View allAll Photos Tagged Coverage

Picking coconuts near Thap Sakae. Many Thai farm laborers completely cover themselves to protect from insects and the very intense tropical sun.

...field's coverage absent....

 

Many thanks to everyone for your views, faves and supportive comments. These are always very much appreciated.

you can see the new works in

 

www.paolopaccagnella.com

 

All Rights Reserved Worldwide In Perpetuity.

- No Unauthorized Use. Absolutely no permission is granted in any form, fashion or way, digital or otherwiseb, to use my images on blogs, personal or professional websites or any other media form without my direct written permission.

This includes Pinterest, FaceBook,Tumblr, Reddit or other websites where one's images are circulated without the photographer's knowledge or permission.

 

If you recognize yourself in a photo of this gallery, you certainly weren't what I was photographing, if you don't want it to be published let me know and the photo, perhaps, will be removed.

 

P. Paccagnella. [ph.p.ph.©] TdS Pd Italy

   

san francisco, california

Long-billed Curlew crossing the sand on Bolivar Flats, Galveston County, Texas.

Jodhpur Sardar Marg/Market over the weekend simply bustles with trade - 02/11/2019

  

Nikon D750

 

ƒ/5.0

 

50.0 mm

 

1/250 @ ISO 4000

 

Flash (off, did not fire)

 

NS C44-9W #9819 leads Amtrak 138 on its run to DC, a rare instance of foreign power on CSX's RF&P sub but not a huge oddity on the NS Norfolk District as it passes through Suffolk at nearly track speed.

Panoramic photography is a technique of photography, using specialized equipment or software, that captures images with horizontally elongated fields of view. It is sometimes known as wide format photography. The term has also been applied to a photograph that is cropped to a relatively wide aspect ratio, like the familiar letterbox format in wide-screen video.

While there is no formal division between "wide-angle" and "panoramic" photography, "wide-angle" normally refers to a type of lens, but using this lens type does not necessarily make an image a panorama. An image made with an ultra wide-angle fisheye lens covering the normal film frame of 1:1.33 is not automatically considered to be a panorama. An image showing a field of view approximating, or greater than, that of the human eye – about 160° by 75° – may be termed panoramic. This generally means it has an aspect ratio of 2:1 or larger, the image being at least twice as wide as it is high. The resulting images take the form of a wide strip. Some panoramic images have aspect ratios of 4:1 and sometimes 10:1, covering fields of view of up to 360 degrees. Both the aspect ratio and coverage of field are important factors in defining a true panoramic image.

 

N7825C

 

122674

 

Aviation Nation 2014

 

Nellis AFB, NV USA

  

For APD's coverage of Aviation Nation 2014 see:

 

aviationphotodigest.com/aviation-nation-2014/

The Sheboygan Harbor with 100% ice coverage.

****Want to learn more about Light Painting? Find out how you can create images just like this one and many, many more by purchasing my E-Book here: www.davidgilliver.com/photography

  

OK...so I have seen postage stamps bigger than the article the Telegraph wrote on my work the other day, but all coverage is good coverage as far as I am concerned. Thanks Telegraph!

Close to maximum solar eclipse coverage in Livingston Manor, NY before clouds rolled in. At this point during the eclipse the ambient light dimmed as if it were twilight. The clouds made the environment even darker.

 

Our Daily Challenge - Twilight - 8/16/17

A straightforward photograph that to some degree shows the jungle terrain around Sepilok. The tree coverage is extremely intense with only a small amount of daylight able to penetrate the canopy. Perhaps this photo will give some idea of why it was so hard to spot wildlife, birds or otherwise.

 

One aspect that can't be ascertained here is the humidity. Wow, it was hot and sweaty.

L591 rolls north on the Mayville Sub with everyone's favorite geep, GMTX 2322. This Milwaukee Road branch once stretched all the way to Fon Du Lac, passing in close proximity to the legendary Byron Hill. In the WSOR days, it's simply a short branch to Mayville. However, the 7 mile line is packed full of interesting locations such as this one, where they traverse a roller-coaster-like profile by the trash dump south of Mayville.

 

I had intentions to come back in the Autumn to do this, but I never made good on those plans, leaving a pretty gaping hole in my coverage. A major regret of mine.

A trio of B23-7's lead train MCSE at Norwood Jct. in Norwood, NY on May 8, 1988. You don't see much coverage of Conrail's Montreal Secondary. I shot a few trains on the line in 1988.

Mr Spock really knows how to pamper himself on my pillows.

Wednesday, November 22, 2017

We were blessed to have some great cloud layers during the month of September--often the coverage was such that it blotted out the sunset I was waiting for. Such was the case on this evening... but I'm looking forward to what the fall will bring.

 

This is a spot that I refer to as the "Corn Nook," although the field was planted with soybeans this year instead of corn. It is about a quarter of a mile from where we used to live out in the rural countryside a couple of miles south of Colchester. On the spur of the moment and with only seconds to spare, I decided to drive down there to see the sunset.

 

The tree stands by itself in a patch of grass between the blacktop pavement and the field itself. To take pictures of this spot at sunset, I often use a tripod set up on the blacktop road... I could always hear the cars and pickup trucks coming while they were still a half a mile away. I chose to make a handheld shot this time, though.

 

_MG_4876

 

Looking for Steve Frazier's main photography website? Visit stevefrazierphotography.com

 

Contact him at stevefrazierphotography@gmail.com

 

© Stephen L. Frazier - All of my images are protected by copyright and may not be used on any site, blog, or forum without my permission.

253/365

 

See these photos before I post them on Flickr:

icantakeyourpicture.com/photoblog/

 

Subscribe:

RSS 2.0

ATOM

The recent partial lunar eclipse over Monticello, NY taken with a Canon 7D MKII dslr camera on a fixed tripod using a Canon 400mm f/5.6 lens.

 

San Francisco CA

 

Hasselblad 501c

Kodak Portra 160

Thank you very much for choosing my photo for the coverage of the group.

coverage for VOGUE.pt

 

(Magenta coverage corrected.)

 

It's been a long time since I've shot at night and my yield was terrible... 😅

 

久しぶりの夜撮りは歩留まりが最悪でした・・😅

*

✈️RWY16L↘ - JA817A🇯🇵 - Boeing 787-8 Dreamliner - Air Japan - NH468(OKA-HND)

*

✨Taken at Haneda airport terminal 2 on Dec. 23rd, 2024, 16:54

*

📷Canon EOS R1

🔭EF500mm F4L IS II USM

⚙️MANUAL・F4.0・1/80th・-1.33EV・ISO1600(AUTO)

*

Chinese brand of lens manufacturer 7Artisans has a 10mm focal length fisheye lens for cameras with full frame sensors.

 

The angle of coverage is very wide, 178º, in fact, in this test photo you can see my Nikon Z 7 II camera with that lens on the far left of the mirror.

 

It is marketed with different mounts, including Nikon's Z mount.

 

It does not have any electronic connection pin, so there is no communication between the camera and the lens, therefore the focal length or aperture parameters may be wrong or non-existent.

 

Obviously, the focus and aperture are done in manual mode (M), although you can interact with other camera parameters such as exposure time or ISO sensitivity.

 

You can also use that new function that many advanced cameras have, such as the so-called "focus contour" (or "focus peaking").

 

I appreciate the explanations that Flickr member Mali Davies makes in his Youtube video regarding this lens.

 

Photo taken in Pozuelo de Alarcón, Madrid, Spain.

 

PRIMER TEST CON LA NUEVA LENTE OJO DE PEZ, 2023

 

La marca de fabricación de lentes, de origen chino, 7Artisans, tiene una lente ojo de pez con una distancia focal de 10mm para cámaras con sensores de formato completo.

 

El ángulo de cobertura es muy amplio, de 178º, de hecho, en esta foto de prueba se ve mi cámara Nikon Z 7 II con esa lente en el extremo izquierdo del espejo.

 

Se comercializa con diferentes monturas, incluida la montura Z de Nikon.

 

No tiene ningún pin de conexión electrónica, con lo que no hay comunicación entre la cámara y la lente, por tanto los parámetros de distancia focal o de apertura de diafragama pueden ser erróneos o inexistentes.

 

Evidentemente el enfoque y la apertura de diafragma se hacen en modo manual (M), aunque se puede interactuar con otros parámetros de la cámara como son el tiempo de exposición o la sensibilidad ISO.

 

También se puede usar esa nueva función que tienen muchas cámaras avanzadas como es el llamado "contorno de enfoque" (o "focus peaking").

 

Agradezco las explicaciones que hace en su video de Youtube el miembro de Flickr Mali Davies en relación con esta lente.

 

Foto tomada en Pozuelo de Alarcón, Madrid, España.

in 1966, at independence, botswana was the second poorest country in the world. perhaps that is why it was not fought over by the colonial powers. since independence, the discovery of diamonds changed the economics of the country. the government actually used diamond revenues to invest in health and education. every citizen has health care coverage, private insurances compete with the national service.

 

tomorrow, june 25, a major rally will be held in washington dc, by the national physician's alliance (a group that emerged out of a student organization so that physicians for whom patient advocacy was a core value, could have a voice). the us struggles to provide health coverage to all. the american medical association has once again shown its venal nature by opposing any national health plan as an option on the table.

Testing my 150mm Steinheil anastigmat at full aperture on the Intrepid 8x10. It clearly doesn't cover 8x10 inch, but there is something to it that I like.

 

X-ray film

R09 1:100

8:00 min

Foma 400 | Kodak 130mm Anistigmat f/7.7 | Rodinal 1:15 10'

 

1 3 4 5 6 7 ••• 79 80