Cinematography (Director of Photography)
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When Fermilab’s founding director, Robert Wilson, imagined an ideal laboratory, he wanted it to be architecturally impressive and artistically inspiring. With this in mind, he installed remarkable sculptures and designed buildings in influenced by culture, history, and physics.
Acqua Alle Funi, 1978
On the reflecting pond across from the entrance of Wilson Hall, there is a hyperbolic obelisk designed by Wilson. The name “Acqua Alle Funi” is an Italian phrase meaning “water to the ropes,” which refers to a story about an Egyptian obelisk ordered by Pope Sixtus V - considered to be a symbolic act, illustrating the triumph of Christianity over Paganism raised in St. Peter’s Square in the 16th century.
After viewing a multitude of photos of the sculpture in the enormous pond at the front entrance of Fermilab I did not see one which was a direct straight on shot. - and direct straight on image structuring is a taboo in photographic composition.
Hello ! - It's your camera and your moment so straight ahead it is!
By it's contours and it's exact center placement I believe this would be the way the designer wanted it to be best appreciated.
Oddly enough I can recall how frigid and windy it was out on the open prairie of the Fermilab compound that afternoon.
This is taken from the building, where the director lived. You can see the weavery building with the machine halls to the left and the second boiler house with its chimney.
A little bit of history:
The first weaving mill, operated by hydro power, was built in 1851. Then 1857 another owner rebuild the mill to steam power. 1879 a "J.A. sen." bought the mill and his family (son and his nephew) owned it until 2004, when the factory finally closed after many years of crisis due to descreasing demand and out-dated equipment. From 1964 on staff has to be released and the last time only the owner alone lived and worked in his factory. He stayed there until his death in 2011, some buildings already in ruines.
OBSERVE Collective
All images are © Copyrighted and All Rights Reserved
germanstreetphotography.com/michael-monty-may/
in a café in paris. i asked if i could take her photo. she handed me her phone. told me where to stand. how to frame her. i said i was a photographer. that i would use my own camera. and that her composition wasn’t ideal. she didn’t listen. insisted. so i took the iphone shots. she wasn’t satisfied. "farther away," she kept saying. after this strange shoot, i took two photos with my camera. ignored her directions. she looked doubtful. went inside. came out with another man. he photographed her too. she didn’t look at me again. i sent her my photos on instagram. later, as she walked past, she smiled. said, “très bien.”
Thanks for taking the time to view my image. Your comments & faves are greatly appreciated.
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JULY 2017 SUBJECTS:
1. Bench Shot - 2. In The Shadows - 3. Low POV.
This challenge is open to anyone, anywhere with any camera.
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NO DICK PIC VIDEO PREMIERE ON INDIE EYE▼
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Artworks by _0100110101001101
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01 No dick pick
02 Svolta
03 4x4
04 plumbersession rework
05 plumberevenge
06 #lunga (Director's Cut)
A self-retrospective into years of free impro-sessions, observed for the first time with a different approach.
Like movie directors, orqan dive through old and new material reimagining it with different montages, including previously cut scenes, adding fresh screenplays to shape new tracks, and even creating a video imaginary for the lead single.
Recorded and edited in different sessions from 2017 to 2020
Director Krennic with his custom DT-29 blaster and his Arealight cape and waistcape. Loved this character in Rogue One and catalyst and felt he needed some upgrades.
B&W version of a photo I posted some years ago.
This is the view looking south across Arnarfjörður from Hrafnseyri in the Westfjords.
In the distance is the Selárdalsheiði peninsula.
Directing the Pride of Oklahoma Marching Band during an OU football game.
"Director", will be featured during the "Powerful Composition", exhibition in Melbourne, Australia.
The Director's Guild of America building on Sunset Boulevard in Hollywood, California. It was a very sunny day in Southern California and the sky was so very blue........
allsortsofwindows.blogspot.com/2005_08_01_allsortsofwindo...
0025-1114--0029-1219--0034-0123--0019-0210--0021-0222-/-0019-063006-/-0003-081106
Rags supervising Lene's photoshoot with Bastian.
Dushara Tatters and Rags (Somali cat) & Bastian (mixed breed), 17.05.2018.
Olympus OMD EM5 Digital Camera
A picture I took a while back with the intention of adding a focal point that I thought it badly needed..............,so I 'introduced' the tree...........
Thanks for looking,
Chris.
Opening sequence. Using Midjourney as my concept artist, I settled on this winter scene, a view of Wil walking down a London street in 1630. And loaded it into Qwen Edit 2509 to alter the lighting, add the people and market stalls, change the lighting on Wil, including the cast lighting to bring him out of the background. And then into Topaz for the upscale.
A final refine in Krita AI, adding details like the crows in the distance and Wil's face. Then animation in Kling.
I conducted the scene like a Hollywood director on set calling the shots. All in a day's work. Cinematic magic.
OBSERVE Collective
All images are © Copyrighted and All Rights Reserved
germanstreetphotography.com/michael-monty-may/
Aiport Director Nick Bakas at the Albuquerque Sunport
Strobist Info: Q-flash for the left at 1/4 power.
A female Ichneumon wasp I've tried to identify. This is the closest match I could find but the ovipositor is too short. Possibly broken?
Photographed in New Ferry Butterfly Park.
“Cuando tendía mi brazo
para revolear el lazo
sobre algún toro feroz,
si el toro nos embestía,
al fiero animal rendía
de una pechada veloz...
En la guardia de frontera,
paraba oreja agorera
del indio al sordo tropel
y con relincho sonoro,
daba el alerta mi moro
como centinela fiel...”
Trecho de “El caballo del gaucho”, de Bartolomé Mitre
San Antonio de Areco, Provincia de Buenos Aires, Argentina
Amigos, visitem: www.visiteareco.com
Portrait of Ken Hall, Australian film producer and director, Cinesound, Sydney, 3 May 1950, from film negative, Australian Consolidated Press archive, State Library of New South Wales, ON 388/Box 068/Item 234