View allAll Photos Tagged Compose
Composing this was a real labour of love, just when I thought it was all lined up I then spotted something a little out. I don't think its perfect but its as close as I think you can get it. A big thank you to Whitley's for granting permission.
Really not had much time for Flickr or photography recently so apologies if I have not commented on your recent work.
Have a great Sunday!
This image was composed of 23 frames. The challenge was to achieve the perspective arrangement and to make the shadows appear somewhat realistic.
--- Strandleben ---
Dieses Bild wurde aus 23 Einzelbildern zusammengesetzt. Die Herausforderung war dabei, die perspektivische Anordnung zu erreichen und die Schatten einiger maßen realistisch erscheinen zu lassen.
sunny lettuce, avocado, olive, cheese, macadamia nut, boiled pork, red onion, tomato, shallot, deviled egg, apple vinegar
Ever composed and graceful, Lysette carries an air of quiet wisdom that sets her apart. A steadfast friend to Eiravelle, she offers gentle counsel and unwavering support, her presence a steady anchor amidst uncertainty. With a keen eye and a discerning mind, Lysette is always watching out for those she cares about, anticipating dangers both seen and unseen. She helps Eiravelle navigate the treacherous currents of courtly intrigue, offering guidance with a soft-spoken strength that belies her gentle demeanor.
Sisters of Opposing Magic - The Perilous Path by Me, if I ever get it finished
Collage composed of 2 photos
The Barnacle Goose (Branta leucopsis) belongs to the genus Branta of black geese, which contains species with largely black plumage, distinguishing them from the grey Anser species.
The Barnacle Goose is a medium-sized goose, 55 - 70 cm long, with a wingspan of 130 - 145 cm and a weight of 1.2 - 2.2 kg. It has a white face and black head, neck, and upper breast. Its belly is white. The wings and its back are silver-gray with black-and-white bars that look like they are shining when the light reflects on it. It flies in packs and long lines, with a noisy chorus of barking or yapping sounds.
Barnacle geese feed on grasses and coastal plants found in salt marshes, grasslands near river estuaries or tidal mud flats.
The wintering population (130.000 birds) in the Netherlands breeds in Arctic Russia and the Baltic.
This picture was taken at the Lauwersmeer, a man-made lake in the north of the Netherlands, on the border of the provinces of Groningen and Friesland. The lake was formed on 1969, when the dike between the bay called Lauwerssea" and the Waddensea was closed. The Lauwersmeer is now one of the famoust birding areas in Western Europe. The area is famous for the huge numbers of birds. During the winter months the Lauwersmeer is famous for the huge numbers of geese. You will see thousands of Barnacle Geese, White Fronted Geese, Greylag Geese and also good numbers of Bean Geese, Brant, Tundra Swan and Whooper Swan.
De brandgans (Branta leucopsis) is een sterke ongeveer 60 cm grote gans, die weinig of geen last ondervindt van vriesweer, met geelachtige witte kop, waarvan de achterzijde zwart is, met een zwarte nek en bovenborst. Als deze gans tijdens de winter aan de Nederlandse kust opduikt, worden ze al vlug verraden door het wit van hun wangen dat fel afsteekt op het zwart van de kop en hals.
Hun broedgebied is het noordelijk deel van de Atlantische Oceaan, van de oostkust van Groenland tot Spitsbergen en het zuiden van Nova Zembla. Het wintergebied bevindt zich vooral aan de kusten van Ierland, de westkust van Schotland en de Noordzeekust van Duitsland en Nederland.
De Nederlandse overwinteraars komen vooral van Nova Zembla.
De laatste jaren blijven grote groepen brandganzen in Nederland en zijn dus het hele jaar door op Nederlandse graslanden te vinden.
Deze foto is genomen bij het Lauwersmeer, op de grens van Groningen en Friesland bij de Waddenzee. Jaarlijks met meer dan 100.000 vogels een van de grootste en belangrijkste overwinterengebieden voor brandganzen in Nederland.
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All rights reserved. Copyright © Martien Uiterweerd (Foto Martien).
All my images are protected under international authors copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without my written explicit permission.
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Composé d’un parc de plusieurs hectares, de jardins variés et d’œuvres monumentales, mais aussi d’un château normand du XIXe siècle qui abrite des expositions, le Centre d’art contemporain est un lieu atypique de la campagne rouennaise.
Le château se situe dans un parc de 6 hectares avec des univers différents qui évoluent au rythme des saisons : le jardin japonais, le jardin des cinq chambres, l’arboretum et la roseraie Renaissance italienne, le tout peuplé de sculptures monumentales de célèbres artistes (Peter Briggs, Norman Dilworth, Quentin Garel, Vera Molnar…).
Composed of a park of several hectares, varied gardens and monumental works, but also a 19th century Norman castle that houses exhibitions, the Contemporary Art Center is an atypical place in the Rouen countryside. The castle is located in a 6-hectare park with different universes that evolve with the seasons: the Japanese garden, the garden of the five rooms, the arboretum and the Italian Renaissance rose garden, all populated with monumental sculptures by famous artists (Peter Briggs, Norman Dilworth, Quentin Garel, Vera Molnar, etc.).
Urheberrecht bei Andreas Dlugosch
Dieses Foto ist urheberrechtlich geschützt. Ohne meine vorherige schriftliche Genehmigung darf das Foto weder ganz, noch auszugsweise kopiert, verändert, vervielfältigt oder veröffentlicht werden.
Die Nutzungsrechte meiner Fotos ist immer kostenpflichtig.
©Andreas Dlugosch
"That's how I grow. Deal with it."
The chicory is enjoying a banner year. Millions of them everywhere. They turn the roadsides blue.
a landscape composing :-)
photography,processing,filter,texture,composing.
with texture from Miss Tota.
While walking the Santa Elena Canyon Trail with a view to the namesake canyon off in the distance (and towering above!). My thinking in composing this image was to have a layered approach with the nearby trees and then the canyon walls. In order to have more of the image in focus, I closed down on the aperture. Composing the image was then a matter of lining up everything to create that layered approach.
NGC 2736 The Pencil Nebula
🔭: Askar 107 PHQ
📷: ASI 1600mm Pro
Mount: Skywatcher EQ6-R
️: -10
⚫️: Antlia Ha 3nm 59x 600s
⚫️: Antlia Oiii 3nm 73x 600s
⚫️: Antlia Sii 3nm 40x 600s
🔴: Antlia Pro Red 30 x 45s
: Antlia Pro Green 30 x 45s
🔵: Antlia Pro Blue 30 x 45s
Integration: 29h 47′ 30″
NGC 2736, also known as the Pencil Nebula, is a fascinating object located in the southern constellation of Vela, approximately 800 light-years away from Earth.
It is a part of the larger Vela Supernova Remnant, which was formed by a massive stellar explosion that occurred around 11,000 years ago.
The Pencil Nebula is a type of nebula called a filamentary or linear nebula, it is about 5 light-years long, but its width is only about 0.3 light-years.
The Pencil Nebula is primarily composed of ionized oxygen gas but there are also a fair amount of hydrogen (Red) and Sulfur (purple) present.
The origin of the Pencil Nebula is not entirely clear. Some astronomers believe it was formed by a shock wave from the supernova explosion that created the Vela Supernova Remnant, while others suggest that it was formed by a separate, more recent supernova.
Processing:
The colour combination was a HSO but with Sulfur added to the magenta rather than the green to keep a natural colour look.
The Askar had a nice focal to capture this object with and allowed me to present the object with a lot more resolution compared to my hi resolution mosaic of the entire vela supernova
More details and Full Res here: www.astrobin.com/i1d7k9/
Hills composed of multicolored bentonite clays in Capitol Reef National Park- The rough texture of the surface is due to the shrinking and swelling of the clays from wetting and drying cycles. This and the chemistry of the soils makes them a difficult medium for plant growth, contributing to the barren look. Driving through this area after it rains is difficult due to the slick and sticky nature of the soil. In the distance Factory and Caineville Buttes stick up on the horizon.
As if the morning...
was written by me
yet composed by you
howsoever the night passed
this laureate sigh cannot subdue
the lazy light that still blinds
so much of what the mind's eye -
wants to 'heartwholly' say
from manacle silhouette shade,
to golden memories that stray
the plausibly sung tunes echo
through insomnia-hued,
breakbeaten and downtempoed
telepathic mirror images
where numbness was foreshadowed
communication is often silent
emotionally wordless
vocally unsung
unstaged and unrehersed -
in silence it's power far-flung
desensitising the weekend away
absence makes the heart grow fonder?
we may forever wonder,
taking our Soul into custody
this morning becomes clearer.
by anglia24
11h50: 15/12/2007
© 2007anglia24
☀
Usually I like to take my time to compose a scene. You see I've listened carefully to the advice of my favourite landscape photographer on YouTube (Nigel Danson - he's a man who understands how to do this stuff) and absorb a location before I open the camera bag. I even do this in places I know well - places such as the space between Cape Cornwall and Botallack Mine here at the Edge of Eternity where the Atlantic Ocean stretches west for 2200 odd miles before arriving in Newfoundland. It takes a while to leave the journey to a location behind and settle in the surroundings. Often I will sit and watch for an hour or more, hoping to sight that pod of dolphins that so rarely appears, straining my eyes over the horizon for the distant Scilly Isles, and simply gazing at the sea below me. It's a place that brings the senses alive, whatever the time and whatever the weather. Eventually I'll fix on an idea and set the camera on the tripod, take a test shot and then wait for the light.
And so it was on this Saturday afternoon at the end of June. The lockdown restrictions in the UK had eased a little, and we were able to get out and about to the places we love so much. The summer holiday to Andalusia had been postponed because neither of us really fancied the idea of wearing a mask everywhere in 40 degree heat, but with places like this in our own back yard it didn't seem to matter. In fact despite what's going on around all of us this year, it's been a particularly enjoyable summer. It's only really dawned on me this year how lucky I am to be able to leave my home and stand here, at the edge of the British Isles in under an hour.
We sat at the edge of the granite outcrop high above the sea - they're known as castles here, which used to confuse me but I believe it's in reference to the hard igneous rock that makes the backbone of our county. We were facing north, directly away from the scene in the picture. You might wonder why on earth we'd be looking in any direction other than this, but the view towards the sunlit old engine houses of Botallack Mine, perched perilously over the sea is something in itself. The deed was done; I'd settled upon a composition and now it was a matter of timing and light. I sat and waited. It's a place where you can lose your sense of time and drift away on a tide of daydreams, but my reverie was interrupted by the voice of Ali, who was looking in the opposite direction. "Behind you!" she called across the stiff breeze, pointing enthusiastically towards the Cape Cornwall side of our vista. From her obvious excitement I was expecting to look round and see a pantomime villain advancing towards me.
And I turned to see this. A leaden sky with yellow sunlight filtering eastwards from over the sea. Of course light like this never lasts more than a minute or two and an almighty flurry of activity ensued very quickly as I hastened to a new position, the opening of the camera bag flapping about furiously in the wind. These are tricky places for the unwary and you have to take care unless you want a terminal bath before being dashed upon the rocks, and framing the shot wasn't as unhurried as I'd have liked it to have been. But in less than three minutes the ominous black and grey had been replaced by fluffy white on blue and it was as if this moment had never happened. The weather in this country, especially along its wild western edges is so delightfully capricious. It makes planning a family barbecue an ever risky affair, but for us photographers it's an absolute dream.
It's Saturday - the weather is forecast is looking decidedly fickle. I think I know what I'm going to do today.
Thank you for taking the time to view fave & possibly make a comment. Your view on my images & my narrative is always appreciated. Thank you. Happy Days Happy Ways Happy Sunday to one & all 🙏
Bow Fiddle Rock is a natural sea arch near Portknockie on the north-eastern coast of Scotland. It is so called because it resembles the tip of a fiddle bow. It is composed of Quartzite, a metamorphic rock which was originally quartz sandstone.
This rock is part of the Cullen Quartzite formation which is seen along the coast between Buckie and Cullen. The formation is some 2,400m thick and dates from the Neoproterozoic Era, 1,000 to 541 million years ago.
Composed Landscape.
Boheemse sfeer die tonen oproept die luchten verpletteren, blues, indrukwekkende synthese, ruziënde gele tinten,
élénk avantgárd leckék csípős árnyalatok magával ragadó komoly kifejezések kölcsönhatásba lépő bonyolultságok, csodálatos művészi narancssárga hegyek,
tradiții psihedelice experiențe strălucitoare subconștient sublim verdele pasiunii amestec literar revelații gânduri,
אמיתות רוחניות המסמלות הצעות להבים הקטנים ביותר קיום סיבות חזיונות קטנוניים נוסקים,
símbolos em relevo flores brilhantes tentativas microscópicas criativas coração frenético zênite horizonte firmamento intenso,
osservazione flussi bella pace transitoria natura animali uccelli difficoltà venti pellegrinaggio scena viaggiatore esausto,
理解 苦しみ 美徳 気分 計り知れない深さ 不朽の精神 実現 進歩 さえずる歌 成就 月.
Steve.D.Hammond.