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Grunge & Distressed Brushes: midnightstouch & www.obsidiandawn.com
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The tall chair, designed about 1897 for Catherine Cranston’s Argyll Street tearooms in Glasgow. According to museum notes, it’s an important work in the British Arts and Crafts Movement. The high back helped provide privacy for tearoom patrons. This is located in an exhibit of Charles Rennie Mackintosh’s (1868-1928) work at the Virginia Museum of Fine Arts in Richmond, Virginia.
I apologize for the graininess of some of the photos; the learning process is long and hard and enjoyable. If my information is incorrect, please let me know. I’ve moved into strange and wonderful territory with this series.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
Parc René-Lévesque, Musée plein-air de Lachine
De retour sur les lieux de son enfance, sur la rue Roberval à Côte-Saint-Paul, LeBlanc découvre que ce quartier a subi d'importantes transformations depuis son départ en 1959. La fermeture du canal de Lachine a entraîné le déclin des activités industrielles de ce secteur et la maison où il est né et a passé son enfance, a été démolie pour faire place à une voie rapide surélevée, l'échangeur Turcot. Plus que la simple commémoration d'un souvenir personnel, cette œuvre pointe les trous de mémoire de l'histoire où s'engouffrent les lieux des petites gens. Elle parle de l'oubli et de la destrcution qui guettent leur milieu de vie. Au-delà de la valeur matérielle de ce patrimoine bâti, il pointe l'écart existant entre le sort réservé aux quartiers des villes selon le statut de ses résidents. Deux éléments sont non urbains, une rame qui souligne les origines familiales de l'artiste (Îles-de-la-Madeleine) et une pierre au sommet d'une colonne, qui rappelle non seulement les origines de l'homme à l'âge de pierre, mais aussi son lieu de résidence et d'appartenance depuis plus de vingt-cinq ans, les Laurentides.
L'œuvre a été réalisée pour le premier Salon international de sculpture extérieure de Montréal (SISEM), qui se tenait du 9 juillet au 7 septembre 1992, dont la thématique était «Aux quatre vents», dans le cadre des célébrations du 350e anniversaire de la fondation de Montréal.
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Please credit and link to my website:
Photo by Chris Boland / www.chrisboland.com
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Final branch of the trip was the 109 km long line from Malmö to Simrishamn which sees an hourly service to the end of the line. On time arrival and a 9 minute turnaround for a photo of Skånetrafiken's X61 089 nearest the camera and 087 to the rear. Train 1550. 14:47 Simrishamn to Helsingborg Centralstation taken on 19 May 2022.
More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
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More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
plus.google.com/+Texturepalace/posts
www.facebook.com/texturepalace
Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated :)) !!
More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
plus.google.com/+Texturepalace/posts
www.facebook.com/texturepalace
Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated :)) !!
This is one of only two known tunnels on the island. The other is buried under 20 feet of rubble, apparently, and there are no ways into it unless an entrance is dug, which likely won't happen due to red tape.
1. drip, drip, drip, 2. Waiting, 3. Downtown Rochester July 4th 2006, 4. Clematis, 5. Young Legolas at Halfdome, 6. Mary, full of grace, 7. Perfect timing! 4th of July, Rochester,MN, 8. Speak friend and enter., 9. be vewy vewy quiet, I'm hunting wabbits, 10. you smell good, 11. Pussy Willow at the Rochester Farmer's Market, 12. I hope the dogs don't eat them, 13. Feed me Seymour!, 14. Dude, no Grinding, 15. Untitled, 16. Oh Shit!, 17. Mary, Full of Grace, 18. drip drop, 19. Fight! Fight! Fight!, 20. Eggs, 21. Bashful, 22. How do you like Them apples?, 23. Sick Days, 24. Bleeding hearts~ April 2nd, 2007, 25. Anniversary ink, 26. Mac Porn, 27. Calendula, 28. HopSlam!, 29. anyone got a crabby patty?, 30. Untitled, 31. Everyone gets a sprinkle!, 32. Blood Oranges, 33. Verbal Kint, 34. Thistle, 35. Violet36. Not available
Created with fd's Flickr Toys.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
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One backpack and almost 70 buttons later, the Creative Commons backpack is complete. I get plenty of comments about it, and never pass up an opportunity to spread the word on the Creative Commons license and the Free Culture organization on campus.
More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
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Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated :)) !!
Aquí tenemos un grupo de billetes de 100 soles del Perú encima de la mesa. Perú tiene billetes de 10, 20, 50, 100 y 200 soles, pero solamente los de 100 aparecen en la toma.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
You are free:
to Share — to copy, distribute and transmit the work
to Remix — to adapt the work
But Under the following conditions:
Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
Noncommercial — You may not use this work for commercial purposes.
Share Alike — If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one.
More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
plus.google.com/+Texturepalace/posts
www.facebook.com/texturepalace
Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated :)) !!