View allAll Photos Tagged Creating
Creating a dollhouse size canvas of John Lennon's "Imagine". The gray is a copy of his original handwritten lyrics.
Book Your Next Photo & Video Shoot with J.Perk Productions®
(Baltimore, MD)
Jeffreynp@gmail.com
J.Perk Productions® www.JPerkProductions.com
Book your shoots TODAY!: mkt.com/JPerkProductions
My Sites:
LIKE J.Perk Productions (FACEBOOK): www.facebook.com/JPerkProductions
Twitter: www.twitter.com/eightpspi
FLICKR : www.flickr.com/photos/jperkproductions1991/
Photo Shoots: www.flickr.com/photos/jperkproductions1991/sets/721576345...
Tumblr. www.eightpspi.tumblr.com
FACEBOOK: www.facebook.com/jeffreynightperkins
Pinterest: www.pinterest.com/eightpspi/
500px : www.500px.com/JPerkProductions1991
Instagram:@iShootMusicVideos
www.instagram.com/iShootMusicVideos
Google Plus: www.plus.google.com/103394262523892212840/posts
Music Videos: www.youtube.com/user/Eightpspi?feature=mhee
Photography & Video Youtube Channel www.youtube.com/user/JPerkProductions1991
Book your shoots TODAY! Square Market: mkt.com/JPerkProductions
Linkedin: www.linkedin.com/profile/view?id=190355818&trk=tab_pr
You create about love
sweet or not sure!
Without! You never know.
Part of "So Far So Close" exhibition story behind, my birthday love story in Park Guell Barcelona, Spain
Note:
Love spot light is created by nature
I have no idea at the beginning!
and....
I just a guy with Leica Camera.
Monster High Create-A-Monster Skeleton
Found one lone add-on pack next to the MH petticoats. Where'd all the MH dolls go? LOL
Branch: Tully Community Branch Library
Event: Steamstacks: Makerspace
Date: 2014 June 5
Description: Summer Reading Challenge Steamstacks: Makerspace program
The master's tools will never dismantle the master's house. They may allow us temporarily to beat him at his own game, but they will never allow us to bring about genuine change.
Audre Lorde
Best seen large: www.flickr.com/photos/lynchburgvirginia/2725607169/sizes/...
The latest Artful Photography blog post is out
Creating Style: The Photograph Rebellion
© http://uneideedubonheur.canalblog.com/
#create #craft #scrapbook #layout #freestyle #magalimaleinge
There are various ways to fill the gaps left by the merge. Using boundary warp will stretch to fill the gaps but can create distortion in a horizon or in buildings.
When you are happy with the selections you have made click ‘merge’ and the photo will appear in Lightroom.
Created by Treasure Mountain Jr. High School, Park City, UT
Artist: Tai
Title: Yarn Turtles
Teacher: Marilyn Bambrough
Learn more about IFC Projects at www.ifcprojects.com
I used rubber stamps to impress the floral and swirl detail on this piece and then an "alpha disc" letter stamp to do the letters. It was a little tricky to get the letters to be the correct depth and lined up. Took me 3 tries to get it perfect!
This pendant is a great reminder for me to stay motivated and get creating!
January's word at the One Word Project is create.
So, using fushia ink in calligraphy pens(that now graces my fingers tips and won't wash away), lemon oil, small stones and a whispered incantation, that which I seek shall truly be mine (I'm sure of it.)
Failing that my friend has inspired me to create a big pot of steaming hot broccoli & cheddar soup which I just know will cure anything.
By the way, a little book of spells wants you to know that lemons are good for mental clarity, purification, commitment & longevity. I'm sure Meyer lemons work best. ;)
For those who seek it, pineapples are great to induce love, prosperity, protection, healing & friendship.
Happy creating, be it art, photos or spells.
xo
Kara Eusebio, Senior Manager, Strategic Partnerships, Bayview Yards, Canada capture during the Session "Creating Inclusive Communities" at the World Economic Forum - Annual Meeting of the New Champions 2019 in Dalian, People's Republic of China, July 3, 2019. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
X-ray form I took to QScan in Cleveland so that my podiatrist can create orthotics for my shoes. #talipes #orthapedic
•Mariana Mazzucato, R. M. Phillips Professor in Science and Technology Policy, University of Sussex, United Kingdom at the Annual Meeting of the New Champions 2013 in Dalian, China 13 September 2013. Photo by World Economic Forum
We are creating a pop-up park on the eastern side of Elizabeth Street to provide a dynamic space for pedestrians over summer. Featuring trees, planter boxes, artificial turf the 375sqm pop-up park between Flinders Lane and Flinders Street will be open from December 2017 to February 2018. ift.tt/2iEel4I
File name: 08_02_000063
Box label: Churches: F-I
Title: Fifth House of Worship. Corner of Berkeley and Marlborough Streets
Alternative title: First Church, Berkeley St.
Creator/Contributor:
Date issued:
Date created: 1868
Physical description: 1 print : engraving ; 7 x 6 1/2 in.
Genre: Engravings
Subjects: Churches
Notes: Handwritten note on image sleeve (correctly identifies building and location): First Church, Berkeley St.
Provenance:
Statement of responsibility:
Location: Boston Public Library, Print Department
Rights: Rights status not evaluated.
Creating Healthy Work Environments
24-26 March 2022
Washington, DC, USA
Day 2 - 25 March 2022
Photos courtesy of EPNAC.com
See slide show of this series of images:
www.flickr.com/photos/artedelares/sets/72157627763805125/...
Zuccotti Park, formerly called Liberty Plaza Park, is a 33,000-square-foot (3,100 m2) privately owned, publicly accessible park inLower Manhattan in New York City.[1]
The park was created in 1968 by United States Steel, after the property owners negotiated its creation with city officials, and named Liberty Plaza Park and situated beside One Liberty Plaza. It is located between Broadway, Trinity Place, Liberty Street and Cedar Street. The park's northwest corner is across the street from Four World Trade Center. It has been popular with local tourists and financial workers.
The park was heavily damaged in theSeptember 11 attacks and subsequent recovery efforts of 2001. The plaza was later used as the site of several events commemorating the anniversary of the attacks. After renovations in 2006, the park was renamed by its current owners, Brookfield Office Properties, after company chairmanJohn Zuccotti.
In 2011, the plaza became the site of theOccupy Wall Street protest camp. During the demonstration, activists occupied the plaza and used it as a staging ground for protests throughout the Manhattan Financial District.
The long-running New York protest against economic inequality and perceived Wall Street excesses gained momentum Wednesday as union members joined marchers in Lower Manhattan, while students at several colleges walked out of classes in solidarity and like-minded organizers completed plans to bring the fight to Washington.
A similar protest decrying the “corporate machine” is slated to begin in Washington on Thursday, with organizers advertising a noon concert and rally on Freedom Plaza. “Stop the Machine! Create a New World,” read online fliers calling protesters to bring sleeping bags to 13th Street and Pennsylvania Avenue , “where we will NONVIOLENTLY resist the corporate machine by occupying Freedom Plaza to demand that America’s resources be invested in human needs and environmental protection instead of war and exploitation.” Since beginning with a few dozen demonstrators in New York on Sept. 17, the Occupy Wall Street protests have not only grown, but have become increasingly organized, offering medical aid, legal help and a newspaper.
The protest’s Web site (www.October2011.org) lists more than a dozen people principally responsible for organizing the protest, among them community and peace group organizers, a pastor, a feminist, an environmentalist, a “rabble-rouser” and a pediatrician who quit her practice to advocate for governmental single-payer health care. Many more organizations are listed as supporters committed to bringing members to the protest.
Sterling W. Roberson, vice president for the United Federation of Teachers, said union members shared the ideals of activists who have been camped out in sleeping bags for more than two weeks. “The middle class is taking the burden, but the wealthiest of our state and country are not,” he said.
In New York on Wednesday, people marched from Foley Square to Zuccotti Park, the protesters’ unofficial headquarters.
Karen Higgins, a co-president of National Nurses United, came with a group of colleagues from Boston. She said they had seen patients who skipped important medical tests because they couldn’t afford them.Roxanne Pauline, a coordinator for the Northeastern Pennsylvania Area Labor Federation, said some of her union’s members plan to stay in Zuccotti Park over the weekend.
One of the larger protests outside New York on Wednesday was in Boston, where about 200 Northeastern University students gathered on campus to condemn what they called corporate control of government and the spiraling costs of their education. The protesters have varied causes, but have reserved most of their criticism for Wall Street. They’ve spoken out about unemployment and inequality.
Hundreds of college students at New York’s sprawling public university system walked out of classes Wednesday afternoon.Protests were scheduled at State University of New York campuses in Albany, Buffalo, Binghamton, New Paltz and Purchase.
Danielle Kingsbury, a 21-year-old senior at New Paltz, said she walked out of an American literature class to show support for some of her professors who she said have had their workloads increased because of budget cuts.
— From news services and Washington Post staff writers
I thought I got there too late. My feet were placed squarely on the blacktop parking lot at one of my favorite soul places, a space I have been to recently but haven’t been to, ever, to simply be and write.
Sam and I used to come here during his home school day to collect wood and explore and we still come here so he can ride on the tire swing and we can throw rocks into the river. We have explored the area fully and know it pretty well from those moments, but I wanted to come to know this place intimately by connecting to it quietly, with my body connected to its body, my soul connected mindfully to its center.
The autumn-colored leaves I would kick away from the foot path were long gone, returned to the Earth. Their crunchy selves had surrendered completely and I had missed that process.
Then I stepped into a spot off the path, by a small stream to sit and write and I realized I hadn’t missed the process at all. I stepped onto what looked like Earth and instead, I was stepping into a pile of leaves that was choosing to merge with the soil. My choice to take a moment or two or sixty to be in a space of quiet soulfulness was graciously allowing me to become a part of the process, too.
I discovered how deeply they had piled themselves up, creating a soft sofa and pillows just for me so that I could sit upon them and experience them, their luscious returning-to-dirt-scent. They seemed to giggle as I sat down with my paper and pink notepaper and trusty black mirado warrior and started to move it, contentedly, along the page.
In that moment it was as if the leaves hugged me, welcoming my reality to rise up and meet my longing, leftover from months ago when I was in a time of profound sadness, a time when I wasn’t able to settle into their crackly, crisp newly fallen selves. Instead, I got to sit upon their softened not quite moist selves.
It was then that I heard the unsurrendered leaves, the ones still on the trees that pushed against one another, applauding my return. It is like those leaves held on, bravely, past their amber-golden time to their withered crusty selves so I could hear my message.
Divinity says, “Be with me. Trust. Follow my lead. Don’t try so hard, but do know the strategy that works best, beloved one.”
I felt an exclamation point rise up as two trucks rumbled past and the wind blew and suddenly I was aware that my stomach was telling me of its hunger.
The exclamation was part celebration as I heard the words “Beloved one!” and knew Divinity meant me.
I sat, still, for a moment, just being with the leaves and the trees and the water. I heard a frog singing her song. I smiled in gratitude.
I wrote:
Sometimes surrender comes quickly and sometimes the holding on, like the crusty withered leaves held on, is the surrender. It is in the unknowing of whether or not its right or wrong and being ok with it no matter which way the judgment or comparison lands that holds the power of truth.
Today, do I go deeper? I asked. Do I go further on the path, closer to the larger parts of the river, or did I get what I was supposed to get here, on my leaves-turning-to-dirt sofa.
I smelled the leaves below me, supporting me. I heard the wind play my ears like a drum and the grass and leaves pirouetting and doing a grande jete or many grande jetes. I watched a plane use the air as a mattress. A man with a grey covered hood covering his head and speckled deck shoes covering his feet walked silently behind my surrendered leaf throne.
SUVs and pick up trucks a stone’s throw away rumbled past, separated by steel from all this wonder right here, oh so close.
Did any of the drivers or passengers capture the bright pink of my shirt out of the corner of their eye, strikingly out of context in this place I sat, deeply entrenched in awe?
It doesn’t matter whether they do or do not, but I prayed for each of them anyway.
I realized then that although I hadn’t gone deeper on the path, I had gone deeper.
My heart was swollen with joy.
I wasn’t too late. I was right on time.
A multi-art production for the diplomatic community was launched by the Department of Foreign Affairs (DFA) at the Cultural Center of the Philippines (CCP) on Thursday night, with artists from different disciplines of music, dance, theater, and visual arts presenting colorful and riveting performances.
Entitled “Pangarap: The Filipino Dream of a Comfortable Life for All,” this project of the DFA’s Office of Strategic Communications and Research (OSCR), in collaboration with the CCP, told the story of the Filipino’s quest for a life of dignity and respect, worthy of the community of nations.
It featured artists from Luzon, Visayas, and Mindanao who took the stage narrating through their performances the Filipino nation's history from pre-Hispanic period to colonial regime up to the modern era, highlighting the country's continuing pursuit of a comfortable and secure life for all Filipinos.
The hour-long performance, directed by Dennis Marasigan, opened up the stage with the Ramon Obusan Folkloric Group performing the “dugso” in silence, followed by veteran singer-songwriter Joey Ayala who came in with his “hegalong” and sang his piece “Agila (Haring Ibon)”.
While folk performances made for an exquisite opening salvo, Original Pilipino Music (OPM) artists Arman Ferrer and Lara Maigue, with their back-up dancers Benilde Dance Majors and PIA Dancers, put up quite a show with their upbeat choreography and pop music rendition, which included Yoyoy Villame’s “Magellan” and Bamboo’s “Noypi”.
On the background, sand artist Joseph Erwin Valerio, working on his sand table, created images that evoke pre-colonial Philippines and the country’s independence.
Towards the end of the show, the artists joined together on stage performing their interpretation of Noel Cabangon’s “Hanggang Mamatay”, while the sand artist worked on his canvas with the image of the Philippine Eagle, the country’s national bird, which is symbolic of the Filipino's bravery and strength.
“Good diplomacy is not only about policy issues and the economy. It is also about understanding culture and creating emotional links with others. The event ‘Pangarap’ created such emotional links by presenting the history and the ambitions of the Philippines in a performance, where a political message and a historical understanding were presented through songs and dances,” said European Union (EU) Ambassador to the Philippines Franz Jessen after watching the performance.
“Timely and meaningful cultural diplomacy that highlights the best of what it means to be a global Filipino. Connecting culture, history, modernity, technology to share the colors of the Filipinos to our global friends and promote understanding,” added foreign policy expert and university professor Austin Ong, representing partner agency Integrated Development Studies Institute (IDSI) in the event.
Acknowledging that arts can be used as an avenue to foster unity, strengthen ties, and improve diplomatic relations, the OSCR plans to bring "Pangarap" to other countries to promote the Philippines' interests and build relationships with other nations through arts and culture.
As the DFA's public and cultural diplomacy arm, the OSCR, under the leadership of Undersecretary Ernesto Abella, works towards achieving the goals of changing the world's perception of the Philippines and the Filipino people. ###
Photo by: Clark Galang
The home of Henry Clay Frick in Pittsburgh's Point Breeze section. Frick was a business associate and eventually an enemy of Andrew Carnegie. He was also a friend and mentor of Andrew Mellon. He is not noted for his philanthopy as the two Andrews are. His daughter created the museum and art gallery of which this is a part. Redesigned for Frick by Pittsburgh architect Frederick Osterling.