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Business surveys in Latin America consistently show that skills gaps are a serious bottleneck to firm growth and competitiveness. Lack of responsiveness by providers of technical education and professional training is often blamed for this situation. What innovations are possible to improve the quality and relevance of those programs? What role should governments, employers, universities, and civil society play in shaping the approach to technical education and professional training in Latin America? What can we learn from reforms in the region and abroad? The Dialogue and CAF - Development Bank of Latin America hosted a wide-ranging full-day seminar that brought together academics, policymakers, and other experts from the Western Hemisphere to discuss the future of technical education and professional training in Latin America.
So this dog also consistently goes to the sliding glass door when it's open and stares out. "Thinking of his home planet" to quote Mike. It was so cute that I went over to pet him where he instantly took my affection as a horney come on and then did his best to try to fuck me. You can't stop him either. You have to yell at him and hit him with one of the 3, yes 3, rolled up newspapers lying around. Then he looks at you and starts barking his insanely loud bark. Oh, and one hit won't do the trick. This dog is determined to score. You have to really give it to him. He's like a brick wall! Nothing fazes him! You can optionally yell in Korea "MOM!" and he'll stop because my Aunt will come and beat the shit out of him and he knows it; I didn't find this out till the end of the trip though.
MADRID RIO
Madrid Río es un parque de la ciudad española de Madrid, consistente en una zona peatonal y de recreo construida entre los años 2006 a 2012 en los dos márgenes del río Manzanares, en buena parte sobre el trazado soterrado de la vía de circunvalación M-30,1 desde el nudo Sur hasta el enlace con la A-5. En 2016, el proyecto se hizo con el galardón Veronica Rudge Green Prize in Urban Design de la Universidad de Harvard por su diseño e impacto social y cultural en la transformación del río
Entre 2003 y 2007 se llevó a cabo la obra de soterramiento del arco oeste de la M-30 en el ámbito del río, obra que hizo posible la eliminación del tráfico en superficie y la consiguiente liberación de más de cincuenta hectáreas de terreno ocupado anteriormente por las calzadas. A esta superficie se sumaron otras casi cien hectáreas correspondientes a los diferentes suelos infrautilizados adyacentes a la autopista.
Tras la construcción de los túneles afloró una herida vacía formada por un rosario de espacios desocupados, que atesoraban la potencia latente de convertirse en nexo de unión de un corredor ambiental de casi tres mil hectáreas dentro del término municipal, que se extiende desde El Pardo hasta Getafe y que enlaza importantísimas áreas verdes de la ciudad como la Casa de Campo, el Parque de la Arganzuela o el Parque del Manzanares Sur.
Por tanto, los beneficios obtenidos al enterrar la antigua autopista, obviamente, no han quedado reducidos a la mejora de ciertos aspectos de la movilidad urbana, ni siquiera a la rehabilitación local de los barrios, sino que pueden adquirir en un futuro próximo, una dimensión de gran escala que necesariamente deberá repercutir en las relaciones entre la ciudad y el territorio, entendidas en su mayor alcance. La enorme trascendencia para la ciudad de los espacios liberados como consecuencia del soterramiento de la M-30, llevó al Ayuntamiento de Madrid a convocar un Concurso Internacional de Ideas para concebir y proyectar los nuevos espacios libres en el entorno del río. El concurso lo ganó el equipo de arquitectos dirigido por Ginés Garrido y formado por Burgos & Garrido Arquitectos, Porras & La Casta y Rubio & Álvarez-Sala y West8, con la solución para la construcción de un parque urbano de más de ciento veinte hectáreas, que ocupa la superficie liberada por el soterramiento de la autopista. Los inicios del proyecto pasaron por el intento de comprender en su totalidad las cualidades geográficas de la cuenca fluvial. Las características del territorio y la diversidad de sus elementos naturales constituyen un conjunto de claves que han sustentado muchas de las ideas contenidas en el proyecto.
Sumariamente, la estrategia del éste se basa en la convicción de que, a través del río es posible conectar la ciudad, expresión máxima de la acción artificial, con los territorios del norte y el sur de Madrid, en los que aún perviven los elementos naturales propios de la cuenca fluvial. El río se convierte en puerta o enlace entre interior urbano y exterior territorial y, a través de sus márgenes, se establece la continuidad y la permeabilidad, hasta hoy aniquiladas por los sucesivos anillos concéntricos, hollados por los cinturones viarios, M-30, M-40, M-45, M-50 …, que fueron el resultado de aplicar a la red circulatoria los modelos de movilidad propios de mediados del siglo XX.
El proyecto se ha concebido en sucesivas aproximaciones o escalas a partir de las que se ha aplicado la reflexión sobre el campo de juego, obteniendo respuestas o soluciones diversas, desde el ámbito territorial o estratégico al local o específico.
En la escala territorial se han establecido los parámetros de partida para que, en el medio plazo, sea posible la regeneración de las márgenes del río en toda su longitud, como verdaderas áreas de integración entre el paisaje y la actividad humana, bajo un entendimiento contemporáneo capaz de superar el antagonismo implícito en el binomio urbano-rural.
En la escala metropolitana, a través del proyecto y de su concepción como gran infraestructura, se lleva a cabo la incorporación del corredor que se extiende sobre los bordes fluviales a su paso por la ciudad como parte del GR 124 (Gran Recorrido de la Red de Senderos Europeos) que ya, en 2011 se podrá transitar en toda su extensión, desde Manzanares el Real hasta Aranjuez.
En la escala urbana, el proyecto incorpora el río como doble línea de fachada inédita y configura un conjunto enlazado de espacios verdes que se infiltra en la ciudad; establece en la superficie un nuevo sistema de movilidad y accesibilidad; incrementa la integración y calidad urbana de los barrios limítrofes al río; protege y revaloriza el patrimonio histórico y detecta áreas de oportunidad que, sobre este ámbito de nueva centralidad, serán capaces de generar un cambio potencial del conjunto de la ciudad en el largo plazo.
En la escala local, la propuesta se ejecuta como una operación radicalmente artificial, materializada sin embargo con instrumentos eminentemente naturales. No se debe olvidar que se actúa mayoritariamente sobre una infraestructura bajo tierra. El proyecto se implanta sobre un túnel o, más bien, sobre la cubierta de un conjunto complejísimo de instalaciones al servicio del viario enterrado. Un edificio de hormigón de más de seis kilómetros de longitud, con enormes y determinantes servidumbres y con una topografía cuya lógica obedece exclusivamente a la construcción de la infraestructura, que emerge inopinadamente sobre el suelo y con la que ha sido necesario negociar. Sobre esta edificación subterránea, la solución adoptada se ha basado en el uso de la vegetación como principal material de construcción. El proyecto establece como estrategia general la idea de implantar una densa capa vegetal, de carácter casi forestal, allá donde sea posible, es decir, fabricar un paisaje con materia viva, sobre un sustrato subterráneo inerte, modificado y excavado para el automóvil, sobre una construcción que expresa por sí misma el artificio máximo.
Las familias, formas y asociaciones de especies vegetales seleccionadas provienen de la extrapolación del estudio de la cuenca del río y su adaptación, en cada caso, al medio urbano específico. La ordenación de los distintos entornos y su caracterización como lugares de uso público se ha producido teniendo en cuenta, por un lado, las funciones requeridas y las necesidades detectadas en cada distrito y por otro, la capacidad de conformar espacios habitables, inherente a los conjuntos organizados de vegetación de distinto porte.
La solución se concreta en tres unidades de paisaje principales. Primero, el Salón de Pinos, o corredor verde que discurre por la margen derecha del río. Es la estructura que permite la continuidad de los recorridos y reacciona en su encuentro con los puentes existentes dando lugar a distintos tipos de jardines de ribera (Jardines bajos de Puente de Segovia, Jardines del Puente de San Isidro, Jardines del Puente de Toledo y Jardines del Puente de Praga). Segundo, el enlace definitivo del centro histórico (representado por la imagen imponente del Palacio Real y la cornisa elevada de la ciudad), con la Casa de Campo, parque de más de mil setecientas hectáreas. En este entorno se incluyen la Avenida de Portugal, la Huerta de la Partida, la Explanada del Rey y los Jardines de la Virgen del Puerto. Tercero, la ancha franja sobre la ribera izquierda donde se sitúa el conjunto del Parque de la Arganzuela que incluye el centro de creación de arte contemporáneo de Matadero, y que representa la mayor superficie de espacio verde unitario de la propuesta.
Además de estas tres grandes operaciones paisajísticas coherentes entre sí, el proyecto propone ciento cincuenta intervenciones de diferente carácter, entre las que destaca el sistema puentes que dotan de un inédito grado de permeabilidad al cauce. Se han desarrollado soluciones sobre más de veinte puentes o pasarelas sobre el río, rehabilitando las siete presas, reciclando algunos puentes existentes y creando nuevos pasos, unas veces con un lenguaje silencioso y otras, intencionadamente expresivo. Como en una acción microquirúrgica el proyecto incorpora, eslabón por eslabón, una cadena de fórmulas de integración del río en la ciudad y de la ciudad en el río. Son elementos que garantizarán el contagio de los nuevos valores de las orillas regeneradas sobre los ámbitos y barrios cercanos. Con este efecto de resonancia, se prevé una sucesión de operaciones que aseguren una renovación de gran alcance. Desde ahora y de manera irreversible, se está fraguando una radical metamorfosis, sin precedentes para la ciudad de Madrid.
La superestructura lineal del Salón de Pinos es el elemento que organiza la continuidad de recorridos a lo largo de la ribera derecha del río. Está construida sobre los túneles en su práctica totalidad y tiene un ancho medio de treinta metros. Sobre la losa de hormigón que cubre el paso de los automóviles se han plantado más de 9.000 unidades de diferentes especies de pinos, de diversos tamaños, formas y agrupaciones con un marco de plantación forestal. Los ejemplares han sido seleccionados fundamentalmente en campos en los que hubiese posibilidad de extraer plantas con morfologías naturales (troncos no lineales, troncos dobles, troncos inclinados, etc.) De este modo se obtiene una prolongación controlada de los pinares de la sierra situada al norte de Madrid que parecen extenderse hasta el confín de la ciudad. Estos árboles han sido anclados a la losa de los túneles mediante cables de acero y bridas biodegradables, para potenciar su estabilidad y el crecimiento de sus raíces en horizontal sobre el paquete de tierras disponible. No obstante, este paseo se encuentra frecuentemente con estructuras de gran valor urbano o patrimonial.
Dos ejemplos simbólicos de esta intersección son los puentes históricos de Segovia (1582) y de Toledo (1732). En estos enclaves el salón reacciona como espacio de estancia, ampliando sus límites y ofreciendo un diseño específico, con árboles de ribera de hoja caduca y alineaciones de setos y bancos de piedra. Las actividades integradas en el salón se incorporan con un lenguaje coherente con su carácter forestal. Un claro ejemplo de este procedimiento lo forma el conjunto de áreas de juegos infantiles, diseñado específicamente como un sistema completo de formas naturales.
Jardines del Puente de Segovia
El puente de Segovia está declarado Bien de Interés Cultural. Fue construido a finales del siglo XVI por el arquitecto Juan de Herrera, por encargo de Felipe II. El proyecto de ajardinamiento de su entorno conforma una excepción en el ámbito del Salón de Pinos, constituyendo un ensanchamiento de éste y ofreciendo un modo diferente de aproximación al río. Los jardines se ordenan mediante una serie de líneas de traza orgánica que modelan sucesivas terrazas que descienden hacia el río. Estas líneas están construidas con unas piezas de granito de gran formato que sirven también de bancos. Entre ellos se extiende una superficie de hierba de bajo consumo hídrico arbolada con diferentes especies de árboles frondosos de ribera de la familia de los populus. En las inmediaciones de la fábrica almohadillada del puente se han construido dos estanques de agua limpia sobre los cuales, por un lado alza una fuente monumental de 16 chorros con forma de ciprés y por otro se extiende un pequeño jardín de lirios acuáticos. Los estanques son accesibles mediante unas gradas de piedra que se acercan a ellos hasta sumergirse.
Jardines del Puente de Toledo
Los jardines del Puente de Toledo constituyen una de las áreas más significativas del Proyecto Madrid Río, ya que se están situados en un enclave de excepcional importancia en el que el Salón de Pinos se encuentra con uno de los puentes monumentales de Madrid, el puente de Toledo, construido entre 1718 y 1732. El proyecto aprovecha dicho monumento en un doble sentido: Por un lado se compone un espacio concebido para ser visto desde lo alto del puente que se convierte así en un mirador privilegiado. De este modo los jardines ofrecen una nueva e inédita panorámica de Madrid ya que sus trazados dibujan un enorme tatuaje que se extiende como una alfombra sobre la superficie, reproduciendo un motivo figurativo vegetal. Por otro lado, los jardines incorporan el Puente de Toledo, que es una estructura barroca diseñada por el arquitecto Pedro de Ribera, como un objeto al que admirar, al que tocar y bajo el que pasar. La disposición de los setos está organizada de modo que conforma una serie de líneas que toman como referencia los jardines barrocos de la época borbónica, aunque están trazadas con un lenguaje contemporáneo. Asimismo en este punto se ha construido un graderío que permite la máxima aproximación a la lámina de agua del río, y la mejor contemplación de los arcos del antiguo puente.
Segunda unidad de paisaje: La Escena Monumental
La vinculación del centro histórico y el barrio de La Latina con la Casa de Campo ha estado vedada a los peatones de forma secular. El nuevo contacto, que ya es posible por la desaparición de los automóviles bajo tierra, ha sido resuelto con diversas intervenciones que asumen el carácter monumental y panorámico de esta zona, en la que el zócalo elevado del Palacio Real (germen primigenio del nacimiento de la ciudad) contacta con el río. Se han propuesto diferentes soluciones afrontando con extremada atención el contexto en el que se sitúan: La “Explanada del Rey”, explanada abierta pavimentada con un gran patrón figurativo y que sirve de gran atrio ante la Casa de Campo. La huerta de la partida, que es un recinto cerrado en el que se han plantado diferentes retículas de árboles frutales (perales, manzanos, moreras, granados, higueras, nogales, avellanos, etc) acoge un extraordinario mirador de la cornisa. La avenida de Portugal, convertida en un bulevar pavimentado por calceteiros portugueses y poblado por cuatro especies de cerezos (Prunus avium, P. avium ‘Plena’, P.yedoensis y P.padus ‘Watereii’ ) permite la contemplación de una espectacular floración que se alarga más de un mes en primavera. Por último, los jardines de La Virgen del Puerto, en la otra margen del río, estructurados mediante la disposición de parterres orientados según los ejes de los principales acontecimientos urbanos del área: el puente de Segovia, el puente del Rey, la avenida de Portugal y la puerta del Rey que ha sido restaurada y resituada según los datos disponibles en la cartografía histórica de Madrid.
Plataforma del Rey
En el acceso monumental que enlaza el centro histórico de Madrid con la Casa de Campo, antiguo cazadero real, destaca la Explanada o Plataforma del Rey, que es un espacio abierto de una superficie aproximada de 14.000 m2 y un frente paralelo al río de poco menos de 250 m. El destino de este espacio es el de formar un escenario capaz de acoger diferentes manifestaciones cívicas (conciertos, celebraciones oficiales, actividades culturales, etc.) en un entorno de extraordinaria calidad ambiental, que permite contemplar la Cornisa Histórica de la Ciudad. Este lugar está conectado con el Salón de Pinos y forma parte de él, aunque por exigencias de su uso, sea un área casi desprovista de arbolado. En ella el principal elemento organizador es el pavimento que, de forma muy suave, se adapta a una topografía que integra todas las emergencias de los túneles hasta hacerlas imperceptibles. En este pavimento las pequeñas piezas de granito y basalto forman un patrón que desciende desde la Avenida de Portugal y se esparce sobre la superficie del suelo a una escala en aumento progresivo. Dicho patrón vincula la plataforma con el pavimento proyectado en la avenida. De este modo la Plataforma es un elemento que liga de manera natural importantes piezas del escenario monumental que se produce en este punto, como son el Puente del Rey, la Casa de Campo, la Avenida de Portugal y el Salón de Pinos.
Huerta de la Partida
Se trata de un espacio recuperado que en las pasadas décadas se dedicó a albergar uno de los principales nudos de la autopista. La propuesta de regeneración de este lugar incluye varias operaciones: En primer lugar la construcción de una tapia, a veces opaca, a veces permeable que constituye un cierre que confiere al recinto el carácter de huerto cerrado. En segundo lugar, el modelado artificial del terreno, regularizando su superficie y tallando un único plano inclinado de suave pendiente que se desliza hacia el río. En tercer lugar la plantación de diferentes agrupaciones de árboles frutales (granados, moreras, manzanos, perales, avellanos, almendros, higueras, olivos y nogales) que se incorporan en el entorno describiendo cuadrantes reticulados con sutiles variaciones de orientación. Por último, se ha proyectado una ría húmeda que describe la trayectoria del Arroyo Meaques, actualmente entubado y oculto. Este proyecto ha sido fruto del estudio minucioso de la historia del lugar, ya que en el pasado, cuando Felipe II adquirió esta finca después de establecer la capitalidad de Madrid, en esta posición se plantaron algunas huertas que producían el alimento necesario para los trabajadores de la Casa de Campo.
Tercera unidad de paisaje: La Ribera del Agua. Arganzuela y Matadero
En la margen izquierda del cauce la ciudad se separa del río. El ejemplo más importante de la propuesta en esta orilla es el nuevo Parque de la Arganzuela, construido sobre antiguas dehesas de pasto de uso comunal. En este entorno se construyó el Matadero Municipal, notable ejemplo de arquitectura posindustrial de la segunda década del siglo XX. Con el soterramiento de la autopista, Madrid dispone ahora en este punto de 33 hectáreas de espacios libres que forman el mayor parque del proyecto. Éste se ha concebido como un gran espacio en el que el río se ha retirado dejando su huella ancestral. Está organizado con diferentes líneas que se entrecruzan, como surcos por los que pasó el agua, dejando entre sí espacios para distintos usos. Estas líneas, de carácter marcadamente longitudinal, son los caminos de distinta especie que recorren el espacio de norte a sur.
Paseo junto al matadero
Un camino más plano y ancho (el Camino Rápido), otro más sinuoso y de pendiente variable (el Camino Lento) y una franja empedrada de márgenes frondosos (el Arroyo Seco), que vertebra el centro del parque. La construcción del espacio se plantea como una gran arboleda que contiene varios paisajes, algunos más naturales y otros más construidos, configurados por una variación de especies, alturas, densidades y texturas. De este modo el parque, concebido como un retazo de la cuenca del río, incorpora tres áreas botánicas: bosque mediterráneo, bosque atlántico y fronda de ribera. El carácter de estos paisajes interiores está relacionado con los trazados longitudinales del parque, con árboles que siguen los caminos y las sendas, con sotos y bosques que emergen sobre la topografía. La textura boscosa se intercala con las superficies plantadas de aromáticas entre los caminos y el Arroyo Seco. Siguiendo la orilla izquierda del río, se dispone una franja húmeda y verde, con una pradera de césped que se inclina hacia el agua. Una constelación de fuentes ornamentales y un conjunto de tres láminas elípticas de agua pura introducen este elemento como materia narrativa que relaciona las distintas asociaciones de vegetación. Cada fuente presenta un distinto juego sonoro y visual y se rodea de pequeñas laderas plantadas de frutales que remiten a la imagen de los jardines de las leyendas o del Paraíso. Las líneas entrelazadas que estructuran el parque permiten la formación de recintos en los que se han situado importantes instalaciones para el recreo al servicio de los usuarios de todas las edades. En él se incluye un campo de fútbol , dos pistas de patinaje y tres importantes conjuntos de juegos infantiles. El parque así mismo incorpora el conjunto dedicado a la creación de arte contemporáneo de Matadero, como una gran dotación cultural que vive dentro de él. A través de los caminos se accede a las naves del antiguo complejo, cuya rehabilitación está a punto de finalizar. El diseño de los trazados permite entender la relación entre Matadero y el parque como un continuo entre el río y la ciudad.
El sistema de puentes sobre el río
La implantación de puentes sobre el Manzanares se lleva a cabo como una estrategia global, es decir, como un conjunto en que cada elemento resuelve problemas puntuales detectados en el entorno próximo, pero también forma parte a su vez de un sistema integral de conectividad transversal de acuerdo con la relación entre la ciudad y el río. Las unidades de este conjunto son de diferente carácter: puentes y presas rehabilitados o reciclados, puentes rodados existentes acondicionados al nuevo sistema de tráfico ciclista y peatonal, puentes singulares que constituyen hitos en el recorrido del río, pasarelas funcionales situadas en los nodos de máximo tránsito transversal y puentes de grandes luces que enlazan los recorridos del parque con los territorios exteriores a la ciudad al norte y al sur, haciendo realidad la principal aspiración territorial del proyecto.
Entre los puentes existentes destaca la operación llevada a cabo con las siete presas que han sido convertidas en pasarelas peatonales a través de su restauración integral y la incorporación de un tablero de madera accesible. En segundo lugar dentro de esta serie, se debe destacar el reciclaje del puente rodado de la M-30 que cruzaba el río al sur del Puente de Segovia, reconvertido en un puente peatonal y ciclista que incorpora un talud plantado con pinos. Entre los puentes singulares cabe mencionar el puente con forma de Y construido con cajones de perfiles metálicos, que evoca el lenguaje de los puentes ferroviarios del s. XIX colgados sobre los desfiladeros forestales y los puentes gemelos de hormigón que se dan acceso al complejo Matadero, proyectados como elementos de paso capaces también de configurar un espacio al que se ingresa, como pabellones que gravitan sobre el río, pero que verdaderamente pertenecen al parque.
Pasarela de Almuñécar
Fabricada de una sola pieza con fibra de carbono, para salvar una luz de algo más de 40 metros. Se sitúa sobre el único tramo del cauce que carece de cajero de hormigón. Su diseño final responde a las capacidades del material con que está fabricada, extremadamente ligero y resistente.
Restauración de Presas
Las siete presas que regulan el río a su paso de la ciudad han sido restauradas y puestas al servicio del nuevo sistema de pasos transversales. Sus mecanismos y exclusas han sido reparados y se les ha incorporado un tablero accesible de madera y una escala de peces para favorecer la continuidad de la fauna subacuática a lo largo del río.
Puente Oblicuo
Esta estructura viaria coetánea de la M-30 se ha reciclado para incorporarla al Salón de Pinos como un paso privilegiado a través del cual los peatones, los ciclistas y los árboles pasan de una a otra orilla. La losa aligerada que componía el tablero de hormigón postesado se cortó y apeó reforzándose para soportar las cargas debidas a su nuevo uso.
Puente del Principado de Andorra
Es uno de los nuevos puentes singulares del proyecto. Está construido por jaulas de perfiles abiertos, de expresividad algo arcaica, que toma como referencia las estructuras ferroviarias sobre los desfiladeros boscosos que se construyeron en Europa y Estados Unidos a finales de siglo XIX. Antes conocido como Puente Y, en julio de 2011 se le cambió de nombre al actual de Principado de Andorra, para agradecer al gobierno de Andorra la construcción del Puente de Madrid en Andorra la Vieja. Se escogió este puente para nombrarlo como Principado de Andorra porque representa también la geografía de Andorra: el país pirenaico está formado por dos valles, el del Valira del Norte y el del Valira de Oriente, los cuales confluyen en Escaldes-Engordany y se convierten en uno solo, de nombre Gran Valira. Esta disposición de los valles y sus ríos es similar a una Y.
Puentes Cáscara
Son dos puentes gemelos construidos con una lámina de 15 cm de hormigón autonivelante que forma una superficie con doble curvatura, de la que cuelga el tablero. Se conciben como dos pabellones a los que acceder para cruzar el río. Su bóveda se ha ornamentado con un mosaico creado por el artista Daniel Canogar.
Pasarela de la Princesa
El canto necesario para el funcionamiento de la pasarela se incorpora en las barandillas que en realidad conforman una pareja de vigas de alma llena y rigidizadores verticales. El lenguaje de la pasarela es intencionadamente sobrio.
In industrial work, we want to manage work for consistent, repeatable, predictable results. So industrial goals are best when they are specific and quantifiable.
But in knowledge work we need to manage for creativity -- in effect, we don't want predictability so much as breakthrough ideas, which are inherently unpredictable. For knowledge work we need our goals to be fuzzy.
A fuzzy goal straddles the space between two contradictory criteria: At one end of the spectrum is the clear, specific, quantifiable goal, such as 1,000 units or $1,000. At the other end is the goal that is so vague as to be, in practice, impossible to achieve; for example, peace on earth or a theory of everything. While these kinds of goals may be noble, and even theoretically achievable, they lack sufficient definition to focus the creative activity.
What is the optimal level of fuzziness? To define a fuzzy goal you need a certain amount of ESP: Fuzzy goals are Emotional, Sensory and Progressive.
Emotional: Fuzzy goals need to be aligned with people’s passion and energy for achieving them. It’s this passion and energy that gives creative projects their momentum, therefore fuzzy goals must have a compelling emotional component.
Sensory: The more tangible you can make a goal, the easier it is to share it with others. Sketches and crude physical models help to bring form to ideas that might otherwise be too vague to grasp. You may be able to visualize the goal itself, or you may be able to visualize an effect of the goal, such as a customer experience. Either way, before a goal can be shared it needs to be made explicit in some way.
Progressive: Fuzzy goals are not static; they change over time. This is because, when you begin to move toward a fuzzy goal, you don’t know what you don’t know. The process of moving toward the goal is also a learning process, sometimes called successive approximation. Fuzzy goals must be adjusted based on what you learn as you go.
I would appreciate your comments.
The Assembly Hall was a consistent feature of every K-12 school I went to. The gym in my picture probably is not such a place, but it suggests one.
To see the 3-D, use red/cyan glasses.
To read the QR code in the picture, use your smart phone and a scanner app. To find out more about QR codes, go to www.fredtruck.com, choose the Articles menu item, and select the Seals option.
To find out how I make these 3-D conversions, go to www.fredtruck.com, choose the Articles menu item and choose the Chromobinocular Method option.
Known for its consistent river mouth surf break, Sayulita was "discovered" by roving surfers in the late 1960s with the construction of Mexican Highway 200. Today, Sayulita is a prosperous growing village of approximately 5,000 residents. Hailed as a popular off-the-beaten-path travel destination, Sayulita offers a variety of activities such as horseback riding, hiking, jungle canopy tours, snorkeling and fishing.
Che consistenza strana la lana!
Che paura di sforbiciare la pelle!
Sempre bello il contatto con l'animale abituato a vivere di istinto: c'è uno scambio di sensazioni tra lui e l'uomo che si percepiscono a vicenda. Quando sforbiciavo io non si sentiva per nulla in buone mani, e me lo faceva capire bene!! =)
Però son stata brava! =P
Un sentito grazie a Giampietro per l'ospitalità e per la curiosa esperienza =) .
Tosatura delle pecore, all'Ovile Carta (Supramonte Baunei, Sardegna).
Riyaz Shaikh is an Indian professional athlete, promoter, trainer, model, dancer, brand ambassador and one of the the top 5 consistent performers in IHFF Olympia and Sheru Classic. When his diligence commenced to captivate fame, he was offered to be the brand ambassador of many lifestyle grooming, clothing, and sports supplement companies.
Early Life
Every great achievement starts with a dream and a hyper active approach to conquer it. As a child, Mr. Riyaz Shaikh loved the sport of cricket, and other outdoor activities, while giving equal attention to his studies. His passion and zest for rigorous pursuits made him a thin and tanned kid. But these are the trophies of hard work. His dynamic agility also made him a subject to saddening social horrors like bullying, colorism, body shaming, etc. Because of such constant mocks, he was on the brink of turning into an upset and underconfident child. But whatever doesn’t stop us, just makes us stronger. Through television, he started gaining new perceptions about athletes and their work. He acquired an unbendable aspiration, and an enthusiasm to be known for his triumphs. After he passed his 12th standard, he joined a gymnasium and started training, and health dieting. With consistent efforts and discipline, he gained a competent amount of muscles with the flexibility of an athlete.
Career
Fueled by the inspiration of becoming like his idols, Riyaz Shaikh joined acting classes, en route to a modeling career. As his career began to take off through a few shows, he realized that his ambition has been misplaced from being an athlete to a model and an actor. His ultimate goal has always been athletics. So, he quit acting and started competing on some of the most famous and laudable international athletic platforms such as Sheru Classic, where he ranked 4th in the year 2019, and International Health, Sports, & Fitness Festival Olympia (IHFF), where he ranked 5th in both the years 2018 and 2019.
He gathered recognition through his commendable work and was offered the position of a brand ambassador at Spartan Sports Sciences Supplements, one of the leading sport nutrition supplement company of India. Currently, he works for various top-notch offline and online brands like Amazon, Flipkart, etc. His recent collaborations include a men’s lifestyle & grooming product brand known as ‘CHACHA LIFESTYLES’.
His esteemed accomplishments earned him the stature to inaugurate sundry shops and gyms. And today, he stands firm as an international athlete who receives modeling offers from around the world.
With his wisdom, acquirements, and prominence, he has set his foot on a journey elevate the lives of countless others by training them, guiding them towards a healthier & fitter life, and exhilarate them about themselves because Riyaz Shaikh believes that at the end of the day what really matters is our self and that we should not criticize ourselves by the outlook & hypothesis of the others. Throughout his life, he has been consistent in following his passion for fitness and sports.
Personal Life
Mr. Riyaz graduated with the Bachelor of Commerce degree, a three-year undergraduate course. To begin his career as an actor, he attended Asha K Chandra Institute of Acting in Mumbai, Maharashtra. He retains a wide range of interests and hobbies like dancing, working out, traveling, cooking, sports, etc. He spent a lot of his childhood playing cricket. Also, has a proclivity for foods like pancakes, waffles, seafood dishes, and Baklava in sweets. Mr. Riyaz says that he is deeply obliged to the people who supported him in his initial stage, and to the people who still support and love him.
TIDE POOLIN'
Leo Carrillo beach in Malibu is consistently one of my favorite places to visit and photograph. I just love climbing around the rocks and investigating the tide pool. There are several ways to get there, but I usually take the 101 North to Malibu Canyon, head south over to Pacific Coast Highway, then West (a right turn) on PCH approximately 25 miles until you hit Leo Carrillo. From the Valley to Leo it's about a 45 minute to hour drive each way. The tide pool is just in front of the #3 lifeguard tower (and incidentally, dogs are allowed on leash from this tower and continuing west up the beach). I just google low tide Malibu to find out the best time to go there and check out the tide pool. Usually there's a several hour window about an hour before to an hour after low tide that's good. If you go after that, the waves usually are just hitting the rocks too hard and it can be dangerous to stand there. I always see tons of starfish (many different colors including orange, light blue, and purple), sea anemones (they are really fun to touch), mussels, crabs (little teeny black ones and bigger red ones), and even little fish swimming in the watery crags and crevices of the tide pool rocks. And I've spotted dolphins and whales from this beach. After an outing at Leo Carrillo, I always stop at this little food shack called Malibu Seafood, located just before you find yourself back at Malibu Canyon. It's totally no frills - you order food inside, wait for your number to be called, and find an open bench to sit down. My fave meals there are swordfish with rice pilaf and salad (the ranch is really good), fish and chips, clam chowder, or a pot of steamed clams in a nice broth.
Leo Carrillo State Park / Malibu photos by Lydia Marcus
As seen on my blog: fotonomous.blogspot.com/2008/08/tide-poolin.html
Copsa Mica, May 26, 2008
Copsa Mica is probably Romania's most polluted town. A plant producing carbon black (for dyes) was established here in 1936 and consistently left everything - plants, laundry, people - covered in soot until it was finally closed in 1993; white snow was seen in 1994 for the first time in sixty years.
The other industrial plant here, the SOMETRA lead smelter, is more deadly; for thirty years it has been spraying a cocktail of twenty heavy metals over the surrounding area (and up to 50km away). Production has dropped by a third since 1990 - which has helped to reduce emissions, but has left five thousand men unemployed. Millions of dollars have been spent on filters and pollution control, dust levels have halved, and other types of pollution are now just one or two percent of previous levels.
Today the laundry can dry in the open without getting black in no time. Many houses are freshly painted. Even so it will be a long time before local people can safely eat the vegetables from their garden, before their health returns to normal - currently life expectancy is nine years below the national average and instances of tuberculosis and other lung diseases are two or three times higher than normal.
More information:
Joel Parkinson Leads ASP Top Stars in Assault on Rip Curl Pro Bells Beach Round 1
BELLS BEACH, Victoria/Australia (Wednesday, April 20, 2011) – Today marks the commencement of the 50th Anniversary of competition surfing at Bells Beach as Round 1 of the 2011 Rip Curl Pro Bells presented by Ford Ranger got underway in clean four-to-six foot (1.5 - 2 metre) surf.
The Rip Curl Pro Bells Beach, the second stop on the 2011 ASP World Title season, enjoyed consistent surf throughout the day as the world’s best surfers unleashed a barrage of high-performance ripping on the classic canvas of Bells Beach.
Joel Parkinson (AUS), 30, 2009 Rip Curl Pro Bells Beach Champion put in a sensational performance this afternoon, electing to sit up at Rincon to secure the day’s highest scores.. Parkinson locked in the highest wave score and the highest heat score of the opening day of competition scoring 17.74 (out of a possible 20.00) to advance directly through to Round 3 of competition.
"I fell off twice on the bowl," Parkinson said. "It was really hard to ride. Then CJ (Hobgood) went across to Rincon and got a score, so we followed him over and it worked out for me. It's great to get that opening heat win, especially at Bells. You never know what conditions you're going to get in a heat, so to be able to skip round two and maybe get a day off is a huge advantage."
Kelly Slater (USA), 39, reigning 10-time ASP World Champion and defending event winner, was clinical in his attack in his Round 1 heat. Slater had his fellow competitors Adam Robertson (AUS), 28, and Kai Otton (AUS), 31, on the ropes only minutes into the heat, scoring an impressive 16.00 (out of a possible 20.00) on his opening two rides.
"I don't free surf out at Bells a whole lot," Slater said. "When the waves are good the comp is on and outside of that it's pretty crowded. So I'm still learning with each heat out there still, surfing against a guy like Robbo (Adam Robertson) you've got to watch where he's sitting, how far our and how deep."
Mick Fanning (AUS), 29, currently equal 13th in the hunt for the 2011 ASP World Title, went into today’s competition with renewed vigor after a shock early exit at the last event on the Gold Coast. The past two-time ASP World Champion came out and dominated his Round 1 battle over Tiago Pires (PRT), 31, and Gabriel Medina (BRA), 17.
"I'm stoked to get a good start," Fanning said. "It's been 10 years since I won here as I wildcard, I got close last year but Kelly Slater got me in the final. You want to win every event, but being the 50th Anniversary and so much history at this event, it's like the Wimbeldon of surfing, it's a hard one to win but it's the one everyone wants."
Alejo Muniz (BRA), 21, led today’s rookie charge, continuing his sensational run after the and equal 5th on the Gold Coast, and dispatching of fellow Brazilian Ranoi Monterio (BRA), 28, and Australian Adrian Buchan (AUS), 28 in this morning’s opening round heat.
"It's so good out there!" Muniz said. "This is my first time surfing at Bells and it's the most amazing place. It's got perfect rights, and it's the kind of wave that I love to surf. It's the best place ever, best waves, best weather and I love surfing in wetsuits."
Jeremy Flores (FRA), 22, bounced back after missing the Quiksilver Pro Gold Coast with a knee injury, to score a comprehensive win over Taylor Knox (USA), 39, and Cory Lopez (USA), 34.
"I wasn't very confident before the heat," Flores said. "But I got that first wave and did a big turn at the end and got a good score. I think that's what you need to do these days, finish the wave strong. My knee still isn't 100%, but I went for it and it's good to win. Big thanks to everyone at the Gold Coast Suns Football Club for helping with my knee, it's feeling much better now."
Stu Kennedy (AUS), 21, scored a last minute wildcard into the event and caused the upset of the day, eliminating 2010 ASP World Title runner-up Jordy Smith (ZAF), 23, and Dusty Payne (HAW), 22.
"I've been coming here for years," Kennedy said. "I won a Pro Junior here in 2008 and I know where to sit. I don't think Dusty and Jordy know the break as well as I do so that helps. I've been up since 3am because I'm jet-lagged from coming home from Scotland. I woke up with a bunch of energy it's my shaper's birthday so I woke him up at 5am to go surfing. I had to win my heat for him for his birthday."
When men’s competition resumes, up first will be 2010 ASP World Runner-Up Jordy Smith (ZAF), 23, up against Trials Winner Adam Robertson (AUS), 28, in the opening heat of Round 2.
Following the completion of the men’s Round 1 today, the ASP Top 17 hit the water for Round 1 of the Rip Curl Women’s Pro Bells Beach presented by Ford Fiesta.
Stephanie Gilmore (AUS), 23, reigning four-time ASP Women’s World Champion and defending three-time Rip Curl Women’s Bells Beach winner, returned to her winning ways today, after bowing out early at the last event, the Roxy Pro Gold Coast.
"My first two years on tour I didn't have great results on the Gold Coast," Gilmore said. "I always bounced back at this event and then finished the year well, so hopefully I'll do that again this year. The Gold Coast was a fine showing of what women's surfing is up to now and everyone has to try and keep up. It really pushes me and I think anyone who wins an event from now on will be a very deserving winner because of that fact."
Pauline Ado (FRA), 19, the French rookie caused the upset of the women's event, defeating current ASP World Title front runner Carissa Moore (HAW), 18, in a nail biter of a heat.
"I'm really happy, I had a lot of fun out there," Ado said "I got one of my good waves in the first few seconds so after that I felt confident and knew I could be more selective and wait for the right wave. A heat against Carissa is always a tough one, so I'm really stoked to win."
When women’s competition resumes, up first will be Paige Hareb (NZL) and Jessi Miley-Dyer (AUS) in the opening heat of Round 2.
Event organizers will reconvene tomorrow morning at 7am to assess conditions for a possible 7:30am start.
Highlights from the Rip Curl Pro Bells Beach presented by FORD will be webcast available via www.live.ripcurl.com and broadcast live on Fuel TV in Australia and ESPN in Brazil.
For more information, log onto www.aspworldtour.com
RIP CURL PRO BELLS BEACH ROUND 1 RESULTS:
Heat 1: Alejo Muniz (BRA) 13.23, Adrian Buchan (AUS) 11.26, Raoni Monteiro (BRA) 7.37
Heat 2: Adam Melling (AUS) 14.50, Josh Kerr (AUS) 12.30, Taj Burrow (AUS) 11.00
Heat 3: Heitor Alves (BRA) 14.36, Bobby Martinez (USA) 14.14, Owen Wright (AUS) 10.60
Heat 4: Mick Fanning (AUS) 15.60, Tiago Pires (PRT) 11.07, Gabriel Medina (BRA) 9.27
Heat 5: Stu Kennedy (AUS) 11.70, Dusty Payne (HAW) 10.50, Jordy Smith (ZAF) 9.00
Heat 6: Kelly Slater (USA) 16.00, Kai Otton (AUS) 10.13, Adam Robertson (AUS) 8.53
Heat 7: Jeremy Flores (FRA) 13.17, Cory Lopez (USA) 5.83, Taylor Knox (USA) 4.67
Heat 8: Michel Bourez (PYF) 12.60, Kieren Perrow (AUS) 10.20, Gabe Kling (USA) 3.50
Heat 9: Matt Wilkinson (AUS) 14.60, Damien Hobgood (USA) 11.23, Daniel Ross (AUS) 11.07
Heat 10: Joel Parkinson (AUS) 17.74, C.J. Hobgood (USA) 11.44, Bede Durbidge (AUS) 8.17
Heat 11: Adriano de Souza (BRA) 14.60, Chris Davidson (AUS) 10.83, Julian Wilson (AUS) 9.83
Heat 12: Patrick Gudauskas (USA) 13.40, Jadson Andre (BRA) 9.43, Brett Simpson (USA) 8.93
RIP CURL PRO BELLS BEACH ROUND 2 MATCH-UPS:
Heat 1: Jordy Smith (ZAF) vs. Adam Robertson (AUS)
Heat 2: Owen Wright (AUS) vs. Gabriel Medina (BRA)
Heat 3: Taj Burrow (AUS) vs. Bobby Martinez (USA)
Heat 4: Adrian Buchan (AUS) vs. Josh Kerr (AUS)
Heat 5: Damien Hobgood (USA) vs. Raoni Monteiro (BRA)
Heat 6: Bede Durbidge (AUS) vs. Cory Lopez (USA)
Heat 7: Brett Simpson (USA) vs. Gabe Kling (USA)
Heat 8: Jadson Andre (BRA) vs. Daniel Ross (AUS)
Heat 9: Chris Davidson (AUS) vs. Julian Wilson (AUS)
Heat 10: C.J. Hobgood (USA) vs. Kai Otton (AUS)
Heat 11: Kieren Perrow (AUS) vs. Dusty Payne (HAW)
Heat 12: Taylor Knox (USA) vs. Tiago Pires (PRT)
RIP CURL WOMEN’S PRO BELLS BEACH ROUND 1 RESULTS:
Heat 1: Sofia Mulanovich (PER) 12.93, Chelsea Hedges (AUS) 8.70, Jessi Miley-Dyer (AUS) 8.66
Heat 2: Silvana Lima (BRA) 14.94, Laura Enever (AUS) 8.84, Melanie Bartels (HAW) 7.54
Heat 3: Pauline Ado (HAW) 14.60, Carissa Moore (HAW) 14.44, Nikki Van Dijk (AUS) 10.63
Heat 4: Stephanie Gilmore (AUS) 16.30, Courtney Conlogue (USA) 9.00, Bethany Hamilton (HAW) 6.50
Heat 5: Sally Fitzgibbons (AUS) 16.10, Alana Blanchard (HAW) 12.83 Paige Hareb (NZL) 7.47
Heat 6: Coco Ho (HAW) 12.90, Tyler Wright (AUS) 12.00, Pauline Ado (FRA) 6.37
RIP CURL WOMEN’S PRO BELLS BEACH ROUND 2 MATCH-UPS:
Heat 1: Paige Hareb (NZL) vs. Jessi Miley-Dyer (AUS)
Heat 2: Laura Enever (AUS) vs. Melanie Bartels (HAW)
Heat 3: Carissa Moore (HAW) vs. Nikki Van Dijk (AUS)
Heat 4: Chelsea Hedges (AUS) vs. Bethany Hamilton (HAW)
Heat 5: Tyler Wright (AUS) vs. Alana Blanchard (HAW)
Heat 6: Courtney Conlogue (USA) vs. Rebecca Woods (AUS)
Photo ASP/Scholtz
Autumn is consistently a great time to visit, with the foliage adding so much in spectacular, rich colors. And even during the latter part of the season, there is something so special about the bareness of many trees and vegetation. The nice thing as an observer of nature’s critters is that the birds are so much more visible. Even if they are at a fair distance, at least, one can appreciate their features.
The late, Doris Duke, had left a wonderful legacy in converting her magnificent estate into a Natural Wildlife Preserve for the public’s education and enjoyment. The paths throughout the estate offer such splendid scenery. One is forever exploring, always seeing something subtly beautiful. There are always pleasant surprises, from the general scenery to the world of the wildlife, even tiny insects and flowers are enjoyable to observe. The bucolic nature of the preserve is so relaxing—akin to meditating while experiencing the landscape. The beauty of visiting Duke Farms is that so many incredible views are there simply by observing all of the surroundings. Spotting new and fascinating wildlife—both animals and plants—always adds to the experience.
Business surveys in Latin America consistently show that skills gaps are a serious bottleneck to firm growth and competitiveness. Lack of responsiveness by providers of technical education and professional training is often blamed for this situation. What innovations are possible to improve the quality and relevance of those programs? What role should governments, employers, universities, and civil society play in shaping the approach to technical education and professional training in Latin America? What can we learn from reforms in the region and abroad? The Dialogue and CAF - Development Bank of Latin America hosted a wide-ranging full-day seminar that brought together academics, policymakers, and other experts from the Western Hemisphere to discuss the future of technical education and professional training in Latin America.
Business surveys in Latin America consistently show that skills gaps are a serious bottleneck to firm growth and competitiveness. Lack of responsiveness by providers of technical education and professional training is often blamed for this situation. What innovations are possible to improve the quality and relevance of those programs? What role should governments, employers, universities, and civil society play in shaping the approach to technical education and professional training in Latin America? What can we learn from reforms in the region and abroad? The Dialogue and CAF - Development Bank of Latin America hosted a wide-ranging full-day seminar that brought together academics, policymakers, and other experts from the Western Hemisphere to discuss the future of technical education and professional training in Latin America.
Riyaz Shaikh is an Indian professional athlete, promoter, trainer, model, dancer, brand ambassador and one of the the top 5 consistent performers in IHFF Olympia and Sheru Classic. When his diligence commenced to captivate fame, he was offered to be the brand ambassador of many lifestyle grooming, clothing, and sports supplement companies.
Early Life
Every great achievement starts with a dream and a hyper active approach to conquer it. As a child, Mr. Riyaz Shaikh loved the sport of cricket, and other outdoor activities, while giving equal attention to his studies. His passion and zest for rigorous pursuits made him a thin and tanned kid. But these are the trophies of hard work. His dynamic agility also made him a subject to saddening social horrors like bullying, colorism, body shaming, etc. Because of such constant mocks, he was on the brink of turning into an upset and underconfident child. But whatever doesn’t stop us, just makes us stronger. Through television, he started gaining new perceptions about athletes and their work. He acquired an unbendable aspiration, and an enthusiasm to be known for his triumphs. After he passed his 12th standard, he joined a gymnasium and started training, and health dieting. With consistent efforts and discipline, he gained a competent amount of muscles with the flexibility of an athlete.
Career
Fueled by the inspiration of becoming like his idols, Riyaz Shaikh joined acting classes, en route to a modeling career. As his career began to take off through a few shows, he realized that his ambition has been misplaced from being an athlete to a model and an actor. His ultimate goal has always been athletics. So, he quit acting and started competing on some of the most famous and laudable international athletic platforms such as Sheru Classic, where he ranked 4th in the year 2019, and International Health, Sports, & Fitness Festival Olympia (IHFF), where he ranked 5th in both the years 2018 and 2019.
He gathered recognition through his commendable work and was offered the position of a brand ambassador at Spartan Sports Sciences Supplements, one of the leading sport nutrition supplement company of India. Currently, he works for various top-notch offline and online brands like Amazon, Flipkart, etc. His recent collaborations include a men’s lifestyle & grooming product brand known as ‘CHACHA LIFESTYLES’.
His esteemed accomplishments earned him the stature to inaugurate sundry shops and gyms. And today, he stands firm as an international athlete who receives modeling offers from around the world.
With his wisdom, acquirements, and prominence, he has set his foot on a journey elevate the lives of countless others by training them, guiding them towards a healthier & fitter life, and exhilarate them about themselves because Riyaz Shaikh believes that at the end of the day what really matters is our self and that we should not criticize ourselves by the outlook & hypothesis of the others. Throughout his life, he has been consistent in following his passion for fitness and sports.
Personal Life
Mr. Riyaz graduated with the Bachelor of Commerce degree, a three-year undergraduate course. To begin his career as an actor, he attended Asha K Chandra Institute of Acting in Mumbai, Maharashtra. He retains a wide range of interests and hobbies like dancing, working out, traveling, cooking, sports, etc. He spent a lot of his childhood playing cricket. Also, has a proclivity for foods like pancakes, waffles, seafood dishes, and Baklava in sweets. Mr. Riyaz says that he is deeply obliged to the people who supported him in his initial stage, and to the people who still support and love him.
Just Pinned to moon daisy videos: HOW TO USE THE LAW OF ATTRACTION The Law of Attraction states that whatever you give consistent thought to you will create. The Universe is attraction based and we get what we think about. And once you have given great thought to something with great emotion and then expect it to come it will. Your thoughts are powerful magnets and you will get what you consistently think about whether you want it or not. The best way to use the Law of Attraction is to realize that you will get exactly what you give your greatest amount of thought too. Everything that you are living right now you attracted into your life the good the bad and the ugly. Most people do not like to hear this. I didn't like hearing it. But once you understand the Law of Attraction and learn how to use it to your benefit you will be able to think the thoughts that will help you to live the life that you desire and no longer will you attract the bad and ugly things into your life experience. So if you truly believe that everything will work out then it will. If you believe you will get sick then you will call sickness into your life. If you believe that you will be wealthy then you will have the money that you desire. If you believe that you will be poor then it will be hard for you to attract riches into your life. ift.tt/2cK5oGR
Business surveys in Latin America consistently show that skills gaps are a serious bottleneck to firm growth and competitiveness. Lack of responsiveness by providers of technical education and professional training is often blamed for this situation. What innovations are possible to improve the quality and relevance of those programs? What role should governments, employers, universities, and civil society play in shaping the approach to technical education and professional training in Latin America? What can we learn from reforms in the region and abroad? The Dialogue and CAF - Development Bank of Latin America hosted a wide-ranging full-day seminar that brought together academics, policymakers, and other experts from the Western Hemisphere to discuss the future of technical education and professional training in Latin America.
Final Project:
You will be required to work on a project that includes photographing (a minimum of) five different individuals in the style of your choice. Once you have selected the style, keep it consistent throughout the series.
You will also need:
1. an establishing shot (an image that tells us something about your idea. For example if you were to do a series of chefs the establishing shot could be a close-up of a measuring spoons.)
2. a self-portrait, with a brief artist statement
Side Note: A lot of thing didn't come through like I had wanted. Had flakey models, then scored on a really expressive friend of a friend, and I got these new to me models that showed up and kicked ass, then I got severely sick and ended up in urgent care Monday, etc. But hopefully I was able to get domestic abuse portrayed like I wanted to. I decided not to try for sexual abuse because no matter how I tried it, it could be construed as porn, and that isn't something I wish to ever touch upon.
Artist's Statement:
Emmy's work is influenced by elements in the world that most people consider to be imperfect, broken, or weak. She builds upon imperfection because it is the only true indicator of character and beauty. She captures imperfection as the summit of her art. She is inspired by things that surround her every day, and uses them as a creative base. As the proud divorced, single mother of five closely spaced children she has no shortage of material from which to draw.
With her work, it is difficult to ignore the obvious experience and background Emmy has in graphic design. In addition to photography and graphic design, she is an entrepreneur, business ideas person, CEO of a small assessment corporation, movie scriptwriter, mother, and friend to all, even those pesky telemarketers if they happen to catch her on the telephone at home.
The most important thing to Emmy is the opportunity to create art. To be an artist, even an unknown one, is more important to her than going forth and finding notoriety. She feels the only way for her to create is to continue growing as an artist whether by introducing new techniques, new mediums, or a combination of both. Her primary focus is on creating art that reaches across boundaries. She creates art that speaks figuratively and demands its own place within its world. She tries to create art that will link people to her, and with her.
Fast Facts on Domestic Violence
Battering on women is the most under reported crime in America.
Domestic violence is the leading cause of injury to women between the ages of 15 and 44 in the United States; more than car accidents, muggings, and rapes combined. "Violence Against Women, A Majority Staff Report," Committee on the Judiciary, United States Senate, 102nd Congress, October 1992, p.3.
Three to four million women in the United States are beaten in their homes each year by their husbands, ex-husbands, or male lovers. "Women and Violence," Hearings before the U.S. Senate Judiciary Committee, August 29 and December 11, 1990, Senate Hearing 101-939, pt. 1, p. 12.
One woman is beaten by her husband or partner every 15 seconds in the United States. Uniform Crime Reports, Federal Bureau of Investigation, 1991.
About 1 out of 4 women are likely to be abused by a partner in her lifetime. Sara Glazer, "Violence, Against Women" CO Researcher, Congressional Quarterly, Inc., Volume 3, Number 8, February, 1993, p. 171.
Approximately 95% of the victims of domestic violence are women. Statistics, National Clearinghouse for the Defense of Battered Women, Ruth Peachey, M.D. 1988.
Police report that between 40% and 60% of the calls they receive, especially on the night shift, are domestic violence disputes. Carrillo, Roxann "Violence Against Women: An Obstacle to Development," Human Development Report, 1990.
Battering occurs among people of all races, ages, socio-economic classes, religious affiliations, occupations, and educational backgrounds.
Fifty percent of all homeless women and children in this country are fleeing domestic violence. Senator Joseph Biden, U.S. Senate Committee on the Judiciary, Violence Against Women: Victims of the System, 1991.
A battering incident is rarely an isolated event.
Battering tends to increase and become more violent over time.
Many batterers learned violent behavior growing up in an abusive family.
25% - 45% of all women who are battered are battered during pregnancy.
Domestic violence does not end immediately with separation. Over 70% of the women injured in domestic violence cases are injured after separation.
Domestic violence is not only physical and sexual violence but also psychological. Psychological violence means intense and repetitive degradation, creating isolation, and controlling the actions or behaviors of the spouse through intimidation or manipulation to the detriment of the individual. "Five Year State Master Plan for the Prevention of and Service for Domestic Violence." Utah State Department of Human Services, January 1994.
O que se viu em campo nesta terça-feira não foi apenas uma nova goleada do Brasil, mas uma Seleção Brasileira, que mesmo enfrentando adversários inferiores, se mostrou consistente e envolvente no toque de bola. Em jogo amistoso na Polônia, o Brasil venceu o Japão por 4 a 0 e ainda por cima teve boa atuação de Neymar Jr. que marcou duas vezes na partida.
Encerrando uma sequência de duas partidas amistosas em pouco mais de uma semana, o Brasil volta pra casa com duas boas apresentações e goleadas em cima do Iraque e do Japão. Os jogadores do elenco canarinho que atuam no país retornam na tarde de hoje (16), mas com chegada prevista para a manhã de quarta-feira, em São Paulo. O próximo desafio do grupo comandado por Mano Menezes será contra a Colômbia, no dia 14 de novembro, nos Estados Unidos.
O Jogo
O Brasil não perdeu tempo e partiu pra cima do Japão no primeiro tempo. Depois de o adversário chegar perto de abrir o placar, quem balançou as redes foi Paulinho, com 11 minutos. Oscar tocou pra chegada do volante brasileiro, que de fora da área chutou no canto direito do goleiro Kawashima. Brasil 1 a 0 Japão.
Na frente no placar, o Brasil não demorou para ampliar a vantagem. Aos 23 minutos o árbitro marcou pênalti em lance que o marcador japonês tentou desarmar Kaká, mas tocou a bola com a mão. Cobrador oficial de penalidades na Seleção, Neymar Jr. foi para a cobrança e chutou forte no meio do gol para marcar aos 23 minutos. Brasil 2 a 0.
O segundo tempo nem esquentou e Neymar Jr. marcou seu segundo gol no jogo. Com apenas 2minutos, em cobrança de escanteio, o atacante dominou no peito, limpou a jogada e mesmo escorregando chutou no gol e marcou. Antes de balançar as redes, a bola ainda desviou na zaga japonesa. Brasil 3 a 0. Com este tento diante dos japoneses, Neymar Jr. chegou a 20 gols com a Seleção Brasileira (equipe principal e olímpica).
A Seleção Brasileira ainda teve duas boas chances de ampliar na bola na trave de Hulk e no gol anulado de Ramires, após cruzamento de Neymar Jr. Porém, apesar do placar, o Brasil não deixou de buscar a meta adversária e marcou mais uma vez. Com 30 minutos Neymar Jr. tocou para Kaká e o meia brasileiro carregou a bola até a entrada da área para acertar um chute cruzado no canto esquerdo de Kawashima. Brasil 4 a 0.
World’s Best Surfers Ignite Aproador to Complete Round 1 of Billabong Rio Pro
APROADOR, Rio de Janeiro/Brazil (Tuesday, May 17, 2011) – After a week of lay-days, the world’s best surfers tore into consistently changing conditions at the lefthand pointbreak of Aproador to complete Round 1 of the Billabong Rio Pro.
Stop No. 3 of 11 on the ASP World Title Series, the opening day of men’s competition saw ASP Dream Tour veterans earn the day’s top scores while defending event winner Jadson Andre (BRA), 21, made an impressive entrance in the Billabong Rio Pro’s opening round.
Kelly Slater (USA), 39, reigning 10-time ASP World Champion, got off to a strong start to open his Billabong Rio Pro campaign. Slater unleashed two furious tail-drifting backhand turns to notch the day’s highest single-wave score of a 9.00 (out of 10) midway through his bout to overtake ASP World Tour rookie Julian Wilson (AUS), 22, and event wildcard Peterson Crisanto (BRA), 18, after nearly missing the start of his heat.
“That 9 felt good,” Slater said. “I went down to grab my jersey and there was some confusion. By the time I got out, the heat had already started and Julian got that first one. It wasn’t a good start. I knew there were going to be some good ones and I just had to be patient. That one good wave actually let me bottom turn and hit the lip, most of the waves were soft and had a lot of horizontals.”
Slater, who finished runner-up at the Billabong Pro last year, was also quick to admit that several goofy-footers will be tough to beat at the lefthander of Aproador and noted that the natural-footers will need to be especially selective in their wave choice at the Billabong Rio Pro.
“A little left like this is going to play well for goofy footers,” Slater said. “Owen (Wright) and Jadson (Andre) are probably frothing on it and licking their chops ready to go. We (natural footers) have been on our frontside at Snapper and Bells and now it’s their turn. We’ve just got to try and be smart. Mick (Fanning) looked good and there are waves out there to do it, you’ve just got to be smart.”
Taj Burrow (AUS), 32, opened his Billabong Rio Pro campaign with a sharp backhand attack by belting two Arpoador lefthanders to the tune of a 16.83 (out of 20) on his first two waves to earn the highest heat-total of the day. The Australian veteran notched his Round 1 heat win over dangerous Brazilian rookie Alejo Muniz (BRA), 21, and event wildcard Ricardo Santos (BRA), 20.
“It was kind of scary for a second there, right when they decided to start the competition the wind started howling, but then it cleaned up heaps,” Burrow said. “I got two fun ones at the start so I’m happy.”
Jadson Andre, defending event winner, reveled in Aproador’s lefthanders with a combination of aggressive carves and snaps to take a convincing Round 1 heat victory with the support of the Brazilian crowd behind him.
“I’m so happy to be here competing in Brazil and I love Aproador, I feel like a local,” Andre said. “I’ve competed here several times before and have friends here. I know everyone says I should feel pressure as defending champion, but I’m not worried about it. I’m just thinking about the next heat. That’s what I did last year.”
Mick Fanning (AUS), 29, two-time ASP World Champion, slowly built momentum in his opening Billabong Rio Pro heat, eventually igniting two lefthanders by combining a series of seamless backhand turns to notch a 15.07 heat total to advance directly through to Round 3.
“It was tricky trying to find the right one out there, but I watched the heat before and noticed that guys that were doing turns back-to-back were getting scores, so I tried to concentrate on that,” Fanning said. “They weren’t the biggest waves, but they just allowed three turns straight away.”
The Australian talent also expressed the importance of advancing directly through to Round 3 with Brazil’s ever-changing conditions.
“It’s really good to skip as many rounds as possible, especially here in Brazil where it can be really unpredictable,” Fanning said. “I’m stoked to get through Round 1 and I’ll go back and assess what’s going on and hopefully keep going.”
Billabong Rio Pro event organizers will reconvene at Aproador at 7am local time tomorrow morning for a possible Round 2 start.
To watch the Billabong Rio Pro LIVE log on to www.billabongpro.com
For additional ASP information log on to www.aspworldtour.com
Billabong Rio Pro Round 1 Results:
Heat 1: Owen Wright (AUS) 13.60, Heitor Alves (BRA) 7.67, Bobby Martinez (USA) 7.47
Heat 2: Adrian Buchan (AUS) 11.84, Adam Melling (AUS) 11.16, Kai Otton (AUS) 7.90
Heat 3: Taj Burrow (AUS) 16.33, Ricardo Santos (BRA) 11.17, Alejo Muniz (BRA) 10.60
Heat 4: Mick Fanning (AUS) 15.07, Simao Romao (BRA) 12.36, Dusty Payne (HAW) 11.66
Heat 5: Patrick Gudauskas (USA) 8.13, Jordy Smith (ZAF) 8.07, Igor Morais (BRA) 6.34
Heat 6: Kelly Slater (USA) 15.17, Julian Wilson (AUS) 14.37, Peterson Crisanto (BRA) 3.84
Heat 7: Jadson Andre (BRA) 14.33, Gabe Kling (USA) 10.66, Bede Durbidge (AUS) 7.90
Heat 8: Jeremy Flores (FRA) 13.56, C.J. Hobgood (USA) 10.80, Josh Kerr (AUS) 7.43
Heat 9: Damien Hobgood (USA) 12.00, Raoni Monteiro (BRA) 11.10, Tiago Pires (PRT) 10.93
Heat 10: Cory Lopez (USA) 11.54, Chris Davidson (AUS) 10.00, Michel Bourez (PYF) 8.57
Heat 11: Daniel Ross (AUS) 14.90, Adriano de Souza (BRA) 14.67, Kieren Perrow (AUS) 8.96
Heat 12: Taylor Knox (USA) 15.03, Matt Wilkinson (AUS) 14.70, Joel Parkinson (AUS) 8.34
Photo ASP/Scholtz
18/09/2016 Ladies European Tour 2016: Evian Championship, Evian Resort Golf Club, Evian Les Bains, France 15-18 September. Lydia Ko of New Zealand recieves the Rolex Annika Major Award from Annika Sorenstam for being the most consistent performer at this years Major Championships. Credit: Tristan Jones
This guy consistently parks his big car and caravan up on the pavement outside his house on Crosshill Road, Lenzie. Glasgow. Look at how little space he leaves for pedestrians. Gail, on one occasion, was unable to get past when she was out with Fergus in his pram. Crossing to the other pavement is dangerous as directly behind the caravan is a busy roundabout. But why should pedestrians have to cross the road to get past?
Pavements are for people.
Panasonic Lumix DMC-FZ150.
This is consistently the best all round camera I have ever used. The others all excel at particular things, but this one does all things well. Its light, not so big you cannot shove it into a man's coat pocket, it does not have heavy demands on batteries, the flip out rear screen can be angled all ways.
The x24 optical zoom is outstanding and it has a constant f2.8 through the entire range !
This camera excels in low light, in fact a little too well at times forcing me to go manual to get the exposure I really want, but I am not knocking it for that.
It is fantastic for DH video. I am currently pitching it against the medium range Panasonic V720 camcorder and I have to say that so far I cannot see any big plus for the camcorder, but of this view may change with more experience. The lumix has an external Microphone socket (1.5mm, so buy and adaptor) and takes a Rode mic easily.
NOTE***: Always turn the external microphone on FIRST, then the camera. For some reason this camera does not like it the other way.
In Rome, Ukrainian President Volodymyr Zelenskyy met with Italian President Sergio Mattarella.
The President of Ukraine expressed gratitude for Italy’s steadfast support for Ukraine’s sovereignty and territorial integrity, as well as its consistent focus on Ukraine during Italy’s presidency of the G7.
"I recall all our meetings, and they always concluded with us finding solutions to very complex issues. One of the most challenging is protecting the rights of people in Ukraine, as well as defending our sovereignty and territorial integrity. I am very pleased that your position in supporting Ukraine, our people, and our children has always remained unwavering," said Volodymyr Zelenskyy.
The Ukrainian President provided an update on the situation at the front lines and on Russia’s ongoing missile terror targeting civilians.
During the meeting, the leaders discussed the continuation of military assistance to Ukraine. Volodymyr Zelenskyy expressed his appreciation to Italy for its significant military-technical support, including the approval of the 10th aid package.
He emphasized the importance of coordinated actions by partner countries to end the war with a just and lasting peace.
The President of Ukraine also commended Italy’s firm stance on maintaining and enforcing sanctions against Russia.
A key topic of negotiations was the return of Ukrainian children abducted by Russia.
The President thanked Italy for its care and support of Ukrainian orphans currently residing in Italy because of the Russian aggression.
The leaders also discussed preparations for the International Ukraine Recovery Conference, scheduled for July 10–11 in Rome. Volodymyr Zelenskyy noted that Italian experts could join the restoration of Ukraine’s cultural heritage.
President Zelenskyy extended an invitation to President Mattarella to visit Ukraine.
Riyaz Shaikh is an Indian professional athlete, promoter, trainer, model, dancer, brand ambassador and one of the the top 5 consistent performers in IHFF Olympia and Sheru Classic. When his diligence commenced to captivate fame, he was offered to be the brand ambassador of many lifestyle grooming, clothing, and sports supplement companies.
Early Life
Every great achievement starts with a dream and a hyper active approach to conquer it. As a child, Mr. Riyaz Shaikh loved the sport of cricket, and other outdoor activities, while giving equal attention to his studies. His passion and zest for rigorous pursuits made him a thin and tanned kid. But these are the trophies of hard work. His dynamic agility also made him a subject to saddening social horrors like bullying, colorism, body shaming, etc. Because of such constant mocks, he was on the brink of turning into an upset and underconfident child. But whatever doesn’t stop us, just makes us stronger. Through television, he started gaining new perceptions about athletes and their work. He acquired an unbendable aspiration, and an enthusiasm to be known for his triumphs. After he passed his 12th standard, he joined a gymnasium and started training, and health dieting. With consistent efforts and discipline, he gained a competent amount of muscles with the flexibility of an athlete.
Career
Fueled by the inspiration of becoming like his idols, Riyaz Shaikh joined acting classes, en route to a modeling career. As his career began to take off through a few shows, he realized that his ambition has been misplaced from being an athlete to a model and an actor. His ultimate goal has always been athletics. So, he quit acting and started competing on some of the most famous and laudable international athletic platforms such as Sheru Classic, where he ranked 4th in the year 2019, and International Health, Sports, & Fitness Festival Olympia (IHFF), where he ranked 5th in both the years 2018 and 2019.
He gathered recognition through his commendable work and was offered the position of a brand ambassador at Spartan Sports Sciences Supplements, one of the leading sport nutrition supplement company of India. Currently, he works for various top-notch offline and online brands like Amazon, Flipkart, etc. His recent collaborations include a men’s lifestyle & grooming product brand known as ‘CHACHA LIFESTYLES’.
His esteemed accomplishments earned him the stature to inaugurate sundry shops and gyms. And today, he stands firm as an international athlete who receives modeling offers from around the world.
With his wisdom, acquirements, and prominence, he has set his foot on a journey elevate the lives of countless others by training them, guiding them towards a healthier & fitter life, and exhilarate them about themselves because Riyaz Shaikh believes that at the end of the day what really matters is our self and that we should not criticize ourselves by the outlook & hypothesis of the others. Throughout his life, he has been consistent in following his passion for fitness and sports.
Personal Life
Mr. Riyaz graduated with the Bachelor of Commerce degree, a three-year undergraduate course. To begin his career as an actor, he attended Asha K Chandra Institute of Acting in Mumbai, Maharashtra. He retains a wide range of interests and hobbies like dancing, working out, traveling, cooking, sports, etc. He spent a lot of his childhood playing cricket. Also, has a proclivity for foods like pancakes, waffles, seafood dishes, and Baklava in sweets. Mr. Riyaz says that he is deeply obliged to the people who supported him in his initial stage, and to the people who still support and love him.
On May 24, 2012: Set Your Roadmap for Continuous Learning - Delivering CONSISTENT Business Results.
We are working closely with Executive Learning Exchange (ELE) Enterprise members who will be contributing valuable presentations and exhibits at our first full-day greater Milwaukee and Northern Illinois learning leader exchange. We are thrilled to be having our highly interactive exchange at Harley-Davidson Museum for an intense action learning experience with a full-day of peer-collaboration and after hour cocktails at H-D Museum.
To learn more, visit click here.
The consistent theme that underlies my creative process is the dream experience. In the dream, all of the personalities, situations, locations, objects, etc., are in some way an expression of the person dreaming, thrown up by the subconscious to be experienced in such a way as to suggest other dimensions; realms that depart from the order of things as we experience them in waking consciousness.
As an artist it is this suggestion of other dimensions accessed through the psychic experience of the dream that provides the link to surrealism and magical realism as a form of artistic expression.
My source for developing this approach to the creative process was achieved in part by researching Carl Jung’s theories of the subconscious, as well as researching the evolution of the surrealist aesthetic that seemed to run through art history centuries before its mature expression in the twentieth century.
This is a frame from a video. You can watch it on Vimeo.
David Hickey was a consistently outstanding performer for The Dubs during the 1970s. He brought an intense competitive mentality to a squad that was already crammed with over-achievers. From Portmarnock, he played his club football with Raheny and represented Dublin at minor level in 1968 - winning a Leinster Medal - and 1969 and at U21 from 1970 to 1972. He was a talented rugby player and played full-back on the UCD rugby team in 1973-74.
David Hickey nailed down the left-half forward position on the Dublin team and is best remembered for hoovering up breaking ball around the middle of the field. It was Hickey's interception at the beginning of the 1976 Final against Kerry that set the tone for Dublin's performance. His second-half goal in the 1977 All-Ireland Semi-Final powered Dublin into the lead they would not again relinquish on their greatest of days.
David is now a selector with the current Dublin team.
All-Stars: 1974, 1976 [David Hickey missed out on a probable All-Star in 1977 because he had been suspended for a minimal offence during Dublin's fractious Leinster semi-final against Wexford in July 1977. Suspension automatically disqualified a player from consideration for an All-Star award.]
This photograph is from the Dublin City Council Photographic Collection. This unique collection is an educational resource and provides a basis for original research on the history of Dublin in the second half of the twentieth century.
He consistently ranks in the Forbes list of the world's wealthiest people. He's one of the best-known entrepreneurs of the personal computer revolution. He is also the second-most generous philanthropist in America, having given over $28 billion to charity. He's Bill Gates and here are his Top
World’s Best Surfers Ignite Aproador to Complete Round 1 of Billabong Rio Pro
APROADOR, Rio de Janeiro/Brazil (Tuesday, May 17, 2011) – After a week of lay-days, the world’s best surfers tore into consistently changing conditions at the lefthand pointbreak of Aproador to complete Round 1 of the Billabong Rio Pro.
Stop No. 3 of 11 on the ASP World Title Series, the opening day of men’s competition saw ASP Dream Tour veterans earn the day’s top scores while defending event winner Jadson Andre (BRA), 21, made an impressive entrance in the Billabong Rio Pro’s opening round.
Kelly Slater (USA), 39, reigning 10-time ASP World Champion, got off to a strong start to open his Billabong Rio Pro campaign. Slater unleashed two furious tail-drifting backhand turns to notch the day’s highest single-wave score of a 9.00 (out of 10) midway through his bout to overtake ASP World Tour rookie Julian Wilson (AUS), 22, and event wildcard Peterson Crisanto (BRA), 18, after nearly missing the start of his heat.
“That 9 felt good,” Slater said. “I went down to grab my jersey and there was some confusion. By the time I got out, the heat had already started and Julian got that first one. It wasn’t a good start. I knew there were going to be some good ones and I just had to be patient. That one good wave actually let me bottom turn and hit the lip, most of the waves were soft and had a lot of horizontals.”
Slater, who finished runner-up at the Billabong Pro last year, was also quick to admit that several goofy-footers will be tough to beat at the lefthander of Aproador and noted that the natural-footers will need to be especially selective in their wave choice at the Billabong Rio Pro.
“A little left like this is going to play well for goofy footers,” Slater said. “Owen (Wright) and Jadson (Andre) are probably frothing on it and licking their chops ready to go. We (natural footers) have been on our frontside at Snapper and Bells and now it’s their turn. We’ve just got to try and be smart. Mick (Fanning) looked good and there are waves out there to do it, you’ve just got to be smart.”
Taj Burrow (AUS), 32, opened his Billabong Rio Pro campaign with a sharp backhand attack by belting two Arpoador lefthanders to the tune of a 16.83 (out of 20) on his first two waves to earn the highest heat-total of the day. The Australian veteran notched his Round 1 heat win over dangerous Brazilian rookie Alejo Muniz (BRA), 21, and event wildcard Ricardo Santos (BRA), 20.
“It was kind of scary for a second there, right when they decided to start the competition the wind started howling, but then it cleaned up heaps,” Burrow said. “I got two fun ones at the start so I’m happy.”
Jadson Andre, defending event winner, reveled in Aproador’s lefthanders with a combination of aggressive carves and snaps to take a convincing Round 1 heat victory with the support of the Brazilian crowd behind him.
“I’m so happy to be here competing in Brazil and I love Aproador, I feel like a local,” Andre said. “I’ve competed here several times before and have friends here. I know everyone says I should feel pressure as defending champion, but I’m not worried about it. I’m just thinking about the next heat. That’s what I did last year.”
Mick Fanning (AUS), 29, two-time ASP World Champion, slowly built momentum in his opening Billabong Rio Pro heat, eventually igniting two lefthanders by combining a series of seamless backhand turns to notch a 15.07 heat total to advance directly through to Round 3.
“It was tricky trying to find the right one out there, but I watched the heat before and noticed that guys that were doing turns back-to-back were getting scores, so I tried to concentrate on that,” Fanning said. “They weren’t the biggest waves, but they just allowed three turns straight away.”
The Australian talent also expressed the importance of advancing directly through to Round 3 with Brazil’s ever-changing conditions.
“It’s really good to skip as many rounds as possible, especially here in Brazil where it can be really unpredictable,” Fanning said. “I’m stoked to get through Round 1 and I’ll go back and assess what’s going on and hopefully keep going.”
Billabong Rio Pro event organizers will reconvene at Aproador at 7am local time tomorrow morning for a possible Round 2 start.
To watch the Billabong Rio Pro LIVE log on to www.billabongpro.com
For additional ASP information log on to www.aspworldtour.com
Billabong Rio Pro Round 1 Results:
Heat 1: Owen Wright (AUS) 13.60, Heitor Alves (BRA) 7.67, Bobby Martinez (USA) 7.47
Heat 2: Adrian Buchan (AUS) 11.84, Adam Melling (AUS) 11.16, Kai Otton (AUS) 7.90
Heat 3: Taj Burrow (AUS) 16.33, Ricardo Santos (BRA) 11.17, Alejo Muniz (BRA) 10.60
Heat 4: Mick Fanning (AUS) 15.07, Simao Romao (BRA) 12.36, Dusty Payne (HAW) 11.66
Heat 5: Patrick Gudauskas (USA) 8.13, Jordy Smith (ZAF) 8.07, Igor Morais (BRA) 6.34
Heat 6: Kelly Slater (USA) 15.17, Julian Wilson (AUS) 14.37, Peterson Crisanto (BRA) 3.84
Heat 7: Jadson Andre (BRA) 14.33, Gabe Kling (USA) 10.66, Bede Durbidge (AUS) 7.90
Heat 8: Jeremy Flores (FRA) 13.56, C.J. Hobgood (USA) 10.80, Josh Kerr (AUS) 7.43
Heat 9: Damien Hobgood (USA) 12.00, Raoni Monteiro (BRA) 11.10, Tiago Pires (PRT) 10.93
Heat 10: Cory Lopez (USA) 11.54, Chris Davidson (AUS) 10.00, Michel Bourez (PYF) 8.57
Heat 11: Daniel Ross (AUS) 14.90, Adriano de Souza (BRA) 14.67, Kieren Perrow (AUS) 8.96
Heat 12: Taylor Knox (USA) 15.03, Matt Wilkinson (AUS) 14.70, Joel Parkinson (AUS) 8.34
Photo ASP/Scholtz
Clouds sprawl out with such enormity that they consistently render the tall trees small in comparison.
Riyaz Shaikh is an Indian professional athlete, promoter, trainer, model, dancer, brand ambassador and one of the the top 5 consistent performers in IHFF Olympia and Sheru Classic. When his diligence commenced to captivate fame, he was offered to be the brand ambassador of many lifestyle grooming, clothing, and sports supplement companies.
Early Life
Every great achievement starts with a dream and a hyper active approach to conquer it. As a child, Mr. Riyaz Shaikh loved the sport of cricket, and other outdoor activities, while giving equal attention to his studies. His passion and zest for rigorous pursuits made him a thin and tanned kid. But these are the trophies of hard work. His dynamic agility also made him a subject to saddening social horrors like bullying, colorism, body shaming, etc. Because of such constant mocks, he was on the brink of turning into an upset and underconfident child. But whatever doesn’t stop us, just makes us stronger. Through television, he started gaining new perceptions about athletes and their work. He acquired an unbendable aspiration, and an enthusiasm to be known for his triumphs. After he passed his 12th standard, he joined a gymnasium and started training, and health dieting. With consistent efforts and discipline, he gained a competent amount of muscles with the flexibility of an athlete.
Career
Fueled by the inspiration of becoming like his idols, Riyaz Shaikh joined acting classes, en route to a modeling career. As his career began to take off through a few shows, he realized that his ambition has been misplaced from being an athlete to a model and an actor. His ultimate goal has always been athletics. So, he quit acting and started competing on some of the most famous and laudable international athletic platforms such as Sheru Classic, where he ranked 4th in the year 2019, and International Health, Sports, & Fitness Festival Olympia (IHFF), where he ranked 5th in both the years 2018 and 2019.
He gathered recognition through his commendable work and was offered the position of a brand ambassador at Spartan Sports Sciences Supplements, one of the leading sport nutrition supplement company of India. Currently, he works for various top-notch offline and online brands like Amazon, Flipkart, etc. His recent collaborations include a men’s lifestyle & grooming product brand known as ‘CHACHA LIFESTYLES’.
His esteemed accomplishments earned him the stature to inaugurate sundry shops and gyms. And today, he stands firm as an international athlete who receives modeling offers from around the world.
With his wisdom, acquirements, and prominence, he has set his foot on a journey elevate the lives of countless others by training them, guiding them towards a healthier & fitter life, and exhilarate them about themselves because Riyaz Shaikh believes that at the end of the day what really matters is our self and that we should not criticize ourselves by the outlook & hypothesis of the others. Throughout his life, he has been consistent in following his passion for fitness and sports.
Personal Life
Mr. Riyaz graduated with the Bachelor of Commerce degree, a three-year undergraduate course. To begin his career as an actor, he attended Asha K Chandra Institute of Acting in Mumbai, Maharashtra. He retains a wide range of interests and hobbies like dancing, working out, traveling, cooking, sports, etc. He spent a lot of his childhood playing cricket. Also, has a proclivity for foods like pancakes, waffles, seafood dishes, and Baklava in sweets. Mr. Riyaz says that he is deeply obliged to the people who supported him in his initial stage, and to the people who still support and love him.
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The Alpes-Maritimes in the south-east of France sequester many fascinating hilltop villages -- each an expression of community in landscape.
Bezaudun is visually held together on top of its spur by a consistent rough-stone character. Headed by a 14th C rectangular tower, the ruined castle dominates the village. Its organic form and local materials fit so well in spectacular mountain-scape. Some buildings are coloured soft Provencal pastels, but most are faded stone and the village blends in to the rocky hills. West of Bezaudun the slopes stretch out into the Cheiron mountain chain -- the Italian border is in the far distance of my photo.
" Skyline Stone and Stucco. PS ©
Ancient communities of France’s Alpes-Maritimes perch high in rugged mountains. Their stone-nests intimately match rock faces while expressing generations of village life. But what can we still find today?
Come exploring with me.
A rattler of a rail-car, the Train des Pignes negotiates back streets of Nice, then through tunnels into the great Var valley. We head into deep defiles, yet against the sky ancient Roquette-sur-Var and spur-perched Bonson — medieval lookouts — remind of the river's historic role as boundary. On into the steep-stone mountains — scree, scrapes, and scars.
Against the skyline I suddenly recognise the silhouette of a pinnacle-peaking citadel hard-angled in defiance of time — key defence of Entrevaux, and its landscape marker. Across the entry-controlling bridge takes us into the ancient town. I still have my eye on that citadel hanging above, and the zig-zag stonework, graphic drama leading up to it. A compulsive, exhausting climb, but as we puff, the tile-roof tumble of Entrevaux recedes below, bound and protected by the river-edge, sharp in the sun, and garnished with spring green. For centuries this was the border between Provence and Italy.
Then back down past the battlements to explore the town, a network of alleys and little piazzas. Locals have gathered for natter in friendly corners. Maybe broken here and there, but these places are so human in scale, interactive between people and place.
Apparently it’s the end of school holidays and visiting class groups are enjoying an informal history lesson. I find the kids have better English than their parents and we share lively chat.
From Entrevaux the train waggles us through the gorges to Touët-sur-Var where we jump off again. It hangs like a Tibetan balcony on vertical cliff faces. Well, upper Touët is much more organic, more lively, than a Tibetan monastery. I guess the vertical rock-wall behind the narrow ledge-of-life once gave a sense of protection in the Middle Ages with fear of Saracen raids. I think those invaders never reached this far into the mountains; just the fear counted for centuries.
So up the steep access into Haut Touët — a perched cluttering of incidents, clutching dwellings, and quirky corners in the sun — strung high above the river. An opportunistic community with incredible sense of place still lived in today.
At one end perches the landmark church with steeple campanile, and even a village terrace hanging on. A cascade drops down the stone cliffs at this end, with the church straddling it. Rumour has it that there is a view below into the cascade from within the church, so time for photographic proving of a legendary undercroft. I lift a small trap in centre of the floor and sure enough look down into the cascade cleft. Click goes that button thingy on the camera.
Along the one-line village, old stonework, tile-roofing and balconies, together with burrowing alleys and stairways, knit into physical expression of long life. Every corner a discovery, ledges for food supplies, steps and supports, striving to hold in place. An experience, a vision, to long savour after descent.
Then to dramatically-set Peillon in the mountains north of Nice. Teetering on its high rock pinnacle, there's no transport; but one train each morning heading for northern Italy stops in the valley floor a distance away. And no train back to Nice, just one in the early afternoon to Ventimiglia. From the station, Peillon is a distant skyline apparition. A stiff climb; steeper and steeper. By narrow road of 'lacets' zig-zagging up the faces, or more direct track of stairs and angle-runnels, up through olive groves, broom scree, and bedrock faces. Wonderful Peillon hovers in the sky above. At this early-spring time of year that startling apparition, that community in Place, that responsive architectural form, are worth all the trouble.
Next day, Saorge! Well, years ago I’d been driving from the south of France, up the Roya valley deep in the Alps, to northern Italy. Suddenly I’d braked to a stop. Unbelievable, there was a town desperately clinging onto vertical mountain-face high above me. It was the first of these hanging stone nests I’d ever seen and it became a favourite. I’ve explored it several times since, only approached by car. We can’t visit the Alpes-Maritimes area again without Saorge! This time we find there’s one train a day to the lost station of Fontan at bottom of the gulch. From there we set off on a hike angled up the mountain-side, through a long tunnel, and are delighted to find entry to the town labyrinth through a gap in the pinnacled rocks. The sun celebrates too.
Saorge, as a site, goes back over 2,000 years, but most of its fabric is medieval — a clustering of teetering stonework, step-alleys, narrow terraces, and projecting balconies looking down the gorge from on high. Controlling and defensive, but much more — what a place to live!
Far from the coast and its tourism, Saorge remains lived-in today, intact, ongoing, and self-sustained; ancient, and often crumbly, but full of human corners and town-space delights. Compact adjoining dwellings one-room wide but six storeys high fit the steep acclivity; greys, pastel colours, and purplish slate-stone roof-plates. Built from the scarce materials of the site. Balconies suspended in the spectacular view provide narrow outdoor ledges. And under the roofs there’s often an open-air attic for drying figs and olives — large dark-open eyes giving visual punctuation.
Yet here and there colourful campaniles spike higher, emphatically exclaiming old churches. One end of the town form is marked by colour-glazed belfries, the other with a seven-storey tower belonging to a 12thC chapel. Its rugged granite bears such affinity with the surrounding rock-face.
Historically, sustenance would have been olives and goats, with fruit and vegetables on sunny shelved plots; indeed, on a more-level area behind the monastery an orchard bursts with spring blossom. While nearby, within the town, a focus is the still-used village laundry — traditional floating roof, blue water, and golden stucco, surrounded by gossip space, heart of the community. And it’s said the old people of Saorge have their own dialect — a result of long isolation over history.
So after a clambering but fascinating exploration, we have to think of return to civilization. No train back to Nice, but an Italian one in the afternoon to Ventimiglia. This reminds that Saorge, though now on the French side of the border, spent most of its history occupied by Ligurian tribes, before becoming French. And that train, sneaking back and forth across the border, gets us to the Italian coast, and another one to Nice.
A busy, confusing, railway-station in the morning (“Platforms will be Anonced at least 20 mins before departure” — piffle! 5 mins for the far platform if lucky, so run). But a modern train heading east along the coast, and we’re soon disembarking at Menton. A quick walk to the coach-station and onto the morning wiggle-bus to Ste Agnès. These little buses are specially made to manoeuvre up zig-zag mountainsides, edging past any opposing cars with skill, spilling stones off the precipitous edge.
We’ve climbed high, up into mountain-peak clouds as the coastline drops and disappears far below. Higher still, and a floating, isolated village appears out of the murk, clinging close to the summit. Ste Agnès is proud of being the loftiest “coastal” village in Europe. Well, alpine really.
Now there’s plenty of time for meandering and high-reaching tracks before the afternoon bus. Stone alleys, mini-piazzas, tumbled roofs, opportunistic windows, tunnelways, and church bells echoing into valley abyss. And being a Sunday, inhabitants are heading to the church.
From the cemetery above we can look down onto the tight-clustered roofscape of orange-tinted Roman tiles, climaxed by colourful scale-clad church-and-clock towers.
And from way across the valley we see the whole village hanging on its mountain-face surrounded by shrouding cloud. Heavenly, disconnected.
But what a delight! As we make our way back into the village, locals, now out of church, have started a community celebration in the place between the church and village hall — a platform under canopy of planes. Wholly-spontaneous community dancing, singing, and laughter, bursting with joy. And of course, before long, food for all. It’s so natural, such an informal, apparently-regular togetherness; though I admit wondering whether the numbers were much more than we’d seen heading into the church.
Our bus arrives, forcing us to leave this scene or spend a night in the mountains. Perhaps as well, as we descend we leave the cloud behind. Menton is brimming with blues, yellows, and sunshine, not only for its promenade.
Oh, and a little farther east, between here and the close Italian border, is Garavan with Isola Bella known to Kiwis for its Katherine Mansfield associations. This is an inspiring area; not for its coastal glamour, but for the experience of ancient community high in the mountains — skyline stone and stucco with such a sense of humanity, history, and belonging.
Peter Shep © "
OzGov, consistently winning the race to the bottom....of the sea.
Always willing to kick asylum seekers when they're down and indeed, drowned.
World's Best Worst Practice.
But at least our fearless leader is consistently living down to the role of Prime Sinister....
Beverly Hills Medical Office Waiting Room prior to interior design and branding by Simply Consistent ,Inc.
www.simplyconsistent.com/services/medical%20spa%20and%20p...
TIDE POOLIN'
Leo Carrillo beach in Malibu is consistently one of my favorite places to visit and photograph. I just love climbing around the rocks and investigating the tide pool. There are several ways to get there, but I usually take the 101 North to Malibu Canyon, head south over to Pacific Coast Highway, then West (a right turn) on PCH approximately 25 miles until you hit Leo Carrillo. From the Valley to Leo it's about a 45 minute to hour drive each way. The tide pool is just in front of the #3 lifeguard tower (and incidentally, dogs are allowed on leash from this tower and continuing west up the beach). I just google low tide Malibu to find out the best time to go there and check out the tide pool. Usually there's a several hour window about an hour before to an hour after low tide that's good. If you go after that, the waves usually are just hitting the rocks too hard and it can be dangerous to stand there. I always see tons of starfish (many different colors including orange, light blue, and purple), sea anemones (they are really fun to touch), mussels, crabs (little teeny black ones and bigger red ones), and even little fish swimming in the watery crags and crevices of the tide pool rocks. And I've spotted dolphins and whales from this beach. After an outing at Leo Carrillo, I always stop at this little food shack called Malibu Seafood, located just before you find yourself back at Malibu Canyon. It's totally no frills - you order food inside, wait for your number to be called, and find an open bench to sit down. My fave meals there are swordfish with rice pilaf and salad (the ranch is really good), fish and chips, clam chowder, or a pot of steamed clams in a nice broth.
Leo Carrillo State Park / Malibu photos by Lydia Marcus
As seen on my blog: fotonomous.blogspot.com/2008/08/tide-poolin.html
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Gabriël Metsu (1629–1667) was a Dutch painter of history paintings, still lifes, portraits, and genre works. He was "a highly eclectic artist, who did not adhere to a consistent style, technique, or one type of subject for long periods".[1] Only 14 of his 133 works are dated.
Gabriel Metsu was the son of Jacques Metsu (c. 1588 – March 1629) a tapestry worker and painter originally from Hainault, who lived most of his days at Leiden, and Jacquemijntje Garniers (c. 1590 – 8 September 1651), the widow of a painter with three children of her own.[2][3] It is not known when and where Gabriel was baptized; most likely in a Catholic hidden church but the baptismal records did not survive. Gabriel grew up on Lange Mare and his stepfather, a skipper, must have supported his education, because his mother was a poor midwife.
In 1648 Metsu was registered among the first members of the painters' guild at Leiden. In 1650 he ceased to subscribe. Metsu was possibly trained in Utrecht by the Catholic painters Nicolaus Knüpfer and Jan Weenix.[4]
Around 1655 Metsu moved to Amsterdam; he lived in an alley on Prinsengracht, next to a brewery and near his relatives, the children of the sugar refiner Philips Metsu.[5] In 1657 he got into an argument with a neighbor. (It was alleged that Metsu left a brothel at six in the morning.) Gabriel moved to a house on the canal side, where a daily vegetable market was held. In 1658 he married Isabella de Wolff,[6] whose father was a potter and mother the painter Maria de Grebber.
At the onset of the 1660s Metsu turned for inspiration to the art of the "fijnschilders" from his native Leiden. Metsu was responding to the market of Dou's paintings,[7] who sold his paintings all over for exorbitant prices. Metsu may have also influenced Pieter de Hooch.
For a while Metsu trained Michiel van Musscher and Joost van Geel. Metsu died at the age of 38 and was buried in the Nieuwe Kerk. Three bells were tolled; a habit in use with Dutch Catholics at that time. His widow left for Enkhuizen, to live with her mother. Isabella was buried in the Zuiderkerk in 1718. wikipedia
Prior to the construction of Waddesdon Manor, no house existed on the site. Ferdinand de Rothschild wanted a house in the style of the great Renaissance châteaux of the Loire Valley.[25] Ferdinand chose as his architect Gabriel-Hippolyte Destailleur.[26] Destailleur was already experienced in working in this style, having overseen the restoration of many châteaux in that region, in particular that of the Château de Mouchy.
Through Destailleur's vision, Waddesdon embodied an eclectic style based on the châteaux so admired by his patron, Baron Ferdinand. The towers at Waddesdon were based on those of the Château de Maintenon, and the twin staircase towers, on the north facade, were inspired by the staircase tower at the Château de Chambord.[27] However, following the theme of unparalleled luxury at Waddesdon, the windows of the towers at Waddesdon were glazed, unlike those of the staircase at Chambord. They are also far more ornate.
The structural design of Waddesdon was not all retrospective. Hidden from view were the most modern innovations of the late 19th century including a steel frame, which took the strain of walls on the upper floors, which consequently permitted the layout of these floors to differ completely from the lower floors.[28] The house also had hot and cold running water in its bathrooms, central heating, and an electric bell system to summon the numerous servants. The building contractor was Edward Conder & Son.[29]
After the Manor was completed in 1883, Ferdinand quickly decided it was too small. The Bachelors' Wing to the east was extended after 1885 and the Morning Room, built in late-Gothic style, was added to the west after 1888.[30] The stables to the west of the Manor were built in 1884. Ferdinand and his stud groom devised the plan, working with Conder. Destailleur designed the façades in a French 17th-century style.[31]
Wine Cellars[edit]
Wine Cellars
The Wine Cellars in the Manor were created during the Centenary Restoration and opened in 1994. They are modeled on the private cellars at Château Lafite Rothschild. More than 15,000 bottles are stored in the Cellars, some 150 years old, the majority from the Château Lafite Rothschild and Château Mouton Rothschild estates. It is the largest private collection of Rothschild wines in the world. There are also wine labels designed by artists such as Salvador Dali and Andy Warhol.[32]
World’s Best Surfers Ignite Aproador to Complete Round 1 of Billabong Rio Pro
APROADOR, Rio de Janeiro/Brazil (Tuesday, May 17, 2011) – After a week of lay-days, the world’s best surfers tore into consistently changing conditions at the lefthand pointbreak of Aproador to complete Round 1 of the Billabong Rio Pro.
Stop No. 3 of 11 on the ASP World Title Series, the opening day of men’s competition saw ASP Dream Tour veterans earn the day’s top scores while defending event winner Jadson Andre (BRA), 21, made an impressive entrance in the Billabong Rio Pro’s opening round.
Kelly Slater (USA), 39, reigning 10-time ASP World Champion, got off to a strong start to open his Billabong Rio Pro campaign. Slater unleashed two furious tail-drifting backhand turns to notch the day’s highest single-wave score of a 9.00 (out of 10) midway through his bout to overtake ASP World Tour rookie Julian Wilson (AUS), 22, and event wildcard Peterson Crisanto (BRA), 18, after nearly missing the start of his heat.
“That 9 felt good,” Slater said. “I went down to grab my jersey and there was some confusion. By the time I got out, the heat had already started and Julian got that first one. It wasn’t a good start. I knew there were going to be some good ones and I just had to be patient. That one good wave actually let me bottom turn and hit the lip, most of the waves were soft and had a lot of horizontals.”
Slater, who finished runner-up at the Billabong Pro last year, was also quick to admit that several goofy-footers will be tough to beat at the lefthander of Aproador and noted that the natural-footers will need to be especially selective in their wave choice at the Billabong Rio Pro.
“A little left like this is going to play well for goofy footers,” Slater said. “Owen (Wright) and Jadson (Andre) are probably frothing on it and licking their chops ready to go. We (natural footers) have been on our frontside at Snapper and Bells and now it’s their turn. We’ve just got to try and be smart. Mick (Fanning) looked good and there are waves out there to do it, you’ve just got to be smart.”
Taj Burrow (AUS), 32, opened his Billabong Rio Pro campaign with a sharp backhand attack by belting two Arpoador lefthanders to the tune of a 16.83 (out of 20) on his first two waves to earn the highest heat-total of the day. The Australian veteran notched his Round 1 heat win over dangerous Brazilian rookie Alejo Muniz (BRA), 21, and event wildcard Ricardo Santos (BRA), 20.
“It was kind of scary for a second there, right when they decided to start the competition the wind started howling, but then it cleaned up heaps,” Burrow said. “I got two fun ones at the start so I’m happy.”
Jadson Andre, defending event winner, reveled in Aproador’s lefthanders with a combination of aggressive carves and snaps to take a convincing Round 1 heat victory with the support of the Brazilian crowd behind him.
“I’m so happy to be here competing in Brazil and I love Aproador, I feel like a local,” Andre said. “I’ve competed here several times before and have friends here. I know everyone says I should feel pressure as defending champion, but I’m not worried about it. I’m just thinking about the next heat. That’s what I did last year.”
Mick Fanning (AUS), 29, two-time ASP World Champion, slowly built momentum in his opening Billabong Rio Pro heat, eventually igniting two lefthanders by combining a series of seamless backhand turns to notch a 15.07 heat total to advance directly through to Round 3.
“It was tricky trying to find the right one out there, but I watched the heat before and noticed that guys that were doing turns back-to-back were getting scores, so I tried to concentrate on that,” Fanning said. “They weren’t the biggest waves, but they just allowed three turns straight away.”
The Australian talent also expressed the importance of advancing directly through to Round 3 with Brazil’s ever-changing conditions.
“It’s really good to skip as many rounds as possible, especially here in Brazil where it can be really unpredictable,” Fanning said. “I’m stoked to get through Round 1 and I’ll go back and assess what’s going on and hopefully keep going.”
Billabong Rio Pro event organizers will reconvene at Aproador at 7am local time tomorrow morning for a possible Round 2 start.
To watch the Billabong Rio Pro LIVE log on to www.billabongpro.com
For additional ASP information log on to www.aspworldtour.com
Billabong Rio Pro Round 1 Results:
Heat 1: Owen Wright (AUS) 13.60, Heitor Alves (BRA) 7.67, Bobby Martinez (USA) 7.47
Heat 2: Adrian Buchan (AUS) 11.84, Adam Melling (AUS) 11.16, Kai Otton (AUS) 7.90
Heat 3: Taj Burrow (AUS) 16.33, Ricardo Santos (BRA) 11.17, Alejo Muniz (BRA) 10.60
Heat 4: Mick Fanning (AUS) 15.07, Simao Romao (BRA) 12.36, Dusty Payne (HAW) 11.66
Heat 5: Patrick Gudauskas (USA) 8.13, Jordy Smith (ZAF) 8.07, Igor Morais (BRA) 6.34
Heat 6: Kelly Slater (USA) 15.17, Julian Wilson (AUS) 14.37, Peterson Crisanto (BRA) 3.84
Heat 7: Jadson Andre (BRA) 14.33, Gabe Kling (USA) 10.66, Bede Durbidge (AUS) 7.90
Heat 8: Jeremy Flores (FRA) 13.56, C.J. Hobgood (USA) 10.80, Josh Kerr (AUS) 7.43
Heat 9: Damien Hobgood (USA) 12.00, Raoni Monteiro (BRA) 11.10, Tiago Pires (PRT) 10.93
Heat 10: Cory Lopez (USA) 11.54, Chris Davidson (AUS) 10.00, Michel Bourez (PYF) 8.57
Heat 11: Daniel Ross (AUS) 14.90, Adriano de Souza (BRA) 14.67, Kieren Perrow (AUS) 8.96
Heat 12: Taylor Knox (USA) 15.03, Matt Wilkinson (AUS) 14.70, Joel Parkinson (AUS) 8.34
Photo ASP/Scholtz
Smulyan has consistently been ranked as the Number 1 baritone saxophone player in the annual Downbeat Readers and Critics polls. He is considered the standard bearer of his generation for the baritone saxophone, Ref: en.wikipedia.org/wiki/Gary_Smulyan
GARY SMULYAN QUINTET presenta: “Tributo a Pepper Adams & Gerry Mulligan”
Mike LeDonne – piano
Joe Farnsworth – batería
John Webber - contrabajo
Gary Smulyan – saxo barítono
Invitado especial: Joe Magnarelli – trompeta y Paquito D’Rivera
Finca El Sosiego, Maldonado, Uruguay
Camera: Canon EOS 5D Mark II
Lens: EF135mm f/2L USM
Focal Length: 135 mm
Exposure: ¹⁄₂₅₀ sec at f/2.0
ISO: 400
If you read this, consider yourself TAGGED. Take your own pic, write 16 things about yourself, and send it to the group 16 things.
I saw this on Joey Harrisons stream, one of the most consistently interesting people I know on flickr (among many). I followed the links and found the group "16 things" and decided that 11Jan09, my 40th Birthday (or rather, the 3 days leading up to it) was a good time to do my own.
So here goes, in the order that they spring to mind:
1. I like taking random street photos. Most people don't "get it" and my girlfriend thinks it's creepy. Here on flickr, I have been able to find others who do the same thing, and now I don't feel so creepy anymore.
2) I am qualified for, and have worked randomly as, an IT specialist, a journalist, a record shop retail job, a community radio presenter & producer, and a public servant - although we don't really use the term "servant" anymore.
3) I am typing this at 7:30am, after waking up at 4:30am and not getting back to sleep again. I have obstructive sleep apnea, and have to wear a mask to bed, which pushes pressurised air down my throat and stops my windpipe from collapsing which would normally cause me to choke. I hate it. It's not sexy at all.
4) I once took guitar lessons for about 4 terms, and learned to read music and play notes on 5 of the 6 strings. I could play Let it Be and a few other songs, and I was getting good at it, then life interfered and I never got back to it. Yesterday I packed the guitar away after getting sick of seeing it gathering dust in the corner for the best part of 3 years. I sometimes wonder what that 6th string had in store for me.......
5) Over the past 3 years I have been slowly packing, organising, cleaning etc. I have found reminders and memories of all that I have been for my whole life. I am discovering things about my parents I never knew about. This house is now a tomb. The sorting-and-throwing process is very cleansing. The last 3 weeks of decluttering over Christmas has been particularly uplifting.
6) I would like to see community and society return to a more human scale, and this will only happen when we don't have abundant supplies of oil to build endless suburbs. When we begin to reorganise around our local communities, and rebuild societies, we will truly begin to enjoy interpersonal contact once more. Epidemics such as depression and anxiety will dwindle. I am lucky in that I live in a suburb which was built along a rail line, and it has developed around a station, with a shopping and cbd district of several blocks, along with many (albeit small and ageing) civic amenities and a mix of factory and trades employment.
7) I fancy myself as a bit of a gardner. I have tried corn, pumpkin, tomatoes, and not had much luck. In my next home, I am going to make sure we have a good sized yard for a vegge garden. If I had my way, I would spend my time growing my own food and feeding my family without resorting to supermarket food. I think working with your hands to grow the food you eat would have to be one of the most life affirming things you could do.
8) I have 3 bicycles. 2 Mountain bikes and an old racer. I don't use them as much as I would like. In my perfect world, we would all live within a few short minutes of our work, play, families etc. Our weekly shopping would be a short walk or cycle commute down to the shops. Refer to point 6.
9) My favourite place in Australia is
Tasmania. I have been twice. If you want a trip back in time, go and visit. You'll want to move there. While the rest of Australia has stopped being English and become American, Tasmania will always be Australian. Does that make sense? Everything is small scaled. People are friendly. Communities, history, social contacts all exist. If there is one place in Australia that will survive peak oil, it will be Tassie.
10) I am just old enough to notice how govt policies from the 60's and beyond, have changed the face of Australia, and particularly, the large cities. Housing is now no longer necessarily a spacious home on a 1/4 acre block. Where old fibro homes once stood, townhouses and villa complexes are being built. On a block where 2 or 3 people used to live, now 12-15 people live. In the past 3-4 years alone, approx 8 new restaraunts have opened up in my suburb. The church congregation is a mixture of ages and backgrounds, far from the white middle class it was 20-30 or so years ago. Nothing stays the same. The good side of this is that as previously mentioned, I live in a "traditional" suburb, where the new developments add value to the existing core. Rather than a new suburb, where there is nothing but Mcmansions, thrown out in endless culdesacs on former farming and pastureland.
Here is an example from another part of Sydney, Kellyville.
11) The older I get, the more of a luddite I become. While I enjoy my camera, recently bought a new computer and am in the market for a new MP3 "media centre" player, I would love to just spend my life raising chickens and vegetables, and kids. I think my single free bachelor days are coming to an end.
12) Like others have said or inferred, the 'net has expanded my creativity in some ways, but really killed it in others. Now that I have email, I don't write letters anymore. Now that I read and contribute to blogs and forums, I no longer sit down and write for the pleasure of it, and that skill has deteriorated. The internet has made words, music and visual media "cheap." Anyone with a keyboard is a writer. Anyone with a cheap digital camera is a photographer. etc.
13) My grandparents were Italian. They came from a small island off the coast of Sicily . I have been to Italy during a 2 month trip accross Europe in the 90's, but never visited the island my grandparents were born on. I would like to go there for a visit this year.
14) If the odometer on my car has 3 sixes in a row, I have to drive around the block a couple of times before parking it in the garage. It's particularly difficult when you are in the thousands, and the last 6 is the "hundred" 6, as it means you have to drive around the block for 100km so that you run it over to 667 and then you can get on with your superstitious life.
15) I met Bruce Springsteen once. It was the early 90's and he had a ponytail. I think he was going through his mid life (and post huge success) crisis. I would like to have that moment again, so I could be more adult about it, and not so much of a gushing fanboy.
16) This is harder than I thought.... I just finished watching Season 4 Part one of Battlestar Galactica. One of the best shows on TV at the moment, and probably the best sci-fi show of all time. This is what the Star Wars prequel trilogy should have been. After watching 4 1/2 seasons of this, I will never watch another Star Wars related movie or tv show again.