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Memoria dell'occhio - Memory of the eye. Photo Viviane Ciampi.
S’incontrano passanti d’ogni genere. Vi sono coloro che non guardano attorno a sé e hanno fretta d’arrivare in un luogo preciso e coloro che distrattamente attraversano il mondo o da lui si lasciano attraversare. Ma preferiremmo far parte di coloro che si soffermano sulle cose, sui luoghi in continua metamorfosi dove ci si perde per meglio ritrovarsi. Perché siamo consapevoli di vivere nella “multifonia” del nostro immaginario, sotto il sole delle fresche mattine di primavera e contemporaneamente sull’orlo dell’abisso. L’occhio, nei momenti d’ozio creativo, cercherà non la forma perfetta delle cose ma la bellezza della sua imperfezione, la sua complessità, la “sbavatura”, per usare un termine caro al filosofo Merleau-Ponty.
On rencontre des passants de tout genre. Il y a ceux qui ne regardent rien autour d’eux et n’ont qu’ un désir, celui d’arriver vite à un endroit précis et ceux qui traversent distraitement le monde où se laissent traverser par le monde. Mais nous préférons faire partie de ceux qui s’arrêtent sur les choses, sur les lieux en perpétuelle métamorphose, là où l’on se perd pour mieux se retrouver. Car nous sommes conscients de vivre dans la « multiphonie » de notre imaginaire, sous le soleil des frais matins de printemps ainsi qu’au bord de l’abîme. L’œil, dans les moments d’oisiveté créative cherchera non pas la forme parfaite des choses mais la beauté dans ce qu’elle a d’imparfait, dans sa complexité, dans la « bavure », comme dirait le philosophe Merleau-Ponty.
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One of the most creative sessions ever for me with this lovely teen! She almost refused "conventional" posing, and designed her expressions within a world all of her own making. Commercials ahead for her? Television? Just a joy to her friends, no doubt!
28/365
I need more of those creativity overkills. I did draw and paint a little, take pictures obviously, wrote, and read a lot, cooked and baked.
Ha! I wish these days were not so rare. I also know I need to consciously make the time and the effort - so I'm going to get better at that.
The Good, The Bad & The Creative. October2025. Creative use of old store fronts. Now a park. Bald Knob, Arkansas USA. IlfordFP4pushed200. NikonF3. Nikkor24mm. BrownFilter. HC110Developer(a)6minutes. Washed:AGOFilmProcessor. CameraScan:FujifilmXH1
every time I decide to use groups I get nervous, first , because fave links are slow or mostly difficult to catch immediately, I use personal lapcomputers and Explorer, maybe that's the reason ? then because I have to use the old groups not to incur in that beta ridiculous praxis to scroll down maybe hundreds of comments in order to put mine, I just wonder who was " intelligent "
enough to invent this unnerving practice ! he , she or they probably don't put his , her, their pictures on Flickr and have no problems with fingers after hours of scrolling up and down ! I just wonder if these new and " intelligent " rules have been made by a photographer or by an idiotic burocrat or a whole team of idiots
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