View allAll Photos Tagged Delicate
NANAO // Delicate Set FATPACK
❥ 8 Colors for the set.
♡ Body Compatibility:
✿ Legacy
✿ Maitreya Lara
✿ Ebody Reborn + Juicy Boobs + Mounds
spring has come.... and let it comes to your heart...
"Lettin' your worries pass you by
Don't you think it's worth your time
To change your mind?"
Rose from my mother mountain garden
Dedicated to my dear friend Takako Minami Kumagai san from Niigata, Japan, have no news from her after a n earthquake
I couldn't go to Arches without taking the hike to the most famous arch of them all. I did a sunset shoot of Delicate Arch. Most of the arches in the park are kind of a hole in a wall of rock. This one is totally unique, the way it just sits there all by itself. Having the full moon rising in the background was a really nice extra bonus. I was hoping to time it right for that, but wasn't expecting it to be in such a perfect spot. It's a bit of a hike to get to. Not super long, but a mile and a half feels pretty long when it's 98º. But, what was really fun was the hike back in the dark. I stayed till dusk, and hiked back by flashlight. It's not like walking through the woods, where you are following a very obvious, well worn trail. There are no footprints when you are walking on a solid wall of rock. There are no trees. There are no landmarks. Everything looks the same. All you have to go by, is is a little pile of rock cairns every hundred feet or so, which is a problem when you can only see about 20-30 feet ahead with the flashlight. I can't count how many times I wandered off in the wrong direction in search of a little pile of rocks, telling me 'this is the trail'.
8mm, 1 sec, f8, ISO 100
Notes: Lens is a Peleng 8mm Canon mount (manual focus and aperture); The camera was set up on a small box inside the clothes washer (front-loader) with two LED compact camping lanterns tilted against each side of the box illuminating the interior and providing fill light; The key light is a recessed halogen directly above; Back light is from the window on the door behind my head which is partially flagged with a piece of black foam core (Label still intact); The camera was triggered with a wireless remote; The "Delicate" in my hand is a headband.
I have a perennial garden that is full of raucous native flowers like echinacea and rudbeckia. But in the spring I love the exact opposite - the tiny, delicate feasts for the eye that Mother Nature provides.
Visit me on Instagram (catladycam).
ODC-Delicate
I wasn't sure what to do for this challenge, but remembered seeing this previously and thought I'd give it a try.
Our Daily Challenge ~ Delicate
366/2020 - 2020 Vision ~ 005/366
This little bone china cream jug was my mother's and it sat on a small display ledge the whole time she had it. It is now mine and I decided, rather than just look at it, I'd use it every day for the milk I take in my morning coffee. It's a small but gentle reminder of my mum each day.
Thank you to everyone who pauses long enough to look at my photo. Any comments or Faves are very much appreciated.
After leaving Monument Valley, we made our way to Arches National Park. Because we were traveling in the middle of winter, the typically overcrowded Delicate Arch was free of people. We had it all to ourselves.
This is just one photo of the full photographic narrative of an epic roadtrip from Tucson, to Moab, and back. If interested, feel free to check out all of the photographs from this series of adventures on my website!
What is a photographic narrative?
My definition: “A sequence of photos deliberately arranged to follow a character or set of characters over time”.
This is different from how I see the term used the majority of the time, in that it usually seems to refer to a collection of photos which, when displayed juxtaposed, demonstrate some theme or concept. To me, this is not a story. To me, a story must follow a character or set of characters, and must have a temporal dimension. And this is what I attempt to capture in my photographic narratives. When displayed in sequence, these photos allow the viewer to follow the events of a story as they unfold over time, almost like a collection of stills from a movie.
Read my full thoughts on photographic narratives, and my path to this storytelling medium here.
(note: the above links might not be visible on the mobile app, so here’s a mobile friendly link: evansommer.com/article_collection/to-moab-and-back/)
When visitors stop at Death Valley National Park’s turnoff for the Devil’s Golf Course, they seldom venture out into the landscape. And who can blame them. Jagged, rock-hard formations of crystalized salt and mud jut up from the ground in all directions from the parking area. They are uncomfortable and cumbersome to walk across. Usually people wander out a little bit and so the formations are relatively smooth from the clamoring of thousands of visitors, radiating out just a little bit. But, if you venture further out the rough edges return, and fine details emerge. I find this area of the park to be particularly fascinating. Take for instance this delicate formation. The salt and mud here has evolved into this improbable delicate arch, with tiny hairs of salt and razor sharp jagged surfaces that you would not ever want to trip and fall upon. How does this form? I stare at these shapes that seem to extend out into infinity with wonder. I dream of a year long time lapse to capture the slow ebb and flow of salt, mud, moisture, and wind, as these forces create these shapes mysteriously out in the vast salt flat that almost no one explores.