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Actress Micaiah Dring at the Crying With Laughter photocall at the Mercure Point Penthouse, Edinburgh. 21st June 2009. Photograph: ©Valentina Bonizzi/EIFF Edinburgh International Film Festival 2009
Voorraadschuren. De opbouw met bamboestokken is voornamelijk bedoeld als bescherming van de granen en gewassen in de schuur. Het verhindert de vrijlopende dieren en ook vooral de knaagdieren, om er binnen te dringen en de oogst te vernielen.
Aus Protest gegen Kohlekraft und wegen der in Bonn stattfindenden Weltklimakonferenz dringen Aktivisten der Initiative EndeGelände in den Tagebau Hambach ein und versuchen auf einen Bagger zu gelangen.
3FM Serious Request draait dit jaar om diarree. Jaarlijks overlijden er wereldwijd 800.000 kinderen aan de gevolgen van diarree en om dat aantal terug te dringen, zetten 3FM en het Rode Kruis zich van 18 t/m 24 december vanuit Leeuwarden in om zoveel mogelijk geld in te zamelen voor deze stille ramp. Details: www.3fm.nl
Stanley James HANCOCK - born 20 September 1910 died 18 Sep 1955
married Annie Florence DRING 17 Oct 1935 Knox Presbytarian church, Waitara, New Zealand
(taken in Fiji during WWII)
3FM Serious Request draait dit jaar om diarree. Jaarlijks overlijden er wereldwijd 800.000 kinderen aan de gevolgen van diarree en om dat aantal terug te dringen, zetten 3FM en het Rode Kruis zich van 18 t/m 24 december vanuit Leeuwarden in om zoveel mogelijk geld in te zamelen voor deze stille ramp. Details: www.3fm.nl
One of a posse of 11 who came, queued, fed, and moved on. Then around 5 returned later dring the hour.
PUBLICPRIVATE
The high visibility of the self in the 21st Century every-day, at times masked with fabrication, at others genuinely exposed, willfully sheds boundaries between what is submitted for public approval and reserved for personal reflection. On a mass scale, average citizens are compelled toward the digital strip-tease of their private selves or others – all the more comfortable with surveillance, the mass marketing of the photo op, the public defamation of rivals, the fierce cultural cling to childhood obsessions, the landscape portrait of a vacation experience, self personalization in all its forms – true or false. And during days of such exposition, what is concealed? Unspoken? Implied? How does this align with competing impulses within the artist practice? Self portraiture, windows into the intimate lives of self or others, the evolution of the ‘photo bomb’, digital spectatorship, jealous landscape photography, public confessional, criminal intent? Or does art subsist always on Wilde’s ethos of ultimately concealing the artist no matter what? Exposing only ‘beautiful things’ – concept, process, form. And then what are these pretenses at self-exposure, and where do artist’s hide, so to speak, in plain view? Under what false legacies, muddled academicisms, hall-of-mirrors conceits.
© Cup of Cappuccino Dring Bukittinggi Indonesia Taruko Café Resto Restaurant West Sumatra Sumatera Barat Southeast Asia - Getränk Indonesien Südost-Asien - All rights reserved. Image fully copyrighted. All my images strictly only available with written royalty agreement. If interested, please ask. - Alle Rechte vorbehalten. Alle meine Bilder generell nur mit schriftl. Honorarvereinbg. Bitte ggf. fragen. ©
PUBLICPRIVATE
The high visibility of the self in the 21st Century every-day, at times masked with fabrication, at others genuinely exposed, willfully sheds boundaries between what is submitted for public approval and reserved for personal reflection. On a mass scale, average citizens are compelled toward the digital strip-tease of their private selves or others – all the more comfortable with surveillance, the mass marketing of the photo op, the public defamation of rivals, the fierce cultural cling to childhood obsessions, the landscape portrait of a vacation experience, self personalization in all its forms – true or false. And during days of such exposition, what is concealed? Unspoken? Implied? How does this align with competing impulses within the artist practice? Self portraiture, windows into the intimate lives of self or others, the evolution of the ‘photo bomb’, digital spectatorship, jealous landscape photography, public confessional, criminal intent? Or does art subsist always on Wilde’s ethos of ultimately concealing the artist no matter what? Exposing only ‘beautiful things’ – concept, process, form. And then what are these pretenses at self-exposure, and where do artist’s hide, so to speak, in plain view? Under what false legacies, muddled academicisms, hall-of-mirrors conceits.
A french guy joined us dringing beer at the campsite. His tent was alsmost smaller than his body and sleeping bag, but he did not mind. He was on the way to Russia by foot and public transport.
3FM Serious Request draait dit jaar om diarree. Jaarlijks overlijden er wereldwijd 800.000 kinderen aan de gevolgen van diarree en om dat aantal terug te dringen, zetten 3FM en het Rode Kruis zich van 18 t/m 24 december vanuit Leeuwarden in om zoveel mogelijk geld in te zamelen voor deze stille ramp. Details: www.3fm.nl
Voorraadschuren. De opbouw met bamboestokken is voornamelijk bedoeld als bescherming van de granen en gewassen in de schuur. Het verhindert de vrijlopende dieren en ook vooral de knaagdieren, om er binnen te dringen en de oogst te vernielen.
3FM Serious Request vaagt dit jaar aandacht voor de allerkleinsten. Elk jaar sterven er namelijk 5,5 miljoen baby's. Met jouw donatie hopen we dit cijfer terug te dringen!
Het 3FM Serious Request Glazen Huis staat dit jaar op de Oude Markt in Enschede.
Wil jij ook een donatie doen? 3fm.nl/doneren
3FM Serious Request draait dit jaar om diarree. Jaarlijks overlijden er wereldwijd 800.000 kinderen aan de gevolgen van diarree en om dat aantal terug te dringen, zetten 3FM en het Rode Kruis zich van 18 t/m 24 december vanuit Leeuwarden in om zoveel mogelijk geld in te zamelen voor deze stille ramp. Details: www.3fm.nl
PUBLICPRIVATE
The high visibility of the self in the 21st Century every-day, at times masked with fabrication, at others genuinely exposed, willfully sheds boundaries between what is submitted for public approval and reserved for personal reflection. On a mass scale, average citizens are compelled toward the digital strip-tease of their private selves or others – all the more comfortable with surveillance, the mass marketing of the photo op, the public defamation of rivals, the fierce cultural cling to childhood obsessions, the landscape portrait of a vacation experience, self personalization in all its forms – true or false. And during days of such exposition, what is concealed? Unspoken? Implied? How does this align with competing impulses within the artist practice? Self portraiture, windows into the intimate lives of self or others, the evolution of the ‘photo bomb’, digital spectatorship, jealous landscape photography, public confessional, criminal intent? Or does art subsist always on Wilde’s ethos of ultimately concealing the artist no matter what? Exposing only ‘beautiful things’ – concept, process, form. And then what are these pretenses at self-exposure, and where do artist’s hide, so to speak, in plain view? Under what false legacies, muddled academicisms, hall-of-mirrors conceits.
What what, it's my butt!
Ah, sorry. So I don't think I've done a black and white in a while. And I'm tired of my face. Therefore you get the other end. Took a couple shots, some were good composition-wise, but out of focus. I think this one is ..okay composition-wise. It's kinda boring.
Worked this morning. Got off before 3pm, was home by 3pm because my lovely coworker Dave gave me a ride home. Rides home are rare, because a) no one I work with lives anywhere near me, b) no one ever seems to get off at the same time as me and c) a lot of them don't like me.
Luckily, Dave was leaving at the same time I was, and just so happens to live in the same direction as I do, just farther out. Whoop.
Just hung out and watched TV and played DS tonight. Nothing exciting. The boys picked up a pizza for dinner.
Oh yeah, I cleaned the bathroom for the party on Friday. Anyone wanna come?
PUBLICPRIVATE
The high visibility of the self in the 21st Century every-day, at times masked with fabrication, at others genuinely exposed, willfully sheds boundaries between what is submitted for public approval and reserved for personal reflection. On a mass scale, average citizens are compelled toward the digital strip-tease of their private selves or others – all the more comfortable with surveillance, the mass marketing of the photo op, the public defamation of rivals, the fierce cultural cling to childhood obsessions, the landscape portrait of a vacation experience, self personalization in all its forms – true or false. And during days of such exposition, what is concealed? Unspoken? Implied? How does this align with competing impulses within the artist practice? Self portraiture, windows into the intimate lives of self or others, the evolution of the ‘photo bomb’, digital spectatorship, jealous landscape photography, public confessional, criminal intent? Or does art subsist always on Wilde’s ethos of ultimately concealing the artist no matter what? Exposing only ‘beautiful things’ – concept, process, form. And then what are these pretenses at self-exposure, and where do artist’s hide, so to speak, in plain view? Under what false legacies, muddled academicisms, hall-of-mirrors conceits.
Brrr… Il fait froid
Claque, claque tes mains
Elles ont chaud, elles sont bien
Frotte, frotte ton front
Il rougit comme un lampion
Tape, tape tes joues
Mais pas comme un petit fou
Dring, dring ton nez
C’est pour bien le réchauffer
Gratte, gratte ton menton
Barbichette, barbichon.
Lyle Griffith Dring, Dick Richardson, Sharon Stalcup Mendlick, and Nancy Whitaker Fabrizio.
Thanks to Mimi Frink Kaplysh for providing this picture.
21st December 2008.
The Labs, Guernsey.
Frontside bluntslide.
Barry Dring.
Nikon D700
Nikon 16mm fisheye.
A little built-in flash.
ISO 400
1/200
f/5
Lambing Sunday, 27th March 2011 at Bishop Burton College. Pictured LtoR College student Rachel Dring (holding lamb) visitors Sophia Wilson and Mum Razia Wilson.
PUBLICPRIVATE
The high visibility of the self in the 21st Century every-day, at times masked with fabrication, at others genuinely exposed, willfully sheds boundaries between what is submitted for public approval and reserved for personal reflection. On a mass scale, average citizens are compelled toward the digital strip-tease of their private selves or others – all the more comfortable with surveillance, the mass marketing of the photo op, the public defamation of rivals, the fierce cultural cling to childhood obsessions, the landscape portrait of a vacation experience, self personalization in all its forms – true or false. And during days of such exposition, what is concealed? Unspoken? Implied? How does this align with competing impulses within the artist practice? Self portraiture, windows into the intimate lives of self or others, the evolution of the ‘photo bomb’, digital spectatorship, jealous landscape photography, public confessional, criminal intent? Or does art subsist always on Wilde’s ethos of ultimately concealing the artist no matter what? Exposing only ‘beautiful things’ – concept, process, form. And then what are these pretenses at self-exposure, and where do artist’s hide, so to speak, in plain view? Under what false legacies, muddled academicisms, hall-of-mirrors conceits.
3FM Serious Request vraagt dit jaar aandacht voor de allerkleinsten. Elk jaar sterven er namelijk 5,5 miljoen baby's. Met jouw donatie hopen we dit cijfer terug te dringen!
Het 3FM Serious Request Glazen Huis staat dit jaar op de Oude Markt in Enschede.
Wil jij ook een donatie doen? 3fm.nl/doneren
3FM Serious Request draait dit jaar om diarree. Jaarlijks overlijden er wereldwijd 800.000 kinderen aan de gevolgen van diarree en om dat aantal terug te dringen, zetten 3FM en het Rode Kruis zich van 18 t/m 24 december vanuit Leeuwarden in om zoveel mogelijk geld in te zamelen voor deze stille ramp. Details: www.3fm.nl
Esta aquà y ha llegado con fuerza, hace mucho calor. Por suerte algunos saben como recibir a los amigos acalorados en estos dÃas...
Especialmente dedicada a Pedro Pablos en el dia de su onomástica y felicidades a todos los Pedros y Pedronas en el dia de hoy!
Voorraadschuren. De opbouw met bamboestokken is voornamelijk bedoeld als bescherming van de granen en gewassen in de schuur. Het verhindert de vrijlopende dieren en ook vooral de knaagdieren, om er binnen te dringen en de oogst te vernielen.
3FM Serious Request draait dit jaar om diarree. Jaarlijks overlijden er wereldwijd 800.000 kinderen aan de gevolgen van diarree en om dat aantal terug te dringen, zetten 3FM en het Rode Kruis zich van 18 t/m 24 december vanuit Leeuwarden in om zoveel mogelijk geld in te zamelen voor deze stille ramp. Details: www.3fm.nl
Voorraadschuren. De opbouw met bamboestokken is voornamelijk bedoeld als bescherming van de granen en gewassen in de schuur. Het verhindert de vrijlopende dieren en ook vooral de knaagdieren, om er binnen te dringen en de oogst te vernielen.
3FM Serious Request draait dit jaar om diarree. Jaarlijks overlijden er wereldwijd 800.000 kinderen aan de gevolgen van diarree en om dat aantal terug te dringen, zetten 3FM en het Rode Kruis zich van 18 t/m 24 december vanuit Leeuwarden in om zoveel mogelijk geld in te zamelen voor deze stille ramp. Details: www.3fm.nl