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controls on board. You are allowed to use this image on your website. If you do, please link back to my site as the source: creditscoregeek.com/
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Mike Cohen
Hillman State Park provides a radio-controlled model airplane field. Users must preregister with the park office and maintain and display a current Academy of Model Aeronautics (AMA) membership in order to utilize the facility.
Control tower, Ronald Reagan Washington International Airport (DCA)
American Airlines Ramp
Ronald Reagan Washington International Airport (DCA)
Tour arranged as part of Airliners International 2018
World Airline Historical Society (WAHS)
See: airlinersinternational.org/world-airline-historical-society
Control is Jesse Faden’s story. The main plot focuses on her personal search for answers as she grows into the role of the Director. The world of Control has its own story, as do the allies Jesse meets along the way. Side-quests and Secrets are everywhere. Jesse works with other Bureau agents, decodes cryptic ciphers and discovers strange Bureau experiments.
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Radio Control car club of kuwait
Thanx To My Bro Jassim Al-Ostath For My New Logo .
Location : Zahraa - Kuwait
camera : FinePix Fuji S5Pro
Lens : Nikon 70-200mm
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© All rights reserved to sanfora
Motion control head I designed around a pair of surplus precision worm gearboxes. The vacuum infused carbon fibre covers are largely superficial/protective, they were my first experiment in directly CNC machining a mould. I machined the aluminium parts on my CNC router and anodized them at home.
Because the head was constructed around existing gearboxes its a little larger and heavier than I would like, weighing around 5KG but supporting loads upwards of 10kg.
A real big boys toy - and I got a go.
Normally the crane is controlled by an operator in the cabin above - eventually this crane will be remotely controlled by an operator in a building about 1/2 kilometer away.
We are all controlled by the world in which we live, and part of that world has been and will be constructed by men.
The question is this: Are we to be controlled by accidents, by tyrants, or by ourselves in effective cultural design?
-B.F. Skinner
Ahmedabad; also known as Amdavad Gujarati pronunciation: [ˈəmdɑːvɑːd]) is the largest city and former capital of Gujarat. It is the administrative headquarters of the Ahmedabad district and the seat of the Gujarat High Court. With a population of more than 6.3 million and an extended population of 7.2 million, it is the sixth largest city and seventh largest metropolitan area of India. Ahmedabad is located on the banks of the Sabarmati River, 30 km from the state capital Gandhinagar.
Ahmedabad has emerged as an important economic and industrial hub in India. It is the second largest producer of cotton in India, and its stock exchange is the country's second oldest. Cricket is a popular sport in Ahmedabad, which houses the 54,000-seat Sardar Patel Stadium. The effects of liberalisation of the Indian economy have energised the city's economy towards tertiary sector activities like commerce, communication and construction. Ahmedabad's increasing population has resulted in an increase in the construction and housing industries resulting in recent development of skyscrapers.
In 2010, it was ranked third in Forbes's list of fastest growing cities of the decade. In 2012, The Times of India chose Ahmedabad as the best city to live in in India. As of 2014, Ahmedabad's estimated gross domestic product was $119 billion.
HISTORY
The area around Ahmedabad has been inhabited since the 11th century, when it was known as Ashaval (or Ashapalli). At that time, Karandev I, the Solanki ruler of Anhilwara (modern Patan), waged a successful war against the Bhil king of Ashaval, and established a city called Karnavati on the banks of the Sabarmati. Solanki rule lasted until the 13th century, when Gujarat came under the control of the Vaghela dynasty of Dholka. Gujarat subsequently came under the control of the Delhi Sultanate in the 14th century. However, by the earlier 15th century, the local governor Zafar Khan Muzaffar established his independence from the Delhi Sultanate and crowned himself Sultan of Gujarat as Muzaffar Shah I, thereby founding the Muzaffarid dynasty. This area finally came under the control of his grandson Sultan Ahmed Shah in 1411 A.D. who while at the banks of Sabarmati liked the forested area for a new capital city and laid the foundation of a new walled city near Karnavati and named it Ahmedabad after the four saints in the area by the name Ahmed. According to other sources, he named it after himself. It is said that the birthday of Ahmedabad city is February 26, 1412.
In 1487, Mahmud Begada, the grandson of Ahmed Shah, fortified the city with an outer wall 10 km in circumference and consisting of twelve gates, 189 bastions and over 6,000 battlements. In 1535 Humayun briefly occupied Ahmedabad after capturing Champaner when the ruler of Gujarat, Bahadur Shah, fled to Diu. Ahmedabad was then reoccupied by the Muzaffarid dynasty until 1573 when Gujarat was conquered by the Mughal emperor Akbar. During the Mughal reign, Ahmedabad became one of the Empire's thriving centres of trade, mainly in textiles, which were exported as far as Europe. The Mughal ruler Shahjahan spent the prime of his life in the city, sponsoring the construction of the Moti Shahi Mahal in Shahibaug. The Deccan Famine of 1630–32 affected the city, as did famines in 1650 and 1686. Ahmedabad remained the provincial headquarters of the Mughals until 1758, when they surrendered the city to the Marathas.
During the period of Maratha Empire governance, the city became the centre of a conflict between two Maratha clans; the Peshwa of Poona and the Gaekwad of Baroda. In 1780, during the First Anglo-Maratha War, a British force under James Hartley stormed and captured Ahmedabad, but it was handed back to the Marathas at the end of the war. The British East India Company took over the city in 1818 during the Third Anglo-Maratha War. A military cantonment was established in 1824 and a municipal government in 1858.[16] Incorporated into the Bombay Presidency during British rule, Ahmedabad became one of the most important cities in the Gujarat region. In 1864, a railway link between Ahmedabad and Mumbai (then Bombay) was established by the Bombay, Baroda, and Central India Railway (BB&CI), enabling traffic and trade between northern and southern India via the city. Over time, the city established itself as the home of a developing textile industry, which earned it the nickname "Manchester of the East".
The Indian independence movement developed roots in the city when Mahatma Gandhi established two ashrams – the Kochrab Ashram near Paldi in 1915 and the Satyagraha Ashram (now Sabarmati Ashram) on the banks of the Sabarmati in 1917 – which would become centres of nationalist activities. During the mass protests against the Rowlatt Act in 1919, textile workers burned down 51 government buildings across the city in protest at a British attempt to extend wartime regulations after the First World War. In the 1920s, textile workers and teachers went on strike, demanding civil rights and better pay and working conditions. In 1930, Gandhi initiated the Salt Satyagraha from Ahmedabad by embarking from his ashram on the Dandi Salt March. The city's administration and economic institutions were rendered inoperative in the early 1930s by the large numbers of people who took to the streets in peaceful protests, and again in 1942 during the Quit India Movement. Following independence and the partition of India in 1947, the city was scarred by the intense communal violence that broke out between Hindus and Muslims in 1947, Ahmedabad was the focus for settlement by Hindu migrants from Pakistan, who expanded the city's population and transformed its demographics and economy.
By 1960, Ahmedabad had become a metropolis with a population of slightly under half a million people, with classical and colonial European-style buildings lining the city's thoroughfares. It was chosen as the capital of Gujarat state after the partition of the State of Bombay on 1 May 1960. During this period, a large number of educational and research institutions were founded in the city, making it a centre for higher education, science and technology. Ahmedabad's economic base became more diverse with the establishment of heavy and chemical industry during the same period. Many countries sought to emulate India's economic planning strategy and one of them, South Korea, copied the city's second "Five-Year Plan".
In the late 1970s, the capital shifted to the newly built, well planned city of Gandhinagar. This marked the start of a long period of decline in the city, marked by a lack of development. The 1974 Nav Nirman agitation – a protest against a 20% hike in the hostel food fees at the L.D. College of Engineering in Ahmedabad – snowballed into a movement to remove Chimanbhai Patel, then chief minister of Gujarat. In the 1980s, a reservation policy was introduced in the country, which led to anti-reservation protests in 1981 and 1985. The protests witnessed violent clashes between people belonging to various castes. The city suffered some of the impact of the 2001 Gujarat earthquake; up to 50 multi-storey buildings collapsed, killing 752 people and causing much damage. The following year, a three-day period of violence between Hindus and Muslims in the western Indian state of Gujarat, known as the 2002 Gujarat riots, spread to Ahmedabad; refugee camps were set up around the city.
The 2008 Ahmedabad bombings, a series of seventeen bomb blasts, killed and injured several people.[34] Militant group Harkat-ul-Jihad claimed responsibility for the attacks.
CITYSCAPE
Early in Ahmedabad's history, under Ahmed Shah, builders fused Hindu craftsmanship with Persian architecture, giving rise to the Indo-Saracenic style. Many mosques in the city were built in this fashion. Sidi Saiyyed Mosque was built in the last year of the Sultanate of Gujarat. It is entirely arched and has ten stone latticework windows or jali on the side and rear arches. Private mansions or haveli from this era have carvings. A Pol is a typical housing cluster of Old Ahmedabad.
After independence, modern buildings appeared in Ahmedabad. Architects given commissions in the city included Louis Kahn, who designed the IIM-A; Le Corbusier, who designed the Shodhan and Sarabhai Villas, the Sanskar Kendra and the Mill Owner's Association Building, and Frank Lloyd Wright, who designed the administrative building of Calico Mills and the Calico Dome. B. V. Doshi came to the city from Paris to supervise Le Corbusier's works and later set up the School of Architecture. His local works include Sangath, Amdavad ni Gufa and the School of Architecture. Charles Correa, who became a partner of Doshi's, designed the Gandhi Ashram and Achyut Kanvinde, and the Indian Textile Industries Research Association. Christopher Charles Benninger's first work, the Alliance Française, is located in the Ellis Bridge area. Anant Raje designed major additions to Louis Kahn's IIM-A campus, namely the Ravi Mathai Auditorium and KLMD.
Some of the most visited gardens in the city include Law Garden, Victoria Garden and Bal Vatika. Law Garden was named after the College of Law situated close to it. Victoria Garden is located at the southern edge of the Bhadra Fort and contains a statue of Queen Victoria. Bal Vatika is a children's park situated on the grounds of Kankaria Lake and also houses an amusement park. Other gardens in the city include Parimal Garden, Usmanpura Garden, Prahlad Nagar Garden and Lal Darwaja Garden. Ahmedabad's Kamla Nehru Zoological Park houses a number of endangered species including flamingoes, caracals, Asiatic wolves and chinkara.
The Kankaria Lake, built in 1451 AD, is one of the biggest lakes in Ahmedabad. In earlier days, it was known by the name Qutub Hoj or Hauj-e-Kutub. Vastrapur Lake is located in the western part of Ahmedabad. Lal Bahadur Shastri lake in Bapunagar is almost 136,000 square metres. In 2010, another 34 lakes were planned in and around Ahmedabad of which five lakes will be developed by AMC; the other 29 will be developed by the Ahmedabad Urban Development Authority (AUDA). Chandola Lake covers an area of 1200 hectares. It is home for cormorants, painted storks and spoonbills. During the evening time, many people visit this place and take a leisurely stroll. There is a recently developed Naroda lake and the world's largest collection of antique cars in KathWada at IB farm (Dastan Farm). AMC has also developed the Sabarmati Riverfront.
DEMOGRAPHICS
Ahmedabad is the fifth largest city and seventh largest metropolitan area in India. According to the 2014 census the population of Ahmedabad metropolitan was 7,250,000. Ahmedabad has a literacy rate of 89.62%; 93.96% of the men and 84.81% of the women are literate. Ahmedabad's sex ratio in 2011 was 897 women per 1000 men. According to the census for the Ninth Plan, there are 30,737 rural families living in Ahmedabad. Of those, 5.41% (1663 families) live below the poverty line. Approximately 440,000 people live in slums within the city. Ahmedabad is home to a large population of Vanias (i.e., traders), belonging to the Vaishnava sect of Hinduism and various sects of Jainism. Most of the residents of Ahmedabad are native Gujaratis. Over 18% of the population is Muslim, numbering over 300,000 in the 2001 census. In addition, the city is home to some 2000 Parsis and some 125 members of the Bene Israel Jewish community. There is also one synagogue in the city. In 2008, there were 2273 registered non-resident Indians living in Ahmedabad.In 2010, Forbes magazine rated Ahmedabad as the fastest-growing city in India, and listed it as third fastest-growing in the world after the Chinese cities of Chengdu and Chongqing. In 2011, it was rated India's best megacity to live in by leading market research firm IMRB. According to the National Crime Records Bureau (NCRB) report of 2003, Ahmedabad has the lowest crime rate of the 35 Indian cities with a population of more than one million. In December 2011 market research firm IMRB declared Ahmedabad the best megacity to live in, when compared to India's other megacities. Slightly less than half of all real estate in Ahmedabad is owned by "community organisations" (i.e. cooperatives), and according to Prof. Vrajlal Sapovadia of the B.K. School of Business Management, "the spatial growth of the city is to [an] extent [a] contribution of these organisations". Ahmedabad Cantonment provides residential zones for Indian Army officials.
CULTURE
Ahmedabad observes a wide range of festivals. Popular celebrations and observances include Uttarayan, an annual kite-flying day on 14 and 15 January. Nine nights of Navratri are celebrated with people performing Garba, the most popular folk dance of Gujarat, at venues across the city. The festival of lights, Deepavali, is celebrated with the lighting of lamps in every house, decorating the floors with rangoli, and the lighting of firecrackers. The annual Rath Yatra procession on the Ashadh-sud-bij date of the Hindu calendar at the Jagannath Temple and the procession of Tajia during the Muslim holy month of Muharram are important events.
One of the most popular forms of meal in Ahmedabad is a typical Gujarati thali which was first served commercially by Chandvilas Hotel in 1900. It consists of roti (Chapati), dal, rice and shaak (cooked vegetables, sometimes with curry), with accompaniments of pickles and roasted papads. Beverages include buttermilk and tea; sweet dishes include laddoo, mango, and vedhmi. Dhoklas, theplas and dhebras are also very popular dishes in Ahmedabad.
There are many restaurants, which serve a wide array of Indian and international cuisines. Most of the food outlets serve only vegetarian food, as a strong tradition of vegetarianism is maintained by the city's Jain and Hindu communities. The first all-vegetarian Pizza Hut in the world opened in Ahmedabad. KFC has a separate staff uniform for serving vegetarian items and prepares vegetarian food in a separate kitchen, as does McDonald's. Ahmedabad has a quite a few restaurants serving typical Mughlai non-vegetarian food in older areas like Bhatiyar Gali, Kalupur and Jamalpur.
Manek Chowk is an open square near the centre of the city that functions as a vegetable market in the morning and a jewellery market in the afternoon. However, it is better known for its food stalls in the evening, which sell local street food. It is named after the Hindu saint Baba Maneknath. Parts of Ahmedabad are known for their folk art. The artisans of Rangeela pol make tie-dyed bandhinis, while the cobbler shops of Madhupura sell traditional mojdi (also known as mojri) footwear. Idols of Ganesha and other religious icons are made in huge numbers in the Gulbai Tekra area. The shops at the Law Garden sell mirror work handicraft.
Three main literary institutions were established in Ahmedabad for the promotion of Gujarati literature: Gujarat Vidhya Sabha, Gujarati Sahitya Parishad and Gujarat Sahitya Sabha. Saptak School of Music festival is held in the first week of the new year. This event was inaugurated by Ravi Shankar.
The Sanskar Kendra, one of the several buildings in Ahmedabad designed by Le Corbusier, is a city museum depicting its history, art, culture and architecture. The Gandhi Smarak Sangrahalaya and the Sardar Vallabhbhai Patel National Memorial have permanent displays of photographs, documents and other articles relating to Mahatma Gandhi and Sardar Patel. The Calico Museum of Textiles has a large collection of Indian and international fabrics, garments and textiles. The Hazrat Pir Mohammad Shah Library has a collection of rare original manuscripts in Arabic, Persian, Urdu, Sindhi and Turkish. There is Vechaar Utensils Museum which has of stainless steel, glass, brass, copper, bronze, zinc and German silver tools.
Shreyas Foundation has four museums on the same campus. Shreyas Folk Museum (Lokayatan Museum) has art forms and artefacts from communities of Gujarat. Kalpana Mangaldas Children's Museum has a collection of toys, puppets, dance and drama costumes, coins and a repository of recorded music from traditional shows from all over the world. Kahani houses photographs of fairs and festivals of Gujarat. Sangeeta Vadyakhand is a gallery of musical instruments from India and other countries.
L D Institute of Indology houses about 76,000 hand-written Jain manuscripts with 500 illustrated versions and 45,000 printed books, making it the largest collection of Jain scripts, Indian sculptures, terracottas, miniature paintings, cloth paintings, painted scrolls, bronzes, woodwork, Indian coins, textiles and decorative art, paintings of Rabindranath Tagore and art of Nepal and Tibet. N C Mehta Gallery of Miniature Paintings has a collection of ornate miniature paintings and manuscripts from all over India.
TRANSPORT
Ahmedabad is one of six operating divisions in the Western Railway zone. Railway lines connect the city to towns in Gujarat and major Indian cities. Ahmedabad railway station, locally known as Kalupur station is the main terminus with 11 others. The Government of Gujarat and Ahmedabad Mahanagar Sevasadan had initiated a feasibility study into the possibility of a mass-transit metro system for the cities of Ahmedabad and Gandhinagar. The state government set up a ₹2 billion company for the execution of the project.
National Highway 8, linking Delhi to Mumbai, passes though Ahmedabad and connects it with Gandhinagar, Delhi and Mumbai. The National Highway 8C also links Ahmedabad to Gandhinagar. It is connected to Vadodara through National Expressway 1, a 94 km long expressway with two exits. This expressway is part of the Golden Quadrilateral project.
In 2001, Ahmedabad was ranked as the most polluted city in India, out of 85 cities, by the Central Pollution Control Board. The Gujarat Pollution Control Board gave auto rickshaw drivers an incentive of ₹10,000 to convert all 37,733 auto rickshaws in Ahmedabad to cleaner burning compressed natural gas to reduce pollution. As a result, in 2008, Ahmedabad was ranked as 50th most polluted city in India.
Ahmedabad has a Bus Rapid Transit System (BRTS), maintained by the Ahmedabad Janmarg Limited (AJL). Ahmedabad BRTS was given the Sustainable Transport Award in 2010 by the Institute for Transportation and Development Policy for reducing carbon emissions and improving residents' access. The first phase connecting RTO to Pirana was inaugurated by Chief Minister Narendra Modi on 14 October 2009 and the second half of the first phase connecting Chandranagar to Pushpa Kunj gate at Kankaria
was inaugurated on 25 December 2009. It is extended from Shivranjani to Iskcon Temple on 15 September 2012. On 28 September 2012 it also include the sketch from Soni ni Chali to Odhav. Ahmedabad Municipal Transport Service (also known as AMTS), maintained by Ahmedabad Municipal Corporation, runs the public bus service in the city of Ahmedabad. At present, AMTS has 750 buses serving the city.
Sardar Vallabhbhai Patel International Airport, 15 km from the city centre, provides domestic and international flights. It is the busiest airport in Gujarat and the eighth busiest in India with an average of 250 aircraft movements a day. The Dholera International Airport is proposed near Fedara. It will be the largest airport in India with a total area of 7,500 hectares.
EDUCATION
Ahmedabad had a literacy rate of 79.89% in 2001 which rose to 89.62 percent in 2011. As of 2011, literacy rate among male and female were 93.96 and 84.81 percent respectively. Schools in Ahmedabad are run either by the municipal corporation, or privately by entities, trusts and corporations. The majority of schools are affiliated with the Gujarat Secondary and Higher Secondary Education Board, although some are affiliated with the Central Board for Secondary Education, Council for the Indian School Certificate Examinations, International Baccalaureate and National Institute of Open School. A large number of colleges in the city are affiliated with Gujarat University; Gujarat Technological University and other deemed universities in Ahmedabad include the Center for Environmental Planning and Technology University, Nirma University of Science & Technology, Centre for Heritage Management Ganpat university and the Dr. Babasaheb Ambedkar Open University. The Gujarat Vidyapith was established in 1920 by Mahatma Gandhi without a charter from the British Raj and became a deemed university in 1963.
Other educational institutions in Ahmedabad include the Indian Institute of Management Ahmedabad, the Gujarat National Law University, the Adani Institute of Infrastructure Management, the National Institute of Design, the Pandit Deendayal Petroleum University, the Mudra Institute of Communications, the Ahmedabad University, the Center for environmental planning and technology, the Entrepreneurship Development Institute of India, the B.J. Medical College, the NHL Medical College, the Ahmedabad Management Association, the L.D. College of Engineering and the Vishwakarma Government Engineering College. Many national academic and scientific institutions, such as the Physical Research Laboratory and the Indian Space Research Organisation are also based in the city.
WIKIPEDIA
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History
The Bishop's throne
The city of Chester was an important Roman stronghold. There may have been a Christian basilica on the site of the present cathedral in the late Roman era, while Chester was controlled by Legio XX Valeria Victrix. Legend holds that the basilica was dedicated to St Paul and St Peter. This is supported by evidence that in Saxon times the dedication of an early chapel on this site was changed from St Peter to St Werburgh. In the 10th century, St Werburgh's remains were brought to Chester, and 907 AD her shrine was placed in the church. It is thought that Ethelda turned the church into a college of secular canons, and that it was given a charter by King Edgar in 968. The abbey, as it was then, was restored in 1057 by Leofric, Earl of Mercia and Lady Godiva. This abbey was razed to the ground around 1090, with the secular canons evicted, and no known trace of it remains.
In 1093 a Benedictine monastery was established on the site by Hugh Lupus, Earl of Chester, and the earliest surviving parts of the structure date from that time. The abbey church was not at that time the cathedral of Chester; from 1075 to 1082 the cathedral of the diocese was the nearby church of St. John the Baptist, after which the see was transferred to Coventry. In 1538, during the dissolution of the monasteries, the monastery was disbanded and the shrine of St Werburgh was desecrated. In 1541 St Werburgh's abbey became a cathedral of the Church of England by order of Henry VIII. At the same time, the dedication was changed to Christ and the Blessed Virgin. The last abbot of St Werburgh’s Abbey, Thomas Clarke, became the first dean of the new cathedral at the head of a secular chapter.
While no trace of the 10th century church has been discovered, there is much evidence of the monastery of 1093. This work in the Norman style may be seen in the north west tower, the north transept and in remaining parts of the monastic buildings. The abbey church, beginning with the Lady Chapel at the eastern end, was extensively rebuilt in Gothic style during the 13th and 14th centuries. At the time of the dissolution of the monasteries, the cloister, the central tower, a new south transept, the large west window and a new entrance porch to the south had just been built in the Perpendicular style, and the south west tower of the façade had been begun. The west front was given a Tudor entrance, but the tower was never completed.
In 1636 the space beneath the south west tower became a bishop's consistory court. It was furnished as such at that time, and is now a unique survival in England. Until 1881, the south transept, which is unusually large, also took on a separate function as an independent ecclesiastical entity, the parish church of St Oswald. Although the 17th century saw additions to the furnishings and fittings, there was no further building work for several centuries. By the 19th century, the building was badly in need of restoration. The present homogeneous appearance that the cathedral presents from many exterior angles is largely the work of Victorian restorers, particularly Sir George Gilbert Scott. The twentieth century has seen continued maintenance and restoration. In 1973–75 a detached belfry designed by George Pace was erected in the grounds of the cathedral. In 2005 a new Song School was added to the cathedral.
External appearance
The cathedral is built of New Red Sandstone, like the cathedrals of Carlisle, Lichfield and Worcester. The stone lends itself to detailed carving, but is also friable to rain and wind, and is badly affected by pollution. With the other red sandstone buildings, Chester is one of the most heavily restored of England's cathedrals. The restoration, which included much refacing and many new details, took place mainly in the 19th century.
Because the south transept is similar in dimension to the nave and choir, views of the building from the south-east and south-west give the impression of a building balanced around a central axis, with its tower as the hub.See image, top The tower is of the late 15th century Perpendicular style, but its four large battlemented turrets are the work of the restoration architect George Gilbert Scott. With its rhythmic arrangement of large, traceried windows, pinnacles, battlements and buttresses, the exterior of Chester Cathedral presents a fairly homogeneous character, which is an unusual feature as England's cathedrals are in general noted for their stylistic diversity. Close examination reveals window tracery of several building stages from the 13th to the early 16th century. The richness of the 13th-century tracery is accentuated by the presence of ornate, crocketted drip-mouldings around the windows; those around the perpendicular windows are of simpler form.See image, top
The west front of the cathedral is not of particular architectural significance, as neither of its towers was completed. To the north is lower stage of a Norman tower, while to the south is the lower stage of a tower designed and begun, probably by Seth and George Derwall, in 1508, but left incomplete following the dissolution of the monastery in 1538. The façade is dominated by a large eight-light window in the Perpendicular style, which rises above a Tudor screen-like porch.The cathedral's façade is largely obscured from view by the building previously used as the King's School, which is now a branch of Barclays Bank. The door of the west front is not used as the normal entrance to the cathedral, which is through the south west porch. This porch was probably designed by Seth Derwall, and it formed part of the same late 15th-century building programme as the south transept, central and southwest towers, and cloister.
The nave, looking towards the choir
Interior
The interior of Chester Cathedral gives a warm and mellow appearance because of the pinkish colour of the sandstone. The proportions appear spacious because the view from the west end of the nave to the east end is unimpeded by a pulpitum and the nave, although not long, is both wide and high compared with many of England's cathedrals. The piers of the nave and choir are widely spaced, those of the nave carrying only the clerestory of large windows with no triforium gallery.See image, left The proportions are made possible partly because the ornate stellar vault, like that at York Minster, is of wood, not stone.
Norman remnants
The present church, dating from around 1283 to 1537, replaced the earlier monastic church founded in 1093 and built in the Norman style. It is believed that the newer church was built around the older one. That the few remaining parts of the Norman church are of small proportions, while the height and width of the Gothic church are generous would seem to confirm this belief. Aspects of the design of the Norman interior are still visible in the north transept, which retains wall arcading and a broadly moulded arch leading to the sacristy, which was formerly a chapel. The transept has retained an early 16th-century coffered ceiling with decorated bosses, two of which are carved with the arms of Henry VIII and Cardinal Wolsey.
The north west tower is also of Norman construction. It serves as the baptistry and houses a black marble font, consisting of a bowl on a large baluster dating from 1697. The lower part of the north wall of the nave is also from the Norman building, but can only be viewed from the cloister because the interior has been decorated with mosaic.
Early English
The Early English Gothic chapter house, built between 1230 and 1265, is rectangular and opens off a "charming" vestibule leading from the north transept. The chapter house has grouped windows of simple untraceried form. Alec Clifton-Taylor describes the exterior of this building as a "modest but rather elegant example of composition in lancets" while Pevsner says of the interior "[It is] a wonderfully noble room" which is the "aesthetic climax of the cathedral". To the north of the chapter house is the slype, also Early English in style, and the warming room, which contains two large former fireplaces. The monastic refectory to the north of the cloister is of about the same date as the chapter house.
The Lady Chapel to the eastern end of the choir dates from between 1265 and 1290. It is of three bays, and contains the Shrine of St Werburgh, dating from the 14th century. The vault of the Lady Chapel is the only one in the cathedral that is of stone. It is decorated with carved roof bosses representing the Trinity, the Virgin and Child, and the murder of St Thomas à Becket. The chapel also has a sedilia and a piscina.
Decorated Gothic
The choir, looking towards the nave
The choir, of five bays, was built between 1283 and 1315 to the design of Richard Lenginour, and is an early example of Decorated Gothic architecture. The piers have strongly modelled attached shafts, supporting deeply moulded arches. There is a triforium gallery with four cusped arches to each bay.See image, right The sexpartite vault, which is a 19th century restoration, is supported by clusters of three shafts which spring from energetic figurative corbels. The overall effect is robust, and contrasts with the delicacy of the pinnacled choir stalls, the tracery of the windows and the rich decoration of the vault which was carried out by the ecclesiastical designers, Clayton and Bell. The choir stalls, dating from about 1380, are one of the glories of the cathedral.
The aisles of the choir previously both extended on either side of the Lady Chapel. The south aisle was shortened in about 1870 by George Gilbert Scott, and given an apsidal east end, becoming the chapel of St Erasmus. The eastern end of the north aisle contains the chapel of St Werburgh.
The nave of six bays, and the large, aisled south transept were begun in about 1323, probably to the design of Nicholas de Derneford. There are a number of windows containing fine Flowing Decorated tracery of this period. The work ceased in 1375, in which year there was a severe outbreak of plague in England. The building of the nave was recommenced in 1485, more than 150 years after it was begun. The architect was probably William Rediche. Remarkably, for an English medieval architect, he maintained the original form, changing only the details. The nave was roofed with a stellar vault rather like that of the Lady Chapel at Ely and the choir at York Minster, both of which date from the 1370s. Like that at York, the vault is of wood, imitating stone.
Perpendicular Gothic
From about 1493 until 1525 the architect appears to have been Seth Derwall, succeeded by George Derwall until 1537. Seth Derwall completed the south transept to a Perpendicular Gothic design, as seen in the transomed windows of the clerestory. He also built the central tower, southwest porch and cloisters. Work commenced on the south west tower in 1508, but it had not risen above the roofline at the time of the dissolution of the monasteries, and has never been completed. The central tower, rising to 127 feet (39 m), is a “lantern tower” with large windows letting light into the crossing. Its external appearance has been altered by the addition of four battlemented turrets by George Gilbert Scott in the 19th century.
The Perpendicular Gothic cloister is entered from the cathedral through a Norman doorway in the north aisle. The cloister is part of the building programme that commenced in the 1490s and is probably the work of Seth Daerwell.
The south wall of the cloister, dating from the later part of the Norman period, forms the north wall of the nave of the cathedral, and includes blind arcading.
Among the earliest remaining structures on the site is an undercroft off the west range of the cloisters, which dates from the early 12th century, and which was originally used by the monks for storing food.
It consists of two naves with groin vaults and short round piers with round scalloped capitals.
Leading from the south of the undercroft is the abbot's passage which dates from around 1150 and consists of two bays with rib-vaulting. Above the abbot's passage, approached by a stairway from the west cloister, is St Anselm's Chapel which also dates from the 12th century. It is in three bays and has a 19th-century Gothic-style plaster vault. The chancel is in one bay and was remodelled in the early 17th century. The screen, altar rails, holy table and plaster ceiling of the chancel date from the 17th century. The north range of the cloister gives access to a refectory, built by Simon de Whitchurch in the 13th century. It contains an Early English pulpit, approached by a staircase with an ascending arcade. The only other similar pulpit in England is in Beaulieu Abbey.
The Quadripartite vault of the choir
the 19th century the fabric of the building had become badly weathered, with Mr. Charles Hiatt writing that "the surface rot of the very perishable red sandstone, of which the cathedral was built, was positively unsightly" and that the "whole place previous to restoration struck one as woebegone and neglected; it perpetually seemed to hover on the verge of collapse, and yet was without a trace of the romance of the average ruin". Between 1818 and 1820 the architect Thomas Harrison restored the south transept, adding corner turrets. This part of the building served until 1881 as the parish church of St Oswald, and it was ecclesiastically separate. From 1844 R. C. Hussey carried out a limited restoration including work on the south side of the nave.
The most extensive restoration was carried out by the Gothic Revival architect, Sir George Gilbert Scott, who between 1868 and 1876 "almost entirely recased" the cathedral. In addition to extensive additions and alterations to the body of the church, Scott remodelled the tower, adding turrets and crenellations. Scott chose sandstone from the quarries at Runcorn for his restoration work. In addition to the restoration of the fabric of the building, Scott designed internal fittings such as the choir screen to replace those destroyed during the Civil War. He built the fan vault of the south porch, renewed the wooden vault of the choir and added a great many decorative features to the interior. Later in the century, from 1882, Sir Arthur Blomfield and his son Charles made further additions and modifications, including restoring and reinstating the Shrine of St Werburgh. More work was carried out in the 20th century by Sir Giles Gilbert Scott between 1891 and 1913, and by F. H. Crossley in 1939.
Rare fittings
The treasures of Chester Cathedral are its rare fittings, specifically its choir stalls and the 17th century furnishing of the bishop’s consistory court in the south tower, which is a unique survival. The choir stalls date from about 1380. They have high, spiky, closely set canopies, with crocketed arches and spirelets. The stall ends have poppyheads and are rich with figurative carving. The stalls include 48 misericords, all but five of which are original, depicting a variety of subjects, some humorous and some grotesque. Pevsner states that they are "one of the finest sets in the country",while Alec Clifton-Taylor calls them “exquisite” and says of the misericords that “for delicacy and grace [they] surpass even those at Lincoln and Beverley”.
Stained glass
Chester suffered badly at the hands of the Parliamentary troops. In consequence, its stained glass dates mainly from the 19th century. Of the earlier Victorian firms, William Wailes is the best represented here, as well as Hardman & Co.. Glass from the High Victorian period is well represented by two leading London firms, Clayton and Bell and Heaton, Butler and Bayne. The Aesthetic style is represented by Kempe. There are also several notable modern windows, the most recent being the refectory window of 2001 by Ros Grimshaw which depicts the Creation.
Organ
In 1844, an organ by Gray & Davison of London was installed in the cathedral, replacing an instrument with parts dating back to 1626. The organ was rebuilt and enlarged by Whiteley Bros of Chester in 1876, to include harmonic flutes and reeds by Cavaillé-Coll. It was later moved to its present position at the front of the north transept. In 1910 William Hill & Son of London extensively rebuilt and revoiced the organ, replacing the Cavaillé-Coll reeds with new pipes of their own. The choir division of the organ was enlarged and moved behind the choirstalls on the south side. The instrument was again overhauled by Rushworth and Dreaper of Liverpool in 1969, when a new mechanism and some new pipework made to a design drawn up by Roger Fisher was installed. Since 1991 the organ has been in the care of David Wells of Liverpool.
Communion plate
The communion plate includes two flagons dated 1662–63, two small and two large patens dated 1662, a silver chalice dating from about 1665, a silver gilt alms dish dated 1669, a chalice spoon of 1691, two small alms dishes dated 1737, two chalices dated 1838, a small chalice dated 1897, a small paten of 1903, two candlesticks dated 1662 and two vergers' maces of 1662.
Tour of features
Nave
The west end of the nave is dominated by an eight-light window in the Perpendicular Gothic style which almost fills the upper part of the west wall. It contains stained glass designed by W. T. Carter Shapland dating from 1961 and depicts the Holy Family in the middle two lights, flanked by the northern saints Werburgh, Oswald, Aidan, Chad and Wilfrid, and Queen Ethelfleda.
The stained glass in the north aisle, dated 1890, is by Heaton, Butler and Bayne.[35] The south aisle includes three stained glass windows, dated 1992, designed and made by Alan Younger to replace windows damaged in the Second World War. They were donated by the 6th Duke of Westminster to celebrate the 900th anniversary of the cathedral.[36] The stained glass in another window in the south aisle is by William Wailes, dated 1862.The stone nave pulpit was designed by the restorer R. C. Hussey and the lectern, dated 1876, is by Skidmore.] The mosaic floor of the tower bay was designed by Dean Howson and executed by Burke and Co. The same firm installed the mosaics which decorate the wall of the north aisle, depicting the patriarchs and prophets Abraham, Moses, David and Elijah. They were designed by J. R. Clayton of Clayton and Bell, and date from 1883–86.
Monuments in the nave include those to Roger Barnston, dated 1838, by John Blayney, to Bishop Stratford, dated 1708, to Bishop Hall who died in 1668, to Edmund Entwistle, dated 1712, to John and Thomas Wainwright who died respectively in 1686 and 1720, to Robert Bickerstaff who died in 1841 by Blayney, to Dean Smith who died in 1787 by Thomas Banks, and to Sir William Mainwaring, dated 1671.
Choir stall with canopy and misericord
Choir
The most famous feature of the choir is the set of choir stalls, dating from about 1380, and described above. The lectern, in the form of a wooden eagle, symbol of John the Evangelist, dates from the first half of the 17th century. The candlesticks also date from the 17th century and are by Censore of Bologna who died in 1662.
With these exceptions, most of the decoration and the fittings of the choir date from the 19th century and are in keeping with the Gothic Revival promoted by the Oxford Society and Augustus Welby Pugin. The restored vault of the choir is typical of the period, having been designed by Scott and decorated and gilded by Clayton and Bell.
The choir is entered through a screen designed by Sir George Gilbert Scott, with gates made by Skidmore. The rood was designed by Sir Giles Gilbert Scott, and was made by F. Stuflesser. The bishop’s throne or “cathedra” was designed by George Gilbert Scott to complement the choir stalls. It was constructed by Farmer and Brindley in 1876. The reredos and the floor mosaic date from 1876, and were designed by J. R. Clayton. The east window has tracery of an elegant Decorated Gothic design which is filled with stained glass of 1884 by Heaton, Butler and Bayne.
Lady Chapel
The 13th century Lady Chapel contains the stone shrine of St Werburgh which dates from the 14th century and which used to contain her relics. The shrine, of the same pink stone as the cathedral, has a base pierced with deep niches. The upper part takes the form of a miniature chapel containing statuettes. During the dissolution of the monasteries it was dismantled. Some of the parts were found during the 1873 restoration of the cathedral and the shrine was reassembled in 1888 by Blomfield. A carving of St Werburgh by Joseph Pyrz was added in 1993. Also in the chapel are a sedilia and a piscina. The stained glass, dated 1859, is by William Wailes. The chapel contains a monument to Archdeacon Francis Wrangham, made by Hardman & Co. and dating from 1846.
North choir aisle
The north choir aisle has a stone screen by R. C. Hussey and an iron gate dated 1558 that came from Guadalajara. At the east end of the aisle is the chapel of St Werburgh which has a vault of two bays, and an east window depicting the Nativity by Michael O'Connor, dated 1857. Other stained glass windows in the north aisle are by William Wailes, by Heaton, Butler and Bayne, and by Clayton and Bell. The chapel contains as a piscina dating from the 14th century, and monuments to Bishop Graham dated 1867, and to William Bispham who died in 1685, Other monuments in the north aisle include a tablet to Bishop Jacobson, dated 1887, by Boehm to a design by Blomfield.
North transept, sacristy and chapter house
The small Norman transept has clerestory windows containing stained glass by William Wailes, dated 1853. The sacristy, of 1200, has an east window depicting St Anselm, and designed by A. K. Nicholson. In the north transept is a freestanding tombchest monument to Bishop Pearson who died in 1686, designed by Sir Arthur Blomfield and carved by Nicholas Earp, with a recumbent effigy by Matthew Noble. Other monuments in the transept include one to Samuel Peploe, dating from about 1784, by Joseph Nollekens. The wall monuments include cenotaphs to members of the Cheshire (Earl of Chester's) Yeomanry killed in the Boer War and in the First and Second World Wars. At the corner of the transept with the north aisle is a 17th-century Tree of Jesse carved in whale ivory. A niche contains a rare example of a "cobweb picture", painted on the web of a caterpillar. It depicts Mary and the Christ-Child, and is based on a painting by Lucas Cranach the Elder.
The chapter house has stained glass in its east window by Heaton, Butler and Bayne and grisaille windows in the north and south walls, dated 1882–83, by Blomfield. It contains an oak cope cupboard from the late 13th century, and houses part of the cathedral library. In the vestibule is a copy of Ranulf Higdon's Polychronicon.[46] The front of the chapter house was rebuilt to a design by Hussey.
South choir aisle
Flowing Decorated tracery and glass by Heaton, Butler and Bayne in the south transept
The south aisle was shortened in about 1870 by Scott, and given an apsidal east end, becoming the chapel of St Erasmus. The stained glass in the apse window is dated 1872 and is by Clayton and Bell. Below this is a mosaic designed by J. R. Clayton and made by Salviati, and a fresco painting by Clayton and Bell, dated 1874. Elsewhere the stained glass in the aisle is by Wailes, and by Hardman & Co. to a design by Pugin.[42] The aisle contains the tomb of Ranulf Higdon, a monk at St Werburgh's Abbey in the 12th century who wrote a major work of history entitled Polychronicon,[47] a monument to Thomas Brassey (a civil engineering contractor who died in 1870), designed by Blomfield and made by Wagmuller, a monument to Bishop Peploe who died in 1752, and three painted monuments by Randle Holme.
South transept
The south transept, formerly the parish church of St Oswald contains a piscina and sedilia in the south wall. On the east wall are four chapels, each with a reredos, two of which were designed by Sir Giles G. Scott, one by Kempe and the other by his successor, W.E. Tower. The south window is dated 1887 and was made by Heaton, Butler and Bayne to a design by R. C. Hussey. Other stained glass in the transept is by Clayton and Bell, by C. E. Kempe and by Powell. The monuments include those to George Ogden who died in 1781, by Hayward, to Anne Matthews who died in 1793, by Thomas Banks, to John Philips Buchanan who died at Waterloo in 1815, and to the first Duke of Westminster, designed by C. J. Blomfield. On the wall of the southwest crossing pier are monuments which include a cenotaph to the casualties in HMS Chester in the Battle of Jutland in 1916 who included the 16-year-old Jack Cornwell VC. The west wall of the south transept has many memorials, including cenotaphs to the Cheshire Regiment, the Royal Air Force and the Free Czech Forces.
Cloisters and refectory
The cloisters were restored in the 20th century, and the stained glass windows contain the images of some 130 saints.[26] The cloister garth contains a modern sculpture entitled The water of life by Stephen Broadbent. The refectory roof is dated 1939 and was designed by F. H. Crossley. The east window with reticulated tracery was designed by Sir Giles G. Scott and is dated 1913. The stained glass in the west window, depicting the Creation, was designed by Ros Grimshaw and installed in 2001 to celebrate the Millennium. On the refectory's west wall there is a tapestry depicting Elymas being struck with blindness which was woven at Mortlake in the 17th century from a cartoon by Raphael. The heraldic paintings on the north wall represent the arms of the Earls of Chester.
Bell tower
Towards the end of 1963 the cathedral bells, which were housed in the central tower, were in need of an overhaul and ringing was suspended. In 1965 the Dean asked George Pace, architect to York Minster, to prepare specifications for a new bell frame and for electrification of the clock and tolling mechanism. Due to structural difficulties and the cost of replacing the bells in the central tower it was advised that consideration should be given to building a detached bell and clock tower in the southeast corner of the churchyard. It was decided to proceed with that plan, and in 1969 an announcement was made that the first detached cathedral bell tower was to be erected since the building of the campanile at Chichester Cathedral in the 15th century. In February 1969, nine of the ten bells in the central tower were removed to be recast by John Taylor & Co as a ring of twelve bells with a flat sixth. The new bells were cast in 1973. Work on the new bell-tower began in February 1973. Two old bells dating from 1606 and 1626 were left in the tower. On 26 February 1975 the bells were rung for the first time to celebrate the wedding of a member of the Grosvenor family. The official opening on 25 June 1975 was performed by the Duke of Gloucester. The belfry is known as the Dean Addleshaw Tower, after the dean of the cathedral responsible for its construction. Between the bell tower and the south transept is a garden in remembrance of the Cheshire Regiment (originally the 22nd Regiment of Foot).
The choral tradition at Chester is 900 years old, dating from the foundation of the Bendedictine monastery. There are usually ten choral services at the cathedral each week. Chester has a cathedral choir of male lay clerks, boy trebles and since 1997 the cathedral has recruited a choir of girl choristers, who sing on alternate Sundays to the boys and the same number of weekday services. There is no choir school at Chester, so the choristers come from local schools. On occasions the boy and girl choristers sing together. There is also a nave choir which sings Evening Prayer on Sundays, and sometimes joins with the cathedral choir on special occasions. The nave choir was formed in the middle of the 19th century, and was England’s first voluntary cathedral choir. The director of music is Philip Rushforth and the assistant organist is Ian Roberts. There are lunchtime organ recitals weekly on Thursday.The monthly program of music is available on the cathedral's website.