View allAll Photos Tagged DeeWhy
Long Reef is an interesting area from the point of view of geology. Beach sands include the minerals Ilmenite, rutile, zircon and monazite.
Bald Hill claystone and haemetite are in shot here. Bulgo sandstone is present, but not evident in this photo.
Most of the red comes from iron, so I'm told. But aluminium is also present in the form of kaolinite. In the 1880s there was a copper mine here at Long Reef.
A rather desolate looking scene. Hardly any plants in shot, as if it's in a dry region. Though the average annual rainfall here is over 1,200 mm per year.
sunset at Dee Why lagoon, Sydney, winter 2018. Leica IIIc Cosina-Voigtlander 21mm f/4 Color-Skopar LTM Agfa APX100 in XTOL 1+1. V700 scan.
Sydney coast, March 2020. Rollei 35S Zeiss Sonnar 40mm f/2.8, Ilford HP5+ @ISO800 in Microphen developer dilution 1+1. V700 scan.
Solitary during coronavirus epidemic, Sydney, March 2020. Rollei 35S Zeiss 40mm f/2.8 Sonnar. Ilford HP5+ @ISO800 in Microphen developer dilution 1+1. V700 scan.
last light over Dee Why lagoon on Sydney's northern beaches, 2013. Olympus XA Zuiko 35mm f/2.8 Ilford HP5+ rated iso 800 in Kodak D76 developer. V700 scan.
Dee Why beach, Sydney, March 2020. Rollei 35S Zeiss 40mm f/2.8 Sonnar, Ilford HP5+ @ISO800 in Microphen developer dilution 1+1. V700 scan.
Solitary during coronavirus epidemic, Sydney, March 2020. Rollei 35S Zeiss 40mm f/2.8 Sonnar. Ilford HP5+ @ISO800 in Microphen developer dilution 1+1. V700 scan.
Dee Why beach, Sydney, March 2020. Rollei 35S Zeiss 40mm f/2.8 Sonnar, Ilford HP5+ @ISO800 in Microphen developer dilution 1+1. V700 scan.
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2020 Lynn Burdekin. All Rights Reserved.
Dee Why beach, Sydney, December 2019. Leica IIIf Summitar 5cm f/2 LTM, Tri-X 400 in ID11. V700 scan.
The Manly hydrofoil Dee Why goes into dry dock. Hydrofoils operated on Sydney Harbour between Circular Quay and Manly between 1965 and 1991.
Here she's @ Balmain Maintenance Depot in Mort Bay, Balmain.
Stuart McPherson photo. April 1980.
One of the best street shots I've been lucky enough to take. Everything worked out with this hip shot.
two young women enjoying winter sun at Dee Why beach, Sydney, August 2021.
Camera: Leica CL
Lens: Cosina-Voigtlander Ultron 35mm f/2 Aspherical Vintage Line
Film: Kentmere Pan 100
Developer: Ilfotec HC dilution 1+31
Scan: Epson V700
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2021 Lynn Burdekin. All Rights Reserved.
winter swells on the Sydney coast, 2019. Leica CL with Voigtlander Ultron 35mm f/2 Aspherical Vintage Line lens, Ilford FP4+ in ID-11 1+3. V700 scan.
An afternoon in the beer garden of the Dee Why hotel, on Sydney's northern beaches, summer 1975.
Camera: Olympus OM1
Film: Tri-X 400
Developer: D76
Scan: Epson V700
Please don't use this image on websites, blogs or other media, or reproduce it in any way without my explicit written permission. © copyright 1975 Lynn Burdekin. All Rights Reserved.
Dee Why beach, Sydney, December 2019. Leica IIIf Summitar 5cm f/2 LTM, Tri-X 400 in ID11. V700 scan.
The Sydney area has been hit by strong winds, driving rain and large waves. For this kitesurfer at Dee Why, perfect conditions!
Early morning calm at Dee Why beach and pool precedes a perfect Sydney summer day. Sunrise is tinted by New South Wales bushfires and the beach scatterd with seaweed but these do not deter beachgoers once the sun gets up (HDR).
I've partnered up with Olympus AU and Classic Wood Prints and will be giving away 6 free wood prints over the next 6 weeks!
All I'm asking is for you to cover the postage cost.
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The story behind this shot:
'Speckle' is one of those shots you get every millionths attempt. Captured at Dee Why - Australia on an early morning swim. Nothing beats the sun rising over the horizon and lighting up a wave from behind like it does in this shot. It’s a moment that might just last for a fraction of a second. Add a surfer pumping his way through the wave and a droplet of water on the lens port on the underwater housing refracting the light and you get: Speckle. Not sure if I will ever got a shot like this again… I guess that’s the beauty if it all.
Captured with the Olympus E-M1 and M.Zuiko 12-40mm f/2.8 PRO inside the PT-EP11 housing. The E-M1’s focussing capabilities surprise time and time again! This is a particularly difficult shot for a camera. moment before the direct sunlight was hitting the sensor and add a load of movement in multiple directions to the scene and yet the camera seemed to know what I wanted to focus on, tracked the surfer and shot a perfect burst of images. What more could I have asked for?
Explored #262, March 27, 2012
Dee Why Sydney
I am at home sick today and looking through some rejected photos to find something to process. The title 'carried away' refers to the processing of the image. I'm afraid I got carried away with this one, but I kind of like it anyway so I thought I would post it. (original image posted below)
Exposure 50 sec
+ND 400 filter
Aperture f/11.0
Focal Length 10 mm
ISO Speed 100
Shot with Nikon D5200 with 18-55 mm f/3.5-5.6
1/6 sec| f/11 | ISO100 at 18 mm
You Can Order Prints at www.timmatthews.com.au
© Tim Matthews Photography
Sydney coast, March 2020. Rollei 35S Zeiss Sonnar 40mm f/2.8, Ilford HP5+ @ISO800 in Microphen developer dilution 1+1. V700 scan.
tree in coastal wetland sand dunes, Sydney 2019. Voigtlander Bessa II Color-Skopar 105mm f/3.5 rangefinder folding 6x9 camera, Kodak TMAX 100 120 film in TMAX developer 1+4. V700 scan.