View allAll Photos Tagged Control
I'm bigger than my body
I'm colder than this home
I'm meaner than my demons
I'm bigger than these bones
And all the kids cried out, "Please stop, you're scaring me"
I can't help this awful energy
God damn right, you should be scared of me
Who is in control?
I'm well acquainted with villains that live in my head
They beg me to write them so they'll never die when I'm dead
And I've grown familiar with villains that live in my head
They beg me to write them so I'll never die when I'm dead
Soundtrack: V.A.C. - "malfunction"
- somehow a "brother-in-spirit" of this one: though (oh well...) I am at least knee-deep into technology of all sorts and kinds, somehow I wonder how it actually works - man controlling machine? This device (an office-building-sized coal excavator) is just, well, sort of a "mountain of steel", making you feel awfully small, pondering what might happen if machines like these actually get out of hands...
Fujica G690 with Fujinon S 100mm f3.5
Ilford HP5 Plus
Developed with DD-X and "scanned" with a Sony mirrorless.
The whole point of this shot was to test the Fujica in a "controlled" environment, with a cable release and all. But, to my frustration, my cable release wouldn't fire it! The cable in question is a modern budget one that works well with all my other cameras, but not with this beautiful brick :) SO, since it was on a tripod, I decided to try and fire the Fujica without the cable (reeeally carefully pushing down the shutter release) and it actually turned out OK, even though I used a rather slow shutter speed.
Later I bought an old and sturdy Pentax cable release, and it fires the Fujica every time.
I spent the better part of an hour watching as this Eastern Phoebe worked a shoreline of Horsepen Bayou, making a circuit of the driftwood branches, repeatedly launching after flying insects and returning to the same perch to eat them before moving on to the next station.
The red light used to aid night vision reminds me of the darkroom days. This is indeed an interior of a submarine in service 1944-1969. She is part of The Independence Seaport Museum in Philidelphia.
Take your protein pills and put your helmet on.
Vancouver Airport Ground Control Tower. Or one of them.
_IMG7775
Tatiana Weston-Webb doing powerful turns in full control at Rocky Point on the North Shore. This season she's been performing well on the World Championship Tour (best of the best) as an injury replacement, and is also close to qualify for the next season.
Circuit de Reims- Gueux. The haunting remains of the magnificent F1 racetrack on the outskirts of Reims photographed on Tasma KN-3 and printed on a mystery paper from the past. This stuff was so fogged that any attempt at a test strip in normal developer was useless, just horrible grey with faint images, however i decided it was worth a punt in lith developer and for me the results are worthwhile and quite fitting for the subject. That's the end of it though, no more of this paper left, a brief but glorious flrtation in my darkroom with a bottle of red and a soundtrack of Iggy Pop and Bowie.
control, xbox one, ingame photomode, edited with flickr app
absolutely adore this game. love love love it. finally beat down tomassi last night. just one boss to go!
Control
Inspired by Chromatics songs, especially by the videoclip of 'Shadow'
*Hotsampling + NorthLit + ReShade put my poor GTX970 into a lot of stress so I had to disable some effects and reintroduce them in Photoshop (CA, dust particles, light leaks)
Mods | ReShade | CT and SRWE for hotsampling | NorthLit tool | Camera Raw | *Photoshop
The infamous control room in the Chernobyl Nuclear power plant disaster of 1986
A very surreal place to see
Month of Mornings 13/30, Lake Waikopiro, Hawke's Bay, New Zealand
One of the challenges as a landscape photographer is the lack of control that you have over one of the most important parts of the image: the weather
As we headed up to Lake Turtira, and its little brother Lake Waikopiro, this morning for my #monthofmornings excursion the weather looked promising; a bit of cloud and some hints of mist in the valleys. But when we arrived we found the sky was largely grey and dull, and there was no mist to be seen anywhere.
So the images this morning were not spectacular, but you can't expect to shoot a portfolio image every day.
Fujifilm X-E3, ISO200, f8, 2.5sec, 9mm Laowa lens.
Processed in Lightroom
Here in Eugene, Oregon lie the remnants of a once mighty train company Southern Pacific which was bought out by the Union Pacific. The remains of a roundhouse, machine shop, and evidence of support buildings not to mention an intact turntable. This photograph of some type of junction I have no idea what for but it was intriguing.
Another from my recent trip to Crater Lake, Oregon. This one is a six-shot panorama. Had a lot of trouble getting the usual software packages to stitch this one together, but was finally able to do it with some manually entered control points in the PTGui software.
I've wanted this shot for some time, and am really happy with how it turned out! Now I just need to return there someday when there's more & cleaner snow... and maybe with a D800E instead of my D700! :-)
Oh, and this shot is today's (June 19, 2013) NASA Astronomy Photo of the Day (APOD):