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Om nom nom!
Took shiptember to the Auckland brickshow to get the Squad photo, all ships were swooshed with no catastrophes! Hooray!
Every photo I'd ever seen of the LeSabre was with the top down. The Elegance at Hershey, June 9, 2019.
This is my entry for the rebrick McLaren design challenge.
The McLaren E1 Concept takes the known McLaren design language to a whole new level. While carrying the “form follows function” approach forward, it also incorporates design cues from Mclaren's rich racing history.
Like McLaren's famous Formula 1 cars the E1 Concept is a single seater high performance car, where the driver sits in the middle like in the legendary F1 road car. This allows the driver to position the car more precisely, while the car itself has a very narrow shape. Viewed form above the car is primarily shaped like a raindrop to allow best possible airflow and a minimal drag coefficient.
The front of the car is inspired by McLaren's current road cars, like the P1 or the 650S. It is wide and low with a round front profile. The headlights are shaped like the Mclaren logo and are attached to the hood as seperate sculptures. This gives the car a much greater road presence. The backwards facing hood scoop allows better airflow and is a homage to the McLaren M6GT road car.
The back of the E1 Concept mimics the look of McLarens Formula 1 cars. The rear wheel cases are separated from the main body. The two floating C-pillars connect them with the cockpit. The car features a massive rear wing, which is inspired by the F1 cars but is seemlessly integrated into the flow of the design architecture. The rear wheel suspension is fully exposed and since the E1 concept is a fully electric car, there is no need for exhaust pipes. The black painted wheels with red rims are another nod to the F1 race cars.
Libera dagli stereotibi e libera di esprimersi.
Supercontest: "Immagini e Pensieri"
Foto: Carlos Contreras
Maquiagem: Eric Maekawa
Modelo: Luana Cassola (Simone Lopes Model Management)
Assistente figurino: Lucia da Rocha
With two models, there's something for everyone.
I couldn't decide between convertible or coupe... so I decided not to.
Gallery eventually.
My ultimate goal was to do this in LARGE scale; alas, I am still just doing studies.......but, I am working on it
:D
This photo was taken on Amsterdam Ave, between 74th and 75th Street.
Even today, the majority of people who listen to music on their iPods or iPhones use the simple white-colored earphones provided by Apple; they're free, and the sound is adequate.
You could always spend more money, of course, to get big bulky headphones … which might or might not provide a substantially better quality of sound.
But if you want good sound, also want to look cool, then it's likely that you'll have the Beats Studio headphones identified by the red, lower-case "b" that you can see from a block away. Designed by famous rapper Dr. Dre, after "two years and hundreds of prototypes" of development. The ones being worn by the young woman in this photo will probably set you back about $250.
As for me, I'll keep using the free earphones. They're good enough ...
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This set of photos is based on a very simple concept: walk every block of Manhattan with a camera, and see what happens. To avoid missing anything, walk both sides of the street.
That's all there is to it …
Of course, if you wanted to be more ambitious, you could also walk the streets of Brooklyn, Queens, Staten Island, and the Bronx. But that's more than I'm willing to commit to at this point, and I'll leave the remaining boroughs of New York City to other, more adventurous photographers.
Oh, actually, there's one more small detail: leave the photos alone for a month -- unedited, untouched, and unviewed. By the time I actually focus on the first of these "every-block" photos, I will have taken more than 8,000 images on the nearby streets of the Upper West Side -- plus another several thousand in Rome, Coney Island, and the various spots in NYC where I traditionally take photos. So I don't expect to be emotionally attached to any of the "every-block" photos, and hope that I'll be able to make an objective selection of the ones worth looking at.
As for the criteria that I've used to select the small subset of every-block photos that get uploaded to Flickr: there are three. First, I'll upload any photo that I think is "great," and where I hope the reaction of my Flickr-friends will be, "I have no idea when or where that photo was taken, but it's really a terrific picture!"
A second criterion has to do with place, and the third involves time. I'm hoping that I'll take some photos that clearly say, "This is New York!" to anyone who looks at it. Obviously, certain landscape icons like the Empire State Building or the Statue of Liberty would satisfy that criterion; but I'm hoping that I'll find other, more unexpected examples. I hope that I'll be able to take some shots that will make a "local" viewer say, "Well, even if that's not recognizable to someone from another part of the country, or another part of the world, I know that that's New York!" And there might be some photos where a "non-local" viewer might say, "I had no idea that there was anyplace in New York City that was so interesting/beautiful/ugly/spectacular."
As for the sense of time: I remember wandering around my neighborhood in 2005, photographing various shops, stores, restaurants, and business establishments -- and then casually looking at the photos about five years later, and being stunned by how much had changed. Little by little, store by store, day by day, things change … and when you've been around as long as I have, it's even more amazing to go back and look at the photos you took thirty or forty years ago, and ask yourself, "Was it really like that back then? Seriously, did people really wear bell-bottom jeans?"
So, with the expectation that I'll be looking at these every-block photos five or ten years from now (and maybe you will be, too), I'm going to be doing my best to capture scenes that convey the sense that they were taken in the year 2013 … or at least sometime in the decade of the 2010's (I have no idea what we're calling this decade yet). Or maybe they'll just say to us, "This is what it was like a dozen years after 9-11".
Movie posters are a trivial example of such a time-specific image; I've already taken a bunch, and I don't know if I'll ultimately decide that they're worth uploading. Women's fashion/styles are another obvious example of a time-specific phenomenon; and even though I'm definitely not a fashion expert, I suspected that I'll be able to look at some images ten years from now and mutter to myself, "Did we really wear shirts like that? Did women really wear those weird skirts that are short in the front, and long in the back? Did everyone in New York have a tattoo?"
Another example: I'm fascinated by the interactions that people have with their cellphones out on the street. It seems that everyone has one, which certainly wasn't true a decade ago; and it seems that everyone walks down the street with their eyes and their entire conscious attention riveted on this little box-like gadget, utterly oblivious about anything else that might be going on (among other things, that makes it very easy for me to photograph them without their even noticing, particularly if they've also got earphones so they can listen to music or carry on a phone conversation). But I can't help wondering whether this kind of social behavior will seem bizarre a decade from now … especially if our cellphones have become so miniaturized that they're incorporated into the glasses we wear, or implanted directly into our eyeballs.
Oh, one last thing: I've created a customized Google Map to show the precise details of each day's photo-walk. I'll be updating it each day, and the most recent part of my every-block journey will be marked in red, to differentiate it from all of the older segments of the journey, which will be shown in blue. You can see the map, and peek at it each day to see where I've been, by clicking on this link
URL link to Ed's every-block progress through Manhattan
If you have any suggestions about places that I should definitely visit to get some good photos, or if you'd like me to photograph you in your little corner of New York City, please let me know. You can send me a Flickr-mail message, or you can email me directly at ed-at-yourdon-dot-com
Stay tuned as the photo-walk continues, block by block ...
Vous trouverez ce concept car dans le concessionnaire Peugeot des Champs Elysées. Ici, traitement HDR avec léger jeu de saturation et de luminance.
You'll find this concept car in the Peugeot dealer of Champs Elysées in Paris. Here, I processed in HDR with a lightly game of saturation and lights.
Once I have more Buddhist artwork on my back I want to move this idea into a more interesting location, and juxtapose the peaceful artwork with the weapons and pose.
Obviously, the pose needs work. I hate being in front of the camera with an incredible passion.
Concept art done for Installation 01, a Halo fan game. These were revealed in our new media page on our recently revealed website installation01.org/media
Kia Provo concept. Geneva Motor Show 2013.
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Nature, travel, photography: MY YOUTUBE CHANNEL
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Renault Trezor Concept at the "Mondial de l'Automobile", Paris 2016.
SONY A77 II
f/2.2
ISO-200
1/400 sec.
35mm
DISCLAIMER
Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!
Some background:
The MiG-37Sh (Sh = shturmovik) was a heavily modified version of the basic MiG-37 stealth attack and reconnaissance plane. Dissatisfaction with the basic MiG-37 sans suffixe in the air-to-ground role, esp. due to its limited internal weapon load and agility at low level of flight, and the need to replace the ageing Russian MiG-27 and early Su-25 fleet after the millennium led to a further and radical development of the basic airframe, while keeping the proven stealth features.
The resulting 'Sh' variant was consequently optimized for all-weather ground attack, with a focus on a high chance of survival in front line service as well as an improved low-level handling and loiter time.
The 2nd generation 'Sh' prototype flew in summer 1999. A small number of MiG-37Sh has been built since, and in the long line of the MiG-37 development the aircraft received the NATO code ‘Ferret G’. Probably 20 of these machines serve alongside 1st generation versions of the MiG-37. Lack of funds seems to hamper large-scale production, even though the type already proved its effectiveness, e .g. in the Chechen conflict (see below).
Most visible difference of the new 'Sh' to its predecessors was a completely new wing. This new design featured a bigger wing span, lower sweep, a much higher aspect ration and also a much bigger profile. This new wings, together with the type's typical medium grey RAM surface coating, quickly earned it the nickname ‘бе́лая сова́ ‘ (‘Snowy owl’).
The new wings' anhedral had to be strongly reduced and the bigger internal wing space not only allowed additional fuel tanks to be integrated.
The more rigid wing structure now also allowed the optional attachment of two hardpoint per wing for external ordnance loads, the inner ones being able to carry 1.000kg, the outer ones 500kg. The inner pair is ‘wet’ for PTB-800 drop tanks in ferry configuration, there seems to be no provision for an IFR probe installation. But compared to the 1st generation MiG-37 versions, this new feature considerable expands the offensive potential, esp. for long range deployment or when the plane is simply on a non-stealthy mission.
Another new feature was a downward-sloping nose profile for improved pilot visibility. It also holds the highly effective Kyra-23 laser-television sighting system, which includes an A/W TV camera, a missile guidance antenna and integrates an S-31E2 KOLS, a combined laser rangefinder and IRST. This system more or less replaces an active, radar-based fire control system and is also installed on MiG-29 and Su27 interceptors. It provides exceptional gun-laying accuracy and is used for both air-to-ground guidance as well as to track and combat low-flying planes, helicopters and even cruise missiles.
The Mig-37Sh's PrNK-23K nav/attack system was borrowed from the sophisticated MiG-27K. It provides automatic flight control, gun firing, and weapons release. The capabilities of the aircraft in the ASM role are being enhanced by the incorporation of modern avionics systems consisting primarily of two Multi-Function Displays (MFDs) Mission and Display Processor (MDP), Sextant Ring Laser Gyros (RLG INSI), combined GPS/GLONASS navigation, HUD with UFCP, Digital Map Generator (DMG), jam-resistant Secured Communication, stand-by UHF communication, data link and a comprehensive Electronic Warfare (EW) Suite. A mission planning and retrieval facility, VTR and HUD Camera are also fitted.
The aircraft retains stand-by (conventional) instrumentation, including artificial horizon, altimeter and airspeed indicator, to cater for the failure of HUD and the MFDs. The modified plane also received much-improved electronic and Infra red countermeasure (ECM & IRCM) systems, including an SPO-15 radar homing & warning system (RHAWS) and an SO-69 identification-friend-or-foe (IFF) transponder.
Additional kevlar cockpit armour plates were installed. The undercarriage was revised to facilitate operation from poorer-quality airfields. It has a much simpler design and also allows more room under the plane for easier maintenance.
In order to improve agility, the MiG-37Sh received two Klimov RD-33MK turbofans (the same as used in the MiG-29MK, without afterburner and a special nozzle arrangement which adds cold air for a reduced IR signature) and modified vectored trust nozzles. The latter are still 2D, as featured on the original MiG-37 design, but can now move independently so that roll and slow speed manoeuvrability are considerably enhanced – the MiG-37Sh is not solely a ground attack aircraft, it is also supposed to take on attack helicopters and even cruise missiles near ground level. Rumor has it that its agility is immense, largely limited by the g-forces the pilot can accept.
With the emphasis on strike and low-level attack requirements, a fixed single-barreled GSh-30-1 30mm cannon with 300 rounds was installed in a shallow fairing under the plane’s starboard belly. It features a closable nozzle, so that the radar and also IR signature of the weapon is minimized – it is only exposed when actually made ready to fire.
Compared to the MiG-37 sand suffix, provisions were made to mount more weapons, mainly missiles and precision-guided munitions against ground targets. Self defence and limited air-to-air capability was also on the designers’ agenda. Therefore, and thanks to the bigger fuel capacitiy in the bigger wing tanks, two additional internal weapon bays could be incorporated into the lower wing roots.
These are to store a single, compact R-60/AA-8 "Aphid" IR missile each, leaving the original weapon bays free for offensive armament like a single KAB-500 guided bomb in each of them.
Overall, the offensive potential of the ‘Sh’ variant increased tremendously compared to the 1st generation MiG-37 types: thanks to its uprated engines and the new wings with greater lift, the MiG-37Sh can carry up to 3 tons of weaponry, about 40% more than the original MiG-37 sans suffix. It is able to deliver strikes with much more accuracy, in all weather conditions and with a much higher chance of survivability in hostile environment.
MiG-37 actively took part in the Russian Army's operations against rebels in the Chechen Republic. In December 2000, a pair of early production MiG-37Sh from Lipetsk-based 970 IISAP (Instructional & Test Composite Air Regiment) arrived to the area, accompanied by several Su-25, to provide reconnaissance and target designation in the conflict theatre.
The MiG-37Sh were quickly thrown into action: On 6 January 2001, the MiG-37Sh used live weapons against a real enemy for the first time. On 9 January, at the entry into a mountain gorge in the area of a settlement named Komsomolskoye, a single MiG-37Sh used Kh-29L missiles to destroy a warehouse full of ammunition belonging to Chechen insurgents.
On 6 February, in the forest-covered mountain area to the south of the village of Tsentoroj, the strike group composed of two MiG-37Sh and two Su-25 discovered and, from a range of 3 km, destroyed a fortified camp of insurgents using KAB-500L guided bombs.
14 February, saw a similar strike group carrying out a "hunting" mission in the area of Oak-Yurt and Hatun. In difficult conditions, pilots found and destroyed eight targets. These missions tested the type's airframe, as well as its on-board systems and armament. Its successful performance in difficult, mountainous terrain once again confirmed the usefulness of the many advanced features of the MiG-37Sh design, including its power and manoeuvrability.
It is unclear if the type has been used in combat since, e .g. in Afghanistan. It has participated in a number of exercises, though, including "Boundary 2004" which took place on the Edelweiss mountain range in Kyrgyzstan, in August 2004. Once again the "Ferret G" demonstrated its advantages by operating at a high altitude and an air temperature of more than 30 °C. Among other sorties, a single MiG-37Sh provided cover for the landing of troops, taking down two Ka-50 helicopters in mock air combat, and then successfully worked on ground targets using its precision weapons as well as unguided rockets.
General characteristics:
Crew: 1
Length: 53 ft 6 in (16.34 m)
Wingspan: 43 ft 1 1/2 in (13.18 m)
Height: 10 ft 9 in (3,24m)
Empty weight: 24.250 lbs (11.000 kg)
Loaded weight: 33.730 lbs (15.300 kg)
Max. takeoff weight: 39,690 lbs (18.000 kg)
Performance:
Maximum speed: 610 mph (980 km/h)
Range: 1.030 miles (1.650 km)
Service ceiling: 39.400 ft (12.000 m)
Rate of climb: 12.960 ft/min (72 m/s)
Engine: 2 Klimov RD-33MK turbofans w/o afterburner rated at 53.0 kN (11,900 lbs.), fitted with 2D vectored thrust nozzles
Armament:
1× GSh-30-1 30mm cannon with 300 rounds .
Four internal weapon bays (two bays for a single AA-8 "Aphid" or a twin ‘Igla’ light air-to-air missile starter; two bays in tandem fore and aft the main gear wells for various weapons incl. guided missiles and bombs).
Four external hard points (2 under each inner wing); total internal and external weapon ordnance 3.000kg.
Five UV-26 dispensers in the tail section (w. 120 chaff/flare cartridges in each pod)
The kit and its assembly:
I guess that everyone who is into whiffy model is familiar with Italieri’s fantasy MiG-37B kit from 1988, and I already built 3 of them since then.
Nevertheless, with my recent interest in Soviet/Russian air industries I felt an itch to build another (better) one, this time with major modifications. Esp. the stubby wings and the senselessly wide and low MiG-23-style landing gear had always been points that did not truly convince me. And since I had such a kit in 1:72th scale in store, I took action.
Surprisingly, you find a lot of individual conversions of the ‘Ferret E’ kit in the Internt. Many are colourful, but few are IMHO convincing as a complete work, lacking thought about the plane’s concept or mission. So, here’s my take on it, the ‘Snowy Owl’ version. All in all I wanted to present a realistic and optimized ground attack plane, based on the original and pretty interesting MiG-37 design, pushing my personal “Sh” version towards Su-25, MiG-27 and even Su-24 ground attack aircraft.
Most obvious change concerns the wings. These were taken from an F-117 donation kit, a horrible thing (probably the early Revell kit) that a friend gave me. Installing them to the fuselage was tough, since they are much thicker than the original, stubby wing spades!
A new landing gear, borrowed from an F-18, and a new nose section (built from scratch & putty and inspired by the installation on MiG-27 fighter bombers) were further changes. Other modifications include additional weapon bays for short range AAMs under the wing gloves à la F-22, the narrow gun fairing nect to the front wheel well and the auxiliary air intake doors on the upper side.
The engine exhaust area has been modified, since I wanted to get away with the original tabletops that are supposed to be vectored nozzles(?). I added some side panels, made from styrene sheet, as well as a central divider, which now offers space for some warning sensors and chaff dispensers. The vectored nozzles were re-built from the original parts as well as styrrene profiles.
Minor changes were made to several antennae and sensors all around the plane. The cockpit was left more or less OOB – it is pretty detailed, and together with the landing gear one of the original kit’s highlights. I just added a Matchbox pilot figure and some details behind the ejection seat.
The weapons come from the scrap box: the AA-8's belong to the ESCI Ka-34 whif Hokum helicopter, the guided bombs are fantasy weapons built from scratch.
Painting/Finish
A tough task from a creative point of view. I neither wanted the stereo-typical all-black stealth look, nor a Russian tactical paint scheme (even though the latter would have been appropriate for the aircraft's role).
A Flanker scheme or even the garish Su-34 ‘Greenbottle Fly’ look also did not seem appropriate, as well as the Su-24-inspired light grey/white livery which is suggested in the OOB kit.
Since I wanted something murky and mysterious, still with a kind of prototype look, I finally settled on two simple grey tones: a uniform medium grey for the upper sides (Testors 2059, 'Dark Sea Grey') and for a twist, a dark grey for the undersides (Testors 1592, RAL 7021 'Schwarzgrau').
I find that such simple designs make a whif plane much more realistic than flamboyant colours or weird paint schemes – leave this to “real” planes in whiff guises. Another factor for this all-grey livery is that I wanted to use the (many) light grey OOB stencil decals, making them stand subtly out against the darker shades below. Lighter shades of grey and ochre were used for antennae, di-electric covers and the wings' leading edges.
The cockpit was painted in typical Russian Blue-Green, air intakes, air brakes and the landing gear with its wells were, after consulting pictures of modern Russian fighters, painted in Barley Grey (Humbrol 167).
The wheels received dark green disks (Humbrol 149), the bomb/missile bays were - as a contrast - painted in a chromate primer color (a mix of Humbrol 81 and 225, Olive Yellow and Mid-Stone), a detail I found on photographs of Tu-95 and Tu160 interiors. Looks weird, but: why not?
Unfortunately, the final matte varnish ended in a minor disaster: I used a water-based, acryllic matt varnish (for a VERY matt finish), but it reacted with both some decals and the enamel paint, not certain why? Probably not enough stirring, and the Begemot decals seem to be very sensitive to humidity and setting solution.
Originally, the machine sported neat low-viz Russian insignia (just red outlines for the stars, featured e .g. on Suchoi’s T-50/PAK FA prototype) from a Begemot decal sheet (called “Demo Flankers” – it is massive, featuring decals for almost 20 prototypes with all markings and the respective paint schemes in a booklet!). They looked great, but crincled under the matt varnish and had to be scraped off, together with some other Begemot decals.
Hence, the final finish of the kit is not the best, I tried to save as much as possible. Since I did not want to invest into another aftermarket decal sheet, I used the light and dark red, opaque Red Stars without outlines from the original Italeri decal sheet. With the light and dark grey as backgorund the result is O.K., but I had another outcome envisaged. :(
All in all, though, a small but catchy project. Not as good as planned, but an attempt to make more of the wacky Italeri MiG-37 than just another black piece of charcoal.
Here are some really interesting pics of the character concepts from out favourite show - Winx Club!
In my opinion Rainbow should finally stop Winx Club and stop to make more shitty seasons and movies.... I REALLY WOULD DIE for a Winx "Movie" where Rainbow shows the full development of Winx Club. From the very first ideas, character concepts and more deleted scenes and informations about Magic Bloom [1999].
If you don't know Magic Bloom here is a little Video:
www.youtube.com/watch?v=61Nr5MfW2Vs
And some deleted scenes from Season 1(You can see a few of them in the 4Kids Opening of the first Season):
All Credits to Rainbow.
My dream car. I can't wait for this. Hopefully since we saw the concept in Canada then maybe we will finally see the final car here.