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Photo showing the Project "TX-1" by Tranxxeno Lab, Adriana Knouf (US) at the CyberArts Exhibition.
While we (humans) refer to potential life in outer space as “aliens,” queer and transgender life on Earth is likewise still often referred to as “alien.” tranxxeno lab by Adriana Knouf addresses the biochemical requirements of transgender persons in outer space, especially their need for hormone replacement medication. TX-1 launched bits of these medications to the International Space Station (ISS), marking the first-known time that elements of the transgender experience orbited the Earth. TX-1 includes a fragment of Knouf’s spironolactone pill, a slice of her estradiol patch, and a miniature paper sculpture, as a gesture towards the absent-yet-present xenoentities of the cosmos. A symbolic exodus, the return of TX-1 to Earth was also a sign of resilience. The project draws attention to the fact that all human bodies are subject to individual, societal, and environmental changes, and that all people need support and care for their survival—whether on Earth or in space.
"TX-1" won the Award of Distinction at the Prix Ars Electronica 2021.
Credit: vog.photo
"Families For Freedom" is a women-led movement of families that demands that all arbitrarily detained and forcibly displaced Syrians are freed. "Families For Freedom" was received an Award of Distinction at the 2022 Prix Ars Electronica in the category Digital Communities.
Photo: 41007_WhatsApp_Image_2022-03-30_at_8.12.19_PM
"The Toaster Project" by Thomas Thwaites (UK) is the result of the attempt to make an electric toaster from scratch - literally from the ground up. Starting with digging up the raw materials from abandoned mines around the UK, processing them at home, and finally forming them into a product that can be bought for just £ 3.94.
credit: rubra
In a field of fog and sound, Light Barrier generates animated, magical, spatial images in the air. These are created by hundreds of light rays refracted by mirrors. The six-minute sequence is a journey through the cycle of birth, death and rebirth, and the human idea of space and time.
credit: tom mesic
The way dogs are dealt with in Mexico is extremely contradictory: on the one hand there are official security regulations that consider the dog a dangerous animal and a health hazard; on the other hand the Federal Civil Code refers to the dog as a “good”, as an object or thing. Starting from this legal paradox, the artist began collecting canine corpses that had been run over and left behind, and then she started making various products from their remains. The dogs were skinned and their fur tanned to make textiles. Soap was made from the body fat extracted in a chemical lab.
credit: tom mesic
This project is part of the Ars Electronica CyberArts Exhibition. Algorithms have become essential elements of our daily lives, used in almost all areas of society: in online searches and navigation, in ratings systems and smart devices or bots, but also in banking, speech and facial recognition, health care, policing, and so on. However, the systems that are developed are never neutral, which means that algorithms may be biased and discriminatory. The Algorithmic Justice League (AJL) is an organization that combines art and research to increase public awareness of the social implications and dangers of Artificial Intelligence. It does so through artistic means, for example texts, TED talks, or films – or, for example, through founder Joy Buolamwini’s talk “AI, Ain’t I a Woman?” in the format of a poem.
For further information please visit:
ars.electronica.art/keplersgardens/en/prix-digital-commun...
Credit: Joy Buolamwini
Virtual Assistance (Philadelphia Office) at Extra Extra. Wilson hires an assistant/partner-in-crime in India, Akhil, to explore the global economy, class and power.
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Virtual Assistance (Philadelphia Office) at Extra Extra. Wilson hires an assistant/partner-in-crime in India, Akhil, to explore the global economy, class and power.
Virtual Assistance (Philadelphia Office) at Extra Extra. Wilson hires an assistant/partner-in-crime in India, Akhil, to explore the global economy, class and power.
The “Ear on Arm” project is the artist’s take on trends in the development of devices attached to the body or embedded in it. Stelarc is an Australian artist who has had an ear-shaped configuration of tissue and cartilage implanted onto his forearm as a potential means of communication. The additional ear is equipped with a microphone and a built-in transmitter and thereby represents the double function of the skin as reception & transmission mechanism. According to the artist, this additional ear is “a prosthesis [that] is not seen as a sign of lack but rather as a symptom of excess.”
Ear on Arm Stelarc (AU)
credit: rubra
Designer Ruben Pater and composer Gonçalo Freiria Cardoso tune in on the auditory dimension of unmanned aerial vehicles in “A Study into 21st Century Drone Acoustics,” an LP album released in 2016. The A-side features audio recordings of 17 different types of drones, ranging from toy whirlybirds to quadcopters deployed on military missions. The B-side plays a soundscape composed by Gonçalo Freiria Cardoso that was influenced by the misuse and destructive potential of drones, and focuses on the conceptual life and death of a drone in the 21st century.
credit: Gonçalo Freiria Cardoso, Ruben Pater
A Father’s Lullaby is a “poetic movement” in which art and technology mobilize a plethora of voices while utilizing public places and virtual spaces. The project addresses the unequal treatment of prisoners in the USA based on ethnic origin (as well as the disparity in the rate of imprisonment) and the impact of this situation on children, women, and low-income communities. The installation consists of different layers of sound: a series of compositions based on lullabies contributed by fathers and a touch-activated sound station with audio/light panels that unfolds many different stories. Songs and lullabies collected via a website, as well as interviews with men on probation, tell of the structural violence of male-dominated mass imprisonment, but also of love and trauma, presence and absence, and the power of personal memories. A Father’s Lullaby is also beeing presented In Kepler’s Gardens / Campus of the Johannes Kepler University.
"A Fathers Lullaby" won the Award of Distinction at the Prix Ars Electronica 2021.
Credit: Ars Electronica - Robert Bauernhansl
Agnes Meyer-Brandis’s poetic-scientific investigations weave fact, imagination, storytelling and myth, past, present and future. Here she develops an ongoing narrative based on The Man in the Moone, by bishop Francis Godwin, in which the protagonist flies to the Moon in a chariot towed by ‘moon geese’. Meyer-Brandis has actualised this concept by raising eleven moon geese, giving them astronauts’ names*, imprinting them on herself as goose-mother, training them to fly and taking them on expeditions and housing them in a remote Moon analogue habitat.
credit: Agnes Meyer-Brandis
@Agnes Meyer-Brandis, Campo Imperatore, VG-Bildkunst 2012
In 2011, huge amounts of radioactive particles were released into the air from a nuclear power plant in Japan. The extent of radioactive contamination continues to be hotly debated throughout Japan. And yet, very few have taken on the task of capturing a visual image of the radiation for the public to see, enabling people to see the radiation emitted by objects directly affected by the fallout and how the flora and the fauna in radioactively contaminated areas absorb radioactive substances. This kind of work has not been made public and the media continue to report that radiation is invisible, inaudible, odorless, and hence harmless. The photo project Autoradiograph is still in progress. Autoradiograph is not only a collection of visual records of the effects of the nuclear disaster, it also shows world media and scientists a new way to present and analyze radioactive contamination. Masamichi and Professor Mori have captured more than 300 images in the past five years and published a book Autoradiograph in 2015.
credit: Masamichi Kagaya
The Intelligent Guerilla Beehive is intended to offer refuge and protection to swarming bee colonies in urban areas. The outer membrane of the beehive (Sensorial Skin) is a smart fabric that integrates organic and electronic elements. Bacteria living in the upper cellulose skin act as biosensors. When they sense a specific degree of pollution they change colors an make patterns that reflect the environmental threats. A further, double-sided skin shelters a second type of bacteria that attacks the bees’ natural enemy – the Varroa destructor mite.
Credit: tom mesic
Photo showing Ralf Baecker (DE) and his work Mirage at CyberArts 2015 Exhibition at OK.
Mirage is a projection apparatus that makes uses of principles from optics and artificial neural network research. *Mirage* generates a synthesized landscape based on its perception through a fluxgate magnetometer (Förster Sonde).
credit: tom mesic
ElectroNEC presented an afternoon of performances of recent music for digitally processed instruments and fixed media by New England Conservatory and Massachusetts College of Art faculty and guests. The program featureed Luigi Nono’s “Post-Prae-Ludium,” and work by artists Simon Hanes, Daniel Hawkins, John Holland, John Mallia, Neal Markowski, Beth McDonald, Marc McNulty, Katarina Miljkovic, and Peter Negroponte.
Photos by Evan Bradford Photography for Boston Cyberarts, 2011; www.evanbradfordphotography.com/
Photo showing Erich Watzl (AT) (vice-mayor of Linz) giving a speech.
The CyberArts – Exhibition shows the award-winning works of the Prix Ars Electronica 2013, the categories are Digital Communities, Hybrid Art, Interactive Art, Digital Musics & Sound Art and Computer Animation as well as Prix Ars Electronica Collide@CERN..
Credit: tom mesic
Glaciator is an art installation placed in Antarctica, composed by solar robots that help to compact and crystallize the snow, which turns into ice and then adheres to the glacier mass. Since the melting of ice on glaciers is global warming’s most alarming effect, the mission of these robots is to help and accelerate the ice formation process on glaciers, allowing them to grow with the addition of snow, regaining the mass they lost as a result of the thaw.
In places like Antarctica, where snow is a substantial part of daily life, the native language has several different words for the term “snow”. In this context, the word FIRN refers to “last year’s snow”, a partially compact snow remaining from last winters and recrystallized to form a denser substance than fresh snow. Glaciator works compacting the snow as it steps on it. It is thus a “FIRN-Maker”.
Glaciator’s final purpose is to raise awareness about the climate change, the melting of the ices and its consequences for the planet.
credit: Joaquín Fargas (AR)
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See more photos and abstract drawings in my gallery on DeviantArt:
Thank you!
ElectroNEC presented an afternoon of performances of recent music for digitally processed instruments and fixed media by New England Conservatory and Massachusetts College of Art faculty and guests. The program featureed Luigi Nono’s “Post-Prae-Ludium,” and work by artists Simon Hanes, Daniel Hawkins, John Holland, John Mallia, Neal Markowski, Beth McDonald, Marc McNulty, Katarina Miljkovic, and Peter Negroponte.
Photos by Evan Bradford Photography for Boston Cyberarts, 2011; www.evanbradfordphotography.com/
Photo showing Chijikinkutsu by Nelo Akamatsu (JP), winner of the Golden Nica in the category Digital Musics & Sound Art.
Chijikinkutsu is a coinage especially created for the title of this work by combining two Japanese words: “chijiki” (= geomagnetism) and “suikinkutsu” (= a sound installation for Japanese traditional gardens). *Chijikinkutsu* is made using water, sewing needles, glass tumblers and coils of copper wire.
credit: tom mesic
Photo showing from left to right: Genoveva Rückert (AT) ( curator at the OK Center for Contemporary Art The CyberArts Exhibition), Martin Sturm (AT)(Artistic Director OK - Offenes Kulturhaus im OÖ Kulturquartier) and Christine Schöpf (AT) (Artistic Co-Director Ars Electronica)
Credit: Florian Voggeneder
Sadly, great mathematician Benoit Mandelbrot, who "discovered" fractals, died today at the age of 85.
R.I.P. and many thanks for his great work and studies.
www.bbc.co.uk/news/world-europe-11560101
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The way dogs are dealt with in Mexico is extremely contradictory: on the one hand there are official security regulations that consider the dog a dangerous animal and a health hazard; on the other hand the Federal Civil Code refers to the dog as a “good”, as an object or thing. Starting from this legal paradox, the artist began collecting canine corpses that had been run over and left behind, and then she started making various products from their remains. The dogs were skinned and their fur tanned to make textiles. Soap was made from the body fat extracted in a chemical lab.
credit: tom mesic
Box confronts the interrelationship between real and digital space in the medium of film. Gottlieb’s work blends animation, robotics and projection mapping into a hybrid of art, technology and experimental film design
Credit: Florian Voggeneder
Photo showing Chijikinkutsu by Nelo Akamatsu (JP), winner of the Golden Nica in the category Digital Musics & Sound Art.
Chijikinkutsu is a coinage especially created for the title of this work by combining two Japanese words: “chijiki” (= geomagnetism) and “suikinkutsu” (= a sound installation for Japanese traditional gardens). *Chijikinkutsu* is made using water, sewing needles, glass tumblers and coils of copper wire.
credit: tom mesic
The “Ear on Arm” project is the artist’s take on trends in the development of devices attached to the body or embedded in it. Stelarc is an Australian artist who has had an ear-shaped configuration of tissue and cartilage implanted onto his forearm as a potential means of communication. The additional ear is equipped with a microphone and a built-in transmitter and thereby represents the double function of the skin as reception & transmission mechanism. According to the artist, this additional ear is “a prosthesis [that] is not seen as a sign of lack but rather as a symptom of excess.”
Ear on Arm / Stelarc (AU)
credit: rubra
Box confronts the interrelationship between real and digital space in the medium of film. Gottlieb’s work blends animation, robotics and projection mapping into a hybrid of art, technology and experimental film design
Credit: Florian Voggeneder
Swarm is a video installation that monitors, records and, with the use of profiling algorithms, rearranges
museum visitors into demographically similar groups.
Credit: Florian Voggeneder
VFRAME is a research project exploring how computer vision can be applied to human rights research. VFRAME started in 2017 as a prototype demonstrating how object detection can be used to locate illegal munitions in the Syrian conflict. During 2018, VFRAME worked with the Syrian Archive (syrianarchive.org) to develop a large-scale visual search engine and custom algorithms for processing million-scale video datasets. Then, a new problem emerged: it was only possible to create object detection models for objects with thousands of examples, yet most objects in conflict zones only appear in a limited number of videos, often under extreme circumstances and with low-resolution cameras. To train new object detection models relevant for human rights researchers working with footage from conflict zones a new approach was needed.
Credit: Adam Harvey