dissidence The sideyard house is elegantly designed for a narrow lot that has a large attached garage that ruins the whole effect. Note the "porch" on the garage. How do you get up there? I see no doorway.
This work is licensed under a
Creative Commons Attribution 3.0 United States License.
Please Attribute to: Brett VA
This is the custom-made floating McDonald's restaurant built for Vancouver's Expo '86 World's Fair. For over 20 years it has floated at anchor, rusting, in Burrard Inlet. Sans the golden arches. It's entirely unclear who owns it now or whether or not it's fixable. It should have been something a little more interesting than a place to dock your dinghy on a sunny Sunday, not that there's anything wrong with that, but it's going to waste and it actually had enough design value to become something quite beautiful.
Contest entry!
I'm SO happy I got picked into the second round!
Well, not sure if you can tell, but I've been working on this since 11 am today.
I've started 3 other designs and cleared all of them out cause I kept getting better ideas. :p
I kinda like this! Although, the bar code is a little out of place...
Hopefully this works out as well as the other one!
Bookmark design.
1st draft of a design that is going to run 200,000 prayer bookmarks for families.
Was told not to use blue or orange. Include a picture of a family.
Any ideas?
2016-04-10
Vintage fashion photoshoot sponsored by Design Archives Emporium in Greensboro and Winston-Salem, NC.
model: Tatiana Bogdan Russell
Styling by: Mary Adkins
Nikon F2
Nikon Ais 85mm f/1.4 lens
Eastman Double-X 250 35mm film
Adox Rodinal (1+50) developer
20ºC -
LAFW - Style Fashion Week 2015 - DONNA MIZANI Collection
A rising star in women’s fashion design, Donna Mizani is renowned for her signature “cut-out” dress designs. A native New Yorker, now based in Los Angeles, Mizani’s design aesthetic is ultra-feminine and focuses on celebrating the female physique. Mizani’s muse, much like the entrepreneurial designer herself, is confident, sexy, alluring, daring and bold.
After graduating from the prestigious Fashion Institute of Design and Merchandising in downtown L.A., Mizani gained experience and knowledge working with other West Coast designers and procured her skills to execute her own vision. Donna Mizani debuted her first Ready-to-Wear Collection in 2009 with a unique and distinctive design esthetic. Through merging sensual Ready-To-Wear pieces with new-aged sophistication, Mizani established a supremely feminine and modern sensibility.
Mizani recognized her passion for design as a child. From a young age, Mizani was redesigning the clothes in her closet, sewing and creating all-new, trend-setting looks. “I have always found the female form to be remarkably beautiful, ever since taking my first life drawing class as a teenager. I was drawn to fashion design as it is my passion to create unique garments that enhance and flatter the female physique,” explains Mizani.
Since the first collection, Mizani has been dedicated to making clothes that are crafted beautifully, both inside and out. Enlisting her sister to help run the business, the two put their focus on quality craftsmanship. 100% of the Donna Mizani Collection is manufactured in downtown L.A.’s Garment District.
DONNA MIZANI
Poster designed by Elmer Razos 1990, a computer generated graphic.
This poster is interesting in its contemporary use of art deco style but I believe there is a loss of typographic sensitivity due to the reliance and use of computer software for the typography. But it's not a computer software problem, it's not understanding the letterforms themselves that causes the problem.
I may be wrong but it looks like Futura.