View allAll Photos Tagged Dehydration
Dehydrated Dark Beer and Grains
Wheat vinegar, and salted egg yolk.
Maaemo
Oslo, Norway
(March 10, 2015)
the ulterior epicure | Twitter | Facebook | Bonjwing Photography
At Boboli Gardens for a morning look around the gardens in Florence. It was a very hot morning in Florence. A bit dehydrating!
The Boboli Gardens (Italian: Giardino di Boboli) is a park in Florence, Italy, that is home to a collection of sculptures dating from the 16th through the 18th centuries, with some Roman antiquities.
The Gardens, directly behind the Pitti Palace, the main seat of the Medici grand dukes of Tuscany at Florence, are some of the first and most familiar formal 16th-century Italian gardens. The mid-16th-century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" element of stone, the lavish employment of statuary and fountains, and a proliferation of detail, coordinated in semi-private and public spaces that were informed by classical accents: grottos, nympheums, garden temples and the like. The openness of the garden, with an expansive view of the city, was unconventional for its time. The gardens were very lavish, considering no access was allowed to anyone outside the immediate Medici family, and no entertainment or parties ever took place in the gardens.
The Boboli Gardens were laid out for Eleonora di Toledo, the wife of Cosimo I de' Medici. The name is a curruption of "Bogoli", a family from whom land had been bought to construct the garden. The first stage was scarcely begun by Niccolò Tribolo before he died in 1550, then was continued by Bartolomeo Ammanati, with contributions in planning from Giorgio Vasari, who laid out the grottos, and in sculpture by Bernardo Buontalenti. The elaborate architecture of the grotto in the courtyard that separates the palace from its garden is by Buontalenti.
The garden lacks a natural water source. To water the plants in the garden, a conduit was built from the nearby Arno River to feed water into an elaborate irrigation system.
The primary axis, centered on the rear façade of the palace, rises on Boboli Hill from a deep amphitheater that is reminiscent in its shape of one half of a classical hippodrome or racecourse. At the center of the amphitheater and rather dwarfed by its position is the Ancient Egyptian Boboli obelisk brought from the Villa Medici at Rome. This primary axis terminates in a fountain of Neptune (known to the irreverent Florentines as the "Fountain of the Fork" for Neptune's trident), with the sculpture of Neptune by Stoldo Lorenzi visible against the skyline as a visitor climbs the slope.
Giulio Parigi laid out the long secondary axis, the Viottolone or Cyprus Road at a right angle to the primary axis. This road led up through a series of terraces and water features, the main one being the Isolotto complex, with the bosquets on either side, and then allowed for exit from the gardens almost at Porta Romana, which was one of the main gates of the walled city. In 1617, Parigi constructed the Grotto of Vulcan (Grotticina di Vulcano) along this axis.
The gardens have passed through several stages of enlargement and restructuring work. They were enlarged in the 17th century to their present extent of 45,000 meters² (111 acres). The Boboli Gardens have come to form an outdoor museum of garden sculpture that includes Roman antiquities as well as 16th and 17th century works.
In the first phase of building, the amphitheatre was excavated in the hillside behind the palace. Initially formed by clipped edges and greens, it was later formalized by rebuilding in stone decorated with statues based on Roman myths such as the Fountain of the Ocean sculpted by Giambologna, then transferred to another location within the same garden. The small Grotto of Madama, and the Large Grotto, were begun by Vasari and completed by Ammannati and Buontalenti between 1583 and 1593.
Even while undergoing restoration work in 2015, the Large Grotto's statues are still on display and represent defining examples of Mannerist sculpture and architecture. Decorated internally and externally with stalactites and originally equipped with waterworks and luxuriant vegetation, the fountain is divided into three main sections. The first one was frescoed to create the illusion of a natural grotto, that is a natural refuge to allow shepherds to protect themselves from wild animals; it originally housed The Prisoners of Michelangelo (now replaced by copies), statues that were first intended for the tomb of the Pope Julius II. Other rooms in the Grotto contain Giambologna's famous Bathing Venus and an 18th-century group of Paris and Helen by Vincenzo de' Rossi.
The Knight's Garden (Giardino del Cavaliere). Leading to the Porcelain Museum. Was also some nice views from up here!
This garden takes it's name from the rampart known as the 'Bastion of Cavaliere Malatesa' (Malatesta the Knight) which was designed by Michelangelo in 1529.
View to the Torre del Gallo.
At Boboli Gardens for a morning look around the gardens in Florence. It was a very hot morning in Florence. A bit dehydrating!
The Boboli Gardens (Italian: Giardino di Boboli) is a park in Florence, Italy, that is home to a collection of sculptures dating from the 16th through the 18th centuries, with some Roman antiquities.
The Gardens, directly behind the Pitti Palace, the main seat of the Medici grand dukes of Tuscany at Florence, are some of the first and most familiar formal 16th-century Italian gardens. The mid-16th-century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" element of stone, the lavish employment of statuary and fountains, and a proliferation of detail, coordinated in semi-private and public spaces that were informed by classical accents: grottos, nympheums, garden temples and the like. The openness of the garden, with an expansive view of the city, was unconventional for its time. The gardens were very lavish, considering no access was allowed to anyone outside the immediate Medici family, and no entertainment or parties ever took place in the gardens.
The Boboli Gardens were laid out for Eleonora di Toledo, the wife of Cosimo I de' Medici. The name is a curruption of "Bogoli", a family from whom land had been bought to construct the garden. The first stage was scarcely begun by Niccolò Tribolo before he died in 1550, then was continued by Bartolomeo Ammanati, with contributions in planning from Giorgio Vasari, who laid out the grottos, and in sculpture by Bernardo Buontalenti. The elaborate architecture of the grotto in the courtyard that separates the palace from its garden is by Buontalenti.
The garden lacks a natural water source. To water the plants in the garden, a conduit was built from the nearby Arno River to feed water into an elaborate irrigation system.
The primary axis, centered on the rear façade of the palace, rises on Boboli Hill from a deep amphitheater that is reminiscent in its shape of one half of a classical hippodrome or racecourse. At the center of the amphitheater and rather dwarfed by its position is the Ancient Egyptian Boboli obelisk brought from the Villa Medici at Rome. This primary axis terminates in a fountain of Neptune (known to the irreverent Florentines as the "Fountain of the Fork" for Neptune's trident), with the sculpture of Neptune by Stoldo Lorenzi visible against the skyline as a visitor climbs the slope.
Giulio Parigi laid out the long secondary axis, the Viottolone or Cyprus Road at a right angle to the primary axis. This road led up through a series of terraces and water features, the main one being the Isolotto complex, with the bosquets on either side, and then allowed for exit from the gardens almost at Porta Romana, which was one of the main gates of the walled city. In 1617, Parigi constructed the Grotto of Vulcan (Grotticina di Vulcano) along this axis.
The gardens have passed through several stages of enlargement and restructuring work. They were enlarged in the 17th century to their present extent of 45,000 meters² (111 acres). The Boboli Gardens have come to form an outdoor museum of garden sculpture that includes Roman antiquities as well as 16th and 17th century works.
In the first phase of building, the amphitheatre was excavated in the hillside behind the palace. Initially formed by clipped edges and greens, it was later formalized by rebuilding in stone decorated with statues based on Roman myths such as the Fountain of the Ocean sculpted by Giambologna, then transferred to another location within the same garden. The small Grotto of Madama, and the Large Grotto, were begun by Vasari and completed by Ammannati and Buontalenti between 1583 and 1593.
Even while undergoing restoration work in 2015, the Large Grotto's statues are still on display and represent defining examples of Mannerist sculpture and architecture. Decorated internally and externally with stalactites and originally equipped with waterworks and luxuriant vegetation, the fountain is divided into three main sections. The first one was frescoed to create the illusion of a natural grotto, that is a natural refuge to allow shepherds to protect themselves from wild animals; it originally housed The Prisoners of Michelangelo (now replaced by copies), statues that were first intended for the tomb of the Pope Julius II. Other rooms in the Grotto contain Giambologna's famous Bathing Venus and an 18th-century group of Paris and Helen by Vincenzo de' Rossi.
The Knight's Garden (Giardino del Cavaliere). Leading to the Porcelain Museum. Was also some nice views from up here!
This garden takes it's name from the rampart known as the 'Bastion of Cavaliere Malatesa' (Malatesta the Knight) which was designed by Michelangelo in 1529.
fountain and pond.
Tuscan School,
Fountain of the Monkeys, white marble and bronze,
16th to 17th century.
Dehydrated Beet Root
With yellow beets, emulsion of cabbage and garlic.
Kadeau
Bornholm, Denmark
(September 11, 2014)
the ulterior epicure | Twitter | Facebook | Instagram | Bonjwing
Course #7: the pork shoulder is braised in a mix of all-spice, cinnamon and other spices. It's Craig's take on "coffee and milk."
First grow the veggies - parsnips, onions, leeks, chard, kale, garlic, carrots. Dehydrate them. Harvest tomatoes, make pasta sauce and dehydrate on trays for 14 hours. Add dried ravioletti and a bullion cube for each cup warmed on bushcraft stove. Takes 20 minutes to prepare, outside in the forest - 5 minutes to warm the water, 15 minutes to cook dehydrated food..
As I don't have to go to school until 5 o'clock I decided to build my own softbox. As if that weren't enough, I had to try it. Anyways, it's positioned straight above my head at 1/4, but the diffuser was a normal piece of white paper, should get something a bit more see-through, but it was only for fun anyways, can always replace it. Basically I just took a box of Cheerios and put a hole through one of the small sides, and used the larger panels for top and bottom, and did a bit of taping. I also used my precious 17-40mm box to do a bit of filling in the gaps, then I just loosely taped the piece of paper over, which explains the light spilling in the upper right corner...
As you can see, it doesn't work very well (!) but gives an effect that can be fun to use. Anyways, I put the throw to 105mm, but that might explain why the upper half of my face is better lit than the lower, but mainly I think the softbox itself is a bit crooked sitting on the flashgun. I'll check it out.
Damn I look strange in that picture, but I just woke up... kinda.
Dehydrate the pineapple, shake in raw sugar, cayennepepper,chili pepper and salt.
Whoa! That is good!
These damn things are those little dried out critters that you soak in a bowl of water for a few days and they grow "6000 times their original size!". Or something like that. I really really hate the feeling of these things. It is gross and makes me feel nauseous. My daughter thinks it is hysterical to toss one at me when I am not paying attention. I squeal and the slimy gross thing goes flying across the room. I don't even have to see what it is that touched me, it is an immediate reaction that takes like a nano-second. She laughs while i stare at her in disbelief...why would someone do that to someone else? Well because it is fun in a twisted sort of way. What she does not realize yet is that I am planning my own payback hehehehe...stay tuned.
At Boboli Gardens for a morning look around the gardens in Florence. It was a very hot morning in Florence. A bit dehydrating!
The Boboli Gardens (Italian: Giardino di Boboli) is a park in Florence, Italy, that is home to a collection of sculptures dating from the 16th through the 18th centuries, with some Roman antiquities.
The Gardens, directly behind the Pitti Palace, the main seat of the Medici grand dukes of Tuscany at Florence, are some of the first and most familiar formal 16th-century Italian gardens. The mid-16th-century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" element of stone, the lavish employment of statuary and fountains, and a proliferation of detail, coordinated in semi-private and public spaces that were informed by classical accents: grottos, nympheums, garden temples and the like. The openness of the garden, with an expansive view of the city, was unconventional for its time. The gardens were very lavish, considering no access was allowed to anyone outside the immediate Medici family, and no entertainment or parties ever took place in the gardens.
The Boboli Gardens were laid out for Eleonora di Toledo, the wife of Cosimo I de' Medici. The name is a curruption of "Bogoli", a family from whom land had been bought to construct the garden. The first stage was scarcely begun by Niccolò Tribolo before he died in 1550, then was continued by Bartolomeo Ammanati, with contributions in planning from Giorgio Vasari, who laid out the grottos, and in sculpture by Bernardo Buontalenti. The elaborate architecture of the grotto in the courtyard that separates the palace from its garden is by Buontalenti.
The garden lacks a natural water source. To water the plants in the garden, a conduit was built from the nearby Arno River to feed water into an elaborate irrigation system.
The primary axis, centered on the rear façade of the palace, rises on Boboli Hill from a deep amphitheater that is reminiscent in its shape of one half of a classical hippodrome or racecourse. At the center of the amphitheater and rather dwarfed by its position is the Ancient Egyptian Boboli obelisk brought from the Villa Medici at Rome. This primary axis terminates in a fountain of Neptune (known to the irreverent Florentines as the "Fountain of the Fork" for Neptune's trident), with the sculpture of Neptune by Stoldo Lorenzi visible against the skyline as a visitor climbs the slope.
Giulio Parigi laid out the long secondary axis, the Viottolone or Cyprus Road at a right angle to the primary axis. This road led up through a series of terraces and water features, the main one being the Isolotto complex, with the bosquets on either side, and then allowed for exit from the gardens almost at Porta Romana, which was one of the main gates of the walled city. In 1617, Parigi constructed the Grotto of Vulcan (Grotticina di Vulcano) along this axis.
The gardens have passed through several stages of enlargement and restructuring work. They were enlarged in the 17th century to their present extent of 45,000 meters² (111 acres). The Boboli Gardens have come to form an outdoor museum of garden sculpture that includes Roman antiquities as well as 16th and 17th century works.
In the first phase of building, the amphitheatre was excavated in the hillside behind the palace. Initially formed by clipped edges and greens, it was later formalized by rebuilding in stone decorated with statues based on Roman myths such as the Fountain of the Ocean sculpted by Giambologna, then transferred to another location within the same garden. The small Grotto of Madama, and the Large Grotto, were begun by Vasari and completed by Ammannati and Buontalenti between 1583 and 1593.
Even while undergoing restoration work in 2015, the Large Grotto's statues are still on display and represent defining examples of Mannerist sculpture and architecture. Decorated internally and externally with stalactites and originally equipped with waterworks and luxuriant vegetation, the fountain is divided into three main sections. The first one was frescoed to create the illusion of a natural grotto, that is a natural refuge to allow shepherds to protect themselves from wild animals; it originally housed The Prisoners of Michelangelo (now replaced by copies), statues that were first intended for the tomb of the Pope Julius II. Other rooms in the Grotto contain Giambologna's famous Bathing Venus and an 18th-century group of Paris and Helen by Vincenzo de' Rossi.
statue of a winged horse
The moment when you say
your incredible 'no,' and suddenly I don't know what
to do next: die? go away? not respond? (...)
Marcin Świetlicki
translated by Elżbieta Wójcik-Leese
about a week into Odin's Rather Mundane Adventures with Chickenpox, around dinner time he suddenly and very unexpectedly complained of A Very Bad Headache which is Very Unusual for a boy who never gets headaches but not, perhaps so unusual for a boy with chickenpox. but the headache quickly turned from bad to worse and we were left perplexed at the sight of him curled up in a ball on the couch rocking back and forth in pain.
hmmmmm. probably, maybe dehydration, we thought.
we gave him a cool cloth to put on his head and some acetaminophen and then made the mistake of googling "severe headache and chickenpox". OH MY GOD IT MIGHT BE ENCEPHALITIS. or maybe it's just a headache. some sites say to look for other unusual behaviors. ok. while we're looking for other unusual behaviors, he starts nodding off. and not just a little drowsy kind-of nodding off. like, suddenly asleep so hard we have a hard time waking him up. and when we do wake him up he seems a bit disoriented.
weird. and even knowing that it was probably nothing we decided it was worth a quick trip to the emergency clinic at the hospital juuuuuust to make sure we weren't missing something.
turns out, while the clinic staff was nice, they really were not particularly enthused about seeing A Very Contagious Boy and made him wear a mask and asked that he be very conscientious about what he touched while we waited to see a doctor.
i have been REALLY behind with my comments. was hoping to enjoy a birthday party yesterday & Eastern Market Flower Day today but plans were sidelined due to a horrible case of food poisoning from Kentucky Fried Chickens Mac & Cheese. I'm living on Gatorade right now & hoping to get that to stay down by tomorrow or otherwise I'll be visiting the doctor!!!!!
At Boboli Gardens for a morning look around the gardens in Florence. It was a very hot morning in Florence. A bit dehydrating!
The Boboli Gardens (Italian: Giardino di Boboli) is a park in Florence, Italy, that is home to a collection of sculptures dating from the 16th through the 18th centuries, with some Roman antiquities.
The Gardens, directly behind the Pitti Palace, the main seat of the Medici grand dukes of Tuscany at Florence, are some of the first and most familiar formal 16th-century Italian gardens. The mid-16th-century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" element of stone, the lavish employment of statuary and fountains, and a proliferation of detail, coordinated in semi-private and public spaces that were informed by classical accents: grottos, nympheums, garden temples and the like. The openness of the garden, with an expansive view of the city, was unconventional for its time. The gardens were very lavish, considering no access was allowed to anyone outside the immediate Medici family, and no entertainment or parties ever took place in the gardens.
The Boboli Gardens were laid out for Eleonora di Toledo, the wife of Cosimo I de' Medici. The name is a curruption of "Bogoli", a family from whom land had been bought to construct the garden. The first stage was scarcely begun by Niccolò Tribolo before he died in 1550, then was continued by Bartolomeo Ammanati, with contributions in planning from Giorgio Vasari, who laid out the grottos, and in sculpture by Bernardo Buontalenti. The elaborate architecture of the grotto in the courtyard that separates the palace from its garden is by Buontalenti.
The garden lacks a natural water source. To water the plants in the garden, a conduit was built from the nearby Arno River to feed water into an elaborate irrigation system.
The primary axis, centered on the rear façade of the palace, rises on Boboli Hill from a deep amphitheater that is reminiscent in its shape of one half of a classical hippodrome or racecourse. At the center of the amphitheater and rather dwarfed by its position is the Ancient Egyptian Boboli obelisk brought from the Villa Medici at Rome. This primary axis terminates in a fountain of Neptune (known to the irreverent Florentines as the "Fountain of the Fork" for Neptune's trident), with the sculpture of Neptune by Stoldo Lorenzi visible against the skyline as a visitor climbs the slope.
Giulio Parigi laid out the long secondary axis, the Viottolone or Cyprus Road at a right angle to the primary axis. This road led up through a series of terraces and water features, the main one being the Isolotto complex, with the bosquets on either side, and then allowed for exit from the gardens almost at Porta Romana, which was one of the main gates of the walled city. In 1617, Parigi constructed the Grotto of Vulcan (Grotticina di Vulcano) along this axis.
The gardens have passed through several stages of enlargement and restructuring work. They were enlarged in the 17th century to their present extent of 45,000 meters² (111 acres). The Boboli Gardens have come to form an outdoor museum of garden sculpture that includes Roman antiquities as well as 16th and 17th century works.
In the first phase of building, the amphitheatre was excavated in the hillside behind the palace. Initially formed by clipped edges and greens, it was later formalized by rebuilding in stone decorated with statues based on Roman myths such as the Fountain of the Ocean sculpted by Giambologna, then transferred to another location within the same garden. The small Grotto of Madama, and the Large Grotto, were begun by Vasari and completed by Ammannati and Buontalenti between 1583 and 1593.
Even while undergoing restoration work in 2015, the Large Grotto's statues are still on display and represent defining examples of Mannerist sculpture and architecture. Decorated internally and externally with stalactites and originally equipped with waterworks and luxuriant vegetation, the fountain is divided into three main sections. The first one was frescoed to create the illusion of a natural grotto, that is a natural refuge to allow shepherds to protect themselves from wild animals; it originally housed The Prisoners of Michelangelo (now replaced by copies), statues that were first intended for the tomb of the Pope Julius II. Other rooms in the Grotto contain Giambologna's famous Bathing Venus and an 18th-century group of Paris and Helen by Vincenzo de' Rossi.
The Knight's Garden (Giardino del Cavaliere). Leading to the Porcelain Museum. Was also some nice views from up here!
This garden takes it's name from the rampart known as the 'Bastion of Cavaliere Malatesa' (Malatesta the Knight) which was designed by Michelangelo in 1529.
Le Antiche Mura - Tratto superstite fra Porta Romana e Porta San Giorgio
The Ancient Walls - A surviving stretch between Porta Romana and Porta San Giorgio
At Boboli Gardens for a morning look around the gardens in Florence. It was a very hot morning in Florence. A bit dehydrating!
The Boboli Gardens (Italian: Giardino di Boboli) is a park in Florence, Italy, that is home to a collection of sculptures dating from the 16th through the 18th centuries, with some Roman antiquities.
The Gardens, directly behind the Pitti Palace, the main seat of the Medici grand dukes of Tuscany at Florence, are some of the first and most familiar formal 16th-century Italian gardens. The mid-16th-century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" element of stone, the lavish employment of statuary and fountains, and a proliferation of detail, coordinated in semi-private and public spaces that were informed by classical accents: grottos, nympheums, garden temples and the like. The openness of the garden, with an expansive view of the city, was unconventional for its time. The gardens were very lavish, considering no access was allowed to anyone outside the immediate Medici family, and no entertainment or parties ever took place in the gardens.
The Boboli Gardens were laid out for Eleonora di Toledo, the wife of Cosimo I de' Medici. The name is a curruption of "Bogoli", a family from whom land had been bought to construct the garden. The first stage was scarcely begun by Niccolò Tribolo before he died in 1550, then was continued by Bartolomeo Ammanati, with contributions in planning from Giorgio Vasari, who laid out the grottos, and in sculpture by Bernardo Buontalenti. The elaborate architecture of the grotto in the courtyard that separates the palace from its garden is by Buontalenti.
The garden lacks a natural water source. To water the plants in the garden, a conduit was built from the nearby Arno River to feed water into an elaborate irrigation system.
The primary axis, centered on the rear façade of the palace, rises on Boboli Hill from a deep amphitheater that is reminiscent in its shape of one half of a classical hippodrome or racecourse. At the center of the amphitheater and rather dwarfed by its position is the Ancient Egyptian Boboli obelisk brought from the Villa Medici at Rome. This primary axis terminates in a fountain of Neptune (known to the irreverent Florentines as the "Fountain of the Fork" for Neptune's trident), with the sculpture of Neptune by Stoldo Lorenzi visible against the skyline as a visitor climbs the slope.
Giulio Parigi laid out the long secondary axis, the Viottolone or Cyprus Road at a right angle to the primary axis. This road led up through a series of terraces and water features, the main one being the Isolotto complex, with the bosquets on either side, and then allowed for exit from the gardens almost at Porta Romana, which was one of the main gates of the walled city. In 1617, Parigi constructed the Grotto of Vulcan (Grotticina di Vulcano) along this axis.
The gardens have passed through several stages of enlargement and restructuring work. They were enlarged in the 17th century to their present extent of 45,000 meters² (111 acres). The Boboli Gardens have come to form an outdoor museum of garden sculpture that includes Roman antiquities as well as 16th and 17th century works.
In the first phase of building, the amphitheatre was excavated in the hillside behind the palace. Initially formed by clipped edges and greens, it was later formalized by rebuilding in stone decorated with statues based on Roman myths such as the Fountain of the Ocean sculpted by Giambologna, then transferred to another location within the same garden. The small Grotto of Madama, and the Large Grotto, were begun by Vasari and completed by Ammannati and Buontalenti between 1583 and 1593.
Even while undergoing restoration work in 2015, the Large Grotto's statues are still on display and represent defining examples of Mannerist sculpture and architecture. Decorated internally and externally with stalactites and originally equipped with waterworks and luxuriant vegetation, the fountain is divided into three main sections. The first one was frescoed to create the illusion of a natural grotto, that is a natural refuge to allow shepherds to protect themselves from wild animals; it originally housed The Prisoners of Michelangelo (now replaced by copies), statues that were first intended for the tomb of the Pope Julius II. Other rooms in the Grotto contain Giambologna's famous Bathing Venus and an 18th-century group of Paris and Helen by Vincenzo de' Rossi.
The Knight's Garden (Giardino del Cavaliere). Leading to the Porcelain Museum. Was also some nice views from up here!
This garden takes it's name from the rampart known as the 'Bastion of Cavaliere Malatesa' (Malatesta the Knight) which was designed by Michelangelo in 1529.
panoramic
Including a view to the Torre del Gallo.
Le Antiche Mura - Tratto superstite fra Porta Romana e Porta San Giorgio
The Ancient Walls - A surviving stretch between Porta Romana and Porta San Giorgio
هذا المقوم الناعم غير جاف وخالي من الكحول، يتناغم مع بشرتك كونه يغطيها ويمنحها الرطوبة وهو مزيج من الألوفيرا مع زيت اللوز ومرطبات للجلد ومستخلصات من الأعشاب والكولاجين والانتوين، يستخدم للتخلص من آثار المنظفات والزيوت والخلايا الميتة.
يستخدم مرتين يومياً باستخدام كرة صغيرة من القطن من الداخل والخارج.
الملطف المطري يمنحك بشرة منتعشة ونظيفة وناعمة ومتوازنة وحيوية
إنه مزيج رائع ولطيف لإزالة الأوساخ والترسبات والخلايا الميتة
•رقم الصنف: (42).
•الــســعــة:120 ملل.
•سعر المنتج: (56) ريال سعودي.
للمزيد من المعلومات نرحب بكم عبر موقعنا:
للطلب مباشرة
السيد/ علي العسبلي 00966552334455
I found this mummified frog last summer and thought it would be inspirational in keeping hydrated .. Drink Water !
At Boboli Gardens for a morning look around the gardens in Florence. It was a very hot morning in Florence. A bit dehydrating!
The Boboli Gardens (Italian: Giardino di Boboli) is a park in Florence, Italy, that is home to a collection of sculptures dating from the 16th through the 18th centuries, with some Roman antiquities.
The Gardens, directly behind the Pitti Palace, the main seat of the Medici grand dukes of Tuscany at Florence, are some of the first and most familiar formal 16th-century Italian gardens. The mid-16th-century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" element of stone, the lavish employment of statuary and fountains, and a proliferation of detail, coordinated in semi-private and public spaces that were informed by classical accents: grottos, nympheums, garden temples and the like. The openness of the garden, with an expansive view of the city, was unconventional for its time. The gardens were very lavish, considering no access was allowed to anyone outside the immediate Medici family, and no entertainment or parties ever took place in the gardens.
The Boboli Gardens were laid out for Eleonora di Toledo, the wife of Cosimo I de' Medici. The name is a curruption of "Bogoli", a family from whom land had been bought to construct the garden. The first stage was scarcely begun by Niccolò Tribolo before he died in 1550, then was continued by Bartolomeo Ammanati, with contributions in planning from Giorgio Vasari, who laid out the grottos, and in sculpture by Bernardo Buontalenti. The elaborate architecture of the grotto in the courtyard that separates the palace from its garden is by Buontalenti.
The garden lacks a natural water source. To water the plants in the garden, a conduit was built from the nearby Arno River to feed water into an elaborate irrigation system.
The primary axis, centered on the rear façade of the palace, rises on Boboli Hill from a deep amphitheater that is reminiscent in its shape of one half of a classical hippodrome or racecourse. At the center of the amphitheater and rather dwarfed by its position is the Ancient Egyptian Boboli obelisk brought from the Villa Medici at Rome. This primary axis terminates in a fountain of Neptune (known to the irreverent Florentines as the "Fountain of the Fork" for Neptune's trident), with the sculpture of Neptune by Stoldo Lorenzi visible against the skyline as a visitor climbs the slope.
Giulio Parigi laid out the long secondary axis, the Viottolone or Cyprus Road at a right angle to the primary axis. This road led up through a series of terraces and water features, the main one being the Isolotto complex, with the bosquets on either side, and then allowed for exit from the gardens almost at Porta Romana, which was one of the main gates of the walled city. In 1617, Parigi constructed the Grotto of Vulcan (Grotticina di Vulcano) along this axis.
The gardens have passed through several stages of enlargement and restructuring work. They were enlarged in the 17th century to their present extent of 45,000 meters² (111 acres). The Boboli Gardens have come to form an outdoor museum of garden sculpture that includes Roman antiquities as well as 16th and 17th century works.
In the first phase of building, the amphitheatre was excavated in the hillside behind the palace. Initially formed by clipped edges and greens, it was later formalized by rebuilding in stone decorated with statues based on Roman myths such as the Fountain of the Ocean sculpted by Giambologna, then transferred to another location within the same garden. The small Grotto of Madama, and the Large Grotto, were begun by Vasari and completed by Ammannati and Buontalenti between 1583 and 1593.
Even while undergoing restoration work in 2015, the Large Grotto's statues are still on display and represent defining examples of Mannerist sculpture and architecture. Decorated internally and externally with stalactites and originally equipped with waterworks and luxuriant vegetation, the fountain is divided into three main sections. The first one was frescoed to create the illusion of a natural grotto, that is a natural refuge to allow shepherds to protect themselves from wild animals; it originally housed The Prisoners of Michelangelo (now replaced by copies), statues that were first intended for the tomb of the Pope Julius II. Other rooms in the Grotto contain Giambologna's famous Bathing Venus and an 18th-century group of Paris and Helen by Vincenzo de' Rossi.
The paths from the Knight's Garden to the Kaffeehaus.
The skyline was of more interest to me at the time!
blackbird or Italian sparrow?
At Boboli Gardens for a morning look around the gardens in Florence. It was a very hot morning in Florence. A bit dehydrating!
The Boboli Gardens (Italian: Giardino di Boboli) is a park in Florence, Italy, that is home to a collection of sculptures dating from the 16th through the 18th centuries, with some Roman antiquities.
The Gardens, directly behind the Pitti Palace, the main seat of the Medici grand dukes of Tuscany at Florence, are some of the first and most familiar formal 16th-century Italian gardens. The mid-16th-century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" element of stone, the lavish employment of statuary and fountains, and a proliferation of detail, coordinated in semi-private and public spaces that were informed by classical accents: grottos, nympheums, garden temples and the like. The openness of the garden, with an expansive view of the city, was unconventional for its time. The gardens were very lavish, considering no access was allowed to anyone outside the immediate Medici family, and no entertainment or parties ever took place in the gardens.
The Boboli Gardens were laid out for Eleonora di Toledo, the wife of Cosimo I de' Medici. The name is a curruption of "Bogoli", a family from whom land had been bought to construct the garden. The first stage was scarcely begun by Niccolò Tribolo before he died in 1550, then was continued by Bartolomeo Ammanati, with contributions in planning from Giorgio Vasari, who laid out the grottos, and in sculpture by Bernardo Buontalenti. The elaborate architecture of the grotto in the courtyard that separates the palace from its garden is by Buontalenti.
The garden lacks a natural water source. To water the plants in the garden, a conduit was built from the nearby Arno River to feed water into an elaborate irrigation system.
The primary axis, centered on the rear façade of the palace, rises on Boboli Hill from a deep amphitheater that is reminiscent in its shape of one half of a classical hippodrome or racecourse. At the center of the amphitheater and rather dwarfed by its position is the Ancient Egyptian Boboli obelisk brought from the Villa Medici at Rome. This primary axis terminates in a fountain of Neptune (known to the irreverent Florentines as the "Fountain of the Fork" for Neptune's trident), with the sculpture of Neptune by Stoldo Lorenzi visible against the skyline as a visitor climbs the slope.
Giulio Parigi laid out the long secondary axis, the Viottolone or Cyprus Road at a right angle to the primary axis. This road led up through a series of terraces and water features, the main one being the Isolotto complex, with the bosquets on either side, and then allowed for exit from the gardens almost at Porta Romana, which was one of the main gates of the walled city. In 1617, Parigi constructed the Grotto of Vulcan (Grotticina di Vulcano) along this axis.
The gardens have passed through several stages of enlargement and restructuring work. They were enlarged in the 17th century to their present extent of 45,000 meters² (111 acres). The Boboli Gardens have come to form an outdoor museum of garden sculpture that includes Roman antiquities as well as 16th and 17th century works.
In the first phase of building, the amphitheatre was excavated in the hillside behind the palace. Initially formed by clipped edges and greens, it was later formalized by rebuilding in stone decorated with statues based on Roman myths such as the Fountain of the Ocean sculpted by Giambologna, then transferred to another location within the same garden. The small Grotto of Madama, and the Large Grotto, were begun by Vasari and completed by Ammannati and Buontalenti between 1583 and 1593.
Even while undergoing restoration work in 2015, the Large Grotto's statues are still on display and represent defining examples of Mannerist sculpture and architecture. Decorated internally and externally with stalactites and originally equipped with waterworks and luxuriant vegetation, the fountain is divided into three main sections. The first one was frescoed to create the illusion of a natural grotto, that is a natural refuge to allow shepherds to protect themselves from wild animals; it originally housed The Prisoners of Michelangelo (now replaced by copies), statues that were first intended for the tomb of the Pope Julius II. Other rooms in the Grotto contain Giambologna's famous Bathing Venus and an 18th-century group of Paris and Helen by Vincenzo de' Rossi.
The Knight's Garden (Giardino del Cavaliere). Leading to the Porcelain Museum. Was also some nice views from up here!
This garden takes it's name from the rampart known as the 'Bastion of Cavaliere Malatesa' (Malatesta the Knight) which was designed by Michelangelo in 1529.
The Porcelain Museum
Chandelier
The flesh is then moved to the middle section of the heater where it is constantly turned to prevent it sticking to the metal.
Raisins are dehydrated grapes and they're often added to breakfast cereal and trail mix. If you haven't thought much about raisins, beyond their presence in other foods, perhaps these tiny, nutritional powerhouses deserve a second glance. In addition to vitamin K, raisins also provide many other vitamins and minerals that you need for good health.
Raisins
A 1/4-cup serving of seedless raisins contains 1.45 micrograms of vitamin K. That's almost 2 percent of the 90 micrograms of vitamin K that women need every day, and 1 percent of the 120 micrograms that men require each day. A miniature box of seedless raisins supplies 0.5 micrograms of vitamin K.
Vitamin K
The most notable role of vitamin K in your body is to help clot your blood. The nutrient might also play a role in the health of your bones. When you eat a healthy and well-balanced diet, it's fairly simple to get plenty of vitamin K. In addition to food, you also get small doses of vitamin K made by bacteria in your intestines, which makes it rare to have a serious deficiency. Certain health problems, such as Crohn's disease, celiac disease and cystic fibrosis, however, could lead to low levels of vitamin K, which can cause excessive bleeding, particularly from the mouth and nose.
Additional Nutrients
Raisins are an impressive source of potassium, a mineral necessary for heart and muscle function. A 1/4-cup serving of seedless raisins delivers 309 milligrams of potassium, which is about 7 percent of the 4,700 milligrams you need each day. You'll also get approximately 1 gram of protein and 1.5 grams of dietary fiber in a 1/4 cup of raisins. Eating raisins might encourage proper digestive function because of their fiber content, according to Michael T. Murray, author of "The Condensed Encyclopedia of Healing Foods." These tiny, dried fruits also supply small amounts of iron and vitamin C, too.
Serving Suggestions
Many brands of raisins contain added sugar, which diminishes their healthfulness. Look for reduced-sugar versions. Pop a handful of raisins in your mouth for a nutritious and simple snack. Sprinkle raisins over a bowl of breakfast cereal or stir them into a serving of cottage cheese. Saute raisins with white wine and use the mixture as a tasty topping for grilled chicken or pork chops. Mix raisins in rice or pasta dishes. Add raisins to homemade bread and muffin batter to add not only a burst of flavor, but also a small amount of vitamin K.
At Boboli Gardens for a morning look around the gardens in Florence. It was a very hot morning in Florence. A bit dehydrating!
The Boboli Gardens (Italian: Giardino di Boboli) is a park in Florence, Italy, that is home to a collection of sculptures dating from the 16th through the 18th centuries, with some Roman antiquities.
The Gardens, directly behind the Pitti Palace, the main seat of the Medici grand dukes of Tuscany at Florence, are some of the first and most familiar formal 16th-century Italian gardens. The mid-16th-century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" element of stone, the lavish employment of statuary and fountains, and a proliferation of detail, coordinated in semi-private and public spaces that were informed by classical accents: grottos, nympheums, garden temples and the like. The openness of the garden, with an expansive view of the city, was unconventional for its time. The gardens were very lavish, considering no access was allowed to anyone outside the immediate Medici family, and no entertainment or parties ever took place in the gardens.
The Boboli Gardens were laid out for Eleonora di Toledo, the wife of Cosimo I de' Medici. The name is a curruption of "Bogoli", a family from whom land had been bought to construct the garden. The first stage was scarcely begun by Niccolò Tribolo before he died in 1550, then was continued by Bartolomeo Ammanati, with contributions in planning from Giorgio Vasari, who laid out the grottos, and in sculpture by Bernardo Buontalenti. The elaborate architecture of the grotto in the courtyard that separates the palace from its garden is by Buontalenti.
The garden lacks a natural water source. To water the plants in the garden, a conduit was built from the nearby Arno River to feed water into an elaborate irrigation system.
The primary axis, centered on the rear façade of the palace, rises on Boboli Hill from a deep amphitheater that is reminiscent in its shape of one half of a classical hippodrome or racecourse. At the center of the amphitheater and rather dwarfed by its position is the Ancient Egyptian Boboli obelisk brought from the Villa Medici at Rome. This primary axis terminates in a fountain of Neptune (known to the irreverent Florentines as the "Fountain of the Fork" for Neptune's trident), with the sculpture of Neptune by Stoldo Lorenzi visible against the skyline as a visitor climbs the slope.
Giulio Parigi laid out the long secondary axis, the Viottolone or Cyprus Road at a right angle to the primary axis. This road led up through a series of terraces and water features, the main one being the Isolotto complex, with the bosquets on either side, and then allowed for exit from the gardens almost at Porta Romana, which was one of the main gates of the walled city. In 1617, Parigi constructed the Grotto of Vulcan (Grotticina di Vulcano) along this axis.
The gardens have passed through several stages of enlargement and restructuring work. They were enlarged in the 17th century to their present extent of 45,000 meters² (111 acres). The Boboli Gardens have come to form an outdoor museum of garden sculpture that includes Roman antiquities as well as 16th and 17th century works.
In the first phase of building, the amphitheatre was excavated in the hillside behind the palace. Initially formed by clipped edges and greens, it was later formalized by rebuilding in stone decorated with statues based on Roman myths such as the Fountain of the Ocean sculpted by Giambologna, then transferred to another location within the same garden. The small Grotto of Madama, and the Large Grotto, were begun by Vasari and completed by Ammannati and Buontalenti between 1583 and 1593.
Even while undergoing restoration work in 2015, the Large Grotto's statues are still on display and represent defining examples of Mannerist sculpture and architecture. Decorated internally and externally with stalactites and originally equipped with waterworks and luxuriant vegetation, the fountain is divided into three main sections. The first one was frescoed to create the illusion of a natural grotto, that is a natural refuge to allow shepherds to protect themselves from wild animals; it originally housed The Prisoners of Michelangelo (now replaced by copies), statues that were first intended for the tomb of the Pope Julius II. Other rooms in the Grotto contain Giambologna's famous Bathing Venus and an 18th-century group of Paris and Helen by Vincenzo de' Rossi.
Grotta di Buontalenti - outdoor theatre.
Large Grotto's statues continue to be remarkable examples of Mannerist architecture and culture. Decorated internally and externally with stalactites and originally equipped with waterworks and luxuriant vegetation, the fountain is divided into three main sections. The first one was frescoed to create the illusion of a natural grotto, that is a natural refuge to allow shepherds to protect themselves from wild animals; it originally housed The Prisoners of Michelangelo (now replaced by copies), statues that were first intended for the tomb of the Pope Julius II. Other rooms in the Grotto contain Giambologna's famous Bathing Venus and an 18th-century group of Paris and Helen by Vincenzo de Rossi.
Dehydrated, staggered to this house and was greeted with chang. Delightful family, put me up for the night.
At Boboli Gardens for a morning look around the gardens in Florence. It was a very hot morning in Florence. A bit dehydrating!
The Amphitheatre at Boboli Gardens.
The Boboli Gardens (Italian: Giardino di Boboli) is a park in Florence, Italy, that is home to a collection of sculptures dating from the 16th through the 18th centuries, with some Roman antiquities.
The Gardens, directly behind the Pitti Palace, the main seat of the Medici grand dukes of Tuscany at Florence, are some of the first and most familiar formal 16th-century Italian gardens. The mid-16th-century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" element of stone, the lavish employment of statuary and fountains, and a proliferation of detail, coordinated in semi-private and public spaces that were informed by classical accents: grottos, nympheums, garden temples and the like. The openness of the garden, with an expansive view of the city, was unconventional for its time. The gardens were very lavish, considering no access was allowed to anyone outside the immediate Medici family, and no entertainment or parties ever took place in the gardens.
The Boboli Gardens were laid out for Eleonora di Toledo, the wife of Cosimo I de' Medici. The name is a curruption of "Bogoli", a family from whom land had been bought to construct the garden. The first stage was scarcely begun by Niccolò Tribolo before he died in 1550, then was continued by Bartolomeo Ammanati, with contributions in planning from Giorgio Vasari, who laid out the grottos, and in sculpture by Bernardo Buontalenti. The elaborate architecture of the grotto in the courtyard that separates the palace from its garden is by Buontalenti.
The garden lacks a natural water source. To water the plants in the garden, a conduit was built from the nearby Arno River to feed water into an elaborate irrigation system.
The primary axis, centered on the rear façade of the palace, rises on Boboli Hill from a deep amphitheater that is reminiscent in its shape of one half of a classical hippodrome or racecourse. At the center of the amphitheater and rather dwarfed by its position is the Ancient Egyptian Boboli obelisk brought from the Villa Medici at Rome. This primary axis terminates in a fountain of Neptune (known to the irreverent Florentines as the "Fountain of the Fork" for Neptune's trident), with the sculpture of Neptune by Stoldo Lorenzi visible against the skyline as a visitor climbs the slope.
Giulio Parigi laid out the long secondary axis, the Viottolone or Cyprus Road at a right angle to the primary axis. This road led up through a series of terraces and water features, the main one being the Isolotto complex, with the bosquets on either side, and then allowed for exit from the gardens almost at Porta Romana, which was one of the main gates of the walled city. In 1617, Parigi constructed the Grotto of Vulcan (Grotticina di Vulcano) along this axis.
The gardens have passed through several stages of enlargement and restructuring work. They were enlarged in the 17th century to their present extent of 45,000 meters² (111 acres). The Boboli Gardens have come to form an outdoor museum of garden sculpture that includes Roman antiquities as well as 16th and 17th century works.
In the first phase of building, the amphitheatre was excavated in the hillside behind the palace. Initially formed by clipped edges and greens, it was later formalized by rebuilding in stone decorated with statues based on Roman myths such as the Fountain of the Ocean sculpted by Giambologna, then transferred to another location within the same garden. The small Grotto of Madama, and the Large Grotto, were begun by Vasari and completed by Ammannati and Buontalenti between 1583 and 1593.
Even while undergoing restoration work in 2015, the Large Grotto's statues are still on display and represent defining examples of Mannerist sculpture and architecture. Decorated internally and externally with stalactites and originally equipped with waterworks and luxuriant vegetation, the fountain is divided into three main sections. The first one was frescoed to create the illusion of a natural grotto, that is a natural refuge to allow shepherds to protect themselves from wild animals; it originally housed The Prisoners of Michelangelo (now replaced by copies), statues that were first intended for the tomb of the Pope Julius II. Other rooms in the Grotto contain Giambologna's famous Bathing Venus and an 18th-century group of Paris and Helen by Vincenzo de' Rossi.
After the Fritz Koenig sculptures I saw the day before at the Uffizi Gallery, saw more sculptures, but bigger ones at Boboli Gardens.
Fritz Koeing 1924 - 2017 - A Retrospective
Large Mona III
Grande Mona III
Große Mona III
1977/1978
sign
morning rain drops had evaporated in the afternoon sun and left these odd spots on the web. I don't know if it was because the 91 degree temps or the 87% humidity or combination that caused this. These webs appear all over the bushes near the employee entrance at work, we see droplets after rain or humid nights all the time, but have never seen them dry into spots like this.
I had better shots but gremlins glitched up my memory card and I could only recover a few. I am hoping they are still there tomorrow, but the grounds crew was arriving as I left so not too likely. Bummer because I have never seen this effect before, who knows when/if I'll catch it again...
At least I have something to share with everyone though.
The difference between making good beef jerky and great beef jerky is real smoke, here’s how to do it
Staying at home during the pandemic gives you a lot of time to think about how awesome a road trip would be right about now. It also offers a chance to figure out what you’ll need in your “Go Bag” in case there’s a zombie apocalypse.
Coincidentally, beef jerky plays a big role in both. At least for me anyway.
Because beef jerky is a basic ingredient in life, I tend to have some on hand all the time. Nothing fancy, just some basic savory and savory/spicy that I make 3-to-4 pounds at a time when I come across some good discount meat.
Even though there’s almost nothing to my beef jerky recipe, friends tell me that it’s amazing and I must have a secret. I don’t. My jerky recipe, like a million others out there, is just an adaptation of a food dehydrator recipe that came in the little guide book packaged with the dehydrator.
My big (not) “secret” is, rather than using ‘liquid smoke’ in the marinade like the recipe calls for, I actually smoke the jerky before I dehydrate it.
It’s not hard. You don’t even need a full-blown smoker or BBQ — a little portable grill or hibachi will do.
More importantly, real smoke and a little heat will impart flavors in your jerky that you just can’t get when you skip straight from marinating to drying on a dehydrator. It’s the difference between “oh that’s nice” and “OMG that’s the best jerky I’ve ever had! Are you sure you made it? What’s your secret?”
Try this recipe yourself. Since I’m lazy and unambitious, so you can rest assured that I’ve optimized it for the best outcome based with the least effort.
What You Need:
Beef
Any thin sliced beef will do. I use flap meat or shoulder knuckle, both of which are used in carne asada, because it’s on sale here a lot. But any beef — steaks or roasts — on sale, is going to work. Just make sure that you slice it thin (i.e., under ¾-inch thick).
Marinade
For Savory Jerky:
1 part Soy Sauce
1 part Worchester Sauce
For hot and spicy jerky, add the following to taste:
Ground black pepper
Red pepper flakes
Equipment:
Smoker, BBQ, Hibachi, etc. (with lid)
2-3 pieces of charcoal
Hardwood pieces or chips
Food dehydrator
Instructions
Cut the meat into strips
Slice your meat into ¾-inch wide strips trimming excess (but not all) fat.
Cutting with the grain of the meat will give you long-strip jerky that’s good for chewing on for a while; cutting across the grain will give you jerky you can tear easily and eat smaller pieces. Put it all in a 1 gallon zipper bag, bowl or resealable container and set it aside.
Make the marinade
Mix Worcester and soy sauce to make the base marinade. I’ve found that 1 cup of each per pound of meat is a pretty good rule and easy to remember. You only want to make enough marinade to cover the meat, so adjust your quantity up or down accordingly.
If you’re into the spicy, add the ground black pepper and red pepper flakes to the marinade. Again, how much you add is based on the amount of meat and how spicy you want your jerky to be. I like it hot enough to get my attention, but not so hot I can’t see, so I add about ¾ teaspoon per cup of liquid.
Marinade the meat
Pour the marinade into the meat container and stir / shake the meat around so it’s all covered in the marinade.
Refrigerate for 8 – 12 hours. Resist the temptation to let it go longer. The meat is thin so letting it marinade longer will make the jerky taste like smoked, dried marinade instead of beef jerky.
Fire up your “smoker”
We’re going to “cold smoke” this beef jerky, so we don’t want heat, just smoke. For that we only need a little fuel, so you can use even a very small barbecue to do your smoking.
Start your charcoal using the bare minimum you need to get it burning.
Starting a single piece of charcoal All the fuel you need for cold smoke
Since we’re cold smoking, we need to keep the temperature in the smoking space below 100F. We’re interested in a low, smoky, not hot, fire. I find a single piece of charcoal and a rocket stove made from cansa rocket stove made from cans does the job.
Smoke the meat
Once you’ve got your charcoal burning, move it in the fire pan as far as you can from where the meat will be. If you’ve got a sidebox, large BBQ or Hibatchi-style grill, this is no problem.If you’re using a small, round portable, place it in the bottom center.
Add your hardwood. I like to add too much because it makes the fire smoky for a while before it starts to burn.
Place your meat on the grill, making sure there’s enough space between pieces to ensure good smoke circulation. Then close the lid and let the smoke do its magic.
Jerky on the grill for smoking Jerky after an hour of cold smoking
You’ll know the meat has enough smoke when it starts to turn a little pink. With a small grill this might only be 15 minutes, a large grill or sidebox might be up to an hour (depending on how much meat you’re smoking).
Dehydrate
Once you see that pink tinge, move the meat off the grill and on to your dehydrator rack(s), again making sure there’s plenty of airspace between strips.
Jerky after 24 hours on the dehydrator (those are pepper seeds on the jerky)
Set your dehydrator on medium and let it run. Depending on your dehydrator and how much jerky you’re dehydrating, total curing time can be from 8 to 24 hours. I do 3 pounds at a time and it takes 24 hours using one we picked up at a big box store.
Store and Enjoy
Once your jerky is dried completely it will be stiff and stringy with no give when you squeeze it. Remove it from the dehydrator and place it in an airtight container right away.
Store your jerky in an airtight container.
Keep the jerky in an airtight container when you’re not enjoying it too. Jerky loves to pull water from the air making it weird and a little slippery, which is not what you want in jerky.
That’s it. Try that one little change to a plain beef jerky recipe and tell me it’s not the greatest jerky you’ve had (except for maybe that one at a truck stop in Elko, Nevada).