View allAll Photos Tagged Creativity
1/6 of my interpretation of the LEGO House zones, testing out my new indoor lighting rig (I still prefer sunlight but this was cool to try).
This took, like, 30 minutes to do. I wasn't holding on to Rebecca's hair or anything, I used self-timer to do this. All I did was crop and auto-fix this.
At the golden edge of dusk, the Keegan Theatre’s red-brick façade glows warmly against a clear Washington, D.C. sky. Located at 1742 Church Street NW in the Dupont Circle neighborhood, this former church building has been transformed into one of the city’s most beloved intimate performing arts venues. With light spilling softly from its symmetrical arched windows and entryway, the building invites visitors in with the promise of storytelling, creativity, and community.
Originally built in 1905 as the Mount Vernon United Methodist Church, this structure has seen the neighborhood around it evolve dramatically over the past century. Its dignified Romanesque design—with rounded-arch windows, decorative brickwork, and modest stone trim—retains the gravitas of its ecclesiastical origins while now embracing a lively new purpose as a theater.
Posters flank the entrance announcing upcoming performances, while the LGBTQ+ pride flag waves proudly above the doorway, signaling the venue’s inclusive spirit. The modern glass expansion to the left harmonizes gracefully with the original architecture, showcasing how adaptive reuse can balance heritage with growth.
This image captures more than just a theater; it reflects the soul of a city that values art, diversity, and historic preservation. It’s a moment of stillness before the lights go down and the curtain rises.
Architectural Survey Appendix (Historic Documentation Format):
Name: Keegan Theatre (formerly Mount Vernon United Methodist Church)
Address: 1742 Church Street NW, Washington, D.C.
Date of Construction: 1905
Style: Romanesque Revival
Architectural Features: Red brick façade, arched windows with fanlights, decorative stone keystones, symmetrical elevation, modern glass addition
Building Material: Brick masonry with stone accents
Number of Stories: 2
Historic Integrity: Well preserved with sensitive modern addition
Current Use: Theater / Performing Arts Venue
Contributing Structure: Yes (within the Dupont Circle Historic District)
Kaleidos - Creativity Top Selection
Day from 11/05 to 17/05 2015
Many congratulations!
Selected by Eleonora Bruscolini
As teachers are job is to make students learning enhance. Students like to see bright colors and things that attract their eyes so they remember.
Imagination is the beginning of creation. You imagine what you desire, you will what you imagine, and at last, you create what you wish. - George Bernard Shaw
According to the tag, the PoIC system seems function as "Discovery" capturer for me.
It helps capturing/storing ideas like an analog external HDD.
I was amazed when i saw this man selling an orange on a platform arranged as a pyramid i cannot but take a picture with him, i is lovely
Journaling about what creativity means to me for a prompt from Tangie Baxter for Art Journal Emporium.
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Outlining a Theory of General Creativity . .
. . on a 'Pataphysical projectory
Entropy ≥ Memory ● Creativity ²
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Study of the day:
"(...) la distinction de Carnap entre ce qui est interne et ce qui est externe suppose la distinction entre l'analytique et le synthétique. Après Quine, cette distinction étant mise à mal, on ne pouvait plus faire usage de celle proposée par Carnap. On n'avait tout simplement plus le moyen de déterminer précisément où situer la frontière entre l'interne et l'externe. (...) Je propose donc, tout simplement, très modestement, que l'on s'occupe désormais d'autres distinctions. Rien de plus."
"(...) the Carnap's distinction between what is internal and what is external assumes the distinction between the analytics and the synthetics. After Quine, this distinction being put to bad, we could not do use of the one proposed by Quine. We simply have no way to determine precisely where the boundary is between the internal and the external. (...) I therefore propose, simply, very modestly, that we deal with other distinctions now. Nothing more."
( Richard Rorty - 2005 - A quoi bon la vérité ? controverse avec Pascal Engel )
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rectO-persO | E ≥ m.C² | co~errAnce | TiLt
The Art Of Sebastian Dávila ©
A few months ago, the Tate Modern in London published a call for artists under 25 to explore possibilities for the future of art and I´m glad to say that this photograph was accepted in the call and formed part of a digital show at the Tate Modern during the last weekend.
"Artificial Creativity" is officially my first work to be exhibited in Europe.
I would like thank first of all to Tate Collectives for launching this wonderful open call and for considering my photo for this project. Thanks to all the artists that inspired this photograph, especially my beloved Frida Kahlo, Hieronymus Bosch, Brian Oldham... Thanks to Aldous Huxley for his great novel "Brave New World" which served me as base for this work.
Thanks to my dearest Francesca Woodman, Brooke Shaden, Marwane Pallas, Lee Miller for being the constant inspiration for my photographs. Also thanks to Pietro Tenerani for sculpting this magnificent "Faun" that has been my model and companion in this and many other photographs.
Finally, I want to give thanks for the opportunity of making and sharing this work and a special thank to my cousins for being able to go and see the show. Thank you so much for the pictures you send me. You made of this experience something more special.
“Creativity is more than just being different. Anybody can plan weird; that's easy. What's hard is to be as simple as Bach. Making the simple, awesomely simple, that's creativity.”
Charles Mingus
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Outlining a Theory of General Creativity . .
. . on a 'Pataphysical projectory
Entropy ≥ Memory ● Creativity ²
__________________________________________________
Study of the day:
"Quiconque a proclamé que l'autre est un imbécile, un sale individu, se fâche quand celui-ci montre enfin qu'il ne l'est pas."
"Anyone who has proclaimed that the other is an idiot, a bad person, gets angry when this one finally shows he is not."
( Friedrich Nietzsche - Humain, trop humain - 90. Limites de l'amour de hommes )
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rectO-persO | E ≥ m.C² | co~errAnce | TiLt