Cinematography (Director of Photography)
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When Fermilab’s founding director, Robert Wilson, imagined an ideal laboratory, he wanted it to be architecturally impressive and artistically inspiring. With this in mind, he installed remarkable sculptures and designed buildings in influenced by culture, history, and physics.
Acqua Alle Funi, 1978
On the reflecting pond across from the entrance of Wilson Hall, there is a hyperbolic obelisk designed by Wilson. The name “Acqua Alle Funi” is an Italian phrase meaning “water to the ropes,” which refers to a story about an Egyptian obelisk ordered by Pope Sixtus V - considered to be a symbolic act, illustrating the triumph of Christianity over Paganism raised in St. Peter’s Square in the 16th century.
After viewing a multitude of photos of the sculpture in the enormous pond at the front entrance of Fermilab I did not see one which was a direct straight on shot. - and direct straight on image structuring is a taboo in photographic composition.
Hello ! - It's your camera and your moment so straight ahead it is!
By it's contours and it's exact center placement I believe this would be the way the designer wanted it to be best appreciated.
Oddly enough I can recall how frigid and windy it was out on the open prairie of the Fermilab compound that afternoon.
This is taken from the building, where the director lived. You can see the weavery building with the machine halls to the left and the second boiler house with its chimney.
A little bit of history:
The first weaving mill, operated by hydro power, was built in 1851. Then 1857 another owner rebuild the mill to steam power. 1879 a "J.A. sen." bought the mill and his family (son and his nephew) owned it until 2004, when the factory finally closed after many years of crisis due to descreasing demand and out-dated equipment. From 1964 on staff has to be released and the last time only the owner alone lived and worked in his factory. He stayed there until his death in 2011, some buildings already in ruines.
OBSERVE Collective
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germanstreetphotography.com/michael-monty-may/
El 303.049 (ex.10349) junto con el automotor térmico 590.160.
Museo del Ferrocarril de Delicias (Madrid).
11.5.2021
IANR Directors Extra slides by a rural gravel road crossing about two miles outside of La Porte City, Ia
John Carpenter, director of horror films such as Halloween once said..."What scares me is what scares you. We're all afraid of the same things. That's why horror is such a powerful genre. All you have to do is ask yourself what frightens you and you'll know what frightens me. "
I guess that says it all.
in a café in paris. i asked if i could take her photo. she handed me her phone. told me where to stand. how to frame her. i said i was a photographer. that i would use my own camera. and that her composition wasn’t ideal. she didn’t listen. insisted. so i took the iphone shots. she wasn’t satisfied. "farther away," she kept saying. after this strange shoot, i took two photos with my camera. ignored her directions. she looked doubtful. went inside. came out with another man. he photographed her too. she didn’t look at me again. i sent her my photos on instagram. later, as she walked past, she smiled. said, “très bien.”
Thanks for taking the time to view my image. Your comments & faves are greatly appreciated.
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JULY 2017 SUBJECTS:
1. Bench Shot - 2. In The Shadows - 3. Low POV.
This challenge is open to anyone, anywhere with any camera.
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soundcloud.com/ek4t32nd/sets/orqan-directors-cut
ek4t3.bandcamp.com/album/orqan-directors-cut
www.instagram.com/p/CKzHCGXnI3e
NO DICK PIC VIDEO PREMIERE ON INDIE EYE▼
www.indie-eye.it/recensore/coverstory/orqan-nodickpic-il-...
Artworks by _0100110101001101
www.instagram.com/_0100110101001101
01 No dick pick
02 Svolta
03 4x4
04 plumbersession rework
05 plumberevenge
06 #lunga (Director's Cut)
A self-retrospective into years of free impro-sessions, observed for the first time with a different approach.
Like movie directors, orqan dive through old and new material reimagining it with different montages, including previously cut scenes, adding fresh screenplays to shape new tracks, and even creating a video imaginary for the lead single.
Recorded and edited in different sessions from 2017 to 2020
Director Krennic with his custom DT-29 blaster and his Arealight cape and waistcape. Loved this character in Rogue One and catalyst and felt he needed some upgrades.
Evaggelia Kranioti, director and cinematographer.
Her first film was "Exotica, Erotica, etc.". I just saw her second mesmerizing and poetic documentary movie 'Obscuro barroco". It`s an amazing unique experience! It won a Jury Award from the Teddy Award programm at 2018 Berlin International Film Festival.
www.youtube.com/watch?v=khkIfDPP-Eo
I took this picture of her at the 20th Documentary Film of Thessaloniki. It`s not a good one, because of the low light, but i think that it captures something of her intriguing and fascinating personality.
www.youtube.com/watch?v=gnq6ldPZM5A
www.berlinale.de/en/programm/berlinale_programm/datenblat...
www.lifo.gr/articles/cinema_articles/182846/sto-obscuro-b...
B&W version of a photo I posted some years ago.
This is the view looking south across Arnarfjörður from Hrafnseyri in the Westfjords.
In the distance is the Selárdalsheiði peninsula.
En micamara.es/alicante/ para conocer su capital y pueblos,
Navega en micamara.es para viajar disfrutando de: arte, historia,
folclore, naturaleza, fauna, flora… de otros lugares del mundo.
A picture I took a while back with the intention of adding a focal point that I thought it badly needed..............,so I 'introduced' the tree...........
Thanks for looking,
Chris.
Sadhu Kokila is an Indian actor, musician, and director who primarily works in the Kannada film industry.
Opening sequence. Using Midjourney as my concept artist, I settled on this winter scene, a view of Wil walking down a London street in 1630. And loaded it into Qwen Edit 2509 to alter the lighting, add the people and market stalls, change the lighting on Wil, including the cast lighting to bring him out of the background. And then into Topaz for the upscale.
A final refine in Krita AI, adding details like the crows in the distance and Wil's face. Then animation in Kling.
I conducted the scene like a Hollywood director on set calling the shots. All in a day's work. Cinematic magic.
Aiport Director Nick Bakas at the Albuquerque Sunport
Strobist Info: Q-flash for the left at 1/4 power.
A female Ichneumon wasp I've tried to identify. This is the closest match I could find but the ovipositor is too short. Possibly broken?
Photographed in New Ferry Butterfly Park.