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No exact date for this image of Stanier 8F 48003 taken at Banbury Shed, Hall 6911 is next to it. The loco is carrying a 16E Kirkby-in-Ashfield shed plate which places the photo as being taken after September 1963 (thanks to Tony) and April 1965 (thanks to Richard for scrap date of 6911).
The loco was new from Crewe Works as 8003 in June 1935 and withdrawn in March 1966. Cutting up was in June 1966 and again we don't have a location.
Image from a negative in my collection taken by an unknown photographer.
Date and time taken: 19.9.2023 10:06h
Additional Info:
Viking Rail MY 1146 with BLG Logistics Laaers car transport from Vamdrup to Ringsted in heavy rain which started shortly before train was visible behind the curve.
Date: June 29, 1961
Photographer: Building Inspector, Works Department
Format: 1 photograph : b&w negative ; 8.25 x 10.8 cm (3.25 x 4.25 inches)
Retrieval Code: Halifax Works Department photograph, 102-39-1-911.1
Amongst the plethora of architecture dating back to Garachico's heyday in the late 15th to early 18th Centuries, when it was the island's principal port, before the 1706 eruption filled it's deep harbour, there are also a number of impressive Art Deco buildings and details, as indeed, one will also find in Santa Cruz.
This building, the cafeteria Proa Norte in Garachico, really needs no translation, appearing, as so many Art Deco buildings do, like the prow of a ship - or better a liner from those golden days of sea travel. It aptly stands at the end of the "new" land that was created when that deep water harbour was filled in.
The most detailed English language website on the island
DATE:October 27 1955 D:Princess Margaret walks from her car to Royal Opera House,Covent Garden, to attend gala performance of "Bartered Bride" in honour of visit of the Portugal president /original photo
DATE: 4-2-15
LOCATION: Ellington T-38s, NBL, Bldg 9, Bldg 30 - MCC.
SUBJECT: Tour of ESA Astronaut Thomas Pesquet with guests Tony Parker and Boris Diaw from the San Antonio Spurs.
PHOTOGRAPHER: Lauren Harnett
I had some fun last night to woodenize my date stamp. Sawed from the wooden beams I dissembled from a cabinet, a wooden cube now replaced the plastic handle from my Cox date stamp, matching the stuffs made of wood on my desk.
I'm still unsatisfied with the new wooden handle, will probably find some way to customize it further. If you ask me what color I like most, I will tell you "wood". Not brown, not dark brown, not burnt umber, just WOOD.
What else I have in wood on my desktop? A calculator with wooden rim, Tivoli Audio radio, antique wooden treasure box to store my travel tools/books, stamps, spools, cutter in wooden box, wine bottle holder, wooden photo frame and mirror, etc. If my dream house can't be in wood, at least my study room will definitely be.
Tonight I'm gonna play with some ideas about a notebook system which has all my favorite elements in note taking and journaling with photos. The polaroid here was taken today with my wife standing in front of a wall holding my Lomo LCA+ with wide angle lens, I should ask her to pose more for stuffs I love, including herself :)
More on Scription blog: moleskine.vox.com/library/post/woodenize-my-date-stamp.html
ROBERT DOWNEY JR. as Peter Highman in Warner Bros. Pictures’ and Legendary Pictures’ comedy “DUE DATE,” a Warner Bros. Pictures release.
DATE:February 10 1955 D:Princess Margaret inspects the guard of honour on her arrival on Granada.She wears an embroidered creation of champagne silk /original photo
This is what happens when I casually look at maps, see a church and think I don't recognise the name, we go and I take hundreds of shots, only to discover upon my return we were last there in January of 2017, making this the fourth visit.
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An impressive church of mainly fourteenth-century date. The tower, which was still under construction in the early sixteenth century, is one of the most striking features. Externally it is memorable for the composition of the west door and window. The doorway has finely carved spandrels and label-stops, but the window above has two designs incorporated into it - Tudor arches for the bottom four lights, and Perpendicular arches above. It is quite a thing and obviously the result of local designs dying hard! The tower is topped by an excellent weathervane dated 1751. Inside, the tower arch is also memorable, a tall much-moulded feature, almost as impressive as the tower arch at Horsmonden. The north aisle shows evidence of rebuilding - the two octagonal pillars of fourteenth-century form replaced circular pillars, one of which survives. The church is very light, the east window containing only plain glass, which helps us to appreciate the furnishings and memorials of mainly twentieth-century date. In the south aisle is a tablet to Alfred Lyttleton (d. 1913), which was probably carved by Eric Gill. The interesting reredos of the high altar dates from 1967 and depicts St John the Baptist baptising Christ in a local river.
www.kentchurches.info/church.asp?p=Wittersham
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LIES the next parish westward from Stone, being usually called Witsham.
THIS PARISH, which partakes of the gross unhealthy air of the adjoining marshes, is a lonely unsrequented place; it is about two miles and an half acros each way. The village, with the church and parsonage, stand nearly in the middle of it, upon high ground, the ridge of which runs through the centre of it, surrounded, excepting on the east, where it joins Stone, by a large tract of marsh-lands, which reach to the extremity of the island, excepting where they join the parish of Ebeney towards the north-east. At the west end of the high ground is a hamlet, called Pinyon Quarter, in which stands Palstre-court, and there are several other houses interspersed over it. The soil is a kind of loam, which in some places has the quarry or sand stone mixed with it. There are some small pieces of coppice wood in the different parts of the upland of it.
A fair is held here yearly, on the seast of St. Philip and James, May 1, for toys and pedlary.
THE MANOR OF ALDINGTON claims over the greatest part of this parish, as does the manor of Lambin, in Rolvenden, over a small district in it; subordinate to the former is the manor of Wittersham.
WITTERSHAM was given, in the year 1032, to Christ church, in Canterbury, for fosterland, that is, for the food and sustenance of the monks, by Eadsy a priest, with the consent of king Canute and Elfgive his queen, but there is no mention made any where of that church's having ever been in possession of it. But in later times this manor appears to have become a lay fee; for king Henry IV. in his 8th year, granted licence to Richard Lentwardyn and John Hurleigh, clerks, to give and assign to the master and fellows of All Saints college, in Maidstone, founded by archbishop Courtney in king Richard the IId.'s reign, the manor of Wyghtresham, among other premises in this county, which were not held of him. After which, this manor continued part of the possessions of the college till the suppression of it, in the 1st year of king Edward VI. anno 1546, at which time it was let to Sir Thomas Wyatt, at the yearly rent of fourteen pounds, (fn. 1) when the manor-house or court-lodge of it, from its belonging to the above foundation, had acquired the name it still goes by, of Wittersham college. This manor coming thus into the hands of the crown, was afterwards granted to Sir Henry Crispe, of Quekes, who settled it on his son Nicholas Crispe, esq. of Grimgill, in Whitstaple, who had been sheriff at the latter part of the first year of queen Elizabeth. He possessed it only for his life, during which there appears to have been a suit at law concerning the title to it, and on his death in 1564 it came to Thomas Parrot and Thomas Shirley, who were by inquisition found to be the two coheirs of his daughter Dorothy, and they held their separate moieties of the queen in capite, both which were afterwards alienated before the end of that reign to Thomas Bishop, esq. of Sussex, afterwards knighted, and anno 19 James I. created a baronet, who bore for his arms, Argent,on a bend,cotized,three bezants. He lived to a great age, and left surviving one son Sir Edward, his successor in title and estate, and two daughters, on the youngest of whom, Frances, he had settled this manor, anno 18 James I. on her marriage with John Alford, son of Edward, of Offington, in Sussex, esq. whose youngest daughter and coheir Elizabeth, married in the year 1659, Charles Bickerstaffe, esq. afterwards knighted, and of Wilderness, in Seale, whom she survived, and afterwards, with her only daughter and heir Frances, an act having been obtained for the purpose anno 2 queen Anne, alienated it to Mr. William Blackmore, gent. of Tenterden, who in 1707 gave it by will to his nephew John, son of his brother James Blackmore, deceased, and his descendant Thomas Blackmore, esq. of Briggins, in Hertfordshire, is the present owner of this manor.
THE MANOR OF PALSTER, or Palstre, called in antient writings, the denne of Palstre, is situated in the western part of this parish, though it extends into the parish of Ebene. This manor, at the time of taking the survey of Domesday, was part of the possessions of the bishop of Baieux, under the general title of whose lands it is thus entered in it.
In Oxenai hundred, Osbn Paisfor holds of the bishop of Baieux, Palestrei. It was taxed at three yokes. The arable land is two carucates. In demesne there is one, and nine borderers having half a carucate. There is a church, and two servants, and ten acres of meadow, and five fisheries of twelve pence. Wood for the pannage of ten hogs. In the time of king Edwards the Consessor, and afterwards, it was worth forty shillings, now sixty shillings. Eduui the priest held it of king Edward.
On the disgrace of the bishop of Baieux, four years afterwards, the seignory paramount of this manor was granted to the family of Crevequer, of whom it was held by a family who assumed their name from it, one of whom, Philip de Palstre, held it by knight's service in Henry III.'s reign, as did his descendant Thomas de Palstre in the 20th year of king Edward III. Soon after which, it came into the family of Basing, who held it, together with a moiety of the passage of Smallhythe ferry, adjoining to it. From which name it quickly after passed into that of Charles, and Richard Charles, as appears by the inquisition taken after his death, anno 1 Richard II. died possessed of this manor, with the moiety of the above passage annexed to it, held in capite, as did his nephew Richard Charles, who on his death, s.p. became his heir, in the 11th year of that reign. His son Robert dying likewise s.p. his two sisters became his coheirs, of whom Alice entitled her husband William Snaith, esq. of Addington, to it, in whose descendants it continued till the reign of king Edward IV. in the 11th year of which, Robert Wotton, esq. of Addington, died possessed of it, holding it as above-mentioned. (fn. 2) How it passed from his heirs. I have not found; but it went soon afterwards into the possession of the family of Peckham, and in the 7th year of king Henry VII. Katherine, widow of James Peckham, esq. died possessed of it, as did their son Thomas in the 7th year of king Henry VIII. holding it in capite. He left one son, and a daughter, who married Sir George Harpur, who in her right became, by her father's will, possessed of it. He presently afterwards alienated it to Sir Thomas Wyatt, as he did to Robert Rudston, esq. who in the 2d and 3d of king Edward VI. had his lands in this county disgavelled, by the general act then passed, but being attainted for his concern in Sir Thomas Wyatt's rebellion, in the first year of queen Mary this manor became vested in the crown, where it remained till the first year of the reign of queen Elizabeth, when an act having passed for restoring him in blood as well as to his estates, it came again into his possession, and he, anno 18 Elizabeth, levied a fine of it. At length his grandson Robert Rudston, in king Charles I.'s reign, alie nated it to Sir Edward Henden, one of the barons of the exchequer, who by will in 1662 gave it to his nephew Sir John Henden, (fn. 3) in whose descendants it continued till it was at length sold, in king George I.'s reign, to Thomas May, esq. of Godmersham, afterwards Knight, who died possessed of it in 1781, as did his only son and heir Thomas Knight, esq. of Godmersham, in 1794, s.p. and by will devised it to his wife Mrs. Katherine Knight for life, remainder to Edward Austen, esq. of Rolling, and she is now in the possession of it. (fn. 4)
OWLIE, antiently written Oveley, is another manor in this parish, which had once owners of that surname, in which it remained till the beginning of Richard II.'s reign, when the family of Odiarne, who were of good note in this county, became possessed of it, who bore for their arms, Sable, a chevron,between three covered cups,or; as they were formerly painted in the window at the entrance of the north chancel of this church; in whom it remained till the latter end of Henry VIII.'s reign, in the 36th year of which Thomas Odyarne appears by his will to have died possessed of it. He resided at his mansion-house of Acteden, now called Acton, in this parish, which Thomas Rayfield, of Wittersham, brother of Robert Rayfield, abbot of Boxley, had died possessed of anno 1494, and by his will had ordered it to be sold, and which, with the manor of it, as well as this of Owlie, he devised to his two sons Thomas and John Odiarne, and they soon afterwards sold the latter to John Maney, esq. of Biddenden, whose descendant Sir John Maney, bart. of Linton, in king Charles I.'s reign, passed it away by sale to Peter Ricaut, esq. afterwards knighted, who sold it to Mr. Menell, of London. At length after some intermediate owners, it became by purchase the property of Thomas May, esq. afterwards Knight, and he died possessed of it in 1781, as did his only son and heir Thomas Knight, esq. of that place, in 1794, s.p. His widow Mrs. Katherine Knight is now by his will become possessed of it.
Charities.
THOMAS BEWFRERE, by will in 1463, ordered that his feoffees should make over to the churchwardens of Wittrisham, for ever, a parcel of land, called Ruffins land, containing five acres, in that parish, within the manor of Palstre, to be applied to the church when there was most need of it.
THOMAS BEREDG, of Wittersham, by will in 1578, devised to the poor of this parish yearly, out of his lands for ever, 3s. 4d. to be given to the collectors on the Friday before Easter, under the thorne in the church-yard, to the maintaining and keeping up of which, he gave the like yearly sum, to be paid out of his lands.
JOHN TRUELOVE, of Wittersham, by will in 1597, gave to the collectors of the poor, 20l. to be employed to the use of the poor people of it, and he ordered his tenement and garden to be sold, and the money that should arise therefrom to be employed to the use of the poor, so that order should be taken that it might yield a perpetual annuity to the poor man's box.
The poor constantly maintained are about thirty, casually twenty-five.
WITTERSHAM is within the WCCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Limne.
¶The church, which is exempt from the jurisdiction of the archdeacon, is dedicated to St. John Baptist. It is a handsome building, consisting of two isles and two chancels, having a tower steeple at the west end, built in the beginning of king Henry the VIIIth.'s reign, in which hangs a peal of bells. The north chancel, formerly called St. Mary's chapel, is now called Acton chancel, as having belonged to that manor. In the east window of it were formerly the arms of Watton. In the first of the windows on the north side, is a legend, with the name of Pitlisden, which family once owned lands in this parish. And near the entrance were the arms and the name of Odiarne, in the window of it.
The church of Wittersham is parcel of the antient possessions of the see of Canterbury, and continues so at this time, his grace the archbishop being the present patron of it.
The rectory of Wittersham is valued in the king's books at 15l. 8s. 6½d. and the yearly tenths at 1l. 10s. 10¼d. In 1588 it was valued at one hundred and sixty pounds, communicants two hundred and fifteen. There are ten acres of glebe land.
Dating from 1863/4; one of the original steam locomotives to run on this railway. Much re-built, of course.
📆 2019-11-23➡️WPF♀️DH 🏆@ligapremaatwp📍Piscina: Josep Vallés 🔛: @cemediterrani 🆚 @cnswaterpolo - @timeoutsports.cat @sports_of_our_world - Photo:©️J.Arnau/Atelier Photo - ⚪️🔵🔴 - 🔛 L'enllaç a les fotos ho podeu veure a la bio. El enlace a todas las fotos en la bio. Link to all photos in the bio. -
Taken Date: 2012:01:14 16:30:57
Make: Canon
Model: Canon EOS 5D Mark II
FocalLength: 35.0 mm
F-Number: F 1.4
Exposure Time: 1/320 secs
ISO Speed: 100
we don't get many of these! so went to see 'jungle book' (which is ace btw) at a local independent cinema. I love it here as the Pullman seats are only an extra 50p, an usherette comes with a tray of ice cream, and you can take wine in :-D
📆 2019-04-19⏱11'30h➡️WPF♀️SEMIS-🏆FINAL FOUR📍Piscina: Can Llong 🔛: @ 🆚 @ - @timeoutsports.cat @sports_of_our_world - Photo:©️J.Arnau/Atelier Photo - ⚪️🔵🔴 - 🔛 L'enllaç a les fotos ho podeu veure a la bio. El enlace a todas las fotos en la bio. Link to all photos in the bio. -
I got this plant from my neighbor since they were outgrowing their pots. I'll pot them up once I get a chance.
Dating back to the kingdom of the khmer king Jayavarman VII (1181-1201), Phimai was built in the western outskirts of his Khmer kingdom, where a previous Hindu temple had been standing. A 240-km-long road connected Angkor, his capital, to Phimai, passing through Muang Tam and Phanom Rung. Instead of facing east (towards the sunrise), like others Khmer monuments do, Phimai faces south-east, probably because it was meant to stand in front of Angkor; other historians suggested that this was due to the influence of Funan instead, Funan being the first Indianized state of South-East Asia from the Ist to the VIth century A.D.
The original complex stood inside a rectangular surrounded by walls (1000 m x 560 m), on an artificial island. There are 4 gopuras, placed so that their entrances corresponded to the entrances to the sanctuary. Pratu Chai (Victory Gate) faces South-east and was built to let elephants in. Just before the gate there is the Khlang Ngoen (treasury) where the most important pilgrims were lodged. Inside the complex there are three prangs: the largest one, Prang Prathan, was built in white sandstone, whereas the other two are in laterite (Prang Phromathat) and red sandstone (Prang Hin Daeng).
The central Prang, the largest one, represented a moment of change for Khmer architecture. Although its plan is similar to Phanom Rung’s, the elegant tapered structure probably became the model for the famous Angkor towers. Another unusual characteristics of Phimai is the predominance of Buddhist motifs in the engravings that adorn the temple. The lintel over the southern gate of the main sanctuary depicts Lord Buddha in meditation under a protecting naga, with the naga’s spiraling body lifting the Enlightened over whirling waters. On the western side of the building there’s a lintel representing Lord Buddha while preaching, with both hands raised. The temple was dedicated to Mahayana Buddhism, but one can easily observe also Hindu motifs. The main gate is adorned with a dancing Shiva. On the eastern side lintel of the main prang an engraving shows Krishna’s triumph over the evil Kamsa. Art historians can be particularly interested in the characteristics of the monumental gates, with petal-shaped decorations, similar to Angkor’s ones. Since Phimai was built before Angkor, it is considered to be the prototype for Angkor Wat.
Risalente al regno del re cambogiano Jayavarman VII (1181-1201), Phimai fu costruita nella periferia occidentale del suo Regno Khmer, su un sito indù. Una strada copriva i 240 km fra la sua capitale, Angkor, e Phimai, attraversando Muang Tam e Phanom Rung. A differenza di altri monumenti Khmer che sono rivolti a est (verso il sorgere del sole), Phimai è rivolto verso sud-est, probabilmente affinché si trovasse di fronte ad Angkor; alcuni studiosi hanno invece proposto che ciò fosse dovuto all'influenza del Funan, il primo Stato "indianizzato" del Sud-Est asiatico, che perdurò in Cambogia dal I al VI secolo d.C.
Il complesso originario sorgeva all'interno di un rettangolo circondato da mura di 1000 m per 560, situato su un'isola artificiale. Si contano quattro gopura, che furono collocati in modo tale che i relativi ingressi coincidessero con quelli del santuario. Il Pratu Chai (Porta della Vittoria) è rivolto verso sud-est e fu costruito per far passare gli elefanti. Poco prima della porta si trova il Khlang Ngoen (Tesoreria), dove venivano alloggiati i pellegrini più importanti. All'interno del complesso si trovano tre prang: il più grande, Prang Prathan, è in arenaria bianca; quelli sui due lati sono in laterite (Prang Phromathat) e arenaria rossa (Prang Hin Daeng).
Il prang centrale, il più grande, rappresentò un importante punto di svolta per l'architettura khmer. Sebbene simile in pianta al Phanom Rung, l'elegante struttura rastremata divenne probabilmente il modello di riferimento per le famose torri di Angkor. Un'altra caratteristica inusuale di Phimai è la predominanza di motivi buddhisti nelle incisioni che adornano il tempio. L'architrave sopra il portone sud del santuario principale raffigura il Buddha in meditazione sotto un naga protettivo, con il corpo spiraleggiante del naga stesso che solleva l'Illuminato su acque vorticose. Sul lato occidentale dell'edificio si trova un architrave che raffigura il Buddha che predica, con entrambe le mani levate. Il tempio fu dedicato al Buddhismo Mahayana, ma sono chiaramente riconoscibili anche motivi indù: l'ingresso principale, per esempio, mostra Siva danzante. Sull'architrave del portico orientale del prang centrale un'incisione mostra la vittoria finale di Krishna sul malvagio Kamsa. Particolarmente interessanti per gli storici dell'arte sono le caratteristiche delle por-te monumentali, con decorazioni a petalo, simili a quelle che si trovano ad Angkor. Poiché Phimai è più antico di Angkor, si suppone che sia stato utilizzato come prototipo per Angkor Wat.
www.world-heritage-tour.org/asia/southeast-asia/khmer-emp...
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📆 2018-12-06⏱12'00h➡️WPF♀️DH J-7🏆Liga Premaat📍Piscina: Josep Vallès (Mediterrani) 🔛: @cemediterrani 🆚 @wpterrassa_fem - @timeoutsports.cat @sports_of_our_world - Photo:©️J.Arnau/Atelier Photo - ⚪️🔵🔴 - 🔛 L'enllaç a les fotos ho podeu veure a la bio. El enlace a todas las fotos en la bio. Link to all photos in the bio. --
Date: March 16, 1944
Place: Moosonee, Ont.
Creator: Gordon W. Powley
Reference Code: C 5-2-2-14-21
Archives of Ontario, I0002885
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Date printed: December 23, 2013
Date created: November, 2013
Medium: Digital Photomontage on Elegance Velvet Fine Art Paper. This paper is 100% cotton and acid and lignin free.
Image Dimensions: w 15" x h 15"
© 2013 Tony DeVarco
📆 2019-11-09➡️WPF♀️🏆@ligapremaatwp📍Piscina: El Sorral 🔛: @cnmatarowaterpolo 🆚 @waterpolosantandreu - @timeoutsports.cat @sports_of_our_world - Photo:©️J.Arnau/@atelierphoto.cat - ⚪️🔵🔴 - 🔛 L'enllaç a les fotos ho podeu veure a la bio. El enlace a todas las fotos en la bio. Link to all photos in the bio. -
I bought this small image as I thought it was a great example of where information on a picture can be misinterpreted and lead to errors. And we're not talking about somebody's hand-written note that may have been written in error, or mis-read. This young boy clearly has the figures one, eight, six and five above his head. But there is no way this is 1865, indeed it's probably a good 30+ years later!
Yesterday's Wine last date at the Esquimalt Legion
Yesterday's Wine Regular Band Members: Leader, Tom Gough, lead vocals and guitar; Glenda Lea Mercer, lead vocals; Clayton O'Howe, bass and sound technician; Doc Jenkins, pedal steel guitar; Randy Cross, drums and backup vocals; Don Peterson, lead guitar and vocals.
📆2018-11-28⏱20'45h ➡️ WPF♀️-DH-J-7🏆Liga Premaat 📍Piscina: Pere Serrat (Sant Andreu) 🔛: @waterpolosantandreu (@cnsantandreu ) 🆚 @matatarolasirena @fotocinematarouec @sports_of_our_world - Photo:©️J.Arnau/Atelier Photo - ⚪️🔵🔴 - 🔛 L'enllaç a les fotos ho podeu veure a la bio. El enlace a todas las fotos en la bio. Link to all photos in the bio. "Mataró Viu l'Esport 2018" --