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15 May 2016 - Washington D.C.
The 35th annual National Peace Officers’ Memorial Service at the Capital honored all the fallen officers from the last year. In attendance this year where the families of both U.S. Marshals fallen deputies, Josie Wells and Zacarias Toro. On the dais to honor all fallen law enforcement officers were U.S. Marshals Deputy Director David Harlow and Deputy Attorney General Sally Yates.
The Memorial Service began in 1982 as a gathering in Senate Park of approximately 120 survivors and supporters of law enforcement. Decades later, the event, more commonly known as National Police Week, has grown to a series of events which attracts thousands of survivors and law enforcement officers to our Nation's Capital each year.
Photos by: Shane T. McCoy / US Marshals
Pictured: UN Women Executive Director Sima Bahous meets with Ukrainian refugee women, children and the elderly at a temporary placement centre in Costesti, 20 km from capital Chisinau, Moldova.
The Executive Director visited the Republic of Moldova from 8 to 10 April 2022 to reaffirm UN Women’s commitment as a key partner to advance gender equality and women’s leadership in the country. During her visit, Bahous emphasized UN Women’s determination to support Moldova’s efforts as a host country to the thousands of refugees fleeing the war in neighbouring Ukraine.
In cooperation with local authorities and civil society organisations, UN Women supports 2000 refugee women and their children in temporary placement centres in Moldova by providing most essential needs. In coordination with the border police, UN Women provided wheelchairs and walkers to assist elderly people and women with small babies at the border crossings. Meanwhile, through the Women, Peace and Humanitarian Fund, UN Women is financially supporting civil society organisations to raise awareness about sexual and gender-based violence and respond to the most urgent needs of women and children.
UN Women is working with partners to ensure that there is up-to-date data on and analysis of the gender dynamics of the refugee crisis which is critical for supporting humanitarian actors in ensuring a gender-responsive refugee response. UN Women and IOM issued a survey which offers important data and analysis on refugee needs, intentions and displacement patterns.
Photo: UN Women/Aurel Obreja
Oh boy, it's movie Saturday baby, the day I go all out! So here's a list of my ten favorite directors of all time!
1. Taika Waititi
2. Genndy Tartakovsky
3. Denis Villeneuve
4. Akira Kurosawa
5. Edgar Wright
6. Steven Speilberg
7. Sergio Leone
8. The Coen Brothers (can't put just one!)
9. Kevin Smith
10. Wes Anderson
What are your favorite directors? Make sure to join in on the Top Ten Week festivities and make a list today!
If you want to see even more movie lists, make sure to follow me on Letterboxd! Make sure to create an account and follow me there!
Actor/Director/Model
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Audubon Park
Uptown
New Orleans, Louisiana
Italian postcard.
Eleuterio Rodolfi (1876-1933) was an Italian actor, director, and scriptwriter, who was highly active in Italian silent cinema. For Ambrosio, Rodolfi acted in some 95 films of which some 80 were directed and scripted by himself. Many of these were comedies interpreted by Rodolfi together with actress Gigetta Morano, with the two acting and becoming known as ‘Gigetta’ and ‘Rodolfi’. In contrast to the previous anarchist farces by Cretinetti and others focused on speed and havoc, entitled as ‘comiche’ in Italian, the comedies with Gigetta and Rodolfi were true ‘commedie’, so more situational, boulevardier, less speedy, and often hinting at forbidden fruits and voyeurism.
Eleuterio Rodolfi aka Rodolfo Rodolfi was born in Bologna on 28 January 1876. He was the son of Giuseppe Rodolfi (1827-1885), a famous stage actor in the 19th century. He debuted on stage as "generico giovane" (generic young actor) with the company of Francesco Garzes. He then moved to other important theatre companies, such as the one of Ermete Novelli. There he met Adele Mosso, who worked as "seconda donna" (second woman) in the company. They married in 1895. In 1911 he moved over to the cinema and was hired by the Ambrosio film company of Turin, where he became both actor and director. For Ambrosio, Rodolfi acted in some 95 films of which some 80 were directed and scripted by himself. Many of these were comedies interpreted by Rodolfi together with actress Gigetta Morano, with the two acting and becoming known as ‘Gigetta’ and ‘Rodolfi’. In contrast to the previous anarchist farces by Cretinetti and others focused on speed and havoc, entitled as ‘comiche’ in Italian, the comedies with Gigetta and Rodolfi were true ‘commedie’, so more situational, boulevardier, less speedy, and often hinting at forbidden fruits and voyeurism. In the risqué comedy Acqua miracolosa (1914) Gigetta’s husband deplores that in their flat he hears children everywhere (the set is built up like a doll’s house) but he cannot get any. The family doctor (Rodolfi) has a secret affair with Gigetta. He advises the wife to go the wondrous wells – where she meets no other than the doctor. In the end, everybody is happy: the husband has become the father of twins, and the wife lifts a glass in which see a little doctor. Often in their comedies Morano and Rodolfi played together with a third actor, the portly little bourgeois Camillo De Riso, who frequently played Morano’s father, as in Un successo diplomatico (1913) and L’oca alla Colbert (1913).
Rodolfi also acted in and directed historical films, such as Ambrosio's super-production Gli ultimi giorni di Pompei (The Last Days of Pompeii, 1913), based on Bulwer-Lytton’s famous novel and a worldwide success. The film starred Fernanda Negri Pouget as the blind girl Nydia, Ubaldo Stefani as Glaucus and Antonio Crisanti as Arbaces. NB despite what IMDB tells, Mario Caserini had nothing to do with the film. The Turinese company Pasquali made a competing version at the same time, so competition was fierce. Moreover, in recent times the Ambrosio version is often confused with the later silent version of 1926, directed by Carmine Gallone and Amleto Palermi, and starring Victor Varconi, Maria Corda, and Bernhard Goetzke, as Glaucus, Nydia and Arbaces. Among his films in the mid-1910s for Ambrosio were a few with the Polish actress turned Italian diva Elena/ Helena Makowska, such as Val d'Olivi (1916), Eva nemica (1916), and the D’Annunzio adaptations La Gioconda (1916) and La fiaccola sotto il moggio (1916).
In 1916 Rodolfi also started at Jupiter Film, where he shot some seven dramas – of which just one survives: Ah! Le donne! (1916), with Rodolfi. Armand Pouget and Mercedes Brignone. In 1917 he founded his own film company Rodolfi Film, with which he made films like the Shakespeare adaptation Amleto (1917), starring Ruggero Ruggeri, ‘monstre sacré’ of the Italian Belle Epoque, and also with Makowska as Ofelia, Pouget as the King, and Brignone as the Queen. In the early 1920s Rodolfi did various films with Mercedes Brignone, Lola Visconti Brignone, and Pouget. Rodolfi’s company ceased activity around 1922, after which he did one last production for the Fert Pittaluga company: Maciste e il nipote d’America, a film in a completely different genre, and starring Bartolomeo Pagano and Diomira Jacobini, plus Pauline Polaire, Alberto Collo, Oreste Bilancia, and Mercedes Brignone. After that he withdrew from the set he returned to the stage. In the late 1920s he withdrew from the stage as well. The last years of his life Rodolfi spent in the city of Brescia, where on 19 December 1933 he committed suicide and died.
Sources: Italian Wikipedia; IMDB; Aldo Bernardini/Vittorio Martinelli, Il cinema muto italiano; Mariann Lewinsky/Chiara Caranti, ‘Rodolfi e Gigetta: coppia in commedia’, www.cinetecadibologna.it/cinemaritrovato2009/ev/sezioni/r....
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Acting Director of the Office to Monitor and Combat Trafficking in Persons Dr. Kari Johnstone give remarks and take questions at the Daily Press Briefing at the U.S. Department of State in Washington, D.C., on July 19, 2022. [State Department Photo by Ron Przysucha/ Public Domain]
nhq202103200051 (March 20, 2021) --- Director of the Gagarin Cosmonaut Training Center (GCTC) Sergey Vlasov speaks during Expedition 65 Soyuz qualification exams Saturday, March 20, 2021 at the Gagarin Cosmonaut Training Center (GCTC) in Star City, Russia. Launch of the mission is scheduled for April 9 from Baikonur Cosmodrome in Kazakhstan to the International Space Station. Photo Credit: (NASA/GCTC/Andrey Shelepin)
I first met Pahlajji early 80s I was working for Badasab Bandra under Mr Kishore Bajaj..I styled the costumes of Mr Danny Denzongpa in Andhi Toofan produced by Pahlajji and directed by Mr B Subhash of Disco Dancer fame .
I kept in touch with Pehlajji after moving out of Badasab and working as a fashion stylist at Prachins that belonged to producer Mr Nitin Manmohan..
I did a lot of work for Pahlajji and considered him my Guru his passion for every aspect department of film making is incredible
I continued working on his films and the last one was Rangeela Raja starring Govinda .
Mrs Pahlaj Nihalani supported me and I saw their children grow prosper ..
Pahlajjis greatest fan is none other than Mr Shakti Kapoor ji who fondly calls Pahlajji . Sethji .
So today I got a call from Pahlajji to come and see him at his office tomorrow noon..
Because of diabetes poor health I had not visited him since a very long time .
I owe my growth as a innovative creative designer to Mr Pahlaj Nihalani ji ..he gave me a free hand and I fleshed the costumes of his stars .
Now Pahlajji is a very happy grandfather like me .
His Bandra office 2 Roses in the old days used to be packed with new comers Bollywood strugglers that he met humbly on Wednesdays .
25 years of bonding with this great Guru of Bollywood.
Managing Director Kristalina Georgieva meets with youth representatives (Green Protector, We do Green, YVE, Inkingi) and Rwandan Minister of State in Charge of Economic Planning Claudine Uwera in Nyandungu Eco Park and Wetland restoration project where she also planted a tree in Kigali, Rwanda.
IMF Photo/Kim Haughton
26 January 2023
Kigali, Rwanda
Star trek III, The Search for Spock
There is a wisdom as old as time that says "There is no such thing as a good odd-numbered Star Trek movie." While we could get bogged down in arguing minutiae, I would rectify that statement and say that there is no great odd-numbered Trek film, but there are at least two good ones, and the best of the odd-numbered Treks is arguably Star Trek III: The Search for Spock.
Forming the middle portion of a trilogy with Wrath of Khan and The Voyage Home, Search for Spock picks up immediately after the events of Khan, with the Enterprise crew still mourning the loss of their former Captain Spock (Leonard Nimoy). Upon returning to space dock, the crew is given a commendation and extended shore leave (except poor Scotty, who has to report to the new Excelsior engine room to help with their transwarp drive). The crew is resigned to the fact that the Enterprise, being over twenty years old, is going to be decommissioned, but a visit from Spock's father Sarek (Mark Lenard) leads Kirk (William Shatner) to believe that while Spock's body may be dead, his consciousness is alive in someone else... Dr. McCoy (DeForest Kelley).
Kirk and a skeleton crew (Scotty, Sulu, Chekov & Bones) set out in the Enterprise to return to the Genesis planet and retrieve Spock's body, in hopes of returning it to Vulcan. What they have yet to find out, however, is that Lt. Saavik (Robin Curtis) & Kirk's son David Marcus (the unfortunately named Merritt Butrick) have discovered, on Genesis, that Spock has been reborn as a child. Further complications arise when a Klingon ship, commanded by Kruge (Christopher Lloyd) gets wind of the failed Genesis project and travels there in hopes of stealing the technology for the Klingons.
Okay, we need to get this out of the way immediately; The Search for Spock is not a very good film, even by Star Trek standards. It suffers from horrendous budget restrictions which first time director Nimoy couldn't shoot around as well as his predecessor, Nicholas Meyer. A lot of the recycled sets & costumes look terrible, and really distract on the 2009 blu-ray high def transfer. It's likewise hindered by being sandwiched between arguably the two best Star Trek films ever made, and can't help but feel like a trifle compared to the other two. It's got more substance than I remember it having, but the stakes are relatively low from beginning to end, and the sense of danger imposed by Khan in the previous film is just not met by the Klingons in this film.
All that being said, the film is actually much better than I remember it being, if for no other reason than the script is actually surprisingly well written. The dialogue and interplay, particularly between the Enterprise crew is as good as it's been in any of the films, and the humor throughout (much of it by, or at the expense of, Bones) is pretty reliably funny. The two truly emotional moments in the film (Kirk learning of the death of David & Spock's recognition of Kirk at the end) still land incredibly well and make up for some of the more ridiculous acting choices made by the other actors throughout the entire film.
William Shatner, the actor, was never better than he was in these three films. His moment I mentioned a moment ago, learning of the death of his only son, is very powerful and as good as he's ever been on screen. He also appears to be having a good deal of fun in this film, which is odd considering he was unhappy at having to be directed by his co-star (all of which led to Shatner taking the helm of arguably the worst Star Trek film not directed by JJ Abrams, Star Trek V: The Final Frontier). The rest of the crew is good as well, of course all resigned to one or two bits (one of the few lessons Abrams & his writers wrongly incorporated from the original films).
Lloyd is also nowhere near as bad as I remember him to be. His casting is ridiculous, to be sure, but he's not quite as bad in actuality as I seemed to have thought he was. Curtis, taking over the role of Saavik from Kirstie Alley, though, doesn't fare as well. Granted she's not given much to do, but her line readings are spotty at best and she's not terribly convincing as a Vulcan. Beyond some ridiculous stunt work in the final fight between Kruge & Kirk on the dying Genesis planet, there's really not much else bad I can say about the film.
Star Trek III is a fairly lightweight effort in the Trek canon, but it still manages to have far more good moments than bad, and is ultimately a genuinely enjoyable entry in the series. It has its flaws, to be sure, and they are numerous, but it still manages to be solidly entertaining and never insulting in the way some of the other odd numbered Trek films were. It can't help but pale in comparison to the two films bookending it, but I wholeheartedly recommend checking it out, particularly if it's been a while since you've seen it. It holds up much better than you might remember.
Invitation to join our new group “Star Trek Forever” No Limits on uploads!
Artemis I Launch Director Charlie Blackwell-Thompson, at left, monitors data inside Firing Room 1 of the Rocco A. Petrone Launch Control Center at NASA’s Kennedy Space Center in Florida during a cryogenic propellant tanking demonstration on Sept. 21, 2022. At right is Wes Mosedale, technical assistant to the launch director. Behind them is Jeremy Graeber, Artemis I assistant launch director. The first in a series of increasingly complex missions, Artemis I will provide a foundation for human deep space exploration and demonstrate our commitment and capability to extend human presence to the Moon and beyond. The primary goal of Artemis I is to thoroughly test the integrated systems before crewed missions by operating the spacecraft in a deep space environment, testing Orion’s heat shield, and recovering the crew module after reentry, descent, and splashdown. Photo credit: NASA/Kim Shiflett
WIPO Director General Francis Gurry delivers the keynote speech at the opening of the annual Congress of the International Association for the Protection of Intellectual Property (AIPPI) in Milano, Italy, on September 17, 2016.
Photo courtesy of AIPPI.
Move Director Nikki has softer makeup, like Barbie. She has articulated knees and ankles, but not elbows.
"Weekend At Bobby's".
Pictured: Jensen Ackles directing on the set of SUPERNATURAL..
Photo Credit: Jack Rowand / The CW.
© 2010 The CW Network, LLC. All Rights Reserved.
WIPO Director General Francis Gurry delivers the keynote speech at the 15th Japan Intellectual Property Association (JIPA) IP Symposium in Tokyo on February 17, 2016. Mr. Gurry spoke on the theme "Market Creating Innovation and Intellectual Property."
Copyright: WIPO. Photo: Masaki Okamoto. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
Acting Director of the Office to Monitor and Combat Trafficking in Persons Dr. Kari Johnstone give remarks and take questions at the Daily Press Briefing at the U.S. Department of State in Washington, D.C., on July 19, 2022. [State Department Photo by Ron Przysucha/ Public Domain]
European Department Director Alfred Kammer talks with Boris Vujčić, Governor of the Croatian National Bank, during a Governor Talk event on Croatia for the 2021 Spring Meetings at the International Monetary Fund.
IMF Photo/Joshua Roberts
30 March 2021
Washington, DC, United States
Photo ref: _JR14415.ARW
These are cookies made for a boy who was just accepted into University of Arizona's BFA program for Film Studies.
_MG_5407-Edit
Man standing in front of a movie selection of great directors. He happens to be a director himself ;)
Strobist info: I had one Vivitar speed flash at a 45 degree angle to my right. No diffusers, or anything. And the other light is coming from a florescent light above him.
I edited this image in lightroom + photoshop.
Executive Director Takuji Tanaka poses for a photo at the International Monetary Fund.
IMF Photo/Cory Hancock
19 May 2021
Washington, DC, United States
Photo ref: CH210519079.arw