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www.recyclart.org/2013/06/necklaces-from-recycled-electro...
Necklaces made from recycled electronic components and circuits.
More information at convert art website !
Idea sent by marina griponisioti !
Components for monitoring hazards in dust explosive environments, including bearing temperature, belt and pulley misalignment, underspeed, plugged chute condition; atex, csa and IECEx approved versions available .
More on www.go4b.co.uk/uk/products.asp
Manufacture of sheet metal pressed parts,Pressed Components in directly factory. email:rainbowrt@ymail.com
Mobile:008613260091203
Chandelier components taken through a display window. Chandeliers are a common feature in Omani homes, but we don't have one in ours.
Angled prism in housing, component of a pair of binoculars
This item is surplus to my collection needs. I am making this available for swap or trade. Please let me know if you are interested. See these sets of images for other cameras, lenses and photographic paraphernalia that I am removing as I am sharpening the focus of my camera collection.
Image shot with an Olympus Stylus TG-3.
© Dirk HR Spennemann 2014, All Rights Reserved
Access all my images via the Collections Page
Harry Krantz Company that has over 70 years of experience as an obsolete military component distributor. They comply with all government regulations and their counterfeit assurance program is strict and thorough to ensure their clients' satisfaction.
Componentes del grupo Fucking Mondays | Jodidos Lunes tocando en el concierto ofrecido el pasado 10 DE ABRIL 2008 ,en la Sala HEBE de Madrid (vallecas)
Foto de grupo, con juego de miradas gayers entre david y buho
Development and manufacture of plastic components and subassemblies for automotive and household appliances
Winter in Holland: Skating Scene - 1645
Aert van der Neer
Dutch, 1603/1604 - 1677
Aert van der Neer possessed a wonderful ability to convey the activities and atmosphere of a calm winter day. Under a light blue sky scattered with clouds, people of all ages skate, push sleds, ride in horse-drawn sleighs, and socialize on a frozen river. An intense game of colf (or kolf, a cross between modern-day hockey and golf) is underway in the foreground, while a handsomely dressed couple greet equally elegant friends near the riverbank.
The convivial and carefree sentiment of the scene evokes the enjoyment the Dutch derived from being on the ice.
Van der Neer had been active as a landscape painter since the early 1630s, yet his first dated winter landscape is from 1642. His early paintings bear remarkable compositional similarities to winter scenes by Hendrick Avercamp, with high vantage points but low horizon lines. In Winter in Holland: Skating Scene, signed and dated 1645, Van der Neer shifted away from that formula, as he distributed many more people horizontally across the foreground in dense groups, thus achieving a more gradual recession of space and a more natural incorporation of man’s presence in nature.
The painting also reveals Van der Neer’s fascination with light, and his selective layering of paints to convey sunlit forms and textures, including the shimmering translucency of ice and frosted surfaces as they catch the light. Around the time Van der Neer executed Winter in Holland: Skating Scene, he also became a specialist in nocturnes (night scenes), which represent another aspect of his keen interest in light and atmosphere. Although the Gallery’s winter scene portrays a bright daytime view that is dramatically different from the dark, moonlit paintings that would follow, it represents an important component of Van der Neer’s innovative and productive career.
Aert (Aernout) van der Neer was probably born in Amsterdam. Documents from later in his life indicate that he was born in 1603 or 1604. He spent his youth near Gorinchem in the south of the Netherlands, where he worked, likely as a steward, for Wilhelmina van Arkel, the widow of the city’s highest town official. It is not known when Van der Neer left the Gornichem area or where and with whom he trained. However, by 1629 he was living in Amsterdam and identified as a painter, according to his marriage certificate to Lysbeth Goverts, who he married in Amsterdam’s Nieuwe Kerk on March 16 of that year. The couple’s six children were all born in Amsterdam. One son, Eglon van der Neer (1634–1703), became a painter.
Although there is no record of an amount paid for even a single painting by Aert van der Neer, it has long been believed that he did not command high prices, as in 1659 the artist began to supplement his income by working as the proprietor of an Amsterdam tavern called “de Graeff van Hollant.” His career as a wyntapper failed three years later, and on December 12, 1662, he declared bankruptcy. The inventory of his possessions made at the time indicates that most of his paintings were appraised at the low price of five guilders or less. He lived in impoverished conditions during the last years of his life and died in Amsterdam on November 9, 1677.
Van der Neer’s earliest known painting, dated 1632 (Národní Galerie, Prague), is a genre scene, a type of subject to which he never returned. During the early years of his career, he painted realistic tonal landscapes and winter scenes inspired by Rafael Govertsz Camphuysen (1597/1598–1657), Velde, Esaias van de, I, and Avercamp, Hendrick. By the 1640s Van der Neer had begun to specialize in nocturnes, the earliest known of which is dated 1643. It is with his representations of moonlit and snowy landscapes that Van der Neer distinguished himself as one of the most important and innovative Dutch landscape painters. The Dutch cities and villages found in his evocative nocturnal scenes appear extremely realistic, but these views, as well as his woodland and winter scenes, are, in fact, fanciful re-creations of the Dutch countryside.
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For earlier visit in 2024 see:
www.flickr.com/photos/ugardener/albums/72177720320689747/
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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Angled prism in housing, component of a pair of binoculars
This item is surplus to my collection needs. I am making this available for swap or trade. Please let me know if you are interested. See these sets of images for other cameras, lenses and photographic paraphernalia that I am removing as I am sharpening the focus of my camera collection.
Image shot with an Olympus Stylus TG-3.
© Dirk HR Spennemann 2014, All Rights Reserved
Access all my images via the Collections Page
Shimano Ultegra. The RD looks a tad rough, but was the only example I could find quickly that wasn't being bid up the yinyang on That Auction Site.
Lt. Gen. Sean A. Gainey assumes command of the U.S. Army Space and Missile Defense Command and the Joint Functional Component Command for Integrated Missile Defense from Lt. Gen. Daniel L. Karbler at the Von Braun III auditorium on Jan. 9, 2024. Karbler retires after 36 years of military service. (U.S. Army photos by Ronald Bailey)
The electronic components distributors in India make sure that the distribution network is flawless and working without any hassles. The smooth working of distributors ensures that the products are being delivered on stipulated time. The job conducted by the distributors is remarkable.