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Ball Cam is an innovative camera-in-a-ball that Lizzie Sykes invented. She uses the cam in collaboration with dancers to produce a series of highly original dance/video pieces in which the dancers themselves are able to control the camera. These are photos of 'Compass' - a live perfomance event by Olu Tawio and Lizzie Sykes that took place at the exhibition.
ARTIST STATEMENT
"At the core of my work is the moving image. Other dynamic forms I work
with are dance, landscape and recently sound... combined with video. I love
the concept of cameras. The physical, immediate, sometimes playful nature
of the work means that now and then I need to create cameras, or bits of
cameras, to achieve the response in myself and an audience that I’m looking
for.
"Ultimately, the films are all collaborations that evolve from a response to an
initial idea. That starting point is the beginning of an organic process where
I develop and devise an idea, one that often changes out of all recognition by
working at it physically, on location."
Collaborative documentary in situ of the salon exhibition, the study gallery of modern art, poole (04-08 nov)
Before my new job and - waiting for new PC - hiatus I started to get into using Blender to create some pretty maps/hillshading/landscapes.
Well, I enjoyed it so have returned. This is a work in progress, but I quite like it. Its an improvement on my earlier hillshading attempts but some work to do (floating roads is something I've just noted).
Trying to replicate some of the work of this gentlemen:
owenpowell.wordpress.com/category/blender/
His landscapes look PDG (I'm rubbish at coming up with my own ideas!!). Not going for photorealism, just a pleasing image and intellectual challenge.
This uses:
* EA 1m Lidar Data
* OS Opendata for roads, rivers, buildings, water, woodland area (sets the location for my basic tree model)
* QGIS for clipping and converting the data
* Blender for processing and for creating my blob like trees (inc. BlenderGIS addon)
* Photoshop for tweaking.
Ball Cam is an innovative camera-in-a-ball that Lizzie Sykes invented. She uses the cam in collaboration with dancers to produce a series of highly original dance/video pieces in which the dancers themselves are able to control the camera. These are photos of 'Compass' - a live perfomance event by Olu Tawio and Lizzie Sykes that took place at the exhibition.
ARTIST STATEMENT
"At the core of my work is the moving image. Other dynamic forms I work
with are dance, landscape and recently sound... combined with video. I love
the concept of cameras. The physical, immediate, sometimes playful nature
of the work means that now and then I need to create cameras, or bits of
cameras, to achieve the response in myself and an audience that I’m looking
for.
"Ultimately, the films are all collaborations that evolve from a response to an
initial idea. That starting point is the beginning of an organic process where
I develop and devise an idea, one that often changes out of all recognition by
working at it physically, on location."
Collaborative documentary in situ of the salon exhibition, the study gallery of modern art, poole (04-08 nov)
Canon EOS 500D+EF50mm f/1.8 II.
12mm+20mm Extension tubes.
F5,1/500,ISO200,Manual focus,Handheld.
Dedicate to Vanila Balaji.
This is a screenshot of the output of a tiny Python program which draws lines which change direction when they reach the edge of their containing area. Sometimes they escape and all hell breaks loose, but usually they find their way back.
Take a close look, real close look in the large size: Large Szie
This is from one of my earlier photos ( www.flickr.com/photos/vidular/2508346651/ ) created from a mosaic of my other photos in my wildlife, flowers and NYC photo sets.
Thanks to Gregory ( www.flickr.com/photos/photomastergreg/ ) for showing this technique and the free software to easily create these mosaics: Andrea Mosaic