The Aircraft Database
View allAll Photos Tagged Database,
I bless the day I found you
I want to stay around you
And so I beg you, let it be me
Don't take this heaven from one
If you must cling to someone
Now and forever, let it be me
Each time we meet love
I find complete love
Without your sweet love what would life be
So never leave me lonely
Tell me you love me only
And that you'll always let it be me
Each time we meet love
I find complete love
Without your sweet love what would life be
So never leave me lonely
Tell me you love me only
And that you'll always---let--it be--me
Pierre Delanoë (original in French, 1955) / Manny Curtis 1957 / The Everly Brothers 1959
Whoo finally I have done another database picture. I figure I should do this while I can.
After all, future is uncertain. Anyway my collection is incomplete, you can visit Angel Den for more info.
These hands are exchangeable on SD10 Girl, SD10 Boy, SD13 Girl and SDGr Girl.
You can see their compatibility on SDG vs SDGrG body here. I hope this will be useful. ^__^
*Tentacio* Sweet pastelito @Equal10 event
[*SP*] Knit Heart Dress
Synnergy// Rose Petal Backdrop @Golden Days Event Exclusive
ZOOBY -LOVEMOMMA PREGNANCY BODY -♥ MOMMA
• Get an egg, become pregnant & watch your fetus grow
• Give birth and receive a Zooby Animesh Newborn
• Belly is controlled through animations, not sliders
• Body is BOM, one attachment & uses Alpha System Layers
• Includes a Mood Meter, Fertility Meter & RP Love Quest
• Same outfit can be worn during the entire duration of pregnancy
• Includes a Free Partner Hud to share the pregnancy experience
• Utilizes a database, so all states are in real time even if you log off
• Includes a high rez BOM vagina that animates for birthing and sex
In the center the so-called Swabian Eagle (House of Hohenstaufen)
King Roger's Hall - the formal chamber where Norman king Roger II would meet visiting dignitaries in the Palazzo dei Normanni, dating back to the 12th century.
The Ruggero Room contains exquisite mosaic decoration above a high marble plinth, dating from the regency of Guglielmo (William) I! (circa 1170). It covers the walls, lunettes, the undersides of the arches and the vault. Leopards, lions, harts, peacocks, centaurs and bowmen confront one another symmetrically amongst fruit trees and palms in the large lunettes. Spiral branches with leaves and flowers entwine the decorative elements of the vault, interrupted only by geometric bands (at the crossing points) and the medallions with lions and griffins. The Swabian eagle, within an octagon at the centre of the vault, dominates the composition, while the double-headed eagle appears on the keystones of the minor arches. The entire decorative structure is laid out on a single tessera background with gold leaf.
Thought to be the work of mosaicists trained in Byzantium, the iconographic themes of the mosaic cycle show clear eastern influence, more Persian and Seljuq than Arabic, as a result of the osmosis between the Islamic and Byzantine worlds.
Source: [islamicart.museumwnf.org/database_item.php?id=monument;IS...]
All images available for licensing via me. I offer commercial and editorial pet photography on a commissioned basis. And with a pet picture database with thousands of hand-picked images of dogs, cats, as well as horses, I might already have what you are looking for. All pictures here can be licensed.
For licensing and commission requests: info{at}elkevogelsang.com -
FACEBOOK | INSTAGRAM | WEBSITE
© Elke Vogelsang
20230213_Anton_YummySaysAnton
She was used for flight inspections.
Later to D-CCCC. Crached 1991-12-22. aviation-safety.net/database/record.php?id=19911222-0
Format: Glass plate negative.
Rights Info: No known restrictions on publication.
Repository: Tyrrell Photographic Collection, Powerhouse Museum www.powerhousemuseum.com/collection/database/collection=The_Tyrrell_Photographic
Part Of: Powerhouse Museum Collection
General information about the Powerhouse Museum Collection is available at www.powerhousemuseum.com/collection/database
Persistent URL: http://www.powerhousemuseum.com/collection/database/?irn=28344
Acquisition credit line: Gift of Australian Consolidated Press under the Taxation Incentives for the Arts Scheme, 1985
Format: Glass plate negative.
Rights Info: No known restrictions on publication.
Repository: Phillips Glass Plate Negative Collection, Powerhouse Museum www.powerhousemuseum.com/collection/database/collection=Phillips_Glass_Plate_Negative
Part Of: Powerhouse Museum Collection
General information about the Powerhouse Museum Collection is available at www.powerhousemuseum.com/collection/database
Persistent URL: http://www.powerhousemuseum.com/collection/database/?irn=386422
Acquisition credit line: Gift of the Estate of Raymond W Phillips, 2008
plaster cast of a gem - Oxford; Beazley Gem database
www.beazley.ox.ac.uk/databases/gems.htm
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RA-76796 - Ilyushin IL-76TD - East Line Airlines
(still in basic Aeroflot c/s)
at Moscow Domodedovo Airport (DME)
c/n 1003499994 - built in 1990 for Aeroflot -
operated by East Line between 1996 and 1999 -
final operator was Ababeel Aviation from 11/2006 as ST-WTB -
crashed 30/06/2008 appr. 1,5 km (0.9 mls) S of Khartoum-Civil Airport (KRT)
aviation-safety.net/database/record.php?id=20080630-0
scanned from Kodachrome-slide
T306 - Pan, under the disguise of a goat, into which he had changed himself, escaping from the victorious Typhon
Gem impression
Source:
www.beazley.ox.ac.uk/XDB/ASP/recordDetailsLarge.asp?recor...{649A38E8-4E52-4E46-B4CA-52C803CF625C}&fileName=PONIATOWSKI%2FT306%2F&returnPage=&start=0
Mercury and Pan at the mouth of the cave Corycus of Typhon - Apollonides
Gem impression
Source:
www.beazley.ox.ac.uk/XDB/ASP/recordDetailsLarge.asp?recor...{AC208599-747F-48A4-B900-53CAA35DE7C4}&fileName=PONIATOWSKI%2FT23%2F&returnPage=&start=0
Next Database picture and it's for Aurora, my Supia Haeun. I like this one a lot better than the one for Amelie I had uploaded before. Aurora came out so pretty and I like the editing. <333 But well, sadly still a lot to learn. XD *lol*
The Bull has been and continues to be a strong symbol and a living icon in our lives. Those that know them revere them for their fertile nature. They will graze and ruminate and add fertility to the ground they adorn. One bull can sire a heard and not many bulls see great age as only the chosen are kept and they need to fulfil a purpose. King for the day and King for the year have not as many days and years as others and yet who would be the bull not chosen? I would if that is my choice, many though want to be Top Dog and Chief Bull.
This magnificent Bull in Bo’ness had me thinking of Pictish Art and their Symbol Stones. Their animal symbols survive to this day where their language is now none existent. The wonderfully evocative decorated stones are found at Pictish Sites with the striking lines flowing and curling like waves of energy form both the outlines and internal structure of the subjects. At Burghead in Moray several Bull symbols were found leading some to believe that the Bull was a symbol venerated here, maybe a marker not unlike those later used in Heraldry to tell a story of identity that is linked to landscape and to those who control it. The notion of totems as good luck and potent identifying markers of person and of people, of individual and of tribe to set a motif of identity within this material world and an icon within all spiritual realms too.
This particular carved stone is displayed in London in The British Museum and thought so highly of that a replica cast is held in Edinburgh at The National Museums Scotland. This Bull is also incorporated into the current Logo for The Moray Society Elgin Museum. There is a cast in The Elgin Museum amongst other Pictish Symbol Stones. The symbol stones from Burghead are numbered 1-6 and this one is catalogued as,
Burghead 5, Moray, Pictish symbol stone
Measurements: 0.53m, W 0.53m, D 0.08m
Stone type: sandstone
Place of discovery: NJ c 109 691
Present location: British Museum, London (1861.10-24.1) (cast in Elgin Museum)
Evidence for discovery: one of many bull carvings said to have been found during quarrying of the wall of the upper citadel to find building stones from around 1800 onwards, of which six have survived (Macdonald 1862). This stone was found sometime before 1809, when it was exhibited at a meeting of the Society of Antiquaries of London, and it was in private hands in London for many years before being presented to the British Museum.
Present condition: good.
Description
The triangular shape of this slab may indicate the preferred form for these bull stones from Burghead. One broad face is incised with the most ferocious image of a bull to have survived, pacing angrily towards the right with his head lowered far down and his tail swishing across his rump.
Date: seventh century.
This is a cast of a stone found at Burghead in Moray. It is one of a number of stones carved with bull symbols, found in and around the site of the Pictish fortress at Burghead. They date from between 500 and 800.
Like the other stones, the bull is naturalistically depicted, with scrolls defining the joints where the limbs meet the body.
The large fort at Burghead was a major Pictish settlement. A number of carvings have been found there, many depicting bulls. Various theories have been put forward to explain their significance, including religious, territorial emblems or clan totems.
“Interpretation of the stones' original role has varied. Some scholars have suggested they were displayed on the fort's ramparts as symbols of power; others have seen them as having a votive role in a frieze as part of a pagan fertility cult; while others argue they were standing stones lining a processional route through the ramparts, a role suggested by their likely original kite-shaped form.”
Noble, Gordon (2019). “Fortified settlement in northern Pictland,” Noble, Gordon; Evans, Nicholas, The King in the North: The Pictish Realms of Fortriu and Ce, Birlinn, Edinburgh. Quote p.54, ISBN 178027551X. 1788851935, 9781788851930
The British Museum, reference below, records,
Exhibition history
Exhibited:
2001-2002 12 Dec-28 Feb, Leeds, Henry Moore Institute, The Unidentified Museum Object
1998 18 Apr-12 Jul, Japan, Tokyo Metropolitan Museum of Art, Celtic Art
Camore, reference below, records.
Exhibited at the Society of Antiquaries in London in 1809.
[Completely required note to the film.
At the moment of poo you are able to see the lifted tail in shadow and hear the cycle of living and giving without poo visuals.]
© PHH Sykes 2024
phhsykes@gmail.com
Elgin Museum Carved Stone Collection
Burghead 5, cast of syMbol stone with bull (ELGNM 1892.1)
youtu.be/liuNaY-glfI?si=JLiGMcyf6O-yZ8Uo
Burghead Bulls
en.wikipedia.org/wiki/Burghead_Bulls
Burghead Bull (cast)
nms.scran.ac.uk/database/record.php?usi=000-100-104-159-C
The Burghead Bull
On display (G41) (G41)
www.britishmuseum.org/collection/object/H_1861-1024-1
The Burghead Bull Canmore
canmore.org.uk/site/319205/burghead
Noble, Gordon and Evans, Nicholas, The King in the North, The Pictish Realms of Fortriu and Ce, Birlinn, Edinburgh, 2019.