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Ha! Atlast could make a heart..
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I use Apophysis to make these fractals..
If needed, I slightly tweak the rendered images in Photoshop..
This 3D model was created in Autodesk Maya 2009 and rendered with Mental Ray. This model is based on the Black Costume Spider-man Minimate toy.
OK, so the reason I've been so slack with posting this week is because I've really been getting back into my 3D design work again.
This image is totally computer generated, there is nothing real in it.
This is a map of the complex plane showing the roots of the equation z^8+1=0 determined using Newton's Method. Each pixel was colored for which of the eight roots it converged to. The color is darker the more quickly it converged.
A simple polka dot bow image and a fractal program can make a nice combination don't you think ?
Second image and fractal combination but the first I really like that I have made...
collaborative documentary in situ of the salon exhibition, the study gallery of modern art, poole (04-08 nov)
This bodypainting pattern is conceived to do with henna or khidab, the Yeminite gall ink. I will make for a Hungarian bride henna and khidab like I did it for Hella last year and she commissioned a design that will using Hungarian embroidery elements
You can buy/download this pattern as a single PDF copy at www.henna-und-mehr.de/de/bestell5.html(German) .
and also at www.henna-und-mehr.de/franz/bestell5.html (French)
Pen Pynfarch by Lizzie Sykes.
ARTIST STATEMENT
"At the core of my work is the moving image. Other dynamic forms I work
with are dance, landscape and recently sound... combined with video. I love
the concept of cameras. The physical, immediate, sometimes playful nature
of the work means that now and then I need to create cameras, or bits of
cameras, to achieve the response in myself and an audience that I’m looking
for.
"Ultimately, the films are all collaborations that evolve from a response to an
initial idea. That starting point is the beginning of an organic process where
I develop and devise an idea, one that often changes out of all recognition by
working at it physically, on location."
Collaborative documentary in situ of the salon exhibition, the study gallery of modern art, poole (04-08 nov)