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龍紋是北宋汝官窯瓷器之皇室工藝典型紋飾
The dragon pattern is a typical pattern of royal craftsmanship in Ru Imperial kiln porcelain in the Northern Song Dynasty
北宋汝官窯瓷器之皇室工藝龍紋
The Royal Craftsmanship Dragon Patterns of Ru Imperial Kiln Porcelain in Northern Song Dynasty
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2022 年 3 月份全球觀眾： 1,373 總觀看次數及1,588 總觀看時間 (分鐘)
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Global audience in March 2022: 1,373 total views and 1,588 total watch time (minutes)
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台北故宮博物院藏北宋玉雕龍紋盤及玉冊玉匱龍紋嵌片上之皇室工藝龍紋
The Royal Craftsmanship Dragon Patterns on the Northern Song Dynasty Jade Carved "Dragon Pattern Plate" and "Jade Plaque composing a jade case with Dragon Pattern Inlays", in the National Palace Museum, Taipei, Taiwan, Republic of China.
就每個瓷盤上的龍紋而言，與台北故宮博物院所藏下列 “ (1) 宋、遼玉龍紋盤 (公元 907 - 1279 年)” 及 “ (2) 北宋真宗祥符元年 (公元 1008 年) 禪地玉冊玉匱嵌片” 上的龍紋相比，每樣兩個成對之兩者皆近似，故推斷有此龍紋瓷盤應屬北宋汝官窯的作品。
As far as the dragon pattern on each porcelain plate is concerned, they are similar to the following " (1) the dragon pattern on the Jade plate with dragon pattern Song to Liao dynasty (907 - 1279 C.E.)", and " (2) the dragon pattern on the Jade plaque composing a jade case, made in the first year (1008 C.E.) of Xiangfu of Emperor Zhenzong reign, Northern Song dynasty", both above are in the collection of the National Palace Museum, Taipei, Taiwan, Republic of China. In comparison, both of each pair are similar, so it is inferred that these dragon-patterned porcelain plates should be the works of Ru Imperial kiln in the Northern Song Dynasty.
(1)
台北故宮博物院藏宋、遼玉龍紋盤 (公元 907 - 1279 年)
文物統一編號：故玉002251N000000000
就紋樣而言，如此雄強矯健的龍紋，與〈北宋真宗禪地玉冊〉所附玉匱上之嵌片的龍紋相比，兩者近似，故推斷此盤應屬11世紀上半，遼或北宋的作品。
digitalarchive.npm.gov.tw/Antique/Content?uid=85&Dept=U
Jade plate with dragon pattern, Song to Liao dynasty (907 - 1279 C.E.), in the collection of the National Palace Museum, Taipei, Taiwan, Republic of China.
Unified number of cultural relics: NPM Jade 002251N000000000
As far as the pattern is concerned, such a strong and vigorous dragon pattern is similar to the dragon pattern on the inlay on the jade chamber attached to the "Emperor Zhenzong Jade Plaque composing a jade case of the Northern Song Dynasty", so it is inferred that this plate should belong to the first half of the 11th century, the work of the Liao or Northern Song Dynasties.
(2)
北宋真宗祥符元年 (公元 1008 年) 禪地玉冊玉匱嵌片
文物統一編號：贈玉000004N000000006
digitalarchive.npm.gov.tw/Antique/Content?uid=47382&D...
Jade plaque composing a jade case, made in the first year (1008 C.E.) of Xiangfu of Emperor Zhenzong reign, Northern Song dynasty.
Unified number of cultural relics: NPM Donate Jade 000004N000000006
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2022 年 3 月份全球觀眾： 1,373 總觀看次數及1,588 總觀看時間 (分鐘)
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Global audience in March 2022: 1,373 total views and 1,588 total watch time (minutes)
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擁有 48,000 名全球會員的臉書公共社群網站 'Fine Art to sell'：
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北宋晚期 青釉印花盤龍紋瓷盒 1989年清涼寺汝官窯遺址I區出土
原文網址：https://kkne.ws/6q1MnE
A celadon-glazed printed porcelain box with dragon pattern, late Northern Song Dynasty, unearthed in Area I of Ru Imperial Kiln Site of Qingliang Temple in 1989
Original URL: kkne.ws/6q1MnE
北宋汝窯天青釉刻劃印花五爪龍吐珠十二梅花紋折沿盤
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圓盤直徑：17.9 ～ 18.0 cm 厘米
圈足直徑：9.1 ～ 9.2 cm 厘米
本瓷盤為滿釉支燒，五支釘痕，香灰胎，天青釉，冰裂紋片，潤之如玉，在器物底部可見細如芝麻狀的支釘痕五個，痕跡很淺，大小如芝麻。
瓷盤龍紋上有數處「黑點之古瓷瑕疵」，龍紋線條「皆是手工製作、亦顯左右不對稱」，十二梅花紋「大小、間隙、寬度、深度皆不相同，明顯是由手工刻劃形成」，底部圈足兩側壁緣有「瑪瑙入釉及聚釉痕跡」，折沿口緣內側邊線上有一個明顯之「棕眼之古瓷瑕疵」，滿釉有古代柴燒氣泡及冰裂開片紋，底部圈足略為外撇。
而此傳世北宋汝窯瓷器的胎體有三個特點：
第一點是輕薄。
第二點胎色為香灰色，胎骨輕薄，胎質看色粗松實則細密。汝瓷胎色呈淺灰、灰白，因其色調與香燃燒之後形成的香灰相似，因而俗稱「香灰胎」。
第三點是汝瓷胎質細膩滋潤，堅緻緊密，被譽為「銅骨」。另外，接觸過傳世汝瓷的人常有「扣聲如磬」的形容，這在一定程度上也說明了汝瓷胎的輕薄與緻密。
另外，器底於光線下呈現略為凹凸不平，是由於泥坯中間的部位水份未乾，成型泥胎在掙脫粘連的泥范（模）時，由北宋窯工左右輕微轉動脫模操作所形成。
現代博物館裡的專業人士、收藏家、鑑賞家、學者、專家等等，因為他們都不是北宋皇帝宋徽宗本人，所以顯然他們已經把自己作為平民老百姓的品味，當作是應該屬於北宋皇帝宋徽宗的最愛。他們普遍認為，市面上流傳下來的 80 餘件傳世汝窯瓷器，應該就是北宋皇帝宋徽宗的御用汝官窯瓷器。 你認為有可能嗎？
Northern Song Dynasty Ru Kiln Sky-green glazed inscribed and printed Five-clawed Dragon Spit Bead and Twelve Plum Patterns Folding Edge Plate
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Plate diameter: 17.9 - 18.0 cm
Ring foot diameter: 9.1 - 9.2 cm
This porcelain plate was full-glazed and burned with supporting-nails, five supporting-nail marks, incense-ash-like-earth-yellow-greyish porcelain body, sky-green glaze, broken-ice-cracking-like cracking-patterns, jade-like smoothness, and five sesame-like supporting-nail marks can be seen on the bottom of the utensil, the marks are very shallow, their sizes are such as sesames.
The dragon pattern on the porcelain plate has several "black spots of ancient porcelain flaws", the dragon pattern lines "are all handmade and also show asymmetry between the left and right", and the twelve plum patterns "are different in size, gap, width, and depth, which were obviously formed by hand-carving", there are "marks of agate mixed in the glaze and polyglaze" on both side walls of the bottom ring foot, and an obvious "brown-eye-small-hole" which is an ancient porcelain flaw, on the inner edge line of the folding mouth edge. It was fully glazed with ancient wood-fired air bubbles and broken-ice-cracking-like cracking-patterns. The bottom ring foot is slightly slanted outward.
The porcelain body of this handed down Ru kiln porcelain in the Northern Song Dynasty has three characteristics:
The first is “light and thinness”.
The second is that the porcelain fetal color is incense-ash-like-earth-yellow-greyish, the porcelain fetal bone is light and thin, and the fetal quality seems to be rough but fine. The color of Ru porcelain body is light-gray and gray-white, because its color is similar to the incense ash formed after burning incense, so it is commonly known as "incense gray porcelain body".
The third is that the texture of Ru porcelain is delicate and smooth, firm and compact, and is known as "bronze bone". In addition, people who have come into contact with the handed down Ru porcelain often describe it as "sound like a chime (a musical stone)", which to a certain extent also shows the lightness and compactness of the Ru porcelain body.
In addition, the bottom of the utensil is slightly uneven under the light. Because when the water in the middle of the porcelain mud body was not dry yet and meanwhile the molded mud body was slightly turned left and right to be broken away from the sticking mud mold. So long as the porcelain kiln workers in the Northern Song Dynasty took the above procedure, then the uneven bottom would have been formed.
Professionals in the modern museums, collectors, connoisseurs, scholars, experts, and so on, because they are all not the Emperor Song Huizong of the Northern Song Dynasty himself, so obviously they have regarded their own taste of being the common people, as the same favorite that should belonged to the Emperor Song Huizong in the Northern Song Dynasty. They generally believed that more than 80 pieces of Ru kiln porcelain handed down on the market should be the personal royal Ru Imperial kiln porcelain wares of the Northern Song Emperor Song Huizong. Do you think it is possible?
來源：
屬擊敗蒙古元朝歐亞大帝國的明朝皇帝朱元璋所分封為軍事大元帥的「陳秀甫」(陳秀甫亦為明代開國功臣光祿大夫《光祿大夫為皇帝開國及軍事作戰的出糧出資金錢財主》) 家族傳世的祖傳傳世品。
Provenance:
The handed down collection from the family ancestor of Chen Xiufu, a military marshal who was assigned by the Ming Emperor Zhu Yuanzhang (Zhu Yuanzhang defeated the Eurasian Empire of the Mongolian Yuan Dynasty), (Chen Xiufu was also the founding hero of the Ming Dynasty, whose official name was Guangludafu, "Guangludafu was the rich and wealthy capitalist of food and money supplied for the emperor's nation-founding and military operations.").
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How seamlessly the "Little Explorers" concept is integrated to Swisssotel's values of Craftsmanship and heritage of Switzerland with the Swissotel Doorman
Roberu original well-selected tanned cow oil leather.
Handmade in Japan
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1/16 scale model of a Bridgeport Mill. Many American businesses were built with one of these in a garage, about 40-50 years ago - and many tinkerers, myself included, dream of having one of these in his/her garage.
Everything works on this machine - the tables move, the bed cranks up and down - even the little end mill spins when you press the little green button. Note the quarter on the milling machine table for size reference.
St Anne's Cathedral (RC), Leeds, 1901-04.
By Eastwood & Greenslade.
Grade ll* listed.
North Transept Window, 1927-29 - detail.
By Kayll & Reed.
John James Kayll was born in Sunderland in 1851, but his family originally came from the Isle of Man. His father, also John James, was a partner in Hartley's glassworks in Sunderland, and served as Mayor of Sunderland 1866-67. John James junior ran Kayll & Co following his move to Leeds.
The first church was built in 1838 and became the cathedral of the new Roman Catholic diocese of Leeds in 1878. JH Eastwood was a founder member of the Guild of St Gregory & St Luke which was devoted to the improvement of church craftsmanship.
Finished, minature Christmas trees and Santa ornaments for sale. Hand-crafted at Christkindl Market, Mifflinburg, PA
Rests of an old fisher boat.. ( Laguna Grande, Peru ) ..makes me wonder about times past it might have seen..
6N161 Surrey Road, Wayne, Il 60184
Enjoy the serenity of nature of the densely wooded 4 acres surrounding this magnificent Wayne estate. Approx. 8700 sq ft of quality craftsmanship throughout - Features include: grand foyer w/ limestone floors, Cherry library w/ custom cabinetry, island kitchen with cherry cabinetry, great room w/ 16 ft ceilings & stone fireplace, 1st flr master w/ luxury bth, 4 bdrs & loft on 2nd flr, 5.2 bths, finished basement!
Connie Antoniou
Hunter's FairwaySotheby's International Realty
101 South Wynstone Park Drive
North Barrington, IL60010
+1 847.756.7244
+1 847.381.7100
Pillar Construction, Inc.
Architect: Duda Paine Architects, LLP
Engineer: Thornton Tomasetti
General Contractor: Clark Construction Group, LLC
Another inside shot.
Indonesian temple originally built for a wealthy family in the late 1800s or early 1900s in Central Java and later shipped and reconstructed on Vashon Island, Washington.
Mahogany stereo camera with late Andrew Ross f/16 achromatic lenses. Negative size, 3.25 x 6.75 inches.
Great craftsmanship.....There are a few Art-Deco style buildings in Wilkes-Barre, and this is one of them. It's located on S. Main St. It appears pretty well close to the original design.
I made this lantern in April 2002, patterned on photographs of 1800s Amish lanterns found in the internet. I found no plans and so drew up my own.
The joints are all traditional woodworking joints -- tongue and groove, hole and peg, etc -- and the only hardware are the hinges, a screw attaching the door latch, the cotter pins through the pegs at the top and bottom, the nails attaching the chimney, and eye hooks for the handle. The chimney is half of a condensed milk can; the handle was a coat hanger.
The four glass panes are painted with characters from the Betley window, a centuries-old English stained glass window depicting characters from morris dancing. Eight of the window's twelve panes are represented on the lantern.
I liked the roof tiles on this building and the craftsmanship of the brickwork on the chimney. I love finding these old gems in the middle of the highrise jungle of downtown Toronto.