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Following a same simple pattern I tried design many dresses or combinations for women fighters or princesses. They were done in 2003. I used a mix of pencils, markers and for some even nail polish.
I plan use some of them soon in MOCs.
Milk & Bone
FEQXP présenté par Bell
Concept original du Festival d'été de Québec
17 septembre 2020
Crédit: Nicolas Padovani, ecoutedonc.ca
concept shoot for Deadly Dessert magazine....Maleficent...Einstein in Paul C Buff beauty dish front light, 3 red gel lights on backdrop, 2 green gel rim lights at bottom of frame and 2 purple gel rim lights at models head/shoulder area.
The Rimac Concept One - a Croatian-built fully electric hypercar producing over 1000 horsepower - on display on Cannery Row in Monterey during the Exotics on Cannery Row event of Monterey Car Week.
STAR WARS FANS! Check out some of my fun movies that are sure to please!
Star Wars: Episode VII Teaser Spec Trailer
(video pitch for our feature length trailer that's now in production for 2014)
(scene to the sequel of the Emmy winning film "Star Wars: Uncut)
(music video style video highlighting the con attendees featuring The Fighting 501st: Vader's Fist, a legion of Manalorians and Ted the Ewok)
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Never before seen early concept Star Destroyer model.
При первом же знакомстве с хозяйками у нас возникла некая кинематографическая ассоциация. Три женщины разного возраста и занятий каждый день собираются на кухне, чтобы провести вместе вечер, поговорить и расслабиться. Здесь же принимают гостей. Мы вспомнили свое путешествие в Испанию и фильмы Альмодовара.
Занимаясь проектированием, мы с самого начала хотели сохранить структуру пространства, которая сложилась «исторически». Расположение рабочих поверхностей осталось прежним, только структуру мы сделали чуть логичнее.
Таким образом, кухня стала занимать две стены. Одна из них условно относится к зоне кухни (сюда же перенесли холодильник), другая – к зоне гостиной (здесь у нас встроенная кофемашина, телевизор и все, что необходимо для приема гостей).
Главную задачу мы видели именно в том, чтобы четко вписаться в пространство, интегрировать туда кухню и спрятать шахту коммуникаций. Именно отсюда и появился угол в 90 градусов, ведь само пространство представляет собой квадрат.
Чтобы вход на кухню был удобен, мы предусмотрели скрытые ручки, такие, как используют на яхтах, а над входом разместили дополнительную вентиляцию.
Обеденный стол оставили на том же месте, но изменили его конфигурацию. Вся мебель в этой зоне делалась на заказ из массива дуба специально для нашего проекта.
Что касается декора, то мы хотели сделать его ярким и даже южным, потому что светло на этой кухне бывает редко, окна выходят на северную сторону. Так появилась яркая плитка на стенах, часы в виде солнца и насыщенный голубой цвет в интерьере.
Сама же кухонная мебель лаконична и даже немного аскетична, цвета «беленый дуб». То есть мы пытались создать образ вполне традиционный, отсюда и традиционные материалы – много плитки и дерева. Но этот дизайн одновременно модный и современный: кухонная техника черного цвета создает контраст и отсылает к стилю модерн. Именно поэтому мы ввели в интерьер и другие предметы черного цвета – большой стальной абажур и пластиковые кресла.
Kia's concept car, Provo, introduced at the 2014 Canadian International Autoshow.
Find out more on Kia Canada Facebook page: www.facebook.com/kiacanada
Meet the Kia with the below:
Website: www.kia.com
Facebook: www.facebook.com/kiamotorsworl...
Twitter: www.twitter.com/kia_motors
Google+: plus.google.com/+KiaMotorsWorl...
Flickr: www.flickr.com/kiamotorsworldw...
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2x elinchrom 600rx flash.1x top of camera, 1x from right side.skin cuts,make-up,cat,spider is added on post.
Post Processing with ps cs4. about 4 hours working.
Working on logo concept
Thank you for the feedback!
unecessary effects were removed to a much simplier version.
This is a Web only version!
SAN FRANCISCO, CA.- On August 28, the de Young opens a new permanent exhibition in the Art of the Americas galleries, entitled, Yua, Spirit of the Arctic: Eskimo and Inuit Art from the Collection of Thomas G. Fowler. The word yua means spirit or soul. Its prominence in the title reflects the widely shared Eskimo/Inuit concept that all living things in the natural world, even inanimate objects possess a spirit or a soul that must be honored.
The outstanding artworks on view are all gifts to the museum from the Estate of the late Thomas G. Fowler (1943–2006), a multitalented artist, designer, collector and businessman. During his lifetime, he made many trips to Alaska, creating a comprehensive collection of rarity and scope that is unique in the Western United States. It was always his wish to share the collection with the widest audience possible. The collection is an excellent addition to the de Young Museum’s West Coast Native American holdings. “Not only does the Thomas G. Fowler Collection enhance our Native American holdings, it is a perfect complement to the Museum’s world-class collection of the arts of New Guinea, Africa, and the Americas,” says John E. Buchanan, Jr., director of the Fine Arts Museums of San Francisco.
The Installation
The inaugural exhibition includes nearly 100 objects from approximately 3rd century B.C. to the contemporary era, representing both the aesthetic and the utilitarian sensibility of Arctic life. Objects include figures, baskets, bowls, tools, pipes, boxes, snuff containers, snow goggles, kayak models, cribbage boards, animal carvings, dolls, and stone sculptures in a variety of materials, such as ivory, whalebone, walrus tusk, sea mammal intestine, wood, fiber, and stone.
Yua, Spirit of the Arctic contains intriguing pieces whose original uses range from ceremonial to recreational. One notable object is a model of a Kashim, or dance house, with eleven dancers and musicians performing to maintain the balance the community against the uncontrollable forces of nature and spirits that govern their survival. Another rare piece is an ornately carved, late 19th-century ivory cribbage board from Nunivak Island, detailing a large number of animals that appear to be eating each other, perhaps a stylized depiction of the life cycle.
This installation also includes a selection of pots gifted from Paul and Barbara Weiss. Over the last ten years, Paul and Barbara Weiss have traveled throughout the Southwestern United States, carefully selecting outstanding examples made by prominent Pueblo potters. The oldest pots come from the venerated pueblos of Acoma, San Ildefonso, and Hopi.
Eskimo and Inuit History
Many scholars believe the ancestors of the indigenous peoples of the North migrated to Alaska over the Bering Land Bridge more than 4,000 years ago and apparently lived in relative isolation until their first encounters with Europeans in the 16th century. In 1867, the United States purchased Alaska and whalers, fur trappers, and missionaries came to the area, bringing Western culture.
These foreign visitors purchased Inuit and Eskimo objects as souvenirs and as a result, the native people began to create varied pieces for trade with the foreigners. During the 19th century, most of the Inuit artwork was made specifically for sale or early tourist trade. Today, the practice of creating art for sale continues.
Thomas G. Fowler
Thomas G. Fowler, from Stamford, Connecticut, was more than an avid collector; he was an artist, designer, illustrator, outdoorsman, and traveler. He had a lifetime appreciation for the Far North and embraced the Inuit aesthetic and culture. His collection started in the 1970s with his first piece of Inuit art, and led to the founding of the Inua Gallery and the 400-piece large Thomas G. Fowler Collection. In 1975, he started a major graphic design firm in Connecticut, Tom Fowler, Inc; which in 2008 updated its name to TFI Envision, Inc.