View allAll Photos Tagged Creativity
Last version of my Creativity piece. Thanks to alreadybeenchewed.net (Barton Damer's blog) for the light streaks. Worked on this for about 4-5 hours on and off for about 2 days. Made the creativity letters and explosion FX in cinema 4d, along with the wireframe on the A of creativity, used cel renderer for that. Did post work in photoshop, manipulated colors and such.
www.jakedillard.com for more!
This took, like, 30 minutes to do. I wasn't holding on to Rebecca's hair or anything, I used self-timer to do this. All I did was crop and auto-fix this.
The quotation is by Joichi Ito, the director of the MIT Media Lab and comes from this article: www.pbs.org/mediashift/2012/01/the-pedagogy-of-play-and-t...
The image is used under a Creative Commons license by hygienematters found here: www.flickr.com/photos/hygienematters/4273036775
As teachers are job is to make students learning enhance. Students like to see bright colors and things that attract their eyes so they remember.
Imagination is the beginning of creation. You imagine what you desire, you will what you imagine, and at last, you create what you wish. - George Bernard Shaw
According to the tag, the PoIC system seems function as "Discovery" capturer for me.
It helps capturing/storing ideas like an analog external HDD.
Professional cartoonist Lloyd Dangle provides a graphic recording as part of the USC Creativity & Collaboration in the Academy conference December 3, 2010. The conference was hosted by the USC Vice President of Research, Randy Hall, and Marty Kaplan and Johanna Blakley from the USC Annenberg Norman Lear Center. Find out more about the event at learcenter.org.
I was amazed when i saw this man selling an orange on a platform arranged as a pyramid i cannot but take a picture with him, i is lovely
"Winter Pool" , 1959, by Robert Rauschenberg. Combination of oil,paper,fabric,wood, metal, sandpaper,tape,printed paper,printed reproductions,handheld bellows,and found painting, on two canvases, with a ladder. (The girl was not originally included in the art)
Metropolitan Museum of Art.
Conceptualized Creativity.
Ut ab experimentis concludere intelligibilem discursive fuga divina,
高い音響天使たちを終端同時連続運動,
attribuant raisons commandes dans la mesure où les relations considérant intelligences réel,
variazioni secondo corporea carne correttezza mutevoli vero,
zeitliche richtigen Wahrheiten Kompositionen Dreiecke bilden Definitionen notwendig,
täydentänyt taivaalliset kasvu sukupolvien esanssit nero katoavaisen elinten erottaa,
cyffredin cyfatebiaethau ymosododd sylfeini llenyddiaeth ehangu dwfn,
πρισματικώς απείρως χώρο θεόσοφοι πολιτιστικές φαντασίες μάσκες,
painava rakenteellisia tietoisuutta kiihtyi oireenmukaista primitivismiin lomakkeet,
Handels Genauigkeiten verdächtigen Intellektuellen studieren Schreiben von Gedichten Saccharin,
maggiori critici sono rimasti formati incompiuta situazione disperso oggi,
出品中の審議は、スケッチプリントを配布,
Prima eius descriptio, liberationem concurrere propagantibus artis aetatis flavum!
Steve.D.Hammond.
The Art Of Sebastian Dávila ©
A few months ago, the Tate Modern in London published a call for artists under 25 to explore possibilities for the future of art and I´m glad to say that this photograph was accepted in the call and formed part of a digital show at the Tate Modern during the last weekend.
"Artificial Creativity" is officially my first work to be exhibited in Europe.
I would like thank first of all to Tate Collectives for launching this wonderful open call and for considering my photo for this project. Thanks to all the artists that inspired this photograph, especially my beloved Frida Kahlo, Hieronymus Bosch, Brian Oldham... Thanks to Aldous Huxley for his great novel "Brave New World" which served me as base for this work.
Thanks to my dearest Francesca Woodman, Brooke Shaden, Marwane Pallas, Lee Miller for being the constant inspiration for my photographs. Also thanks to Pietro Tenerani for sculpting this magnificent "Faun" that has been my model and companion in this and many other photographs.
Finally, I want to give thanks for the opportunity of making and sharing this work and a special thank to my cousins for being able to go and see the show. Thank you so much for the pictures you send me. You made of this experience something more special.
I Suri o Surma utilizzano i loro corpi come una tela e la terra come tavolozza, a prescindere dall'aspetto ludico, sono estremamente orgogliosi delle loro creatività, non si tratta di manifestazioni carnevalesche ma di espressioni d'arte necessarie, si dipingono l'un l'altro e non hanno uno scopo decorativo, ma di disponibilità, di prestigio sociale; sono molto attenti e consapevoli di fare qualcosa d'importante. I pigmenti puri e concentrati sono ricavati dall'ambiente in cui vivono e una volta spalmati sui corpi riflettono una luce intensa, ogni giorno si dipingono i corpi senza i tabù, senza moralismi (occidentali), omaggiano il corpo e ne esaltano la sensualità. Fin da piccoli imparano dalle loro madri la gestualità dei segni colorati in piena libertà accompagnati da una straordinaria freschezza, sono soprattutto gli adolescenti a praticare con frequenza questa forma artistica, la loro inventiva è basata sulle reazioni dei compagni , in particolare è derivata dal successo di richieste fotografiche di fotografi come me entusiasti di fotografarli. I Surma sono molto vicini alla natura e si adornano con grande spontaneità di piante, fiori, rami. Ho desiderato fortemente conoscere questa fantastica popolazione e sono stato ripagato alla grande dalle loro rappresentazioni artistiche.
The Surma or Suri use their bodies as a canvas and the Earth as a palette, apart from the fun aspect, are extremely proud of their creativity, it is not Carnival events but necessary art expressions, you paint one another and don't have a purpose, but of availability, of social prestige; I am very careful and aware of doing something important. Pure pigments and concentrates are obtained from the environment in which they live and once coated bodies reflect bright light, every day you paint the bodies without taboos, without moralizing (Western), in homage to the body and enhance the sensuality. From an early age they learn from their mothers gestures of colored signs freely accompanied by an extraordinary freshness, are primarily teens to practice this art form frequently, their inventiveness is based on the reactions of the companions, in particular is derived from the success of photo requests of photographers like me excited to photograph them. The Surma are very close to nature and adorn with great spontaneity of plants, flowers, branches. I wanted to know this fantastic firmly and I was paid off big time by their artistic performances.