View allAll Photos Tagged DETAILED

Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.

"From the beginning, it was the snowlfakes that fascinated me most"

Dubbed as “Snowflake”, Wilson Alwyn Bentley (1865-1931) was a pioneer in snowflake photomicrography. As a child he was fascinated by the natural world, and by the age of 19 he became the first to successfully capture a snowflake photograph with the help of a feather, a microscope and a camera. Bentley photographed thousands of individual snow crystals during his career, some of which we are showcasing in this Public Domain collection. We have digitally enhanced these amazingly detailed photographs of these winter’s wonders for you do download and use under the CC0 license.

Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1308894/vintage-snowflakes-wilson-alwyn-bentley-i-high-quality-cc0-images

 

Galleria Vittorio Emanuele II, Milan, day 6 of our Cosmos tour, October 5, 2012. We arrived late in the afternoon so didn't see all I wanted to see as we left very early the next morning. So not many good shots as it was too late in the day!

 

The Galleria Vittorio Emanuele II is the oldest shopping mall in Italy. Housed within a four-storey double arcade in central Milan, the Galleria is named after Vittorio Emanuele II, the first king of the Kingdom of Italy.

 

The structure consists of two glass-vaulted arcades intersecting in an octagon covering the street connecting Piazza del Duomo to Piazza della Scala. The street is covered by an arching glass and cast iron roof, a popular design for 19th-century arcades, such as the Burlington Arcade in London, which was the prototype for larger glazed shopping arcades, beginning with the Saint-Hubert Gallery in Brussels (opened in 1847), the Passazh in St Petersburg (opened in 1848), the Galleria Umberto I in Naples (opened in 1890) and the Budapest Galleria.

 

The central octagonal space is topped with a glass dome. The Milanese Galleria was larger in scale than its predecessors and was an important step in the evolution of the modern glazed and enclosed shopping mall, of which it was the direct progenitor. It has inspired the use of the term galleria for many other shopping arcades and malls.

 

In the central mosaic, there is a depiction of the bull from Turin Coat of Arms. The tradition tells that if a person put its right heel on the bull's genitals and turn on himself three times, this will bring good luck. This practice causes damage to the mosaic: a hole developed on the place of the bull's genitals.

 

The Galleria connects two of Milan's most famous landmarks: The Duomo and the Teatro Alla Scala, but the Galleria is a landmark in its own right.

For More Info: en.wikipedia.org/wiki/Galleria_Vittorio_Emanuele_II

 

For More Info om Milan: en.wikipedia.org/wiki/Milan

The days drag and the weeks fly by.

 

It has been a grim week at work, and yet the weekend is here once again.

 

The cold snap is still here; thick frosts and icy patches, but Sunday afternoon storms will sweep in from the west and temperatures will soar by day to 13 degrees.

 

But for now it is cold, and colder at nights, the wood burner makes the living room toasty warm, though the rest of the house seems like a fridge in comparison.

 

Even though we went to bed at nine, we slept to nearly half seven, which meant we were already later than usual going to Tesco.

 

We had a coffee first, then got dressed and went out into the winter wonderland.

 

Tesco was more crowded mainly because we were an hour later. There were no crackers for cheese, a whole aisle empty of cream crackers and butter wafers.

 

There is only so much food you can eat even over Christmas, so the cracker-shortage won't affect us, we have two Dundee cakes, filling for two lots of mince pies and pastry for five lots of sausage rolls.

 

We won't starve.

 

We buy another bag of stuff for the food bank, try to get two weeks of stuff so we wont need to go next weekend, just to a farm shop for vegetables, and the butcher for the Christmas order, though on the 25th we are going out for dinner to the Lantern.

 

Back home for fruit, then bacon butties and another huge brew. Yes, smoked bacon is again in short supply, with just the basic streaky smoked available, but we're not fussy, so that does the trick.

 

Also, Jools picked up her inhalers for her cough, and so, we hope, the road to recovery begins.

 

What to do with the day?

 

Although a walk would have been good, Jools can do no more than ten minutes in freezing conditions before a coughing fits starts, so a couple of churches to revisit and take more shots of.

 

First on the list was St Leonard in Upper Deal. A church I have only have been inside once. As it was just half ten, there should have been a chance it was open, but no. We parked up and I walked over the road to try the porch door, but it was locked.

 

No worries, as the next two would certainly be open.

 

Just up the road towards Canterbury is Ash.

 

Ash is a large village that the main roads now bypass its narrow streets, and buses call not so frequently.

 

The church towers over the village, its spire piercing the grey sky. We park beside the old curry hours than burned down a decade ago, is now a house and no sign of damage.

 

indeed the church was open, though the porch door was closed, it opened with use of the latch, and the inner glass door swung inwards, revealing an interior I had forgotten about, rich Victorian glass let in the weak sunlight, allowing me to take detailed shots. It was far better and more enjoyable than I remembered.

 

Once I took 200 or so shots, we went back to the car, drove back to the main road, and on to Wingham, where the church there, a twin of Wingham, would also be open too.

 

And it was.

 

The wardens were just finishing trimming the church up, and putting out new flowers, it was a bustle of activity, then one by one they left.

 

got my shots, and we left, back to the car and to home, though we did stop at he farm shop at Aylsham, and all we wanted was some sweet peppers for hash.

 

We went in and there was the bakery: I bought two sausage rolls, four small pork pies and two Cajun flavours scotch eggs. We got cider, beer, healthy snacks (we told ourselves) and finally found the peppers.

 

Three peppers cost £50!

 

Then back home, along the A2.

 

And arriving back home at one. We feasted on the scotch eggs and two of the pork pies.

 

Yummy.

 

There was the third place play off game to watch on the tellybox, the Football league to follow on the radio. We lit the woodburner and it was soon toasty warm.

 

At half five, Norwich kicked off, and hopes were high as Blackburn had not beaten us in over a decade.

 

And, yes you guessed it, Norwich lost. Played poorly, and in Dad's words, were lucky to get nil.

 

Oh dear.

 

Oh dear indeed.

 

We have Christmas cake for supper, and apart from the football, as was well with the world.

 

------------------------------------------------

 

An enormous church, picturesquely set at an angle of the village street. It owes its size to the fact that it supported a college of priests in the Middle Ages. During the sixteenth century it was substantially rebuilt, but the north aisle was not replaced, reducing the church to the odd shape we see today. The unusual pillars which divide the nave from the south aisle are of timber, not stone as a result of lack of money. At the end of the south aisle is the Oxenden chapel, which contains that family's excellent bull's head monument. The contemporary metalwork screens and black and white pavements add great dignity to this part of the building. By going through a curved passage from the chapel you can emerge in the chancel, which is dominated by a stone reredos of fifteenth-century date. This French construction was a gift to the church in the 1930s and while it is not good quality carving, is an unusual find in a Kent church.

 

www.kentchurches.info/church.asp?p=Wingham

 

------------------------------------------

 

hortly after 1280AD Archbishop Peckham of Canterbury established a college of priests at Wingham, with a provost and six canons. From 1286 the priests lived in the attractive timber-framed house opposite St Mary's church. The college accounts for the size of the church, which seems enormous considering the present size of Wingham itself.

 

There was a cruciform church here before the college was established, but that building was remodelled around 1290, leaving us several excellent Geometric Gothic windows. A south porch and tower were added around 1400. The porch is curious in that there are two stories externally, but internally only one. There are many reminders of the church's past, however; the arch between the south transept and south nave aisle is late Norman, as is a blocked arch on the west wall of the north transept.

 

By the early 16th century the nave was in poor condition. A local brewer named George Ffogarde of Canterbury was granted a license to raise money for its repair. Having a considerable sum of money for church repair, the unscrupulous brewer absconded with the funds, embezzling £224, a huge sum for the time. The missing funds may explain why the nave was rebuilt using cheaper timber posts to support the arcades, rather than more costly stone.

 

The octagonal timber posts are of chestnut wood, topped by a crown-post timber roof. Sometime before the mid-19th century the timbers were encased in plaster to resemble Doric columns, but thankfully the plaster has been stripped off and we can appreciate the timber! The nave was rebuilt in the late 16th century, diminishing its footprint and leaving behind some rather odd features, like an external piscina on what was originally the easternmost pier of the nave arcade. Another odd touch is provided by the north transept, remodelled with wood frames in the Georgian period. I'm not sure I can call to mind another essentially medieval church with wooden-framed windows!

 

In the chancel is a lovely 14th century triple-seat sedilia and piscina. The chancel and nave are separated by a 15th century screen, now truncated, with blank panels which must have once boasted painted figures of saints. But the real treasure in the chancel is a series of ten 14th century misericords. Six of the misericord carvings are simply decorative, with floral or foliage designs. Two show animals; one appears to be a horse, another a donkey. The final two carvings are the most interesting; one shows a woman in a wimple, the other a Green Man peering out from a screen of foliage.

 

Behind the altar is a lovely 15th century reredos, brought here from Troyes in France. The reredos is in two sections, the upper section depicting the Passion of Christ, the lower showing the Last Supper and the Adoration of the Kings. There are small fragments of rather attractive 14th century grisailles glass in the chancel windows, and near the font are a number of surviving medieval floor tiles.

 

The interior is full of monuments to the Oxenden and Palmer families. The finest of these are to be found in the north transept chapel. On the east wall of the chapel is a memorial to Sir Nicholas Palmer (d. 1624). The memorial was designed by Nicholas Stone and shows effigies of Palmer and his wife under Corinthian columns and an open pediment. On the north wall is the monument to a later Thomas Palmer (d. 1656) with a bust of the deceased, now somewhat the worse for wear. A tablet to Streynsham Master (d. 1718) is on the south chapel wall, and has a fairly typical pair of skulls at the base of the tablet, wreathed in olive branches.

 

The most extravagant and eye-catching memorial in the church, however, is to be found in the north transept chapel, which is guarded by ornate wrought-iron screens. In the centre of the chapel is an ebullient obelisk, dated 1682, commemorating the Oxenden family. This free-standing obelisk, possibly designed by Arnold Quellin, is of white stone, with exquisite fruit and flowers cascading down each side, with large black ox heads at each angle of the base. The base is embellished with four putti (cherubic 'infants'). The effect is quite extraordinary; most people will either love it or hate it (I loved it). Also in the south transept is a wall tablet to Charles Tripp (d. 1624).

Other monuments worth mentioning include a 14th century tomb recess in the south aisle wall and a number of 15th century indents in the chancel floor which once contained memorial brasses to canons.

 

The church is set within a large walled enclosure, dating to the 16th and 17th centuries. Unusually, the churchyard wall has been listed Grade-II by the Department of the Environment for its historical interest.

 

www.britainexpress.com/counties/kent/churches/wingham.htm

 

-------------------------------------------

 

WINGHAM

IS the next adjoining parish south-westward from Ash, situated for the most part in the upper half hundred of the same name, and having in it the boroughs of Wingham-street, Deane, Twitham, and Wenderton, which latter is in the lower half hundred of Wingham.

 

WINGHAM is situated in a healthy pleasant country, the greatest part of it is open uninclosed arable lands, the soil of which, though chalky, is far from being unfertile. The village, or town of Wingham, is nearly in the middle of the parish, having the church and college at the south-west part of it; behind the latter is a field, still called the Vineyard. The village contains about fifty houses, one of which is the court-lodge, and is built on the road leading from Canterbury to Sandwich, at the west end of it runs the stream, called the Wingham river, which having turned a corn-mill here, goes on and joins the Lesser Stour, about two miles below; on each side the stream is a moist tract of meadow land. Near the south boundary of the parish is the mansion of Dene, situated in the bottom, a dry, though dull and gloomy habitation; and at the opposite side, next to Staple, the ruinated mansion of Brook, in a far more open and pleasant situation. To the northward the parish extends a considerable way, almost as far as the churches of Preston and Elmstone. The market, granted anno 36 king Henry III. as mentioned hereafter, if it ever was held, has been disused for a number of years past; though the market-house seems yet remaining. There are two fairs held yearly here, on May 12, and November 12, for cattle and pedlary.

 

In 1710 there was found on the court-lodge farm, by the plough striking against it, a chest or coffin, of large thick stones, joined together, and covered with a single one at the top. At the bottom were some black ashes, but nothing else in it. The ground round about was searched, but nothing else was sound.

 

Henry de Wengham, a person of great note and extraordinary parts, and much in favour with Henry III. was born here, who in 1255 made him lord chancellor. In 1259, he was elected bishop of Winchester, which he resused, but towards the latter end of the same year he was chosen bishop of London, being still chancellor, and was consecrated the beginning of the year following. He died in 1262, and was buried in his own cathedral. He bore for his arms, Gules, a heart between two wings, displayed, or.

 

WILLIAM COWPER, ESQ. eldest son of Sir William Cowper, bart. of Ratling-court, in Nonington, having been made lord-keeper of the great seal in 1705, was afterwards by letters patent, dated Dec. 14, 1706, created lord Cowper, baron Cowper of Wingham; and in 1709, was declared lord chancellor. After which, anno 4 George I. he was created earl Cowper and viscount Fordwich, in whose descendants these titles have continued down to the right hon. Peter-Lewis-Francis Cowper, the fifth and present earl Cowper, viscount Fordwich and baron of Wingham. (fn. 1)

 

The MANOR OF WINGHAM was part of the antient possessions of the see of Canterbury, given to it in the early period of the Saxon heptarchy, but being torn from it during the troubles of those times, it was restored to the church in the year 941, by king Edmund, his brother Eadred, and Edwin that king's son. (fn. 2) Accordingly it is thus entered, under the general title of the archbishop's possessions, taken in the survey of Domesday:

 

In the lath of Estrei, in Wingeham hundred, the archbishop himself holds Wingeham in demesne. It was taxed at forty sulings in the time of king Edward the Consessor, and now for thirty-five. The arable land is . . . . . . In demesne there are eight carucates, and four times twenty and five villeins, with twenty borderers having fifty-seven carucates. There are eight servants, and two mills of thirty-four sulings. Wood for the pannage of five hogs, and two small woods for fencing. In its whole value, in the time of king Edward the Consessor, it was worth seventy-seven pounds, when he received it the like, and now one hundred pounds. Of this manor William de Arcis holds one suling in Fletes, and there be has in demesne one carucate, and four villeins, and one knight with one carucate, and one fisbery, with a saltpit of thirty pence. The whole value is forty shillings. Of this ma nor five of the archbishop's men hold five sulings and an half and three yokes, and there they have in demesne eight carucates, and twenty-two borderers, and eight servants. In the whole they are worth twenty-one pounds.

 

In the 36th year of king Henry III. archbishop Boniface obtained the grant of a market at this place. The archbishops had a good house on this manor, in which they frequently resided. Archbishop Baldwin, in king Henry II.'s reign, staid at his house here for some time during his contention with the monks of Christ-church, concerning his college at Hackington. Archbishop Winchelsea entertained king Edward I. here in his 23d year, as did archbishop Walter Reynolds king Edward II. in his 18th year. And king Edward III. in his 5th year, having landed at Dover, with many lords and nobles in his train, came to Wingham, where he was lodged and entertained by archbishop Meopham. And this manor continued part of the see of Canterbury till archbishop Cranmer, in the 29th year of king Henry VIII. exchanged it with the king for other premises. After which it continued in the crown till king Charles I. in his 5th year, granted the scite, called Wingham court, with the demesne lands of the manor, to trustees, for the use of the city of London. From whom, by the direction of the mayor and commonalty, it was conveyed, at the latter end of that reign, to Sir William Cowper, knight and baronet, in whose descendants it has continued down to the right hon. Peter-Francis Cowper, earl Cowper, who is the present owner of it. (fn. 3)

 

BUT THE MANOR ITSELF, with the royalties, profits of courts, &c. remained still in the crown. Since which, the bailiwic of it, containing the rents and pro fits of the courts, with the fines, amerciaments, reliess, &c. and the privilege of holding the courts of it, by the bailiff of it, have been granted to the family of Oxenden, and Sir Henry Oxenden, bart. of Brome, is now in possession of the bailiwic of it. A court leet and court baron is held for this manor.

 

TRAPHAM is a mansion in this parish, which was formerly in the possession of a family of the same name, who resided at it, but after they were extinct it passed into that of Trippe, who bore for their arms, Gules, a chevron, or, between three borses heads erased, sable, bridled, collared and crined of the second; (fn. 4) and John Tripp, esq. resided here in queen Elizabeth's reign, as did his grandson Charles, who seems to have alienated it to Sir Christopher Harflete, of St. Stephen's, whose son Tho. Harflete, esq. left an only daughter and heir Afra, who carried it in marriage to John St. Leger, esq. of Doneraile, in Ireland, descended from Sir Anthony St. Leger, lord deputy of Ireland in Henry VIII.'s reign, and they joined in the alienation of it to Brook Bridges, esq of the adjoining parish of Goodneston, whose descendant Sir Brook Wm. Bridges, bart. of that place, is the present owner of it.

 

The MANOR OF DENE, situated in the valley, at the southern boundary of this parish, was antiently the inheritance of a family who took their surname from it, and held it by knight's service of the archbishop, in king Edward I's reign, but they seem to have been extinct here in that of king Edward III. After which it passed into the family of Hussey, who bore for their arms, Per chevron, argent and vert, three birds counterchanged; and then to Wood, before it came by sale into the family of Oxenden, who appear to have been possessed of it at the latter end of Henry VI.'s reign, about which time they had become by marriage, owners of Brook and other estates in this parish. The family of Oxenden have been resident in this county from the reign of king Edward III. Solomon Oxenden, being the first mentioned in the several pedigrees of it, whose near relation Richard Oxenden was prior of Christchurch, Canterbury, in that reign; in this name and family of Oxenden, whose arms were Argent, a chevron, gules, between three oxen, sable, armed, or; which coat was confirmed to the family by Gyan, king at arms, anno 24 Henry VI. this manor and seat continued down to Sir Henry Oxenden, of Dene, who was on May 8, 1678, created a baronet, whose youngest grandson Sir George Oxenden, bart. succeeding at length to the title on the death of his eldest brother Sir Henry, resided at Dene, where he died in 1775, having served in parliament for Sandwich, and been employed in high offices in administration, and leaving behind him the character of a compleat gentleman. He married Elizabeth, one of the daughters and coheirs of Edward Dunck, esq. of Little Wittenham, in Berkshire, by whom he had two sons, of whom George, the second, was made by will heir to the estate of Sir Basil Dixwell, bart. of Brome, on his death, s. p. and changed his name to Dixwell as enjoined by it, but died soon afterwards likewise, s. p. and that estate came at length to his eldest brother Henry, who succeeded his father in the title of Baronet. He married Margaret, daughter and coheir of Sir George Chudleigh, bart. of Devonshire, since deceased, by whom he has issue Henry Oxenden, esq. of Madekyn, in Barham, who married Mary, one of the daughters of Col. Graham, of St. Laurence, near Canterbury, by whom he has issue. Sir Henry Oxenden, bart. now resides at Brome, and is the present possessor of this manor and seat, as well as the rest of his father's estates in this parish. (fn. 5) Lady Hales, widow of Sir Thomas Pym Hales, bart. of Bekesborne, now resides in it.

 

TWITHAM, now usually called Twittam, is a hamlet in this parish, adjoining to Goodneston, the principal estate in which once belonged to a family of that name, one of whom Alanus de Twitham is recorded as having been with king Richard I. at the siege of Acon, in Palestine, who bore for his arms, Semee of crosscroslets, and three cinquesoils, argent, and held this estate in Twitham, of the archbishop, and they appear to have continued possessed of it in the 3d year of king Richard II. Some time after which it came into the possession of Fineux, and William Fineux sold it anno 33 Henry VIII. to Ingram Wollet, whose heirs passed it away to one of the family of Oxenden, of Wingham, in whose descendants it has continued down to Sir Henry Oxenden, bart. of Brome, the present possessor of it.

 

On the foundation of the college of Wingham, archbishop Peckham, in 1286, endowed the first diaconal prebend in it, which he distinguished by the name of the prebend of Twitham, with the tithes of the lands of Alanus de Twitham, which he freely held of the archbishop there in Goodwynestone, at Twytham. (fn. 6)

 

BROOK is an estate in this parish, situated northward from Twitham, which was formerly the estate of the Wendertons, of Wenderton, in this parish, in which it remained till by a female heir Jane, it went in marriage to Richard Oxenden, gent. of Wingham, who died in 1440, and was buried in Wingham church, in whose name and family it continued down to Henry Oxenden, of Brook, who left two daughters and coheirs, of whom Mary married Richard Oxenden, of Grays Inn, barrister-at-law, fourth son of Sir Henry Oxenden, bart, who afterwards, on his wife's becoming sole heiress of Brook, possessed it, and resided here. He left Elizabeth his sole daughter and heir, who carried it in marriage to Streynsham Master, esq. a captain in the royal navy, the eldest surviving son of James Master, esq. of East Langdon, who died some few days after his marriage; upon which she became again possessed of it in her own right, and dying in 1759, s. p. gave it by will to Henry Oxenden, esq. now Sir Henry Oxenden, bart. of Brome, and he is the present owner of it.

 

WENDERTON is a manor and antient seat, situated northward from Wingham church, eminent, says Philipott, for its excellent air, situation, and prospect, which for many successive generations had owners of that surname, one of whom, John de Wenderton, is mentioned in Fox's Martyrology, as one among other tenants of the manor of Wingham, on whom archbishop Courtnay, in 1390, imposed a penance for neglecting to perform some services due from that manor. In his descendants this seat continued till John Wenderton, of Wenderton, in the 1st year of Henry VIII. passed it away to archbishop Warham, who at his decease in 1533, gave it to his youngest brother John Warham, whose great-grandson John, by his will in 1609, ordered this manor to be sold, which it accordingly soon afterwards was to Manwood, from which name it was alienated, about the middle of the next reign of king Charles I. to Vincent Denne, gent. who resided here, and died in 1642, s. p. whose four nieces afterwards became by will possessed of it, and on the partition of their estates, the manor and mansion, with part of the lands since called Great Wenderton, was allotted to Mary, the youngest of them, who afterwards married Vincent Denne, sergeant-at-law, and the remaining part of it, which adjoins to them, since called Little Wenderton, to Dorothy, the third sister, afterwards married to Roger Lukin, gent. of London, who soon afterwards sold his share to Richard Oxenden, esq. of Brook, from one of which family it was sold to Underdown, by a female heir of which name, Frances, it went in marriage to John Carter, esq. of Deal, the present owner of it.

 

BUT GREAT WENDERTON continued in the possession of Sergeant Denne, till his death in 1693, when Dorothy, his eldest daughter and coheir, carried it in marriage to Mr. Thomas Ginder, who bore Argent, on a pale, sable, a cross fuchee, or, impaling azure, three lions heads, or; as they are on his monument. He resided at it till his death in 1716, as did his widow till her decease in 1736, when it came to her nephew Mr. Thomas Hatley, who left two daughters his coheirs, the eldest surviving of whom, Anne, carried it in marriage, first to Richard Nicholas, esq. and then successively to Mr. Smith and Mr. James Corneck, of London, and Mrs. Corneck, the widow of the latter, is the present possessor of it.

 

At the boundary of this parish, adjoining to Preston and Ash, lies THE MANOR OF WALMESTONE, usually called Wamston, which was antiently part of the possessions of the family of Septvans, one of whom, Robert de Septvans, held it in king Edward II.'s reign, of the archbishop; whose descendant Sir William de Septvans died possessed of it in the 25th year of that reign. (fn. 7) How long it continued in this name I have not found; but at the beginning of king Edward IV.'s reign it was become the property of William Bonington, of Canterbury, who died in 1463, and directed it by his will to be sold. After which it became, about the latter end of king Henry VIII.'s reign, the property of Walter Hendley, esq. the king's attorney-general, who left three daughters his coheirs, and they joined in the sale of it to Alday, who alienated it to Benedict Barnham, esq. alderman of London, one of whose daughters and coheirs, Elizabeth, carried it in marriage to Mervin Touchet, earl of Castlehaven, who being convicted of high crimes and misdemeanors, was executed anno 7 Charles I. Soon after which this manor seems to have been divided, and one part of it, since called Little Walmestone, in which was included the manor and part of the demesne lands, passed from his heirs to the Rev. John Smith, rector of Wickham Breaus, who having founded a scholarship at Oxford, out of the lands of it, presently afterwards sold it to Solly, of Pedding, in which name it continued till Stephen Solly, gent. of Pedding, and his two sons, John and Stephen, in 1653, joined in the conveyance of it to Thomas Winter, yeoman, of Wingham, in which name it remained for some time. At length, after some intermediate owners, it was sold to Sympson, and John Sympson, esq. of Canterbury, died possessed of it in 1748, leaving his wife surviving, who held it at her decease, upon which it came to her husband's heir-atlaw, and it is now accordingly in the possession of Mr. Richard Simpson.

 

BUT GREAT WALMESTONE, consisting of the mansion-house, with a greater part of the demesne lands of the manor, was passed away by the heirs of the earl of Castlehaven to Brigham, and Mr. Charles Brigham, of London, in the year 1653, sold it to William Rutland, of London, who left two daughters his coheirs, of whom Mary married John Ketch, by whom she had a sole daughter Anne, who afterwards at length became possessed of it, and carried it in marriage to Samuel Starling, gent. of Worcestershire, who in 1718, conveyed it, his only son Samuel joining in it, to Thomas Willys, esq. of London, afterwards created a baronet. After which it passed in the same manner, and in the like interests and shares, as the manor of Dargate, in Hernehill, down to Matthew, Robert and Thomas Mitchell, the trustees for the several uses to which this, among other estates belonging to the Willis's, had been limited; and they joined in the sale of it, in 1789, to Mr. William East, whose son, Mr. John East, of Wingham, is the present owner of it.

 

ARCHBISHOP KILWARBY intended to found a college in this church of Wingham, but resigning his archbishopric before he could put his design in practice, archbishop Peckham, his successor, in the year 1286, perfected his predecessor's design, and founded A COLLEGE in this church, for a provost, whose portion, among other premises, was the profits of this church and the vicarage of it, and six secular canons; the prebends of which he distinguished by the names of the several places from whence their respective portions arose, viz. Chilton, Pedding, Twitham, Bonnington, Ratling, and Wimlingswold. The provost's lodge, which appears by the foundation charter to have before been the parsonage, was situated adjoining to the church-yard; and the houses of the canons, at this time called Canon-row, opposite to it. These latter houses are, with their gardens and appurtenances, esteemed to be within the liberty of the town and port of Hastings, and jurisdiction of the cinque ports. This college was suppressed in the 1st year of king Edward VI. among others of the like sort, when the whole revenue of it was valued at 208l. 14s. 3½d. per annum, and 193l. 2s. 1d. clear; but Leland says, it was able to dispend at the suppression only eighty-four pounds per annum. Edward Cranmer, the last master, had at the dissolution a pension of twenty pounds per annum, which he enjoyed in 1553. (fn. 8)

 

After the dissolution of the college, the capital mansion, late belonging to the provost, remained in the crown till king Edward VI. in his 7th year, granted the scite of it, with the church appropriate of Wingham, and all tithes whatsoever arising within the parish, and one acre of glebe-land in it, to Sir Henry Palmer, subject to a payment of twenty pounds annually to the curate or vicar of it.

 

The Palmers of Wingham were descended from a very antient one at Angmerin, in Suffex, who bore for their arms, Or, two bars, gules, each charged with three tresoils of the field, in chief, a greyhound, currant, sable. In the seventh descent from Ralph Palmer, esq. of that place, in king Edward II.'s reign, was descended Sir Edward Palmer, of Angmerin, who left three sons, born on three successive Sundays, of whom John, the eldest, was of Sussex, which branch became extinct in queen Elizabeth's reign; Sir Henry, the second son, was of Wingham; and Sir Thomas, the youngest, was beheaded in queen Mary's reign. Sir Henry Palmer, the second son, having purchased the grant of the college of Wingham, as before-mentioned, made it the seat of his residence, as did his son Sir Thomas Palmer, who was sheriff anno 37 Elizabeth, and created a baronet in 1621. He so constantly resided at Wingham, that he is said to have kept sixty Christmases, without intermission, in this mansion, with great hospitality. He had three sons, each of whom were knighted. From the youngest of whom, Sir James, descended the Palmers, of Dauney, in Buckinghamshire, who upon the eldest branch becoming extinct, have succeeded to the title of baronet; and by his second wife he had Roger Palmer, earl of Castlemain. Sir Thomas Palmer, the eldest of the three brothers, died in his father's life-time, and left Sir Thomas Palmer, bart. of Wingham, heir to his grandfather; in whose descendants, baronets, of this place, this mansion, with the parsonage of Wingham appropriate, continued down to Sir Thomas Palmer, bart. of Wingham, who died possessed of it in 1723, having had three wives; by the first he had four daughters; by the second he had a son Herbert, born before marriage, and afterwards a daughter Frances; the third was Mrs. Markham, by whom he had no issue; and she afterwards married Thomas Hey, esq. whom she likewise survived. Sir Thomas Palmer, by his will, gave this seat, with the parsonage appropriate and tithes of Wingham, inter alia, after his widow's decease, to his natural son Herbert Palmer, esq. above-mentioned, who married Bethia, fourth daughter of Sir Thomas D'Aeth, bart. of Knolton. He died in 1760, s. p. and by will devised his interest in the reversion of this seat, with the parsonage, to his wife Bethia, for her life, and afterwards to his sister Mrs. Frances Palmer, in tail. But he never had possession of it, for lady Palmer furvived him, on whose death in 1763, Mrs. Bethia Palmer, his widow, became entitled to it, and afterwards married John Cosnan, esq. who died in 1773. She survived him, and resided here till her death in 1789. In the intermediate time, Mrs. Frances Palmer having barred the entail made by her natural brother Herbett above-mentioned, died, having devised the see of this estate, by her will in 1770, to the Rev. Thomas Hey, rector of Wickhambreaux, and his heirs, being the eldest son of the last lady Palmer by her last husband. Mr. Hey accordingly, on the death of Mrs. Cosnan, who died s. p. succeeded to this seat and estate. He married first Ethelreda, eldest daughter and coheir of dean Lynch, since deceased, by whom he has no surviving issue; and secondly, Mrs. Pugett, widow of Mr. Puget, of London. He now resides in this seat of Wingham college, having been created D. D. and promoted to a prebend of the church of Rochester.

 

Charities.

JOHN CHURCH, yeoman, of this parish, in 1604, gave 1cl. to the poor, to distribute yearly at Easter, 10s. to the poor for the interest of it.

 

HECTOR DU MONT, a Frenchman, born in 1632, gave the silver cup and patten for the holy communion.

 

SIR GEORGE OXENDEN, president for the East-India Company at Surat, in 1660, gave the velvet cushion and pulpitcloth.

 

JOHN RUSHBEACHER, gent. of this parish, in 1663, gave five acres of land in Woodnesborough, the rents to be annually distributed to ten of the meaner sort of people of Wingham, not receiving alms of the parish, now of the yearly value of 4l.

 

SIR GEORGE OXENDEN, above-mentioned, in 1682, gave 500l. for the repairing and beautifying this church, and the Dene chancel.

 

SIR JAMES OXENDEN, knight and baronet, of Dene, founded and endowed a school in this parish with 16l. per annum for ever, for teaching twenty poor children reading and writing, now in the patronage of Sir Henry Oxenden, bart.

 

RICHARD OXENDEN, esq. of Brook, in 1701, gave an annuity of 4l. for ever, to the minister, for the reading of divine service and preaching a sermon, in this church, on every Wednesday in Lent, and on Good Friday; and he at the same time gave 20s. yearly for ever, to be distributed, with the consent of the heirs of the Brook estate, to eight poor people, who should be at divine service on Easter-day, to be paid out of the lands of Brook, now vested in Sir Henry Oxenden, bart.

 

THOMAS PALMER, esq. of St. Dunstan's in the East, London, gave 300l for the repairing, adorning and beautifying the great chancel of this church.

 

MRS. ELIZABETH MASTER, esq. relict of Strensham Master, of Brook, in 1728, gave the large silver flaggon; and MRS. SYBILLA OXENDEN, spinster, of Brook, at the same time gave a large silver patten for the communion.

 

Besides the above benefactions, there have been several lesser ones given at different times in money, both to the poor and for the church. All which are recorded in a very handsome table in the church, on which are likewise painted the arms of the several benefactors

 

There are about forty poor constantly relieved, and casually twenty.

 

THIS PARISH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Bridge.

 

The church, which is exempt from the archdeacon, is dedicated to St. Mary. It is a handsome building, consisting of two isles and three chancels, having a slim spire steeple at the west end, in which is a peal of eight bells and a clock. The church consists of two isles and three chancels. The former appear to have been built since the reformation; the latter are much more antient. It is handsome and well built; the pillars between the isles, now cased with wood, are slender and well proportioned. The outside is remarkably beautiful in the flint-work, and the windows throughout it, were regular and handsomely disposed, superior to other churches, till later repairs destroyed their uniformity. The windows were formerly richly ornamented with painted glass, the remains of which are but small. In the south window, in old English letters, is Edward Warham, gentill . . . . of making this window . . . . and underneath the arms of Warham. In the north isle is a brass tablet for Christopher Harris, curate here, and rector of Stourmouth, obt. Nov. 24, 1719. Over the entrance from this isle into the high chancel, is carved on the partition, the Prince of Wales's badge and motto. In the south wall is a circular arch, plain, seemingly over a tomb. A monument for T. Ginder, gent. obt. 1716. In the south east window the arms of Warham. A memorial for Vincent Denne, gent. of Wenderton, obt. 1642. In the high chancel are seven stalls on each side. On the pavement are several stones, robbed of their brasses, over the provosts and religious of the college. A stone, coffin-shaped, and two crosses pomelle, with an inscription round in old French capitals, for master John de Sarestone, rector, ob. XII Kal. May MCCLXXI. Several monuments and memorials for the family of Palmer. The south chancel is called the Dene chancel, belonging to that seat, under which is a vault, in which the family of Oxenden, owners of it, are deposited. In the middle, on the pavement, is a very costly monument, having at the corners four large black oxens beads, in allusion to their name and arms. It was erected in 1682. On the four tablets on the base is an account of the family of Oxenden, beginning with Henry, who built Denehouse, and ending with Dr. Oxenden, dean of the arches, who died in 1704. There are monuments in it likewise for the Trippes. The north chancel is called the Brook chancel, as belonging to that seat, in which are monuments for the Oxendens and Masters's of this seat. This chancel is shut out from the church, and is made use of as a school-room, by which means the monuments are much desaced, and the gravestones, from the filth in it, have become wholly obliterated. On one of these stones was a brass plate, now gone, for Henry Oxenden, esq. who built Dene, obt. 1597.

 

Elizabeth, daughter of the marquis of Juliers, and widow of John, son of Edmund of Woodstock, earl of Kent, after being solemnly veiled a nun, quitted her prosession, and was clandestinely married to Sir Eustace de Danbrichescourt, in a chapel of the mansion-house of Robert de Brome, a canon of this collegiate church, in 1360; for which she and her husband were enjoined different kinds of penance during their lives, which is well worth the reading, for the uncommon superstitious mockery of them. (fn. 9)

 

At the time of the reformation, the church was partly collegiate, and partly parochial. The high chancel, separated from the rest of the church by a partition, served for the members of the college to perform their quire service in. The two isles of the church were for the parishioners, who from thence could hear the quire service; and in the north isle was a roodlost, where one of the vicars went up and read the gospel to the people. At which time, I find mention of a parish chancel likewise.

 

The church of Wingham formerly comprehended not only this parish, but those likewise of Ash, Goodnestone, Nonington, and Wimlingswold; but archbishop Peckham, in 1282, divided them into four distinct parochial churches, and afterwards appropriated them to his new-founded college of Wingham, with a saving to them of certain portions which the vicars of them were accustomed to receive. The profits of this church and the vicarage of it, together with the parsonage-house, being thus appropriated and allotted to the provost, as part of his portion and maintenance, the archbishop, in order that the church should be duly served, by his foundation charter, ordered, that the provost and canons should each of them keep a vicar who should constantly serve in it. In which state it continued till the suppression of the college, in the 1st year of king Edward VI. when it came, among the rest of the revenues of the college, into the hands of the crown, where this parsonage appropriate, to which was annexed, the nomination of the perpetual curate serving in this church, remained till it was granted by king Edward VI. in his 7th year, to Sir Thomas Palmer, bart. Since which it has continued in like manner, together with the scite of the college, as has been already mentioned, to the Rev. Dr. Hey, who is the present possessor of this parsonage, together with the patronage of the perpetual curacy of the church of Wingham.

 

In 1640 the communicants here were three hundred and sixty-one.

 

¶The curacy is endowed with a stipend of twenty pounds per annum, paid by the owner of the parsonage, and reserved to the curate in the original grant of the college by king Edward VI. and with four pounds per annum, being the Oxenden gift before mentioned; besides which, the stipend of the resident curate, and his successors, was increased in 1797, by a liberal benefaction made by the Rev. Dr. Hey, of one hundred pounds per annum, clear of all deductions, to be paid out of the parsonage, and of a house, garden, and piece of pasture land adjoining, for the curate's use, both which were settled by him on trustees for that purpose.

 

www.british-history.ac.uk/survey-kent/vol9/pp224-241

Tom McKee. ink and prisma. 15 x 20 in. 2024

This uniform is of a rifleman in the Södermanland Regiment (I.10) in the Swedish army around 1939-40.

 

It consists of an m/1910 tunic and trousers with an m/1921 low helmet. The rifle is a Swedish m/1896 chambered in 6.5mm.

 

This uniform was in use from 1910 all the way up until the late 1940s in some regiments (with some alterations like headwear and the inclusion of a gas mask) though the regiment I depict changed to the m/39 uniform around 1941.

 

Sweden has been a neutral nation since the end of the Napoleonic wars and stayed that way during ww2 though they were in a very unfavorable position with Germany to the south and west as well as the Soviets invading their neighbours Finland to the east.

Information from Jamie himself, thank you.

 

'SPIRIT OF SHERWOOD WW2 EVENT' - 18th-19th MAY 2024

I decided to bust out the Gundam markers and do some panel lining and painting on the GBN Guard Frame kit! I wanted to give it a more mass produced feel to it with the silver, so I painted certain areas silver to really make the details stand out. It's not expert level detailing, just little things I added to my kit to make it look nice to me

The Real Hong Kong Car Culture

 

Hong Kong Car | Automotive Photography since 2011

 

For a detailed introduction | guide on Hong Kong Car Licence Plates | Car Vanity Plates click on the link below to learn more :

 

www.j3consultantshongkong.com/hk-car-vanity-plates

 

One of the largest collections of quality Hong Kong Car Images and specialising in Car Licence Plates | Car Vanity Plates or as the Hong Kong Government likes to call them - Vehicle Registration Marks

 

I photograph all car brands and please do bear in mind I am an enthusiastic amateur and NOT a professional photographer but I do have a fairly distinctive style and it has got better over the years.

 

☛.... and if you want to read about my views on Hong Kong, then go to my blog, link is shown below, I have lived in Hong Kong for over 50 years!

 

www.j3consultantshongkong.com/j3c-blog

 

☛ Photography is simply a hobby for me, I do NOT sell my images and all of my images can be FREELY downloaded from this site in the original upload image size or 5 other sizes, please note that you DO NOT have to ask for permission to download and use any of my images!

Detailed photos of the Olaf's Frozen Adventure Elsa Limited Edition Doll. I got her from my local Disney Store on release day, Tuesday December 12, 2017, along with Anna. I was the only one waiting for the dolls before the store opened. She is #3818 of 7000.

 

I like her very much, both her new face and outfit. But she does have a couple of defects. One is that her hair is a bit messy on top, where part of her crown of bangs going the wrong way. The other is that there is a shallow cut on her forehead, that is especially visible when looking straight on in bright lighting. I think of it as a scar from the fight in the ice castle. The nicest thing I've discovered about the doll is that she has dark blue ice heels.

 

I show her in box, and with all the covers removed. I will debox her later. I show her next to my deboxed Frozen Fever Elsa doll and Harrods Snow Queen Elsa doll. Unlike those two dolls, OFA Elsa's cape doesn't have any embroidery. The snowflake and icicle patterns are depicted using glued on silver glitter appliques and clear crystals. Her dress does have considerable use of embroidery.

 

Elsa Doll - Olaf's Frozen Adventure - Limited Edition

US Disney Store

Released online and in-store 2017-12-12

$119.95

Item No. 6003040900404P

 

Bois-de-l'Île-Bizard Nature Park, Montreal...

Detailed look at one of the many electrical or utility boxes colorfully popping up in every major city!

Haven't taken a picture of the moon in a long time. Had to remember how to do it; cropped quite a bit

The Real Hong Kong Car Culture

 

Hong Kong Car | Automotive Photography since 2011

 

For a detailed introduction | guide on Hong Kong Car Licence Plates | Car Vanity Plates click on the link below to learn more :

 

www.j3consultantshongkong.com/hk-car-vanity-plates

 

One of the largest collections of quality Hong Kong Car Images and specialising in Car Licence Plates | Car Vanity Plates or as the Hong Kong Government likes to call them - Vehicle Registration Marks

 

I photograph all car brands and please do bear in mind I am an enthusiastic amateur and NOT a professional photographer but I do have a fairly distinctive style and it has got better over the years.

 

☛.... and if you want to read about my views on Hong Kong, then go to my blog, link is shown below, I have lived in Hong Kong for over 50 years!

 

www.j3consultantshongkong.com/j3c-blog

 

☛ Photography is simply a hobby for me, I do NOT sell my images and all of my images can be FREELY downloaded from this site in the original upload image size or 5 other sizes, please note that you DO NOT have to ask for permission to download and use any of my images!

Someone asked for more detailed shots of the Ariel mini doll, so here she is.

 

All dolls fully deboxed. It turns out that the dolls with the larger shoes (boots or sneakers) can free stand, although not very stably. If you take the rubber bands off the shoes of the other dolls, they can also free stand, but are even less stable than the ones with large shoes. For the photos with the dolls standing, I used small Kaiser stands. The Princesses are posed in order of their movie releases.

 

Deboxing of the 5 dolls on the long bench: Rapunzel, Snow White, Vanellope, Aurora and Ariel. Their elbow joints have much greater range of movement than the 12 inch Classic Princess dolls. Their knee joints are internal, with 1 click forward, and 3 back. They can bend their knees back a full 90 degrees, so can sit up with their feet on the floor and their legs together. Ariel had her legs bent backward and splayed out awkwardly in the box pose. Her legs can't stay together right after I unboxed her, so I crossed her legs at the ankles. None of them can free stand, except for Vanellope.

 

The Comfy Princess mini doll set. I bought it online when it was released on October 19. There are 12 Disney Princesses plus Vanellope, all wearing casual clothing. Some of them are also holding accessories. The Princesses are 6.5 inches tall and have neck, shoulder, elbow, hip and knee joints. They are far more posable and detailed the previous mini dolls from Disney Store or Disney Parks, which an inch shorter at 5.5 inches. These are more expensive as well, being about 8 dollars each. The set sold out the weekend it came out, came back and is now sold out again. I really love these dolls, even with their mostly goofy expressions.

 

I feel that they are worth $100, but of course $75 (due to a 25% off online sale) is a much better price. They really look almost as detailed as Classic 12 inch dolls, with much better hair styling, clothing and articulation than the old mini dolls. I especially like the improvement in their arms and legs.

 

Vanellope with Princesses from Ralph Breaks the Internet Doll Set

US Disney Store

Released online 2018-10-19

Purchased online 2018-10-19

Received 2018-10-30

$99.95

Item No. 6002040900592P

 

Vanellope is hanging out with her new BFFs, the Princesses from Ralph Breaks the Internet, in this 13-piece doll set. This fun set shows the Princesses in the contemporary way they're portrayed in the movie!

 

Safety

 

WARNING: CHOKING HAZARD - Small Parts. Not for children under 3 years.

 

Magic in the details

 

Please note: Purchase of this item is limited to 2 per Guest

 

• 13-Piece Set includes: Vanellope, Moana, Cinderella, Rapunzel, Mulan, Snow White, Merida, Tiana, Aurora, Pocahontas, Ariel, Jasmine, and Belle

• Each Princess is dressed as she appears in Ralph Breaks the Internet

• Accessories include: Jasmine's inhaler, Cinderella's broken slipper, Aurora's mug, Moana's coconut drink, and Snow White's glasses

• Rooted hair (except for Vanellope, who has sculpted hair)

• Princesses are fully poseable

• Vanellope has articulation in her arms and legs

• Inspired by Disney's Ralph Breaks the Internet

 

The bare necessities

 

• Plastic / polyester

• Vanellope: 3'' H

• Disney Princesses: approx 6 1/2'' H each

• Imported

Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.

 

An impressive high-resolution public domain original painting from the most famous Dutch Post-impressionist painter of all time, Vincent Willem van Gogh (1853–1890). Van Gogh inspired early abstraction, Expressionism and Fauvism. His vivid paintings were not widely appreciated until after his death, but now are among the most expensive paintings ever sold. If you love van Gogh you will love this collection. We have gathered over 50 of his most famous paintings from within the public domain and made them available free for you to download and enjoy :)

 

Higher resolutions with no attribution required can be downloaded: www.rawpixel.com/board/537381/vincent-van-gogh

At Furland sidings these 2 await collection for probably scrapping.

I think the wooden wagon is Bachmann and the flatbed steel wagon looks like its kitbuilt - both have been weatherd & detailed

1:76 scale, OO gauge

Furland Sidings micro model railway. (13 inches x 38)

#263.

Rambler Marlin Sports Fastback (1965-1967).

2 tone paint, chrome bumpers, chrome grille, detailed interior, opening doors, tipping seats, tow hook and spring suspension.

Escala 1/48.

Corgi Toys / Playcraft Toys Limited. London.

Made in Gt. Britain.

Production from 1966 to 1969.

------------------------------------------

 

RAMBLER MARLIN - 263 [ CORGI ]

 

[...]

 

" The Marlin was added to the Corgi range in 1966 and remained in production until 1969.

The core range car was always red with a black roof and black detailing. However you will see it in metallic blue and white.

This car was part of a gift set, GS10, where it was given a roof rack with some Kayaks and a version of the Pennyburn Trailer as a camping trailer. Apart from this there are no listed variations."

[...]

 

Source: www.chezbois.com/corgi/1966/Model_263.htm

  

More info:

www.vintagebritishdiecasts.co.uk/corgi/c263x.htm

www.qualitydiecasttoys.com/products/29578-CORGI-263

www.nigelg.info/diecast/detail.php?ID=680

----------------------------------------------------------------------------------------

 

Rambler Marlin

 

From Wikipedia, the free encyclopedia

 

"The Rambler Marlin (later AMC Marlin) is a two-door fastback automobile produced in the United States by American Motors Corporation from 1965 to 1967.

A halo car for the company, it was marketed as a personal luxury car.

 

In 1965, the car was marketed as "Rambler Marlin". For 1966, the car featured "Marlin" identification only and was officially named "AMC Marlin", as was the 1967 model.

 

Its fastback roof design was previewed on the 1964 Rambler Tarpon show car, based on the compact Rambler American. 1965 and 1966 model year production Marlins were fastback versions of the mid-sized two-door hardtop Rambler Classic, and 1967 brought a major redesign in which the car was given the new, longer AMC Ambassador full-size chassis. This version had a longer hood and numerous improvements including more interior room and new V8 engines."

(...)

 

----------------------

Rambler Marlin

AMC Marlin

 

Manufacturer

American Motors (AMC)

 

Production

1965–1967

 

Assembly

Kenosha, Wisconsin, United States

 

Designer

Richard A. Teague

 

Class

Personal luxury car

 

Body style

Fastback 2-door pillarless hardtop

 

Layout

FR layout

 

Platform

Rambler Classic: 1965-1966

AMC Ambassador: 1967

 

Successor

 

AMC Rebel/Matador: midsize

Ambassador: full-size luxury

Javelin: sporty pony car

 

Source: en.wikipedia.org/wiki/Rambler_Marlin

I decided to bust out the Gundam markers and do some panel lining and painting on the GBN Guard Frame kit! I wanted to give it a more mass produced feel to it with the silver, so I painted certain areas silver to really make the details stand out. It's not expert level detailing, just little things I added to my kit to make it look nice to me

Here's some detailed information provided by the City of North Little Rock:

 

The Old Mill, located at Fairway Ave. & Lakeshore Drive in North Little Rock, is a historic re-creation of an 1880's water-powered grist mill. The mill was seen in the opening scenes of David Selznick's 1937 movie classic "Gone With The Wind", and is believed to be the only remaining structure from the film. Admission to The Old Mill is free, and the hours of operation are from sunrise to sunset.

 

The Old Mill, also known as Pugh's Mill, was built in 1933 by Justin Matthews as a replica of an old-water-powered grist mill. The mill was designed to appear as if it belonged in Arkansas and had been here since the 1800s. It is made largely from tinted concrete work over steel and copper rods made to represent wood, iron or stone, and features sculptures by Mexican artist Senor Dionicio Rodriguez.

 

The Old Mill was nationally recognized in 1986 by being placed on the National Register of Historic Places. It was also presented with the Greater Little Rock Historic Preservation Award by the Quapaw Quarter Association.

 

The grist mill on the first floor dates back to 1828, and some mill rocks on the second floor came from the plantation of Tom Knoble, the grandfather of Tom Pugh, in whose honor the Mill is dedicated. There are also two original milestones from a road laid out more than 150 years ago by Jefferson Davis. Along this road, the Cherokee and Choctaw Indians traveled from the present town of Dardanelle into the Indian territory, now Oklahoma. In addition three sections of a wrought iron shaft were cut from the stern wheel of a passenger steamboat, which traveled the Arkansas River in the 1800's, are used in the mill.

 

The park is decorated with sculptures of toadstools, tree stumps, and several ornate bridges. Senor Dionico Rodriguez, a sculptor and artist from Mexico City, was responsible for all the details of each piece of concrete work made to represent wood, iron or stone, as well as the designing of the foot bridges and rustic seats. During the summer of 1991, Rodriguez's work at the Old Mill was renovated by the grandson of the original artist, Carlos Cortes

 

The Old Mill is often used for many outdoor activities including picnicking, relaxing, and even weddings or photo shoots. It is not unheard of for people to choose the Old Mill as a place to say their nuptials and many schools around North Little Rock have their school photos taken there.

 

A lake stretches into the Lakewood neighborhood below the Old Mill. The architect for the mill and park was Frank Carmean, the artist was Senor Dionicio Rodriguez, and the builder was the Justin Matthews Company.

 

The Old Mill Park was originally christened the T. R. Pugh Memorial Mill in honor of Thomas R. Pugh, of Portland, Arkansas, a staunch friend and benefactor of Matthews. The Old Mill was given to the City of North Little Rock as a gift by the former Justin Matthews Company on May 24, 1976. Maintained and landscaped by the Pulaski County Master Gardeners and North Little Rock Parks & Recreation, the park includes a variety of tree species including Eastern Redbud, Black Locust, Post Oak, Northern Red Oak, White Oak, and Shortleaf Pine.

 

Authentic reproduction of an old water-powered grist mill; appears in the opening scene of the classic movie, "Gone with the Wind," tour guides available by appointment; popular for outdoor weddings

 

www.northlr.org/attractions/old-mill/

  

This image is available as a high quality 20x30-inch poster print which you can then get framed if you desire! Let me know if you're interested in purchasing a poster print for only $40 (price includes shipping in a rolled tube within the continental U.S. and is signed by Volo, the photographer). E-mail voloproductions@hotmail.com

The Real Hong Kong Car Culture

 

Hong Kong Car | Automotive Photography since 2011

 

For a detailed introduction | guide on Hong Kong Car Licence Plates | Car Vanity Plates click on the link below to learn more :

 

www.j3consultantshongkong.com/hk-car-vanity-plates

 

One of the largest collections of quality Hong Kong Car Images and specialising in Car Licence Plates | Car Vanity Plates or as the Hong Kong Government likes to call them - Vehicle Registration Marks

 

I photograph all car brands and please do bear in mind I am an enthusiastic amateur and NOT a professional photographer but I do have a fairly distinctive style and it has got better over the years.

 

☛.... and if you want to read about my views on Hong Kong, then go to my blog, link is shown below, I have lived in Hong Kong for over 50 years!

 

www.j3consultantshongkong.com/j3c-blog

 

☛ Photography is simply a hobby for me, I do NOT sell my images and all of my images can be FREELY downloaded from this site in the original upload image size or 5 other sizes, please note that you DO NOT have to ask for permission to download and use any of my images!

Lady Tremaine Disney Film Collection 11'' Doll, boxed.

 

Detailed photos of the Disney Store's Lady Tremaine doll, just released online on in stores on Monday, January 26, 2015. She was purchased at my local Disney Store, for $34.95. She has a black plastic hat. Her outfit is black and green. The bodice glitter covered (which does shed). Attached to it is a floor length overskirt is attached, that opens in the front to act like a cape attached to the waist. It is made of satin covered by sheer organza with floral decorations. Under the overskirt she is wearing a tightly fitted black velvet skirt, that is almost like pants except that there is only one opening. There was tissue paper around her legs, which I left alone because I didn't want to completely undress her at this time. She has high heeled black boots and black satin gloves. Overall, she reminds me of the Wicked Witch of the West. Her face is painted very well and is lifelike. Her red hair is styled with a good deal of hair product, so it is very stiff all over. Her outfit was a bit crooked, which I might be able to fix if I undressed her and redressed her again.

 

Lady Tremaine Disney Film Collection Doll - Cinderella - Live Action Film - 11''

US Disney Store

Released 2015-01-26

Purchased in store 2015-01-26

$34.95

Item No. 6070040901170P

 

Pretty poser

Delight in the dramatic detail of Cinderella's Stepmother as she appears in Disney's new live action film. Finely crafted with glittering multi-layered gown, this wickedly beautiful doll is part of the Disney Film Collection.

 

Magic in the details...

 

Please note: Purchase of this item is limited to 2 per Guest.

 

* Fully articulated

* Deluxe costume

* Satin gown with dark organza overskirt and screen art filigree

* Glittering bodice and sleeves with flocked filigree

* Velour scarf with golden brooch

* Satin evening gloves

* Rooted, styled hair

* Finely sculptured with intricate paint detail

* Molded hat and shoes

* Scenic packaging

* Part of the Disney Film Collection

* Inspired by Disney's live action movie Cinderella

 

The bare necessities

 

* Ages 3+

* Plastic / polyester

* 11'' H

* Imported

* Safety

 

WARNING: CHOKING HAZARD - Small Parts. Not for children under 3 years.

Detailed view of the machine guns. They use two black lightsaber handles.

Find more detailed information about this photographic collection: acmssearch.sl.nsw.gov.au/search/itemDetailPaged.cgi?itemI...

 

Search for more great images in the State Library's collections: acms.sl.nsw.gov.au/search/SimpleSearch.aspx

 

From the collection of the State Library of New South Wales: www.sl.nsw.gov.au

Spring Flower with a raindrop

#DeepDream #Text2Dream #AIArt #AI

The intricately designed interior will make fans of the series proud

 

more info:

cometojapankuru.blogspot.jp/2015/11/entertainment-comics-...

Another highly-detailed shot of my eye. Feel free to comment.

 

Just a more detailed picture of what I showed earlier...

Detailed photos of the Olaf's Frozen Adventure Elsa Limited Edition Doll. I got her from my local Disney Store on release day, Tuesday December 12, 2017, along with Anna. I was the only one waiting for the dolls before the store opened. She is #3818 of 7000.

 

I like her very much, both her new face and outfit. But she does have a couple of defects. One is that her hair is a bit messy on top, where part of her crown of bangs going the wrong way. The other is that there is a shallow cut on her forehead, that is especially visible when looking straight on in bright lighting. I think of it as a scar from the fight in the ice castle. The nicest thing I've discovered about the doll is that she has dark blue ice heels.

 

I show her in box, and with all the covers removed. I will debox her later. I show her next to my deboxed Frozen Fever Elsa doll and Harrods Snow Queen Elsa doll. Unlike those two dolls, OFA Elsa's cape doesn't have any embroidery. The snowflake and icicle patterns are depicted using glued on silver glitter appliques and clear crystals. Her dress does have considerable use of embroidery.

 

Elsa Doll - Olaf's Frozen Adventure - Limited Edition

US Disney Store

Released online and in-store 2017-12-12

$119.95

Item No. 6003040900404P

Detailed photos of the Olaf's Frozen Adventure Elsa Limited Edition Doll. I got her from my local Disney Store on release day, Tuesday December 12, 2017, along with Anna. I was the only one waiting for the dolls before the store opened. She is #3818 of 7000.

 

I like her very much, both her new face and outfit. But she does have a couple of defects. One is that her hair is a bit messy on top, where part of her crown of bangs going the wrong way. The other is that there is a shallow cut on her forehead, that is especially visible when looking straight on in bright lighting. I think of it as a scar from the fight in the ice castle. The nicest thing I've discovered about the doll is that she has dark blue ice heels.

 

I show her in box, and with all the covers removed. I will debox her later. I show her next to my deboxed Frozen Fever Elsa doll and Harrods Snow Queen Elsa doll. Unlike those two dolls, OFA Elsa's cape doesn't have any embroidery. The snowflake and icicle patterns are depicted using glued on silver glitter appliques and clear crystals. Her dress does have considerable use of embroidery.

 

Elsa Doll - Olaf's Frozen Adventure - Limited Edition

US Disney Store

Released online and in-store 2017-12-12

$119.95

Item No. 6003040900404P

 

Someone asked for more detailed shots of the Ariel mini doll, so here she is.

 

All dolls fully deboxed. It turns out that the dolls with the larger shoes (boots or sneakers) can free stand, although not very stably. If you take the rubber bands off the shoes of the other dolls, they can also free stand, but are even less stable than the ones with large shoes. For the photos with the dolls standing, I used small Kaiser stands. The Princesses are posed in order of their movie releases.

 

Deboxing of the 5 dolls on the long bench: Rapunzel, Snow White, Vanellope, Aurora and Ariel. Their elbow joints have much greater range of movement than the 12 inch Classic Princess dolls. Their knee joints are internal, with 1 click forward, and 3 back. They can bend their knees back a full 90 degrees, so can sit up with their feet on the floor and their legs together. Ariel had her legs bent backward and splayed out awkwardly in the box pose. Her legs can't stay together right after I unboxed her, so I crossed her legs at the ankles. None of them can free stand, except for Vanellope.

 

The Comfy Princess mini doll set. I bought it online when it was released on October 19. There are 12 Disney Princesses plus Vanellope, all wearing casual clothing. Some of them are also holding accessories. The Princesses are 6.5 inches tall and have neck, shoulder, elbow, hip and knee joints. They are far more posable and detailed the previous mini dolls from Disney Store or Disney Parks, which an inch shorter at 5.5 inches. These are more expensive as well, being about 8 dollars each. The set sold out the weekend it came out, came back and is now sold out again. I really love these dolls, even with their mostly goofy expressions.

 

I feel that they are worth $100, but of course $75 (due to a 25% off online sale) is a much better price. They really look almost as detailed as Classic 12 inch dolls, with much better hair styling, clothing and articulation than the old mini dolls. I especially like the improvement in their arms and legs.

 

Vanellope with Princesses from Ralph Breaks the Internet Doll Set

US Disney Store

Released online 2018-10-19

Purchased online 2018-10-19

Received 2018-10-30

$99.95

Item No. 6002040900592P

 

Vanellope is hanging out with her new BFFs, the Princesses from Ralph Breaks the Internet, in this 13-piece doll set. This fun set shows the Princesses in the contemporary way they're portrayed in the movie!

 

Safety

 

WARNING: CHOKING HAZARD - Small Parts. Not for children under 3 years.

 

Magic in the details

 

Please note: Purchase of this item is limited to 2 per Guest

 

• 13-Piece Set includes: Vanellope, Moana, Cinderella, Rapunzel, Mulan, Snow White, Merida, Tiana, Aurora, Pocahontas, Ariel, Jasmine, and Belle

• Each Princess is dressed as she appears in Ralph Breaks the Internet

• Accessories include: Jasmine's inhaler, Cinderella's broken slipper, Aurora's mug, Moana's coconut drink, and Snow White's glasses

• Rooted hair (except for Vanellope, who has sculpted hair)

• Princesses are fully poseable

• Vanellope has articulation in her arms and legs

• Inspired by Disney's Ralph Breaks the Internet

 

The bare necessities

 

• Plastic / polyester

• Vanellope: 3'' H

• Disney Princesses: approx 6 1/2'' H each

• Imported

Detailed photos of the Disney Parks Costume Ornaments that I purchased last Sunday, October 23, 2016. They are resin and have a heavy coating of glitter (except for the Anna ornament), which does shed. Each of them has the main gown or dress of a Disney character, and an accessory, separately hung from a metal hanger, which is in turn has a satin ribbon to hang it from a tree. They can also free stand, fairly stably. Evil Queen has the poison apple, Maleficent has her horns, Alice has a watch, Tinker Bell has her shoes (with real fluffy pom poms), Elsa has a snowflake, and Anna has her necklace. They are $22.95 each, and are also currently available on the US Disney Store website (except for Elsa).

Apollo 11 training / simulation

 

(detailed description unavailable)

Today I used a little different post-processing on my photo. As I haven't used Topaz adjust in a long time and was looking how to add more detail to this photo, I tried it out. And the spicify preset with some tweeking created quite intersting results. For those interested, this was taken in the St. Sebaldus Church in Nuremberg.

______________________________________________________________

 

For more info on this and other my photos, and my HDR tutorial, please visit my daily photo blog at blog.hdrshooter.net

______________________________________________________________

 

Daily photo blog - My portfolio - My HDR tutorial - My Twitter - My facebook page

Beautifully designed and lavishly detailed Sweet Romance is fully loaded with the latest Bento Solo, Couple & Adult animations as new as, May 2019, powered by our own custom-built version of AVSitter.

 

A full musical soundtrack has also been made accessible via the champagne set, with a custom slide show of your choosing available by adding your favorite moments into the photo frame.

 

A simple touch will have you sipping champagne among the stars as they fall gently around you making your special moments just that more magical.

 

Two versions have been included in the set, version one features dynamic lighting and shadow projectors further showing off the enhanced materials used, as well as detailing your every curve for more realistic photos as gentle shadows dance across your skin.

 

Version two stays true to everything but dynamic lighting letting the scenery around you blend in more perfectly as you relax and unwind to soothing melodies.

 

The Hogwarts Model

This is a jewel in the crown of the Art Department, the intricately detailed, spectacularly constructed model of Hogwarts Castle. For the first film, Harry Potter and the Philosopher's Stone, many close-up scenes of Hogwarts were shot on location, but the script also called for sweeping wide shots of every courtyard, tower and turret. To create those shots, the film's artists built this 1:24 scale model based on Stuart Craig's initial sketches and filmed it against a greenscreen. The production shots of this incredibly detailed model were then combined, using digital effects, to create unforgettably realistic views of J.K. Rowling's magical school.

 

About the Castle

- A team of 40 artists and crew-members built the first version of Hogwarts castle for Harry Potter and the Philosopher's Stone.

- More than 50 sculptors, painters and other artists maintained the castle during production.

- To make Hogwarts appear even more real, artists borrowed real courtyards from Alnwick Castle and Durham Cathedral where scenes from Harry Potter and the Philosopher's Stone were shot.

- Model makers installed more than 300 fibre optic lights that simulate lanterns, torches and even the illusion of students passing through the hallways.

- Artists used real gravel for rockwork and boulders and real plants for landscaping and trees. Everything is perfectly hand-sculpted to scale.

- The Hogwarts landscape is inspired by the Highlands of Scotland including the regions of Glen Nevis, Glen Coe and Loch Shiel.

 

People the world-over have been enchanted by the Harry Potter films for nearly a decade. The wonderful special effects and amazing creatures have made this iconic series beloved to both young and old - and now, for the first time, the doors are going to be opened for everyone at the studio where it first began. You'll have the chance to go behind-the-scenes and see many things the camera never showed. From breathtakingly detailed sets to stunning costumes, props and animatronics, Warner Bros. Studio Tour London provides a unique showcase of the extraordinary British artistry, technology and talent that went into making the most successful film series of all time. Secrets will be revealed.

 

Warner Bros. Studio Tour London provides an amazing new opportunity to explore the magic of the Harry Potter films - the most successful film series of all time. This unique walking tour takes you behind-the-scenes and showcases a huge array of beautiful sets, costumes and props. It also reveals some closely guarded secrets, including facts about the special effects and animatronics that made these films so hugely popular all over the world.

 

Here are just some of the things you can expect to see and do:

- Step inside and discover the actual Great Hall.

- Explore Dumbledore’s office and discover never-before-seen treasures.

- Step onto the famous cobbles of Diagon Alley, featuring the shop fronts of Ollivanders wand shop, Flourish and Blotts, the Weasleys' Wizard Wheezes, Gringotts Wizarding Bank and Eeylops Owl Emporium.

- See iconic props from the films, including Harry’s Nimbus 2000 and Hagrid’s motorcycle.

- Learn how creatures were brought to life with green screen effects, animatronics and life-sized models.

- Rediscover other memorable sets from the film series, including the Gryffindor common room, the boys’ dormitory, Hagrid’s hut, Potion’s classroom and Professor Umbridge’s office at the Ministry of Magic.

 

Located just 20 miles from the heart of London at Warner Bros. Studios Leavesden, the very place where it all began and where all eight of the Harry Potter films were brought to life. The Studio Tour is accessible to everyone and promises to be a truly memorable experience - whether you’re an avid Harry Potter fan, an all-round movie buff or you just want to try something that’s a little bit different.

 

The tour is estimated to take approximately three hours (I was in there for 5 hours!), however, as the tour is mostly self guided, you are free to explore the attraction at your own pace. During this time you will be able to see many of the best-loved sets and exhibits from the films. Unique and precious items from the films will also be on display, alongside some exciting hands-on interactive exhibits that will make you feel like you’re actually there.

 

The magic also continues in the Gift Shop, which is full of exciting souvenirs and official merchandise, designed to create an everlasting memory of your day at Warner Bros. Studio Tour London.

 

Hogwarts Castle Model - Get a 360 degree view of the incredible, hand sculpted 1:24 scale construction that features within the Studio Tour. The Hogwarts castle model is the jewel of the Art Department having been built for the first film, Harry Potter and the Philosopher’s Stone. It took 86 artists and crew members to construct the first version which was then rebuilt and altered many times over for the next seven films. The work was so extensive that if one was to add all the man hours that have gone into building and reworking the model, it would come to over 74 years. The model was used for aerial photography, and was digitally scanned for CGI scenes.

 

The model, which sits at nearly 50 feet in diameter, has over 2,500 fibre optic lights that simulate lanterns and torches and even gave the illusion of students passing through hallways in the films. To show off the lighting to full effect a day-to-night cycle will take place every four minutes so you can experience its full beauty.

 

An amazing amount of detail went into the making of the model: all the doors are hinged, real plants are used for landscaping and miniature birds are housed in the Owlery. To make the model appear even more realistic, artists rebuilt miniature versions of the courtyards from Alnwick Castle and Durham Cathedral, where scenes from Harry Potter and the Philosopher’s Stone were shot.

1 2 ••• 6 7 9 11 12 ••• 79 80