View allAll Photos Tagged Deepfakes
Koki Nagano discusses the future of virtual humans and deepfakes at TEDxCharlottesville in Charlottesville, Virginia on November 8, 2019. Photo by Edmond Joe.
Koki Nagano discusses the future of virtual humans and deepfakes at TEDxCharlottesville in Charlottesville, Virginia on November 8, 2019. Photo by Edmond Joe.
Koki Nagano discusses the future of virtual humans and deepfakes at TEDxCharlottesville in Charlottesville, Virginia on November 8, 2019. Photo by Edmond Joe.
Deepfake. Holografía. 360. Transmedia en el cine comunitario
La charla propone un recorrido y análisis sobre el trabajo de ficción y documental en formatos inmersivos. Luego de un reciente largometraje registrado en video 360 en México, se sigue experimentando con nuevos formatos y técnicas, entre ellos el deepfake, la holografía y la narrativa transmedia en el cine dentro del marco cooperativista.
Con Gisela Villanueva, Federico Jacobi, Michael Celi, Ramiro N. Álvarez, Martiniano Caballieri y Micol Metzner. Moderan José Celestino Campusano y Veroka Velásquez.
Mirá la charla en nuestro canal de YouTube
www.YouTube.com/mardelplatafilmfestival
#MarFilmFestival
Deepfake. Holografía. 360. Transmedia en el cine comunitario
La charla propone un recorrido y análisis sobre el trabajo de ficción y documental en formatos inmersivos. Luego de un reciente largometraje registrado en video 360 en México, se sigue experimentando con nuevos formatos y técnicas, entre ellos el deepfake, la holografía y la narrativa transmedia en el cine dentro del marco cooperativista.
Con Gisela Villanueva, Federico Jacobi, Michael Celi, Ramiro N. Álvarez, Martiniano Caballieri y Micol Metzner. Moderan José Celestino Campusano y Veroka Velásquez.
Mirá la charla en nuestro canal de YouTube
www.YouTube.com/mardelplatafilmfestival
#MarFilmFestival
Koki Nagano discusses the future of virtual humans and deepfakes at TEDxCharlottesville in Charlottesville, Virginia on November 8, 2019. Photo by Edmond Joe.
Diagram shows the process by which one computer synthesizes fake images and another tries to tell whether those are real or fake. Millions of cycles of back and forth can lead to more realistic images.
A generative adversarial network (GAN) learns to generate images by pitting two neural networks against each other. The generator network tries to create an image that looks real, while a discriminator network tries to see through the deception — and both try to learn from their mistakes. After enough cycles, the results can look startlingly realistic.
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Read more in Knowable Magazine
Synthetic media: The real trouble with deepfakes
Keeping on top of manipulated videos and images is no easy feat. Scientists trace the roots of their proliferation, dig up new techniques to counter digital forgeries and warn of the growing dangers ahead.
knowablemagazine.org/article/technology/2020/synthetic-me...
Read more from Annual Reviews
Image Forensics, Annual Review of Vision Science
Manipulated photos have the potential to pose a problem in the news, courts, national security and other arenas. The human eye is surprisingly limited in its ability to detect such fakes, but new computational techniques may help authenticate images.
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The Knowable Magazine Science Graphics Library is an initiative to create freely available, accurate and engaging graphics for teachers and students. All graphics are curated from Knowable Magazine articles and are free for classroom use.
Knowable Magazine is an editorially independent initiative produced by Annual Reviews, a nonprofit publisher dedicated to synthesizing and integrating knowledge for the progress of science and the benefit of society.
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Koki Nagano discusses the future of virtual humans and deepfakes at TEDxCharlottesville in Charlottesville, Virginia on November 8, 2019. Photo by Edmond Joe.
Koki Nagano discusses the future of virtual humans and deepfakes at TEDxCharlottesville in Charlottesville, Virginia on November 8, 2019. Photo by Edmond Joe.
Koki Nagano discusses the future of virtual humans and deepfakes at TEDxCharlottesville in Charlottesville, Virginia on November 8, 2019. Photo by Edmond Joe.
Koki Nagano discusses the future of virtual humans and deepfakes at TEDxCharlottesville in Charlottesville, Virginia on November 8, 2019. Photo by Edmond Joe.
Koki Nagano discusses the future of virtual humans and deepfakes at TEDxCharlottesville in Charlottesville, Virginia on November 8, 2019. Photo by Edmond Joe.
Deepfake. Holografía. 360. Transmedia en el cine comunitario
La charla propone un recorrido y análisis sobre el trabajo de ficción y documental en formatos inmersivos. Luego de un reciente largometraje registrado en video 360 en México, se sigue experimentando con nuevos formatos y técnicas, entre ellos el deepfake, la holografía y la narrativa transmedia en el cine dentro del marco cooperativista.
Con Gisela Villanueva, Federico Jacobi, Michael Celi, Ramiro N. Álvarez, Martiniano Caballieri y Micol Metzner. Moderan José Celestino Campusano y Veroka Velásquez.
Mirá la charla en nuestro canal de YouTube
www.YouTube.com/mardelplatafilmfestival
#MarFilmFestival
Digital assistants predict Pete's every move - is he a Deepfake, does he exist? An A.I. buddy comedy exploring how human experience is being transformed by technology.
From being fired by your phone, using health data in dating, or A.I. assistants listening and advising on our sex lives. Are we too predictable and who are we to escape it? A mix of sketch, standup and deepfake multimedia performance.
Pete is standup. His sketches have been nominated for short festivals, and currently hosts Just Another Panel Show.
For more details and tickets www.greatermanchesterfringe.co.uk
The teen book group enjoyed expoloring our interactive exhibition 'The Glass Room' and taking the quiz. The Glass Room Misinformation Edition exhibit looks at misinformation in all its forms, from deepfakes to addictive technology design. Visitors are invited to explore the consequences of our increasing reliance on social media and the web for the majority of our information.
The teen book group enjoyed expoloring our interactive exhibition 'The Glass Room' and taking the quiz. The Glass Room Misinformation Edition exhibit looks at misinformation in all its forms, from deepfakes to addictive technology design. Visitors are invited to explore the consequences of our increasing reliance on social media and the web for the majority of our information.
Session "Synthetische Medien, Deepfakes und der Journalismus der Zukunft" im Livestream der re:publica 2021
Taking a look back at the Un_Real Desires Group Exhibition at SomoS, October 23-27 2019. These photos are from the opening night on Tuesday October 22.
Does it matter if what you desire is real or not? Filters, Photoshop, animation, VR, sex robots, deepfakes, the representation of the eroticized body is moving further and further away from reality. Increasingly, the object of desire is not only obscure, but distorted and hidden by more and more layers of artifice: the disembodiment of the erotic seems immanent. Conversely, the constant barrage of societal and medial incentives and influences might render the impetus for desire itself questionable. Was this really what I wanted?
Image courtesy of Kimiya Nik photography.
The teen book group enjoyed expoloring our interactive exhibition 'The Glass Room' and taking the quiz. The Glass Room Misinformation Edition exhibit looks at misinformation in all its forms, from deepfakes to addictive technology design. Visitors are invited to explore the consequences of our increasing reliance on social media and the web for the majority of our information.
Richard Averitt introduces Koki Nagano who discusses the future of virtual humans and deepfakes at TEDxCharlottesville in Charlottesville, Virginia on November 8, 2019. Photo by Edmond Joe.
Taking a look back at the "Un_Real Desires" group exhibition at SomoS, October 23-27. These photos are from the opening night on Tuesday October 22.
Does it matter if what you desire is real or not? Filters, Photoshop, animation, VR, sex robots, deepfakes, the representation of the eroticized body is moving further and further away from reality. Increasingly, the object of desire is not only obscure, but distorted and hidden by more and more layers of artifice: the disembodiment of the erotic seems immanent. Conversely, the constant barrage of societal and medial incentives and influences might render the impetus for desire itself questionable. Was this really what I wanted?
Left to right,
Mu Zhang - Spring Palace (Lenticular)
Iria do Castelo & Ramses Salas - Juliette (2018, Sculpture, Video and Sound)
Image courtesy of Kimiya Nik photography.
Taking a look back at the "Un_Real Desires" group exhibition at SomoS, October 23-27. These photos are from the opening night on Tuesday October 22.
Does it matter if what you desire is real or not? Filters, Photoshop, animation, VR, sex robots, deepfakes, the representation of the eroticized body is moving further and further away from reality. Increasingly, the object of desire is not only obscure, but distorted and hidden by more and more layers of artifice: the disembodiment of the erotic seems immanent. Conversely, the constant barrage of societal and medial incentives and influences might render the impetus for desire itself questionable. Was this really what I wanted?
Francesca Fini - Skinned (2019, HD Video)
Image courtesy of Kimiya Nik photography.
Taking a look back at the Un_Real Desires Group Exhibition at SomoS, October 23-27 2019. These photos are from the opening night on Tuesday October 22.
Does it matter if what you desire is real or not? Filters, Photoshop, animation, VR, sex robots, deepfakes, the representation of the eroticized body is moving further and further away from reality. Increasingly, the object of desire is not only obscure, but distorted and hidden by more and more layers of artifice: the disembodiment of the erotic seems immanent. Conversely, the constant barrage of societal and medial incentives and influences might render the impetus for desire itself questionable. Was this really what I wanted?
Left to right,
Miriam Poletti - We Should Fear Thirst (2019, Multimedia installation and participatory performance)
Amir Chasson - Carvings (2018, Sculpture, Video and Writing)
Image courtesy of Kimiya Nik photography.
Taking a look back at the "Un_Real Desires" group exhibition at SomoS, October 23-27. These photos are from the opening night on Tuesday October 22.
Does it matter if what you desire is real or not? Filters, Photoshop, animation, VR, sex robots, deepfakes, the representation of the eroticized body is moving further and further away from reality. Increasingly, the object of desire is not only obscure, but distorted and hidden by more and more layers of artifice: the disembodiment of the erotic seems immanent. Conversely, the constant barrage of societal and medial incentives and influences might render the impetus for desire itself questionable. Was this really what I wanted?
Left to right,
Amir Chasson - Carvings (2018, Sculpture, Video and Writing)
Mu Zhang - Spring Palace (Lenticular)
Iria do Castelo&Ramses Salas - Juliette (2018, Sculpture, Video and Sound)
Image courtesy of Kimiya Nik photography.
Digital assistants predict Pete's every move - is he a Deepfake, does he exist? An A.I. buddy comedy exploring how human experience is being transformed by technology.
From being fired by your phone, using health data in dating, or A.I. assistants listening and advising on our sex lives. Are we too predictable and who are we to escape it? A mix of sketch, standup and deepfake multimedia performance.
Pete is standup. His sketches have been nominated for short festivals, and currently hosts Just Another Panel Show.
For more details and tickets www.greatermanchesterfringe.co.uk