Complex Geometry in Architecture
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the Torre dell'Arenella, part of the complex of the Tonnara, Quattro Pizzi etc ... was built in 1852 by Don Vincenzo Florio Sr. (1799-1868), who had called a Dutchman to draw up the project. It served as a windmill or mechanical mill to grind sumac, a grass which, reduced to powder, was indispensable for the tanning of hides.
It worked for a few years, the exports were booming, then the workers began to get smart, mixing fake herb powder with that of the precious sumac, the result: the mill closed and business in smoke.
The tower also served as a lighthouse, as reported by an old nautical map of the port.
Arenella perhaps owes its name to the fine sand that once covered its coast.
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la Torre dell'Arenella, facente parte del complesso della Tonnara, Quattro Pizzi etc...fu fatta costruire nel 1852 da Don Vincenzo Florio Sr. (1799-1868), che aveva chiamato un olandese per redigerne il progetto. Ebbe funzione di mulino a vento o meccanico per macinare il sommacco, un'erba, che, ridotta in polvere, era indispensabile per la concia delle pelli.
Funzionò per qualche anno, le esportazioni a gonfie vele, poi le maestranze cominciarono a fare i furbi, mescolando polvere di erbe fasulle a quella del prezioso sommacco, risultato: mulino chiuso e affari in fumo.
La torre ebbe anche funzione di Faro, come riportato da una vecchia carta nautica del Porto .
L'Arenella forse deve il suo nome alla fina sabbia che una volta ricopriva il suo litorale .
↳ Post 138 // My blog for more details in bio.
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In a sea of ferns a small tree shrugs off its autumn coat. Taken in Hillock Wood, Princes Risborough.
"Cascade Complex" in Yerevan is an architectural complex on the hillside, located north of city center.
Externally, they look as great stairs, decorated with flowerbeds, fountains, sculptures and contemporary chaczkarami (plates with a carved Armenian cross). The name comes from fountains that flow down of cascade.
The first caskades project at the beginning of 20th century was developed by architect Alexander Tamanian. To commemorate the 50th anniversary of joining Armenia to the USSR, in 1970 this great construction project was returned. Work began only in 1980, but after the earthquake in 1988 and the breakup of the Soviet Union, the work was stopped.
In 2001, the building was taken over by Armenian millionaire, philanthropist and collector Gerard Cafesjian who lived in the United States. He decided to transform the whole into a museum with an exhibition of modern art.
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Kaskady w Erywaniu to kompleks architektoniczny na zboczu wzgórza, położony na północ od centrum miasta.
Zewnętrznie prezentują się jako wielkie schody, ozdobione kwietnikami, fontannami, rzeźbami oraz współczesnymi chaczkarami (płytami z rzeźbionym krzyżem ormiańskim). Nazwa wywodzi się od fontann, które spływają po progach na kształt kaskady.
Pierwszy projekt Kaskad na początku XX wieku opracował architekt Aleksander Tamanian. Dla uczczenia 50-lecia przyłączenia Armenii do ZSRR, w latach 70 tych XX wieku powrócono do tego wielkiego projektu budowlanego. Prace rozpoczęto dopiero w 1980, ale po trzęsieniu ziemi w 1988 i rozpadzie Związku Radzieckiego, prace przerwano.
W 2001 roku budowę przejął żyjący w Stanach Zjednoczonych ormiański milioner, filantrop i kolekcjoner Gerard Cafesjian. Zdecydował się przekształcić całość w muzeum z ekspozycją sztuki nowoczesnej.
The circle is a building complex in the Kloten airport in Zürich. It offer a vast utilization mix of corporate embassies, hotels, offices, medical clinics, schools and gastronomy covering more than 180.000 sqm.
Architects :
Holzer Kobler Architekturen & Riken Yamamoto
Comments are always welcome and favs most appreciated.
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Der Düsseldorfer Kö-Bogen als Schwarzweiss-Interpretation. Der Kö-Bogen ist ein Gebäudekomplex und Freiraumgefüge zur Stadterneuerung in der nordrhein-westfälischen Landeshauptstadt Düsseldorf. Benannt wurde das städtebauliche Projekt nach dem Viertelkreis-Bogen, den die dort am Rande des Hofgartens und des Teichs an der Landskrone einst verlaufende Hofgartenstraße in Richtung der Königsallee, der Kö, beschrieb.
Düsseldorf's Kö-Bogen as a black-and-white interpretation. The Kö-Bogen is a complex of buildings and open space structures for urban renewal in Düsseldorf, the state capital of North Rhine-Westphalia. The urban design project was named after the quarter circle arch, which the Hofgartenstraße that once ran on the edge of the Hofgarten and the pond at the Landskrone in the direction of Königsallee, the Kö.
Website: www.heiko-roebke-photography.de
The Lake Placid Club built the first ski jump on this site in 1920, using the hillside itself as the jump surface. The jump was referred to as the Intervales 35-meter jump. On February 21. 1921, the first competition was held at this site, drawing 3,000 spectators. The record jump for the day was 124 feet, set by Antony Maurer. In 1923, the jump was enlarged to fifty meters, and in 1927, a new steel tower was built, raising the jump to 60 meters. In 1928, the tower was raised to 75 meters; this was the tower used for the 1932 Winter Olympic Games. In 1977, the old tower was demolished to make way for new 70 and 90-meter jumps, used for the 1980 Winter Olympic Games. In 1994, the landing hills were re-graded to bring the jumps into compliance with current rules, and increasing their height to 90 and 120 meters 170
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In collaboration with C. - Moltes gràcies.
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I could die if I touched you
A long, slow, torturous death
Of a thousand cuts
In a thousand ways
I can only hold you through a piece of plastic
With your name on it
With your name on it
I feel a million miles away from you
But it's just
It's just a millionth of an inch
So hold me, hold me close right now
Take me in your arms
But not too close
Not too close
I could die if I touched you
And you could die of me
You could die in my arms
Die in my dreams
We close our eyes so we can't see
How much we hurt each other
When we fall
When we fall between the sheets
So hold me, hold me close right now
Take me in your arms
But not too close
Not too close
We will lose our lives
We will lose our lives, we will lose our fears
We die a million times
A million times, a million times
And a million times, and a million times again
So hold me, hold me close right now
Take me in your arms
But not too close
Not too close
Cassandra Complex
Shadows cast by a grid fence on the right onto the curved crash barrier in the middle, and them onto the grey solid metal fence on the left.
Hope you are having a good one? We are having a blast here at mid-west with this weekend rain. Since we need the rain I will not complain. Instead I will leave you with a colorful morning from Milwaukee. What do you think?
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