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See also.........

  

www.fluidr.com/photos/58760809@N07</a</

  

When I saw this I wasn't sure what it was or what it represented as workers were finishing the installation. Since then I've learned that it represents data visualization it reflects the global impact of food production and consumption on the environment. Part of the "Around The Table" exhibit at the New York Botanical Garden. I still don't understand it but it's nice to look at.

 

This handsome brown-and-white booby is common in tropical waters throughout the world, occurring in the Atlantic, Pacific, and Indian Oceans and the Caribbean Sea. Its breeding range overlaps considerably with that of the Masked (Sula dactylatra) and Red-footed boobies (S. sula); all 3 may be found nesting and feeding together along with frigatebirds (Fregata spp.) and other tropical seabirds.

 

The Brown Booby feeds mainly on flying fish that it catches in often spectacular plunge dives from varying heights in the air; it may not feed as far from land as other boobies, but there are few data. Individuals are often seen soaring, banking, and turning without flapping, as they follow air currents. When flapping, wing beats are steady and may alternate with gliding or soaring. Individuals seem to prefer roosting and nesting in windy areas, suggesting that takeoff without wind is difficult. The species generally nests in small colonies, tens to hundreds of pairs, with nests on flat ground, hillsides, or cliff ledges; nests vary from not much more than a scrape in the sand to a fairly substantial, well-formed pile of twigs and grasses. Pairs lay 2 eggs but generally raise only 1 chick, as the first to hatch usually outcompetes its sibling during feedings and frequently pushes it out of the nest.

 

doi.org/10.2173/bow.brnboo.01

 

Picture taken at Atlantic Ocean - São Paulo's coast.

 

Have a Peaceful day!

 

Thanks a lot for your visits, comments, faves, invites, etc. Very much appreciated!

 

© All my images are protected under international authors copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without my written explicit permission. All rights reserved. Please contact me at thelma.gatuzzo@gmail.com if you intend to buy or use any of my images.

 

My instagram if you like: @thelmag and @thelma_and_cats

  

Still editing old data whilst at home! So here I once again used the red channel from my Nikon D810A (which has Ha in it) as a luminance and detail layer for a stack of 4 frames from my Canon 7D2 which also had a shorter focal length. The Canon picks up a bit of blue that the Nikon doesn't. Stacking in DSS, processing in Photoshop.

Es el castillo más antiguo de España y uno de los mejor conservados. Data del siglo X y está edificado con los materiales predominantes para la construcción en el mundo árabe: la tabiyya o tapial rojizo, una mezcla de arena, cal y arcilla espesada con pequeñas piedras

-------------------------

It is the oldest castle in Spain and one of the best preserved. It dates back to the 10th century and is built with the predominant building materials in the Arab world: tabiyya or reddish adobe, a mixture of sand, lime and clay thickened with small stones

Stuart is a city in and county seat of Martin County, Florida, the United States. Located on Florida's Treasure Coast, Stuart is the largest of four incorporated municipalities in Martin County. The population was 15,593 in the 2010 census. It is part of the Port St. Lucie, Florida Metropolitan Statistical Area.

 

Stuart is frequently cited as one of the best small towns to visit in the US, in large part because of Stuart's proximity to the St. Lucie River and Indian River Lagoon.

 

When Stuart was incorporated as a town in 1914, it was located in Palm Beach County. In 1925, Stuart was chartered as a city and named the county seat of the newly created Martin County.

The city of Stuart is known as the Sailfish Capital of the World, because of the many sailfish found in the ocean off Martin County.

 

Data originated from this website:

en.wikipedia.org/wiki/Stuart,_Florida

 

La Ceja, Antioquia, Colombia; Central Andes; 2.300 meters above sea level.

 

The Andean squirrel (Sciurus pucheranii) is a tree squirrel endemic to Colombia.

 

The Andean squirrel is a typical tree squirrel, in its general proportions resembling the Eastern grey squirrel of North America. However, it is much smaller, with a body length of only about 14 centimetres (5.5 in), and a 12 to 16 centimetres (4.7 to 6.3 in) tail. It has soft, silky, reddish-brown fur over most of the body, merging to greyish-yellow on the underparts. The tail fur is darker than that on the body,

 

It inhabits montane rain forest and cloud forests of the Cordillera Occidental and Cordillera Central of the Colombian Andes, at elevations between 2,000 and 3,300 metres (6,600 and 10,800 ft). As a tree squirrel, it lives among Cecropia trees, palms, and tree ferns. It is believed to be diurnal, but sufficiently little is known about its habits, population, and habitat requirements, that it is currently listed as data deficient by the IUCN.

 

Wikipedia

Monitoring the data.worldbank.org/ launch from the hotel room. Ian Ward did most of the heavy lifting from his office in Ayacucho/Peru.

Crazy Tuesday, Transport

The Mata-Nui mainframe has been infected by the Makuta Virus. Engage Data Knight Kopaka to freeze the virus's operations and cool the overheated GPU.

 

My entry into Ron's What If...? contest. I decided to reimagine Kopaka as a sort of cybertech knight dude in a Tron-esque data scape. Originally this was going to be a very different character design, but I ended up splitting it into this and another MOC I'll be sharing in October since the two concepts didn't really merge well.

Equinix's TR2 Data Centre at Parliament and Mill in Toronto

This is part of the Vela supernova remnant, a huge object which extends over 8 degrees of sky. The image may include nebulosity from the adjacent Puppis A SNR whose centre is just a degree or so out of frame.

The Vela SNR is quite low in my southern sky, culminating at just under 32 degrees of altitude. I gathered nearly 24 hours of data in total over 11 separate nights from December through February. A filter was essential and I used the STC astro-multispectra LP filter. It will be worth revisiting with a dual narrowband filter.

This is an integration of 208 x 180s and 202 x 240s frames shot on a QHY168C OSC. The scope was a WO Zenithstar 103 with the Flat61. Sequence Generator Pro and PHD2 were used to manage the image capture and guiding, all post-processing was done with PixInsight.

Observed from Prachinburi, Thailand.

This restaurant is a laid-back spot offering American chow & tipples. Enjoy a Sunday brunch in casual wear with marina views.

 

Credit for the data above is given to the following website:

www.jacosbayfrontbarandgrille.com/menu/

The conference room at the apex of Rothana Heavy Engineering’s headquarters was a chamber of stark contrast—opulent, timeless, and ominous all at once. Two massive windows flanked the far end of the room, revealing the breathtaking expanse of Rothana’s arctic tundra. Icy winds whispered against the thick transparisteel, but inside, warmth clung to the chamber like the scent of old stone and wealth.

 

In the corner, between the windows, stood an ancient tree in a black, gold-accented pot. Its twisted trunk rose defiantly before bowing under its own age, branches arching over the room like crooked arms. Sparse crimson leaves clung to it stubbornly, catching the filtered light and casting red shadows across the floor. Around the room, tall cylindrical glass cases and pedestals displayed curated echoes of the past—eroded Sith armor, ceremonial weapons, and long-forgotten artifacts from the darker corners of galactic history.

 

At the center stood a large round table, its surface smooth except for the embedded holoprojector at its core. A projection of the Agressor-Class Destroyer, ARCSS Exavis hovered above it—an angular, predatory silhouette—casting shifting blue light onto the faces standing around it.

 

To the left stood Moff Cerato, his aging face stone-set, one hand gripping his black cane. The ex-Imperial admiral, now a voice in the murky politics of the Remnant, remained a symbol of discipline and ruthless pragmatism.

 

Beside him stood Elli Vakeer, the elderly Umbaran matriarch of Rothana Heavy Engineering. Her pale, unreadable features betrayed nothing, her silver-flecked eyes scanning the projection as if glimpsing something the others could not.

 

Next, Prex Yusai of ARGO Industries stood with his palms resting lightly on the table’s edge, his tailored coat perfectly aligned, posture calm but commanding. The image of a corporate visionary cloaked in iron strategy.

 

To his right stood Dr. Verek Darn, once an Imperial science officer, now Chief Scientist of RHE. His hands rested in front of him, fingers laced, his thoughts buried beneath a polished façade. The Exavis was partly his brainchild, and his silence was the sound of calculation.

 

Next to him stood Kalen Thurn, Sr. Intelligence Officer of ArgoSec and Yusai’s personal advisor. An implant pulsed faintly at the back of his head, its soft red light a quiet testament to the processing core woven into his brain and spine. Thurn’s cybernetics allowed him to monitor data feeds and predictive models in real-time—calculating, measuring, forecasting every twitch and turn of the meeting. He said little, but his eyes, constantly adjusting and analyzing, missed nothing.

 

“The Exavis is ready,” said Yusai, voice low and certain. “Fully retrofitted. Operational. Awaiting deployment.”

 

Dr. Darn gave a small nod. “It retains its core weapons matrix under civilian registry. The mining designation is... a formality.”

 

Kalen Thurn spoke with precision. “Stealth protocols have passed final calibration. The Exavis will not merely defend our lanes—it will anchor the next phase of our security doctrine.”

 

The holoprojector shifted to display the crest of ARGO Industries rotating beside the sigil of Rothana Heavy Engineering, the two icons slowly blending into a single emblem.

 

“The merger,” Yusai said, eyes still on the hologram, “begins now. Let the Exavis be our first move.”

 

Elli Vakeer tilted her head ever so slightly. “Then let it be done.”

 

Moff Cerato allowed a rare smile. “The galaxy is watching. Let it remember who still knows how to build.”

 

Overhead, the ancient tree creaked as a red leaf drifted down, landing soundlessly on the cold floor beneath their feet.

 

///

 

I had fun with this build. For a long time I wanted to do something similar to my golden casino - something elegant inspired by Dryden Vos' Yacht First Light, and the bridge of the Eye of Sion. Thanks for watching/reading ';)

I keep an Excel data log of all the birds I photograph, and found that I was not taking many shots of "common" species (like Robins, House Finches, and House Sparrows). I modified my photo habits... if they're in the viewfinder they get captured. If the shot is good, it gets saved and filed. Also, with international exposure offered by Flickr, what are common to us Yanks may be exciting to many of our foreign viewers. I believe this bird to be a first-year male.

 

IMG_5430; American Robin

The Mata-Nui mainframe has been infected by the Makuta Virus. Engage Data Knight Kopaka to freeze the virus's operations and cool the overheated GPU.

 

My entry into Ron's What If...? contest. I decided to reimagine Kopaka as a sort of cybertech knight dude in a Tron-esque data scape. Originally this was going to be a very different character design, but I ended up splitting it into this and another MOC I'll be sharing in October since the two concepts didn't really merge well.

Tower Theater, is one of Miami's oldest cultural landmarks. When it opened in December 1926, it was the finest state-of-the-art theater in the South. It is located on SW Eighth Street and Fifteenth Avenue in Miami, Florida.

 

The Tower Theater has witnessed a number of significant alterations throughout its history. The original theater (1926) was designed in the Mediterranean Revival style with a tile roof, square tower on the northwest corner, and a Spanish-inspired interior.

 

Robdendon Corporation opened this movie theatre to the public as a Wometco first-run-house on December 1926. On October 3, 1931, after extensive remodeling under the leadership of Robert Law Weed, the theatre re-opened its doors. The exterior was developed in an Art Deco style with a prominent 40-foot steel tower that quickly became a neighborhood landmark. The Theater was now a member of Wolfson-Meyer Theatrical Enterprises of Miami.

 

During the late fifties and throughout the sixties, large numbers of Cuban refugees fled to Miami. The area surrounding S.W. Eighth Street - "Calle Ocho" - became a place of new beginnings. For many Cuban families, films at MDC's Tower Theater were an introduction to American culture in addition to pure entertainment. Soon MDC's Tower Theater altered its programming to include English-language films with Spanish subtitles, and eventually Spanish-language films. However, after almost sixty years of operation, MDC's Tower Theater was closed to the public in 1984.

 

Following another remodeling in 2002, the Theater was turned over to Miami Dade College. Now under the auspices of Miami Film Festival, MDC's Tower Theater continues to serve as a gathering place for cultural connections in Little Havana, where the community can enjoy alternative and culturally specific exhibitions and performances, free educational lectures given by MDC faculty and other scholars in our community, and both Spanish-language films and English-language films, subtitled in Spanish.

 

In 2011, USA Today declared MDC's Tower Theater "one of the 10 great places to see a movie in splendor" in the newspaper's round-up of the best old-fashioned movie palaces in America.

 

Credit for the data above is given to the following websites:

en.wikipedia.org/wiki/Tower_Theater_(Miami,_Florida)

www.historicpreservationmiami.com/pdfs/Tower%20Theater%20...

 

© All Rights Reserved - you may not use this image in any form without my prior permission.

Location: Pantai Kelanang, Banting, Selangor, Malaysia

 

Exif data

 

Camera: Canon EOS 5D Mark ii

 

Lens: EF 17-40mm F4 L USM

 

Filter: Lee Filter .9 Soft,

 

Exposure: 1.3 sec

 

Aperture: f/22

 

Focal Length: 20mm

 

ISO Speed: 50

 

Exposure Bias: 0 EV

 

Follow my Blog: shazral.blogspot.com/

 

-None of my photos are HDR, DRI or blended images , All are in single Jpeg.

 

Shazral / © All rights reserved

 

two weeks ago I was confronted with my data in a hard way. My large storage device “Drobo” refused to operate after I upgraded it with another 2TB drive. The drive became unresponsive and after a while it did came back giving me the opportunity to retrieve some data…since this was my largest storage device I had to make sacrifices to the data I could retrieve, so I had to delete all my movies, series and software I had collected over the years. Luckily I did manage to backup my photography work.

 

That same week my laptop died and it has been sent back to Apple for repairs.

 

Fortunatly I do hold regular backup sessions, but it’s still a hassle and I’m once again aware that all data is fleeting, and no storage medium is safe from harm. Photo’s can burn, disk drives will fail…it’s time holographic data crystals are made…at least they seem stable enough….

  

Ryoji Ikeda

 

➖➕

 

Book :

 

Ryoji Ikeda

Continuum

Centre Pompidou

Editions Xavier Barral

2018

 

This book, published on the occasion the exhibition at the Centre Pompidou, presents the complex work of the Japanese artist. Continuum explores the links between mathematics, code and visual installation from an unpublished work exhibited in Paris, based on two spaces creating a visual and audio immersive path. The reader, as the visitor in the exhibition, would cross these two spaces orchastrated as an opposition : Datascape and Environnement Sonore.

 

CD + Booklet :

 

Ryoji Ikeda

Music For Percussion

Codex Edition

CD-001

 

Composed by Ryoji Ikeda

 

Performed by Eklekto

 

Produced by Ryoji Ikeda

 

Art Direction by Takuya Minami

 

Design by Takeshi Asano . Keigo Shiotani . Hiroyoshi Suzuki . Hiroshi Toyama

 

The accompanying booklet features 37 images and text by Chris Sharp, contemporary music programmer of the Barbican Centre London

 

Codex Edition

The single source of Ryoji Ikeda’s publishing and recordings

Established in 2018

 

iTunes :

 

Ryoji Ikeda

Data . Complex

Raster - Noton

RN68

 

Data . GMA ...

I spent the day in the school that I'm doing consultancy for - lots of data, planning and number crunching and action planning. Two more days of similar to go. I did manage to get my travel money sorted for next week. Out of inspiration for a photo, so I resorted to playing with apps on my phone.

NASA’s Origins, Spectral Interpretation, Resource Identification, Security-Regolith Explorer (OSIRIS-REx) spacecraft completed its 1.2 billion-mile (2 billion-kilometer) journey to arrive at the asteroid Bennu Monday. The spacecraft executed a maneuver that transitioned it from flying toward Bennu to operating around the asteroid.

 

Now, at about 11.8 miles (19 kilometers) from Bennu’s Sun-facing surface, OSIRIS-REx will begin a preliminary survey of the asteroid. The spacecraft will commence flyovers of Bennu’s north pole, equatorial region, and south pole, getting as close as nearly 4 miles (7 kilometers) above Bennu during each flyover.

 

The primary science goals of this survey are to refine estimates of Bennu’s mass and spin rate, and to generate a more precise model of its shape. The data will help determine potential sites for later sample collection.

 

This image of Bennu was taken by the OSIRIS-REx spacecraft from a distance of around 50 miles (80 km).

 

Image credit: NASA/Goddard/University of Arizona

 

Read more

 

For more about OSIRIS-REx

 

NASA Media Usage Guidelines

Citroën 2CV 4 Modèle 1977 9719 ZT 77 (Seine et Marne) + Jelcz 325.

On the ferry to Mikoszewo.

www.google.com/maps/place/Mikoszewo,+Poland/@54.3327958,1...

Leica M6 & Summicron 50mm & Ilford XP2.

 

No EXIF data because it's an analogue film camera.

Get her away from me...

big bang data exhibition, somerset house (london)

Lt. Commander Data in his officers uniform. He is holding a trusty tricorder and composing a poem for his good friend Spot.

 

I'm waiting for the day that lego makes the brickheadz eyes in yellow...

 

This model may be found on Mecabricks here: mecabricks.com/en/models/qxv4BDbQ2dJ

salesforce building at 350 mission street - financial district south, san francisco, california

X-ray data from Chandra combined with the visible and near-infrared Hubble mosaic. Light from x-rays tends to occupy the places where voids have formed, likely as a result of hot winds and supernova shock waves impacting the walls of the cavity.

 

There is an article at the Chandra website regarding this object and what is being illustrated. You may read it here, if you wish:

chandra.harvard.edu/photo/2012/n1929/

 

The Hubble only version is here:

flic.kr/p/21xLgJx

 

I would like to thank Jonathan McDowell for showing me that the lowest and highest energy levels must be filtered out using the event file because they are too noisy, and Brian Wolven for tagging him into the Twitter thread that resulted in the discussion. I don't often ask for help because I feel like I am bothering people, but small things like this really make a difference for me.

 

Data from Observation ID 3356 from Proposal Number 03910326 were used to create the x-ray overlay.

X-ray Emission Mechanisms and Evolution of Superbubbles

 

Data from Proposal 14689 were used to create the Hubble image.

MYSST: Mapping Young Stars in Space and Time - The HII Complex N44 in the LMC

 

Violet and Magenta overlay: ACIS .30-7.00 keV

Red: WFC3/UVIS F814W

Green: Pseudo

Blue: WFC3/UVIS F555W

 

North is NOT up. It is 19.6° counter-clockwise from up.

 

A photo of CED 116, 60 minutes of exposure in SHO with CHI-1-CMOS telescope by Telescope Live, 12 shots of which in Ha 4x300 seconds, in OIII 4x300 and in SII 4x300 seconds, processed with Pixinsight. All shots and data were captured with Telescope Live

Banko Cantina, a Mexican restaurant and tequila bar is located at 114 S. Olive Avenue. in West Palm Beach, FL. Originally home to the American National Bank. The building was later also known as the Commercial and Savings Bank and Morrison's Cafeteria

 

This 1923 landmark building was added to the U.S. National Register of Historic Places in 1997.

 

An era remembered for its unprecedented prosperity, glamour, and fanfare, the Roaring 20s were also marked by prohibition, underground speakeasies, notorious gangsters and glorified outlaws – during which time tequila trade became a lucrative business.

 

Banco Cantina and the second-floor club, La Terraza, will restore the fervor that once resided inside the very same walls through its delicious food and beautiful crowd – writing a story for the next generation to tell!

 

Don’t forget to take the stairs or elevator to the 3rd-floor rooftop of Banko Cantina. Enjoy beautiful views of downtown West Palm Beach along with a cold beverage to enjoy your day or night!

 

Don’t forget to take the stairs or elevator to the 3rd-floor rooftop of Banko Cantina. Enjoy beautiful views of downtown West Palm Beach along with a cold beverage to enjoy your day or night!

 

Credit for the data above is given to the following websites:

www.zillow.com/homedetails/114-S-Olive-Ave-West-Palm-Beac...

www.pbcgov.org/papa/Asps/PropertyDetail/PropertyDetail.as...

www.loopnet.com/property/114-s-olive-ave-west-palm-beach-...

en.wikipedia.org/wiki/American_National_Bank_Building_(West_Palm_Beach,_Florida)

 

© All Rights Reserved - you may not use this image in any form without my prior permission.

   

Big Data Institute, University of Oxford Old Road Campus in Headington. Oxford Flickr Photowalk.

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