View allAll Photos Tagged Compatibility

For one reason or another, some websites say that manual lenses are not compatible with the D850. Fake news, to use the fitting expression popularised by a person familiar to observers of politics on the other side of the pond.

 

Manual lenses are compatible with the D850. As in the D800/810, it is in the Setup Menu. It is the 9th entry, "Non-CPU lens data".

Is this the ultimate Nikkormat? The Nikkormat FT2 is the middle child of the mechanical Nikkormat line and probably the best of both worlds. It has excellent lens compatibility, a modern battery cell, and a build quality that could stop a .50 BMG round. It feels good to have a functional mechanical Nikon in my kit again.

 

You can read the full review online:

www.alexluyckx.com/blog/2023/11/06/camera-review-blog-no-...

 

Nikon Nikkormat FT2 - AI-S Nikkor 35mm 1:2.8 (Yellow-12) - CineStill BwXX @ ASA-250

Kodak TMax Developer (1+4) 6:00 @ 20C

Scanner: Epson V700 + Silverfast 9 SE

Editor: Adobe Photoshop CC

Hi Culties & Spookies, Time to kick off your weekend shopping just right!

 

★ Item ★ The Sherah boots are sleek and smexy and would make any outfit stand out!

 

★ Rigged For ★ Reborn ★ Legacy Female ★ Maitreya-X ★ Kupra ★ GEN-X ★

★ Remember to always try the DEMOS!★Check for Body Type & Body MOD Compatibility★

★ Comes with a Color Control HUD for changeable color options

 

★ Cult LM ★ maps.secondlife.com/secondlife/Champ/189/200/17

 

★ Cult's Social Media Links ★

Cult Discord

Cult Mainstore

Cult Instagram

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

Is this the ultimate Nikkormat? The Nikkormat FT2 is the middle child of the mechanical Nikkormat line and probably the best of both worlds. It has excellent lens compatibility, a modern battery cell, and a build quality that could stop a .50 BMG round. It feels good to have a functional mechanical Nikon in my kit again.

 

You can read the full review online:

www.alexluyckx.com/blog/2023/11/06/camera-review-blog-no-...

 

Nikon D750 - AF Nikkor 50mm 1:1.4D

Editor: Adobe Lightroom CC

Hi Culties & Spookies, Time to kick off your weekend shopping just right!

 

★ Items ★ The Maxwell loafers were made to spice up any outfit! The Corey docs were also made to spruce up any outfit.

 

★ Both Rigged For ★ Legacy M ★ Jake ★ Gianni ★ Kario Flex ★

★ Remember to always try the DEMOS!★Check for Body Type & Body MOD Compatibility★

★ Comes with a Color Control HUD for changeable color options

 

★ Cult LM ★ maps.secondlife.com/secondlife/Cult%20Coven/129/75/33

 

★ Cult's Social Media Links ★

Cult MarketPlace

Cult Discord

Cult Mainstore

Cult PrimFeed

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

thegoldensieve.com

 

A good thing continues

 

Some six months ago, I posted almost 100 images and a few thoughts I felt were missing from the many existing RX1 reviews. The outpouring of support and interest in that article was very gratifying. When I published, I had used the camera for six full months, enough time to come to a view of its strengths and weaknesses and to produce a small portfolio of good images, but not enough time to see the full picture (pun intended). In the following six months, I have used the camera at least as frequently as in the first six and have produced another small set of good images. It should be noted that my usage of the RX1 in the last six (and especially in the last 3) months has involved less travel and more time with the family and around the house; I will share relatively few of these images but will spend some time sharing my impressions of its functionality for family snapshots as I am sure there is some interest. And let it be said here: one of the primary motivations to purchase the camera was to take more photos with the family, and after one full year I can confidently say: money well spent.

The A7/r game-changer?

 

In the past six months, Sony have announced and released two full-frame, interchangeable lens cameras that clearly take design cues from the RX1: the A7 and the A7r. These cameras are innovative and highly capable and, as such, are in the midst of taking the photography world by storm. I think they are compelling enough cameras that I wonder whether Sony is wasting its energy continuing to develop further A-mount cameras. Sony deserve credit for a bold strategy—many companies would have been content to allow the success of the the RX1 (and RX1R) generate further sales before pushing further into the white space left unexplored by camera makers with less ambition.This is not the place to detail the relative advantages and disadvantages of the RX1 versus the A7/r except to make the following point. I currently use a Nikon D800 and an RX1: were I to sell both and purchase the A7r + 35mm f/2.8 I would in many ways lose nothing by way of imaging capability or lens compatibility but would pocket the surplus $1250-1750. Indeed this loyal Nikon owner thought long and hard about doing so, which speaks to the strategic importance of these cameras for a company trying to make inroads into a highly concentrated market.Ultimately, I opted to hang onto the two cameras I have (although this decision is one that I revisit time and time again) and continue to use them as I have for the past year. Let me give you a quick flavor of why.

The RX1 is smaller and more discrete

 

This is a small a point, but my gut reaction to the A7/r was: much smaller than the D800, not as small as the RX1. The EVF atop the A7/r and the larger profile of interchangeable mount lenses means that I would not be able to slip the A7/r into a pocket the way I can the RX1. Further, by virtue of using the EVF and its loud mechanical shutter, the A7/r just isn’t as stealthy as the RX1. Finally, f/2 beats the pants off of f/2.8 at the same or smaller size.At this point, some of you may be saying, “Future Sony releases will allow you to get a body without an EVF and get an f/2 lens that has a slimmer profile, etc, etc.” And that’s just the point: to oversimplify things, the reason I am keeping my RX1 is that Sony currently offers something close to an A7 body without a built-in EVF and with a slimmer profile 35mm f/2.

The D800 has important functional advantages

 

On the other side of the spectrum, the AF speed of the A7/r just isn’t going to match the D800, especially when the former is equipped with a Nikon lens and F-mount adapter. EVFs cannot yet match the experience of looking through the prism and the lens (I expect they will match soon, but aren’t there yet). What’s more, I have made such an investment in Nikon glass that I can’t yet justify purchasing an adapter for a Sony mount or selling them all for Sony’s offerings (many of which aren’t to market yet).Now, all of these are minor points and I think all of them disappear with an A8r, but they add up to something major: I have two cameras very well suited to two different types of shooting, and I ask myself if I gain or lose by getting something in between—something that wasn’t quite a pocket shooter and something that was quite a DSLR? You can imagine, however, that if I were coming to the market without a D800 and an RX1, that my decision would be far different: dollar for dollar, the A7/r would be a no-brainer.During the moments when I consider selling to grab an A7r, I keep coming back to a thought I had a month or so before the RX1 was announced. At that time I was considering something like the NEX cameras with a ZM 21mm f/2.8 and I said in my head, “I wish someone would make a carry-around camera with a full frame sensor and a fixed 35mm f/2.8 or f/2.” Now you understand how attractive the RX1 is to me and what a ridiculously high bar exists for another camera system to reach.

Okay, so what is different from the last review?

 

For one, I had an issue with the camera’s AF motor failing to engage and giving me an E61:00 error. I had to send it out to Sony for repairs (via extended warranty and service plan). I detailed my experience with Sony Service here [insert link] and I write to you as a very satisfied customer. That is to say, I have 3 years left on a 4 year + accidental damage warranty and I feel confident enough in that coverage to say that I will have this beauty in working order for at least another 3 years.For two, I’ve spent significantly less time thinking of this camera as a DSLR replacement and have instead started to develop a very different way of shooting with it. The activation barrier to taking a shot with my D800 is quite high. Beyond having to bring a large camera wherever you go and have it in hand, a proper camera takes two hands and full attention to produce an image. I shoot slowly and methodically and often from a tripod with the D800. In contrast, I can pull the RX1 out, pop off the lens cap, line up and take a shot with one hand (often with a toddler in the other). This fosters a totally different type of photography.

My “be-there” camera

 

The have-everywhere camera that gives DSLR type controls to one-handed shooting lets me pursue images that happen very quickly or images that might not normally meet the standards of “drag-the-DSLR-out-of-the-bag.” Many of those images you’ll see on this post. A full year of shooting and I can say this with great confidence: the RX1 is a terrific mash-up of point-and-shoot and DSLR not just in image quality and features, but primarily in the product it helps me create. To take this thinking a bit further: I find myself even processing images from the RX1 differently than I would from my DSLR. So much so that I have strongly considered starting a tumblr and posting JPEGs directly from the RX1 via my phone or an iPad rather than running the bulk of them through Lightroom, onto Flickr and then on the blog (really this is just a matter of time, stay tuned, and those readers who have experience with tumblr, cloud image storage and editing, etc, etc, please contact me, I want to pick your brain).Put simply, I capture more spontaneous and beautiful “moments” than I might have otherwise. Photography is very much an exercise in “f/8 and be there,” and the RX1 is my go-to “be there” camera.

The family camera

 

I mentioned earlier that I justified the purchase of the RX1 partly as a camera to be used to document the family moments into which a DSLR doesn’t neatly fit. Over the past year I’ve collected thousands and thousands of family images with the RX1. The cold hard truth is that many of those photos could be better if I’d taken a full DSLR kit with me to the park or the beach or the grocery store each time. The RX1 is a difficult camera to use on a toddler (or any moving subject for that matter); autofocus isn’t as fast as a professional DSLR, it’s difficult to perfectly compose via an LCD (especially in bright sunlight), but despite these shortcomings, it’s been an incredibly useful family camera. There are simply so many beautiful moments where I had the RX1 over my shoulder, ready to go that whatever difficulties exist relative to a DSLR, those pale in comparison to the power of it’s convenience. The best camera is the one in your hand.

Where to go from here.

 

So what is the value of these RX1 going forward, especially in a world of the A7/r and it’s yet-to-be-born siblings without an EVF and a pancake lens? Frankly, at its current price (which is quite fair when you consider the value of the the body and the lens) I see precious little room for an independent offering versus a mirrorless, interchangeable lens system with the same image quality in a package just as small. That doesn’t mean Sony won’t make an RX2 or an RX1 Mark II (have a look at it’s other product lines to see how many SKUs are maintained despite low demand). Instead, I see the RX1 as a bridge that needed to exist for engineers, managers, and the market to make it to the A7/r and it’s descendants.A Facebook friend recently paid me a great compliment; he said something like, “Justin, via your blog, you’ve sold a ton of RX1 cameras.” Indeed, despite my efforts not to be a salesman, I think he’s right: I have and would continue to recommend this camera.The true value of the RX1 going forward is for those of us who have the thing on our shoulders; and yes, if you have an investment in and a love for a DSLR system, there’s still tremendous value in getting one, slinging it over your shoulder, and heading out into the wide, bright world; A7/r or no, this is just an unbelievably capable camera.

Hi Spookies & Culties, Here is your "must have these Cult Items" Weekend Shopping List!!

 

★ Item ★ The Aleyna sneakers and socks are cute and adorable and would be great for any outfit!

 

★ Rigged For ★ Reborn ★ Maitreya-X ★ GEN-X Curvy ★ Legacy F ★ Lara ★ Kupra ★

★ Featuring Color Hud w/ 10 light colors & 10 dark colors & 3 metal colors!

★ Remember to always try the DEMOS!★ Check for Body Type & Body MOD Compatibility ★

 

★ Cult LM ★ maps.secondlife.com/secondlife/Cult%20Coven/129/75/337

 

★ Cult's Social Media Links ★

Cult MarketPlace

Cult Discord

Cult Mainstore

Cult PrimFeed

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

thegoldensieve.com

 

A good thing continues

 

Some six months ago, I posted almost 100 images and a few thoughts I felt were missing from the many existing RX1 reviews. The outpouring of support and interest in that article was very gratifying. When I published, I had used the camera for six full months, enough time to come to a view of its strengths and weaknesses and to produce a small portfolio of good images, but not enough time to see the full picture (pun intended). In the following six months, I have used the camera at least as frequently as in the first six and have produced another small set of good images. It should be noted that my usage of the RX1 in the last six (and especially in the last 3) months has involved less travel and more time with the family and around the house; I will share relatively few of these images but will spend some time sharing my impressions of its functionality for family snapshots as I am sure there is some interest. And let it be said here: one of the primary motivations to purchase the camera was to take more photos with the family, and after one full year I can confidently say: money well spent.

The A7/r game-changer?

 

In the past six months, Sony have announced and released two full-frame, interchangeable lens cameras that clearly take design cues from the RX1: the A7 and the A7r. These cameras are innovative and highly capable and, as such, are in the midst of taking the photography world by storm. I think they are compelling enough cameras that I wonder whether Sony is wasting its energy continuing to develop further A-mount cameras. Sony deserve credit for a bold strategy—many companies would have been content to allow the success of the the RX1 (and RX1R) generate further sales before pushing further into the white space left unexplored by camera makers with less ambition.This is not the place to detail the relative advantages and disadvantages of the RX1 versus the A7/r except to make the following point. I currently use a Nikon D800 and an RX1: were I to sell both and purchase the A7r + 35mm f/2.8 I would in many ways lose nothing by way of imaging capability or lens compatibility but would pocket the surplus $1250-1750. Indeed this loyal Nikon owner thought long and hard about doing so, which speaks to the strategic importance of these cameras for a company trying to make inroads into a highly concentrated market.Ultimately, I opted to hang onto the two cameras I have (although this decision is one that I revisit time and time again) and continue to use them as I have for the past year. Let me give you a quick flavor of why.

The RX1 is smaller and more discrete

 

This is a small a point, but my gut reaction to the A7/r was: much smaller than the D800, not as small as the RX1. The EVF atop the A7/r and the larger profile of interchangeable mount lenses means that I would not be able to slip the A7/r into a pocket the way I can the RX1. Further, by virtue of using the EVF and its loud mechanical shutter, the A7/r just isn’t as stealthy as the RX1. Finally, f/2 beats the pants off of f/2.8 at the same or smaller size.At this point, some of you may be saying, “Future Sony releases will allow you to get a body without an EVF and get an f/2 lens that has a slimmer profile, etc, etc.” And that’s just the point: to oversimplify things, the reason I am keeping my RX1 is that Sony currently offers something close to an A7 body without a built-in EVF and with a slimmer profile 35mm f/2.

The D800 has important functional advantages

 

On the other side of the spectrum, the AF speed of the A7/r just isn’t going to match the D800, especially when the former is equipped with a Nikon lens and F-mount adapter. EVFs cannot yet match the experience of looking through the prism and the lens (I expect they will match soon, but aren’t there yet). What’s more, I have made such an investment in Nikon glass that I can’t yet justify purchasing an adapter for a Sony mount or selling them all for Sony’s offerings (many of which aren’t to market yet).Now, all of these are minor points and I think all of them disappear with an A8r, but they add up to something major: I have two cameras very well suited to two different types of shooting, and I ask myself if I gain or lose by getting something in between—something that wasn’t quite a pocket shooter and something that was quite a DSLR? You can imagine, however, that if I were coming to the market without a D800 and an RX1, that my decision would be far different: dollar for dollar, the A7/r would be a no-brainer.During the moments when I consider selling to grab an A7r, I keep coming back to a thought I had a month or so before the RX1 was announced. At that time I was considering something like the NEX cameras with a ZM 21mm f/2.8 and I said in my head, “I wish someone would make a carry-around camera with a full frame sensor and a fixed 35mm f/2.8 or f/2.” Now you understand how attractive the RX1 is to me and what a ridiculously high bar exists for another camera system to reach.

Okay, so what is different from the last review?

 

For one, I had an issue with the camera’s AF motor failing to engage and giving me an E61:00 error. I had to send it out to Sony for repairs (via extended warranty and service plan). I detailed my experience with Sony Service here [insert link] and I write to you as a very satisfied customer. That is to say, I have 3 years left on a 4 year + accidental damage warranty and I feel confident enough in that coverage to say that I will have this beauty in working order for at least another 3 years.For two, I’ve spent significantly less time thinking of this camera as a DSLR replacement and have instead started to develop a very different way of shooting with it. The activation barrier to taking a shot with my D800 is quite high. Beyond having to bring a large camera wherever you go and have it in hand, a proper camera takes two hands and full attention to produce an image. I shoot slowly and methodically and often from a tripod with the D800. In contrast, I can pull the RX1 out, pop off the lens cap, line up and take a shot with one hand (often with a toddler in the other). This fosters a totally different type of photography.

My “be-there” camera

 

The have-everywhere camera that gives DSLR type controls to one-handed shooting lets me pursue images that happen very quickly or images that might not normally meet the standards of “drag-the-DSLR-out-of-the-bag.” Many of those images you’ll see on this post. A full year of shooting and I can say this with great confidence: the RX1 is a terrific mash-up of point-and-shoot and DSLR not just in image quality and features, but primarily in the product it helps me create. To take this thinking a bit further: I find myself even processing images from the RX1 differently than I would from my DSLR. So much so that I have strongly considered starting a tumblr and posting JPEGs directly from the RX1 via my phone or an iPad rather than running the bulk of them through Lightroom, onto Flickr and then on the blog (really this is just a matter of time, stay tuned, and those readers who have experience with tumblr, cloud image storage and editing, etc, etc, please contact me, I want to pick your brain).Put simply, I capture more spontaneous and beautiful “moments” than I might have otherwise. Photography is very much an exercise in “f/8 and be there,” and the RX1 is my go-to “be there” camera.

The family camera

 

I mentioned earlier that I justified the purchase of the RX1 partly as a camera to be used to document the family moments into which a DSLR doesn’t neatly fit. Over the past year I’ve collected thousands and thousands of family images with the RX1. The cold hard truth is that many of those photos could be better if I’d taken a full DSLR kit with me to the park or the beach or the grocery store each time. The RX1 is a difficult camera to use on a toddler (or any moving subject for that matter); autofocus isn’t as fast as a professional DSLR, it’s difficult to perfectly compose via an LCD (especially in bright sunlight), but despite these shortcomings, it’s been an incredibly useful family camera. There are simply so many beautiful moments where I had the RX1 over my shoulder, ready to go that whatever difficulties exist relative to a DSLR, those pale in comparison to the power of it’s convenience. The best camera is the one in your hand.

Where to go from here.

 

So what is the value of these RX1 going forward, especially in a world of the A7/r and it’s yet-to-be-born siblings without an EVF and a pancake lens? Frankly, at its current price (which is quite fair when you consider the value of the the body and the lens) I see precious little room for an independent offering versus a mirrorless, interchangeable lens system with the same image quality in a package just as small. That doesn’t mean Sony won’t make an RX2 or an RX1 Mark II (have a look at it’s other product lines to see how many SKUs are maintained despite low demand). Instead, I see the RX1 as a bridge that needed to exist for engineers, managers, and the market to make it to the A7/r and it’s descendants.A Facebook friend recently paid me a great compliment; he said something like, “Justin, via your blog, you’ve sold a ton of RX1 cameras.” Indeed, despite my efforts not to be a salesman, I think he’s right: I have and would continue to recommend this camera.The true value of the RX1 going forward is for those of us who have the thing on our shoulders; and yes, if you have an investment in and a love for a DSLR system, there’s still tremendous value in getting one, slinging it over your shoulder, and heading out into the wide, bright world; A7/r or no, this is just an unbelievably capable camera.

Hi Spookies & Culties, Here is your "must have these Cult Items" Weekend Shopping List!!

 

★ Item ★ The Amalie wedges are cute with bows and studs! The Millicent boots are sleek and sexy!

 

★ Amelie Rigged For ★ Reborn ★ Maitreya-X ★ Legacy F ★ Lara ★ Kupra ★

★ Millicent Rigged For ★ Reborn ★ Kupra ★ Legacy F ★ Legacy M ★ MaitreyaX ★ Lara ★

★ Featuring Color Hud w/ 10 light colors & 10 dark colors & 3 metal colors!

★ Remember to always try the DEMOS!★ Check for Body Type & Body MOD Compatibility ★

 

★ Cult LM ★ maps.secondlife.com/secondlife/Cult%20Coven/129/75/337

 

★ Cult's Social Media Links ★

Cult MarketPlace

Cult Discord

Cult Mainstore

Cult PrimFeed

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

Bugatti Tourbillon

Another crazy MOC of mine. With the roof rack compatibility as well! 😀

 

Features:

8 to 9 wide build using the standard chassis piece

It fits 2 figs with hairpieces on.

See-through rear windows

Detailed interior

Detailed engine

Usable front trunk with luggage and money of course

Rubber band for taillights

And most importantly the special steering wheel mechanism from the real car😉😜

 

Insta:

www.instagram.com/p/DAysJlGOFf-/?img_index=1

 

Instructions available on my Catalogue page.

thegbrix.com/Catalogue/

 

The awesome 3d printed wheels are made by Gt Créa Cars

gtcreacars.com/4x-Enjoliveurs-Bugatti-Tourbillion-p685558843

PACIFIC OCEAN (Apr. 14, 2021) – Sailors aboard Military Sealift Command hospital ship USNS Mercy (T-AH 19) tie down an MV-22B Osprey assigned to Air Test and Evaluation (HX) Squadron 21 of Naval Air Station (NAS) Patuxent River, Md. on the ship’s flight deck Apr. 14. Mercy is underway off the coast of Southern California completing a Dynamic Interface exercise, where the ship’s aviation facilities will be evaluated for compatibility with the V-22 Osprey and MH-60 Seahawk, and establish launch and recovery windows in adverse weather conditions. Mercy recently returned to its homeport in San Diego from a regular overhaul in Portland, Ore., where improvements were made to its flight deck to support multiple aircraft platforms. Mercy must be in a five-day-activation status in order to support missions over the horizon, and be ready, reliable and resilient to support mission commanders. (U.S. Navy photo by Mass Communication Specialist 3rd Class Luke Cunningham)

Hi Culties & Spookies, Time to kick off your weekend shopping just right!

 

★ Item ★ The Chantal heels are sleek, elegant and sexy and would go with any outfit!

 

★ Rigged For ★ Reborn ★ Legacy Female ★ Maitreya-X ★ Kupra ★ GEN-X ★ Lara ★

★ Remember to always try the DEMOS!★Check for Body Type & Body MOD Compatibility★

★ Comes with a Color Control HUD for changeable color options

 

★ Cult LM ★ maps.secondlife.com/secondlife/Champ/189/200/17

 

★ Cult's Social Media Links ★

Cult Discord

Cult Mainstore

Cult Instagram

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

Hi Spookies & Culties, Here is your "must have these Cult Items" Weekend Shopping List!!

 

★ Item ★ The Alease Heels

 

★ Rigged For ★ Reborn ★ Maitreya-X ★ Kupra ★ Legacy ★ Lara ★

★ Featuring Color Hud w/ 10 light colors & 10 dark colors & 3 metal colors!

★ Remember to always try the DEMOS!★ Check for Body Type & Body MOD Compatibility ★

 

★ Cult LM ★ maps.secondlife.com/secondlife/Cult%20Coven/129/75/337

 

★ Cult's Social Media Links ★

Cult MarketPlace

Cult Discord

Cult Mainstore

Cult PrimFeed

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

 

In this picture, NASA’s saucer-shaped experimental flight vehicle is prepared for a Range Compatibility Test at the US Navy’s Pacific Missile Range Facility in Kaua‘i, Hawaii. During the exercise, which occurred on April 23, 2014, all the radio frequencies interfaces between the vehicle, its balloon carrier and the missile range were checked.

 

The Low-Density Supersonic Decelerator Project is managed by JPL for NASA's Space Technology Mission Directorate in Washington.

 

Image credit: NASA/JPL-Caltech

 

Original image: www.nasa.gov/jpl/ldsd/pia18007/

 

Read more about NASA's Low-Density Supersonic Decelerator:

www.nasa.gov/mission_pages/tdm/ldsd/index.html

 

_____________________________________________

These official NASA photographs are being made available for publication by news organizations and/or for personal use printing by the subject(s) of the photographs. The photographs may not be used in materials, advertisements, products, or promotions that in any way suggest approval or endorsement by NASA. All Images used must be credited. For information on usage rights please visit: www.nasa.gov/audience/formedia/features/MP_Photo_Guidelin...

Auf dem Weg zur Serienreife wurde der neue Opel Astra in den speziell ausgestatteten Räumen des Opel EMV-Labors geprüft bis alle elektronischen Systeme von Infotainment über Sicherheit bis Assistenz störungsfrei funktionieren. Mehr im Opel-Blog: www.opel-blog.com/?p=16413

Matthew Mullin and Bobby Meazell, Orbital ATK/Columbia Scientific Balloon Facility technicians, conduct compatibility testing on NASA Langley Research Center’s Radiation Dosimetry Experiment payload Wednesday, Sept. 9, at Fort Sumner, N.M.

 

The successful compatibility test was a key milestone in ensuring the flight readiness of RaD-X, which is scheduled to launch on an 11-million-cubic-foot NASA scientific balloon no earlier than Friday, Sept. 11, from the agency’s balloon launching facility in Fort Sumner.

 

RaD-X will measure cosmic ray energy at two separate altitude regions in the stratosphere—above 110,000 feet and between 69,000 to 88,500 feet. The data is key to confirming Langley’s Nowcast of Atmospheric Ionizing Radiation for Aviation Safety (NAIRAS) model, which is a physics-based model that determines solar radiation and galactic cosmic ray exposure globally in real-time. The NAIRAS modeling tool will be used to help enhance aircraft safety as well as safety procedures for the International Space Station.

 

In addition to the primary payload, 100 small student experiments will fly on the RaD-X mission as part of the Cubes in Space program. The program provides 11- to 18-year-old middle and high school students a no-cost opportunity to design and compete to launch an experiment into space or into the near-space environment. The cubes measure just 4 centimeters by 4 centimeters.

 

NASA’s scientific balloons offer low-cost, near-space access for scientific payloads weighing up to 8,000 pounds for conducting scientific investigations in fields such as astrophysics, heliophysics and atmospheric research.

 

NASA’s Wallops Flight Facility in Virginia manages the agency’s scientific balloon program with 10 to 15 flights each year from launch sites worldwide.

 

Orbital ATK provides program management, mission planning, engineering services and field operations for NASA’s scientific balloon program. The program is executed from the Columbia Scientific Balloon Facility in Palestine, Texas. The Columbia team has launched more than 1,700 scientific balloons in over 35 years of operation.

 

Anyone may track the progress of the Fort Sumner flights, which includes a map showing the balloon’s real-time location, at:

 

towerfts.csbf.nasa.gov/

 

For more information on the balloon program, see: www.nasa.gov/scientificballoons

 

NASA image use policy.

  

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

  

Follow us on Twitter

  

Like us on Facebook

  

Find us on Instagram

Title:

Beyond the Balcony

  

(Shot with FUJIFILM GFX50R)

Hawaii. United States. 2019. … 1 / 8

(Today’s photo. Previously unreleased.)

 

My new novel.

B♭ (B-flat)

I'm releasing it. This will truly be the last time I share it.

I won't release any more after this.

It's just a rough draft from the beginning — more like notes.

If you're interested, please give it a read. :)

The setting is New York.

 

僕の新しい小説。

 B♭ (ビーフラット)

公開します。これで本当に最後の公開です。

これ以上は公開しません。

冒頭からの走り書きです。メモ程度です。

よかったら読んでください。:)

舞台はニューヨークです。

  

Images.

Bryony Jarman-Pinto … Water Come

youtu.be/z1ZAkZ5bSLs?si=56ao-cHyPzpnDsgp

  

::Photo Music and iTunes Playlist Link::

music.apple.com/jp/playlist/photo-music/pl.u-Eg8qefpy8Xz

  

_________________________________

_________________________________

 

B♭ (B-Flat)

Further excerpt released. Just a rough draft from the beginning. Like a note. Please read if you'd like. :)

Setting: New York City.

 

Red, Yellow, Blue——

It was just past 7 p.m. when a light drizzle began to fall on East 52nd Street.

Anaya Patel leaned against the wall of the building next to Tot Ramen, where she was supposed to meet someone, and absently stared at the traffic light at the intersection to her right.

It was already July, yet the summer felt cooler than last year’s. She regretted stepping out in just a T-shirt.

When the light turned green, Anaya squinted, narrowing her gaze.

Kana, her old classmate, was waving and smiling as she ran toward her——

 

The flat ceiling of Madison Square Garden seemed to bulge slightly with the heat of the crowd, or so it appeared to Jack.

Cheers welcoming the presidential candidate clashed with shouts of outrage, rattling deep inside his ears.

Jack scanned the arena quickly before glancing back down at his iPhone. Several social media apps were open at once, and furious posts streamed across the screen.

One post in the bottom right corner—on Meta—caught his eye.

A death threat.

Presidential candidate Justin Bradford was about to take the stage with his fiancée, Eleanor Blake.

As a red spotlight—the color of the Republican Party—lit up the center of the stage, the couple stepped out.

And at that exact moment, a gunshot rang out.

It was subtle enough to be missed at first—but Jack heard it. Two shots.

As chaos erupted around him, Jack quietly closed his eyes, picturing the trajectory.

The first bullet—likely from his right, near the PA system. But that area should have been covered by agents from his own unit.

He calculated the second shot. It probably came from the left side of the stage.

It was aimed with precision, taking into account the positioning of both Justin and Eleanor.

There might have been a leak.

Then came a second report.

His colleague Ben Holloway’s voice, calm as ever.

The heart was missed, but both bullets had hit. One had grazed it and lodged in the epigastric area, just under the diaphragm.

Jack replied, equally calm.

“Justin’s Bombay blood. I confirmed it three days ago with Bellevue Hospital. They have reserves stored.”

Ben responded in a low voice, as if nothing had happened.

“Understood.”

 

Justin was rushed to Bellevue, the closest hospital to Madison Square Garden.

Jack called Elijah Kane directly from his smartphone.

Using WhatsApp or any other messaging app was strictly forbidden in the Secret Service.

Elijah answered before the first ring ended.

“Jack, it’s bad. We don’t have it. No Bombay blood.”

Jack was stunned.

“I confirmed it three days ago. I spoke directly to the person in charge—can't recall their name—but I saw the blood bags myself.”

After a pause, Elijah replied.

“That person died in a car accident yesterday.”

 

Anaya Patel waited for her husband Arjun at Tot Ramen.

With her was Mika (Sato), her best friend since college—Japanese.

Just as the server placed a steaming bowl of ramen in front of her, Anaya’s phone rang.

The caller ID said Bellevue Hospital.

She answered without hesitation.

Mika looked on, concerned.

“Is this Anaya Patel? I’m Sasha Wilson from Emergency.

You may have heard—Republican presidential candidate has been shot.

We need your blood.

Stay where you are. A Secret Service vehicle is en route.”

Following Mika’s gaze, Anaya turned to the display above the counter.

A live report from MSG was playing.

Then, a man in a sleek blue suit with brown skin approached her.

“I’m Rohan Shah, Secret Service.

Please come with me to the hospital.

The car is ready.”

He reached for her hand with urgency.

Just then, Anaya’s iPhone buzzed again. An unfamiliar number.

She tapped it.

“Hello?”

“Anaya Patel?”

“Yes. Who is this?”

“Jack. Jack Vance. Secret Service. I’ll be there shortly.”

“How do you know where I am?”

“We’re professionals. We have our ways.”

“But the Secret Service guy is already here.”

“No—he’s not!” Jack’s voice roared through the phone.

At that instant, the man in front of her pulled a rifle from under his jacket and aimed it at her forehead.

A small gunshot rang through the restaurant.

Anaya froze.

She couldn’t speak.

As the man collapsed to the floor, another figure emerged—also pointing a gun at her.

It was her husband, Arjun.

“Freeze! FBI!”

NYPD officers in uniform and FBI agents in gray suits stormed in.

“Hands behind your head! Get down on the floor!”

The cliché movie-like commands rang out as Anaya trembled. Mika, too.

But probably no one shook more than Arjun.

Jack arrived moments later.

“Anaya Patel!”

Still trembling, Anaya answered without looking up.

“That’s me.”

Jack, drenched in sweat, pulled her upright.

“We’re going to the hospital.”

 

A message from Elijah arrived with a link.

Jack, now in the passenger seat with Anaya, tossed her his iPhone.

“Open it!”

She tapped it—it appeared to be a livestream.

“Good evening, New York. And Los Angeles.

My name is Zakaria Haddad.

That’s my real name.

A few years ago, I lived in Gaza.

Now I’m in a room that mimics one you know very well.”

A man with brown skin and a beard sat in what looked almost exactly like the Oval Office.

He looked at his watch, then back at the camera.

“It’s time for breaking news.

Keep your eyes on your phones.”

Just then, an alert popped up:

BREAKING: Former Democratic President Owen Reed reportedly shot at the Los Angeles Convention Center

Zakaria bowed his head slightly and chuckled.

“A sad headline, isn’t it?

But don’t be sad, America.

In Gaza, we endured 55,000 times worse.

We lost more than 55,000 loved ones.

We wept—endlessly.”

Still looking down, he clenched his fists and slammed the desk.

When he looked up, tears glistened in his eyes.

“We do not seek money.

Nor honor through death.

All we want—

are tears.

Tears equal to the ones we shed.

Only those tears can heal us.”

 

Placing both elbows on the desk and clasping his hands, Zakaria gently rested his chin on them. He closed his eyes, and a heavy silence filled the room. The corners of his eyes seemed to tremble ever so slightly. Then, slowly, he began to speak.

 

“I am just one among fifty-five thousand. Even if I disappear, the will of fifty thousand others will remain—unchanging, undying, carried forward. I am here to give voice to that will.”

 

Zakaria opened the desk drawer, took out a Glock 17, and slid the action, chambering a round. He raised the gun to his temple.

A Sunni Muslim, he looked straight into the camera and spoke with a hint of sarcasm.

“God bless you. America.”

 

Zakaria closed his eyes and pulled the trigger straight back. A dry crack echoed through the room.

The screen cut to black in an instant.

 

To be continued...

  

Notes

1. "Bombay Blood Type (hh type)"

•Characteristics: A rare blood type that lacks the usual ABO antigens — cannot be classified as A, B, or O.

•Discovery: First identified in 1952 in Mumbai, India (formerly Bombay).

•Prevalence: Roughly 1 in 10,000 people in India; globally, about 1 in 2.5 million.

•Transfusion Compatibility: Only compatible with blood from other Bombay type donors.

2. 2024 Harvard University Valedictorian Speech – The Power of Not Knowing

youtu.be/SOUH8iVqSOI?si=Ju-Y728irtcWR71K

3. Shots Fired at Trump Rally

youtu.be/1ejfAkzjEhk?si=ASqJwEmkY-2rW_hT

 

_________________________________

_________________________________

  

Exhibition in 2025

Theme

The Nightfly

My next novel, B♭

This exhibition will reflect its imagery.

A portion of the novel will be excerpted and shared publicly.

 

Images

Taylor Swift – This Love [Japanese Translation]

youtu.be/PfJzQuqWSSE?si=Y2g0HzhoVjnR46zS

 

Mitsushiro Nakagawa

Organizer

Design Festa

designfesta.com

Venue

Tokyo Big Sight

www.bigsight.jp

Date

Fall 2025

Contact

exhibition.mitsushiro.nakagawa@gmail.com

 

_________________________________

_________________________________

 

_________________________________

_________________________________

 

“A.I. - About Apple’s Identity”

www.flickr.com/photos/stealaway/54271473379/in/dateposted...

 

---

 

### Will Apple Listen to Mark Zuckerberg’s Criticism?

I Don’t Think So—At Least Not for Someone Enchanted by the Apple Vision Pro.

 

Mark Zuckerberg, CEO of Meta, recently appeared on a well-known podcast, where he criticized Apple for failing to release an innovative product since the iPhone and for experiencing a decline in sales.

  

_________________________________

_________________________________

:

Photo Music and iTunes Playlist Link::

music.apple.com/jp/playlist/photo-music/pl.u-Eg8qefpy8Xz

_________________________________

_________________________________

 

消えた境界線から生まれたもの ~ 去ってゆく川村記念美術館を振り返って ~

www.flickr.com/photos/stealaway/54020588671/in/dateposted...

 

What Emerged from the Vanishing Boundaries~ Reflecting on the Departing Kawamura Memorial Museum ~

www.flickr.com/photos/stealaway/54020588671/in/dateposted...

_________________________________

_________________________________

 

8mm film of our honeymoon resurrected after decades.

 

youtu.be/zH-dG7bMeL4?si=yLF5_f1m-LhAVdPp

 

We found the 8mm film of our honeymoon for the first time in decades, and burned it onto a DVD.

On June 6, 1993, we got married, and headed straight to Nassau, Bahamas, via New York.

Our destination was the pink sand beach where the late Princess Diana went on her honeymoon.

If you're heading to the Bahamas, this might be a good reference.

The hotel we stayed at was the Ramada Hotel, which no longer exists.

My wife is showing us the hotel room.

 

But now you can see the beautiful scenery in real time.

 

When I played the DVD that arrived, it showed footage of our arrival in the Bahamas.

Please take a look if you'd like.

 

This time, we asked Fujifilm to make the DVD.

I'll post the link below.

 

Digitize videos and photos and convert them to DVDs | Fujifilm

fujifilmmall.jp/conversion/?_gl=1*1smvac9*_gcl_au*NTA1NDU....

 

#Bahamas #Nassau #PinkSandBeach #Honeymoon #1993

 

_________________________________

_________________________________

 

Important Notices.

 

I have relaxed the following conditions.

I will distribute my T-shirt to the world for free.

m.flickr.com/photos/stealaway/50656401427/in/dateposted-p...

m.flickr.com/photos/stealaway/50613367691/in/dateposted-p...

 

_________________________________

_________________________________

 

_________________________________

_________________________________

 

Notice regarding "Lot No.402_”.

  

From now on I will host "Lot No.402_".

 

The work of Leonardo da Vinci who was sleeping.

That is the number when it was put up for auction.

No sign was written on the work.

So this work couldn't conclude that it was his work.

However # as a result of various appraisals # it was exposed to the sun.

A work that no one notices. A work that speaks quietly without a title.

I will continue to strive to provide it to many people in various ways.

 

October 24 2020 by Mitsushiro - Nakagawa.

  

Mitsushiro Nakagawa belong to Lot No. 402 _.Copyright©︎2025 Lot No.402_ All rights reserved.

_________________________________

_________________________________

 

Profile.

In November 2014 # we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model # and will conclude a confidentiality agreement with them.

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

 

_________________________________

_________________________________

 

Here’s a translated version with a style suitable for a news site introduction:

 

---

 

### **Interview and Novel: My Work**

 

I published a book in the past.

At that time, I uploaded my interview as a PDF online, both in Japanese and English.

 

Now, I am making it available for free.

More details can be found on Amazon.

 

**Writing a Novel.**

**Photography Techniques.**

**The Sense of Distance Between the Creator and the Work.**

 

These all share a common theme.

I put into words the things I felt and left them behind as a record.

 

I hope my text reaches many readers.

Thank you.

 

**Mitsushiro**

 

🔗 **[Access the Files Here](drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...)**

 

### **Contents**

📄 **1. Interview (English Version)**

📖 **2. Novel: *Unforgettable* (English Version)**

📄 **3. Interview (Japanese Version)**

📖 **4. Novel: *Unforgettable* (Japanese Version)**

*(This novel is dedicated to future artists.)*

*(456 pages in Japanese manuscript format.)*

 

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

---

 

### **Synopsis**

 

Kei Kitami, a student preparing for university entrance exams, meets Kaori Kamimura, an event companion six years his senior, through social media.

 

Kaori has come to Tokyo with a dream—to befriend famous artists.

To achieve this, she needs the influence of Ryo Osawa, a well-known radio producer.

 

During a live radio broadcast, Osawa speaks directly to Kaori:

*"I have a wife and child. But still, I want to see you."*

 

Meanwhile, Rika Sanjo, Kei’s classmate who secretly harbors feelings for him, is closely watching Kaori’s every move...

 

---

Main story

 

There are two reasons why a person faces the sea.

One to enjoy a slice of shine in the sea like children bubbling over in the beach.

The other to brush the dust of memory like an old man who misses old days staring at the shine

quietly.

Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.

I face myself to change tomorrow a vague day into something certain.

That is the meaning of a rebirth.

I had a very sweet girlfriend when I was 18.

After she left I knew the meaning of gentleness for the first time and also a true pain of loss. After

she left # how many times did I depend too much on her # doubt her # envy her and keep on telling lies

until I realized it is love?

I wonder whether a nobody like me could have given something to her who was struggling in the

daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.

I had been thinking about such a thing.

However I guess what she saw in me was because I had nothing. That‘s why she tried to see

something in me. Perhaps she found a slight possibility in me # a guy filled with ambiguous unstable

tomorrow. But I wasted days depending too much on her gentleness.

Now I finally can convey how I felt in those days when we met.

  

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

  

_________________________________

_________________________________

  

iBooks. Electronic Publishing. It is free now.

 

0.about the iBooks.

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

 

1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...

 

2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...

 

3. Streamlined trajectory.(For Japanese only.)

itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11

 

_________________________________

_________________________________

 

My Novel : Unforgettable'

 

(This book is Dedicated to the future artist.)

  

Kei Kitami, a student preparing for university entrance exams, meets Kaori Kamimura, an event companion six years his senior, through social media.

 

Kaori has come to Tokyo with a dream—to befriend famous artists.

To achieve this, she needs the influence of Ryo Osawa, a well-known radio producer.

 

During a live radio broadcast, Osawa speaks directly to Kaori:

*"I have a wife and child. But still, I want to see you."*

 

Meanwhile, Rika Sanjo, Kei’s classmate who secretly harbors feelings for him, is closely watching Kaori’s every move...

   

Mitsushiro Nakagawa

All Translated by Yumi Ikeda .

www.fotolog.net/yuming/

  

images.

U2 - No Line On The Horizon Live in Dublin

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

  

Main story

 

There are two reasons why a person faces the sea.

One to enjoy a slice of shine in the sea like children bubbling over in the beach.

The other to brush the dust of memory like an old man who misses old days staring at the shine

quietly.

Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.

I face myself to change tomorrow a vague day into something certain.

That is the meaning of a rebirth.

I had a very sweet girlfriend when I was 18.

After she left I knew the meaning of gentleness for the first time and also a true pain of loss. After

she left # how many times did I depend too much on her # doubt her # envy her and keep on telling lies

until I realized it is love?

I wonder whether a nobody like me could have given something to her who was struggling in the

daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.

I had been thinking about such a thing.

However I guess what she saw in me was because I had nothing. That‘s why she tried to see

something in me. Perhaps she found a slight possibility in me # a guy filled with ambiguous unstable

tomorrow. But I wasted days depending too much on her gentleness.

Now I finally can convey how I felt in those days when we met.

  

1/9

www.flickr.com/photos/stealaway/24577016535/in/dateposted...

2/9

www.flickr.com/photos/stealaway/24209330259/in/dateposted...

3/9

www.flickr.com/photos/stealaway/23975215274/in/dateposted...

4/9

www.flickr.com/photos/stealaway/24515964952/in/dateposted...

5/9

www.flickr.com/photos/stealaway/24276473749/in/dateposted...

6/9

www.flickr.com/photos/stealaway/24548895082/in/dateposted...

7/9

www.flickr.com/photos/stealaway/24594603711/in/dateposted...

8/9

www.flickr.com/photos/stealaway/24588215562/in/dateposted...

9/9

www.flickr.com/photos/stealaway/24100804163/in/dateposted...

  

Fin.

  

images.

U2 - No Line On The Horizon

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

 

_________________________________

_________________________________

 

Title of my book : unforgettable'

Author : Mitsushiro Nakagawa

Out Now.

ISBN978-4-86264-866-2

in Amazon.

Unforgettable’ amzn.asia/d/eG1wNc5

_________________________________

_________________________________

The schedule of the next novel.

Still would stand all time. (Unforgettable '2)

(It will not go away forever)

Please give me some more time. That is Japanese.

_________________________________

_________________________________

  

_________________________________

_________________________________

 

My Works.

 

1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...

2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...

3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...

_________________________________

_________________________________

 

Do you want to hear my voice?

:)

 

youtu.be/b1o6Xf-Mjhw

 

1

About the composition of the picture posted to Flicker. First type.

youtu.be/b1o6Xf-Mjhw

 

2

About the composition of the picture posted to Flicker. Second type.

youtu.be/b1o6Xf-Mjhw?t=443

 

3

About when I started Fotolog. Architect 's point of view.

youtu.be/b1o6Xf-Mjhw?t=649

 

4

Why did not you have a camera so far?

youtu.be/b1o6Xf-Mjhw?t=708

 

5

What is the coolest thing? The photo is as it is.

youtu.be/b1o6Xf-Mjhw?t=776

 

6

About the current YouTube bar. I also want to tell # I want to leave.

youtu.be/b1o6Xf-Mjhw?t=964

 

7

About Japanese photographers. Japanese YouTube bar is Pistols.

youtu.be/b1o6Xf-Mjhw?t=1059

 

8

The composition of the photograph is sensibility. Meet the designers in Milan. Two questions.

youtu.be/b1o6Xf-Mjhw?t=1242

 

9

What is a good composition? What is a bad composition?

youtu.be/b1o6Xf-Mjhw?t=1482

 

10

What is the time to point the camera? It is slow if you are looking into the viewfinder or display.

youtu.be/b1o6Xf-Mjhw?t=1662

 

11

Family photos. I can not take pictures with others. The inside of the subject.

youtu.be/b1o6Xf-Mjhw?t=1745

 

12

About YouTube 's photographer. Camera technology etc. Sensibility is polished by reading books.

youtu.be/b1o6Xf-Mjhw?t=2144

 

13

About the Japanese newspaper. A picture of a good newspaper is Reuters. If you continue to look at useless photographs # it will be useless.

youtu.be/b1o6Xf-Mjhw?t=2305

 

14

About Japanese photographers. About the exhibition.

Summary. I wrote a novel etc. What I want to tell the most.

youtu.be/b1o6Xf-Mjhw?t=2579

 

_________________________________

_________________________________

  

I talked about how to make a work.

 

About work production 1/2

youtu.be/ZFjqUJn74kM

  

About work production 2/2

youtu.be/pZIbXmnXuCw

 

1 Photo exhibition up to that point. Did you want to go?

 

2 Well # what is an exhibition that you want to visit even if you go there?

 

3 Challenge to exhibit one work every month before opening a solo exhibition at the Harajuku Design Festa.

 

4 works are materials and silhouettes. Similar to fashion.

 

5 Who is your favorite artist? What is it? Make it clear.

 

6 Creating a collage is exactly the same as taking photos. As I wrote in the interview # it is the same as writing a novel.

 

7 I want to show it to someone # but I do not make a piece to show it. Aim for the work you want to decorate your own room as in the photo.

 

8 What is copycat? Nowadays # it is suspected to be beaten. There is something called Mimesis?

 

ja.wikipedia.org/wiki/Mimesis

kotobank.jp/word/Mimesis-139464

 

9 What is Individuality? What is originality?

 

www.youtube.com/user/mitsushiro/

 

_________________________________

_________________________________

  

Explanation of composition. 2

 

1.Composition explanation 2 ... 1/4

youtu.be/yVbvneBIMs8

 

2.Composition explanation 2 ... 2/4

youtu.be/LToFez9vOAw

 

3.Composition Explanation 2 ... 3/4

youtu.be/uTR0wVi9Z7M

 

4.Composition Explanation 2 ... 4/4

youtu.be/h2LjfU6Vvno

 

_________________________________

_________________________________

 

My shutter feeling.

 

youtu.be/3JkbGiFLjAM

 

Today's photo.

It is a photo taken from Eurostar.

 

This video is an explanation.

 

I went to Milan in 2005.

At that time # I went from Milan to Venice.

We took Eurostar into the transportation.

 

This photo was not taken from a very fast Eurostar.

When I changed the track # I took a picture at the moment I slowed down.

  

Is there a Japanese beside you?

Please have my video translated.

:)

 

In the Eurostar to Venice . 2005. shot ... 1 / 2

www.flickr.com/photos/stealaway/49127115021/in/dateposted...

 

_________________________________

_________________________________

  

Miles Davis sheet 1955-1976.

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

 

_________________________________

_________________________________

 

flickr.

www.flickr.com/photos/stealaway/

_________________________________

_________________________________

 

instagram.

www.instagram.com/mitsushiro_nakagawa/

_________________________________

_________________________________

 

Pinterest.

www.pinterest.jp/MitsushiroNakagawa/

_________________________________

_________________________________

 

YouPic

youpic.com/photographer/mitsushironakagawa/

_________________________________

_________________________________

 

twitter.

twitter.com/mitsushiro

_________________________________

_________________________________

 

facebook.

www.facebook.com/mitsushiro.nakagawa

_________________________________

_________________________________

 

threads.

www.threads.net/@mitsushiro_nakagawa

_________________________________

_________________________________

 

Blue sky.

bsky.app/profile/mitsushironakagawa.bsky.social

_________________________________

_________________________________

 

Amazon.

www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...

_________________________________

_________________________________

 

My Statistics (as of May 12, 2025)

Flickr and YouPic views:

Flickr 25,354,244 View

Youpic 8,533,634 View

 

x.com/mitsushiro/status/1921858836618481746

  

My statistics (as of December 15, 2024)

How many views have you had on Flickr and Youpic

Flickr 24,260,172 Views

Youpic 7,957,826 Views

x.com/mitsushiro/status/1868185157909582014

 

My statistics (as of August 1, 2024)

How many views have I had on Flickr and Youpic

Flickr 23,192,383 Views

Youpic 7,574,603 Views

 

My statistics. (As of February 7, 2024)

What is the number of accesses to Flickr and YouPic

Flickr 21,694,434 Views

Youpic 7,003,230 Views

 

What is the number of accesses to Flickr and YouPic?

(As of November 13, 2023)

Flickr 20,852,872 View

Youpic 6,671,486 View

_________________________________

_________________________________

 

Japanese is the following.

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

 

Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2

 

Mitsushiro Nakagawa belong to Lot No. 204 _ . Copyright©︎2024 Lot No.402_ All rights reserved.

_________________________________

_________________________________

 

Title.

ベランダの向こう。

  

( FUJIFILM GFX50R shot )

  

ハワイ。アメリカ。2019. … 1 / 8

(今日の写真。それは未発表です。)

  

僕は小説のタイトルを決定しました。

僕の新しい小説のタイトル。

B♭ (ビーフラット)

僕はもう少し書き加えました。

:)

  

Images.

Bryony Jarman-Pinto … Water Come

youtu.be/z1ZAkZ5bSLs?si=56ao-cHyPzpnDsgp

  

::写真の音楽とiTunesプレイリストをリンク::

music.apple.com/jp/playlist/photo-music/pl.u-Eg8qefpy8Xz

  

_________________________________

_________________________________

 

_________________________________

_________________________________

 

僕の新しい小説。

 B♭ (ビーフラット)

 

さらに公開します。

冒頭からの走り書きです。メモ程度です。

よかったら読んでください。:)

 

舞台はニューヨークです。

  

— 赤、黄色、青ーーー

イースト52ndストリートに小雨が舞いはじめたのは、午後七時過ぎだった。

アナヤ・パテルは、待ち合わせたトットラーメンのとなりのビルの壁面にもたれ、右手に見える十字路の信号機をぼんやり眺めていた。もう7月だというのに、昨年よりも冷夏に感じ、Tシャツ一枚で出かけてきたことを後悔していた。

十字路の信号が青に変わると、アナは目を細め、凝視した。同級生のカナがこちらへ手を振りながら微笑み、駆け寄ってきていた——

 

マジソンスクエアガーデンの平坦な天井は、吐き出された人の熱気でいつもより膨らんでいるように、ジャックには見えた。大統領候補を歓迎する声とそれを罵倒する叫び声が錯綜し、鼓膜の奥を揺らしていた。

ジャックは、軽く場内の隅々まで目を凝らしてから、再びアイフォンに目を落とした。画面には、いくつかのSNSが同時に広がっており、それぞれが激しい書き込みによって文字が流れてゆく。

右下の、メタの書き込みに、ジャックは目を留めた。殺害予告だ。

大統領候補のジャスティン・ブラッドフォードは、フィアンセのエリノア・ブレイクとともに間も無くステージに立つ。

共和党を示す赤い光がステージ中央に差し込むと、二人は同時に現れた。

と、同時に、銃声が響いた。

一聴しただけでは気づかなかったがジャックの耳は聴き分けた。弾は二発だ。

騒然とした場内をよそに、ジャックは静かに目を閉じた。発射音から着弾までを想像した。

一発目の弾は、ジャックの右手、たぶん、PA近辺からだ。しかし、ジャックと同じ配属のシークレットサービスが張り込んでいたはずだ。もうひとつの弾丸をジャックは再び目を閉じて計算した。

弾は、たぶん、ステージ左手側からだ。ジャスティンとエリノアの二人の立ち位置を計算しているようだ。ひょっとしたら情報が漏れていたかもしれない。

ジャックの耳に第2報が入った。同僚のベン・ホロウェイの冷静な声だ。心臓ははずれたものの、2発の弾丸が打ち込まれていた。弾は心臓をかすめ、心窩部、ちょうど横隔膜の下に食い込んでいた。

ジャックも冷静に、ベンへ伝えた。

「ジャスティンはボンベイブラッドだ。三日前にベルビュー病院に確認した。予備の血液は保管されている」

ベンは、何事もなかったかのように、わかったと静かにいった。

 

マジソンスクエアガーデンにもっとも近いベルビュー病院に、ジャスティンを運び込む。ジャックは、病院で控えているイライジャ・ケインにスマートフォンから直接電話した。シークレットサービスではもちろんワッツアップなどのSNSはご法度だ。

ワンコールが切れる前にすぐイライジャは反応した。

「ジャック、大変だ。血液がない。ボンベイブラッドがないんだ」

ジャックは、耳を疑った。

「三日前に、俺は直接担当の、名前は忘れたな。とにかく目の前でブラッドバッグを確認したぞ」

イライジャは、数秒の沈黙の後、応えた。

「その血液の管理者は、きのう、交通事故で亡くなったんだ」

 

アナヤ・パテルは、夫のアルジュンをトットラーメンで待った。

学生時代からの親友、ミカ(佐藤)(日本人)も一緒だ。

店員が、アナヤの目の前にラーメンを差し出したとき、スマートフォンが鳴った。

登録してあるベルビュー病院からだった。

アナヤは、躊躇わずに出た。着信を見たミカは不安げにアナヤを見守った。

「アナヤ・パテルさんですか? 私は救急部のサーシャウィルソンと言います。すでにご存知かもしれませんが、共和党大統領候補が撃たれました。あなたの血が必要です。すぐに病院へ来てください。シークレットサービスの車が迎えに行きます。動かないでください」

アナヤは、呆然としているミカの視線を追って、背後を振り返った。カウンターのちょうど左上に下がったディスプレイには、MSGの現在が男性レポーターによって放映されている。

アナは開いた入り口に目を移した。青い、洗練されたスーツをまとった褐色の肌の男性が、足早にアナに寄ってきた。

「シークレットサービスのロハン・シャーと言います。私と一緒に病院へ来てください。外に車を用意してあります」

彼は真剣な眼差しでアナへ伝え、手を引こうとした瞬間、アナのアイフォンが再び震えた。番号だけ浮かびあがっている。登録されていないようだ。アナは慌てて、タッチした。

「はい」

「アナヤ・パテルさん?」

「ええ、あなたは?」

「ジャック。ジャック・ヴァンス。シークレットサービスです。もうすぐそちらへ到着します」

「わたしの場所をどうやって?」

「わたしたちはプロだ。あらゆる手段を用意しています」

「もう、シークレットサービスの人が来てるわ」

ジャックの、違う! という怒声が響いた瞬間、目の前の男性はスーツの内から小銃を引き抜き、アナの額に向けた。

店内に小さな銃声が響いた。

アナは、震えることすら忘れ、言葉を失い、放心していた。

目の前の男性がゆっくり床へ崩れると、夫のアルジュンが、やはりアナに銃を向けて現れた。

「フリーズ!FBI !」

数人の制服を着たNYPDとグレイのスーツを纏ったFBIが叫んだ。

「全員、手を頭の後ろに回して床に伏せろ!」

映画のようなお決まりのセリフに、アナは震えていた。もちろん、ミカも。たぶん、アナの夫のアルジュンが最も震えていただろう。

遅れて、ジャックが店内に向け、叫んだ。

「アナヤ・パテル!」

アナは、見上げることなく、そのままに応えた。足がまだ震えている。

「わたしです」

額に汗を浮かべたジャックは、アナの身を起こすと、いった。

「すぐに病院へ行く」

 

病院にいるイライジャから、リンク付きのメッセージが届いた。

助手席に乗り込んだアナへジャックはアイフォンを放り投げると、リンク先を開け、と叫んだ。

慌てて、アナが触れると、どうやら生放送のようだった。

「こんばんわ、ニューヨーク。そしてロサンゼルス。私の名前はザカリア・ハッダード。本名だ。

数年前、ガザに住んでいた。今は、みなさんがよく目にする部屋を真似た部屋に私はいる」

褐色の、顎髭をたくわえたザカリアは、アメリカ大統領執務室とほとんど同じ部屋の椅子に座っていた。

腕時計にゆっくり目を落としてから、再び、カメラに視線を向けた。

「そろそろブレイキングニュースだ。スマートフォンの速報に注目して欲しい」

ザカリアがそういった途端、速報が流れた。

【民主党前大統領のオーウェン・リードがロサンゼルス・コンベンション・センターで銃撃された模様です】

ザカリアは、一瞬俯いて笑いを堪えながらいった。

「悲しい速報じゃないか。アメリカのみなさん。でもどうか悲しまないで欲しい。私が経験したガザではこの55,000倍だ。55,000人以上の大切な人を失い、そして、涙を流した」

ザカリアは、再び俯いたまま、両手を固く握りしめ、力強く机を叩きつけた。

顔を上げたザカリアの目にはうっすらと涙が溢れていた。

「私たちは、お金を求めない。また、死による名誉も求めない。私たちが欲しいのは、55,000人が流した涙と同じだけの涙だ。流された涙と同じだけの涙だけが、私たちを癒す」

両肘を机につき、両手を組むと、ザカリアは静かに顎を乗せた。目を閉じて、しばらく沈黙が続いた。目尻が細かく震えているようだった。そのままゆっくり口を開いた。

「55,000人のうちの私はひとりに過ぎない。私が消えても5万人もの意思は決して消えず、引き継がれる。私は、私たちの意思をここに表明するためにいる」

ザカリアは、机の引き出しから、グロック17を取り出すと、スライドしてチャンバーに弾を流した。そして、自分のこめかみに向けた。

スンニ派である彼は、まっすぐにカメラを見つめ、皮肉混じりにいった。

「神のご加護を。アメリカ」

ザカリアは、目を閉じると、トリガーを真っ直ぐに引いた。乾いた音が部屋に響いた。映像は、瞬時に黒へ切り替わった。

  

つづく。

  

メモ

 

1

「Bombay型(ボンベイ型、hh型)」

•特徴:通常のABO血液型を持たない(A、B、Oに分類されない)特殊な型。

•発見地:1952年、インド・ムンバイ(旧ボンベイ)で初めて確認。

•発生頻度:インドでは1万人に1人程度だが、世界的には約250万人に1人とも。

•輸血制限:同じBombay型しか輸血できない。

 

2

2024年ハーバード大学首席の卒業式スピーチ『知らないことの力』

youtu.be/SOUH8iVqSOI?si=Ju-Y728irtcWR71K

 

3

Shots fired at Trump rally

youtu.be/1ejfAkzjEhk?si=ASqJwEmkY-2rW_hT

 

_________________________________

_________________________________

 

2025年の展示

  

テーマ

The Nightfly

 

僕の次の小説。B♭(ビーフラット)

そのイメージになります。

小説の一部分を抜粋し、公開します。

  

Images.

Taylor Swift … This Love 【和訳】

youtu.be/PfJzQuqWSSE?si=Y2g0HzhoVjnR46zS

  

Mitsushiro - Nakagawa

 

主催

デザインフェスタ

designfesta.com

 

場所

東京ビッグサイト

www.bigsight.jp

  

日程

2025年 秋。

 

exhibition.mitsushiro.nakagawa@gmail.com

 

_________________________________

_________________________________

 

重要なお知らせ。

 

僕は以下の条件を緩和します。

僕はTシャツを無料で世界中へ配布します。

m.flickr.com/photos/stealaway/50656401427/in/dateposted-p...

m.flickr.com/photos/stealaway/50613367691/in/dateposted-p...

_________________________________

_________________________________

 

タイトル

“” A.I.  アップルのアイデンティティについて””

www.flickr.com/photos/stealaway/54271473379/in/dateposted...

 

マークザッカーバーグ氏の批判に、アップルは耳を傾けるだろうか。

僕にはそう思えない。アップルヴィジョンプロに夢を見せられた僕には。

_________________________________

_________________________________

  

新婚旅行の8mmフィルムを数十年ぶりに復活😃

 

youtu.be/zH-dG7bMeL4?si=yLF5_f1m-LhAVdPp

  

新婚旅行の8mmフィルムが数十年ぶりに出てきて、DVDに焼きました。

1993年6月6日、僕らは結婚し、そのままニューヨークを経由して、バハマのナッソーへ向かいました。

目的地は、亡くなられたダイアナ妃が新婚旅行へ向かったピンクサンドビーチです。

もしもこれからバハマへ向かうならば、参考に見てもよいかもしれません。

泊まったホテルは、今はもうないラマダホテル。

妻がホテルの部屋を紹介しています。

 

でも、今はリアルタイムで美しい景色が見られますね。

 

届いたDVDを再生したら、バハマに到着したところからの映像でした。

もしもよかったら見てください。

  

今回、DVD化を依頼した場所は、富士フィルムさんです。

下にリンクを貼っておきます。

 

ビデオや写真をデータ化しDVDに変換 | 富士フイルム

fujifilmmall.jp/conversion/?_gl=1*1smvac9*_gcl_au*NTA1NDU....

 

#バハマ #ナッソー #ピンクサンドビーチ #新婚旅行 #1993

 

_________________________________

_________________________________

 

” Lot No.402_ ” に関するお知らせ。

  

今後、僕は、” Lot No.402_ ”を主催します。

 

このロットナンバーは、眠っていたレオナルドダヴィンチの作品がオークションにかけらた際に付されたものです。

作品にはサインなどがいっさい記されていなかったため、彼の作品だと断定できませんでした。

しかし、様々な鑑定の結果、陽の光を浴びました。

誰にも気づかれない作品。肩書がなくとも静かに語りかける作品。

僕はこれから様々な形で、多くの皆様に提供できるよう努めてゆきます。

 

2020年10月24日 by Mitsushiro - Nakagawa.

 

Copyright©︎2021 Lot No.402_ All rights reserved.

_________________________________

_________________________________

プロフィール

2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

_________________________________

_________________________________

  

_________________________________

_________________________________

 

インタビューと小説。

僕の本について。

 

僕は、昔に本を出版しました。

その際に、僕のインタビューをPDFでネット上へアップロードしていました。

その日本語と英語。

 

僕は、無料でを公開します。

詳細は、アマゾンのサイトへ解説しました。

 

小説の書き方。

写真の撮影方法。

作品への距離感。

 

これらはすべて共通項があります。

僕は、僕が感じたことを文章にして、残しました。

 

僕のテキストが多くの人に読んでもらえることを望みます。

ありがとう。

 

Mitsushiro.

 

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

  

1 インタビュー 英語版

 

2 小説。unforgettable’ 英語版。

 

3 インタビュー 日本語版

 

4 小説。unforgettable’ 日本語版。(この小説は未来のアーティストへ捧げます)

(四百字詰め原稿用紙456枚)

 

 あらすじ

 大学を目指している北見ケイは、SNS上で、6歳年上のイベントコンパニオン、上村香織に出会う。

 上京してきた香織の夢は、有名なアーティストの友達になるためだ。

 そのためにはラジオ局のプロデューサー、大沢亮の存在が必要だった。

 大沢は、ラジオの生放送中、香織へ語りかける。

 「僕には妻子がある。しかし、僕は君に会いたいと思っている」

 ケイの同級生で、彼を想っている三條里香は、香織の動向を探っていた。。。。。

  

本編

 

人が海へ向かう理由には、二つある。

 ひとつは、波打ち際ではしゃぐ子供のように、今の瞬間の海の輝きを楽しむこと。

 もうひとつは、その輝きを静かに見据えて、過ぎ去った日々を懐かしむ老人のように記憶の埃を払うこと。

 二つは重なり合わないようではあるけれども、たったひとつの意味しか生まない。

 再生だ。

 明日っていう、曖昧な日を確実なものへと変えてゆくために、自分の存在に向き合う。

 それが再生の意味だ。

 

 十八歳だった僕には大切な人がいた。

 

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

  

5 流線形の軌跡。 日本語のみ。

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

_________________________________

_________________________________

 

iBooks.電子出版。(現在は無料)

 

0.about the iBooks.

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

 

1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...

 

2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)

itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...

 

3.流線形の軌跡。

itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...

_________________________________

_________________________________

 

僕の小説。英語版 

My Novel Unforgettable' (This book is Dedicated to the future artist.)

 

Mitsushiro Nakagawa

All Translated by Yumi Ikeda .

www.fotolog.net/yuming/

   

1/9

www.flickr.com/photos/stealaway/24577016535/in/dateposted...

2/9

www.flickr.com/photos/stealaway/24209330259/in/dateposted...

3/9

www.flickr.com/photos/stealaway/23975215274/in/dateposted...

4/9

www.flickr.com/photos/stealaway/24515964952/in/dateposted...

5/9

www.flickr.com/photos/stealaway/24276473749/in/dateposted...

6/9

www.flickr.com/photos/stealaway/24548895082/in/dateposted...

7/9

www.flickr.com/photos/stealaway/24594603711/in/dateposted...

8/9

www.flickr.com/photos/stealaway/24588215562/in/dateposted...

9/9

www.flickr.com/photos/stealaway/24100804163/in/dateposted...

Fin.

  

images.

U2 - No Line On The Horizon Live in Dublin

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

_________________________________

_________________________________

 

Title of my book : unforgettable'

Author : Mitsushiro Nakagawa

Out Now.

 

ISBN978-4-86264-866-2

in Amazon.

Unforgettable’ amzn.asia/d/eG1wNc5

_________________________________

_________________________________

_________________________________

_________________________________

 

僕の作品。

 

1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...

2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...

3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...

_________________________________

_________________________________

 

あなたは僕の声を聞きたいですか?

:)

 

youtu.be/b1o6Xf-Mjhw

  

1

フリッカーへ投稿した写真の構図について。1種類目。

youtu.be/b1o6Xf-Mjhw

 

2

フリッカーへ投稿した写真の構図について。2種類目。

youtu.be/b1o6Xf-Mjhw?t=443

 

3

Fotologを始めた時について。 建築家の視点。

youtu.be/b1o6Xf-Mjhw?t=649

 

4

なぜ、今までカメラを手にしなかったのか?

youtu.be/b1o6Xf-Mjhw?t=708

 

5

何が一番かっこいいのか? 写真はありのままに。

youtu.be/b1o6Xf-Mjhw?t=776

 

6

現在のユーチューバーについて。僕も伝え、残したい。

youtu.be/b1o6Xf-Mjhw?t=964

 

7

日本人の写真家について。日本のユーチューバーはピストルズ。

youtu.be/b1o6Xf-Mjhw?t=1059

 

8

写真の構図は、感性。ミラノのデザイナーに会って。二つの質問。

youtu.be/b1o6Xf-Mjhw?t=1242

 

9

良い構図とは? 悪い構図とは?

youtu.be/b1o6Xf-Mjhw?t=1482

 

10

カメラを向ける時とは? ファインダーやディスプレイを覗いていては遅い。

youtu.be/b1o6Xf-Mjhw?t=1662

 

11

家族写真。他人では撮れない。被写体の内面。

youtu.be/b1o6Xf-Mjhw?t=1745

 

12

ユーチューブの写真家について。カメラの技術等。感性は、本を読むことで磨く。

youtu.be/b1o6Xf-Mjhw?t=2144

 

13

日本の新聞について。良い新聞の写真はロイター。ダメな写真を見続けるとダメになる。

youtu.be/b1o6Xf-Mjhw?t=2305

 

14

日本の写真家について。その展示について。

まとめ。僕が書いた小説など。僕が最も伝えたいこと。

youtu.be/b1o6Xf-Mjhw?t=2579

_________________________________

_________________________________

 

作品制作について 1/2

youtu.be/ZFjqUJn74kM

 

作品制作について 2/2

youtu.be/pZIbXmnXuCw

  

1 それまでの写真展。自分は行きたいと思ったか?

 

2 じゃ、自分が足を運んででも行きたい展示とは何か?

 

3 原宿デザインフェスタで個展を開くまでに、毎月ひとつの作品を展示することにチャレンジ。

 

4 作品とは、素材とシルエット。ファッションと似ている。

 

5 自分が好きなアーティストは誰か? どんなものなのか? そこをはっきりさせる。

 

6 コラージュの作成も写真の撮り方と全く同じ。インタビューに書いたように小説の書き方とも同じ。

 

7 誰かに見せたい、見せるがために作品は作らない。写真と同じように自分の部屋に飾りたい作品を目指す。

 

8 パクリとは何か? 昨今、叩かれるパクリ疑惑。ミメーシスとは?

 

  https://ja.wikipedia.org/wiki/ミメーシス

  https://kotobank.jp/word/ミメーシス-139464

  

9 個性とはなにか? オリジナリティってなに?

 

おまけ 眞子さまについて

 

という流れです。

お時間がある方は是非聴いてください。

:)

 

www.youtube.com/user/mitsushiro/

 

_________________________________

_________________________________

  

構図の解説2

 

1.構図の解説2 ... 1/4

youtu.be/yVbvneBIMs8

 

2.構図の解説2 ... 2/4

youtu.be/LToFez9vOAw

 

3.構図の解説2 ... 3/4

youtu.be/uTR0wVi9Z7M

 

4.構図の解説2 ... 4/4

youtu.be/h2LjfU6Vvno

 

_________________________________

_________________________________

 

僕のシャッター感覚

 

youtu.be/3JkbGiFLjAM

 

In the Eurostar to Venice . 2005. shot ... 1 / 2

www.flickr.com/photos/stealaway/49127115021/in/dateposted...

 

_________________________________

_________________________________

 

Miles Davis sheet 1955-1976.

drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...

 

_________________________________

_________________________________

flickr.

www.flickr.com/photos/stealaway/

_________________________________

_________________________________

 

YouTube.

www.youtube.com/user/mitsushiro/

_________________________________

_________________________________

 

instagram.

www.instagram.com/mitsushiro_nakagawa/

_________________________________

_________________________________

 

Pinterest.

www.pinterest.jp/MitsushiroNakagawa/

_________________________________

_________________________________

 

YouPic

youpic.com/photographer/mitsushironakagawa/

_________________________________

_________________________________

 

fotolog

www.fotolog.com/stealaway/

_________________________________

_________________________________

 

twitter.

twitter.com/mitsushiro

_________________________________

_________________________________

 

facebook.

www.facebook.com/mitsushiro.nakagawa

_________________________________

_________________________________

 

threads.

www.threads.net/@mitsushiro_nakagawa

_________________________________

_________________________________

 

Blue sky.

bsky.app/profile/mitsushironakagawa.bsky.social

_________________________________

_________________________________

 

Amazon.

www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...

_________________________________

_________________________________

  

僕の統計(2025年5月12日現在)

フリッカー、ユーピクのアクセス数は?

 

Flickr 25,354,244 View

Youpic 8,533,634 View

 

x.com/mitsushiro/status/1921858836618481746

  

僕の統計。(2024年12月15日現在)

フリッカー、ユーピクのアクセス数は?

Flickr 24,260,172 View

Youpic 7,957,826 View

x.com/mitsushiro/status/1868185157909582014

 

僕の統計。(2024年8月1日現在)

フリッカー、ユーピクのアクセス数は?

Flickr 23,192,383 View

Youpic 7,574,603 View

 

僕の統計。(2024年2月7日現在)

フリッカー、ユーピクのアクセス数は?

Flickr 21,694,434 View

Youpic 7,003,230 View

 

僕の統計。(2023年11月13日現在)

フリッカー、ユーピクのアクセス数は?

Flickr 20,852,872 View

Youpic 6,671,486 View

_________________________________

_________________________________

 

Japanese is the following.

380mm axle to crown. Ideal for 700 x 32-35mm w/fenders.

Kaisei Imperial oval fork blades, modified Paragon dropouts & Grand Bois crown.

1" threaded steer 280mm

Low trail, 70mm fork offset

Choice of cantilever bosses or long-reach side-pull compatibility (55mm reach)

Choice of wet-paint color.

$550

info@mapbicycles.com

Hi Spookies & Culties, Here is your "must have these Cult Items" Weekend Shopping List!!

 

★ Item ★ The Josilyn heels are decorated up with cute flowers! The Magnolia heels are cuted up with bows, hearts, and pearls!

 

★ Rigged For ★ Reborn ★ Maitreya-X ★ Kupra ★ Legacy ★ Lara ★

★ Featuring Color Hud w/ 10 light colors & 10 dark colors & 3 metal colors!

★ Remember to always try the DEMOS!★ Check for Body Type & Body MOD Compatibility ★

 

★ Cult LM ★ maps.secondlife.com/secondlife/Cult%20Coven/129/75/337

 

★ Cult's Social Media Links ★

Cult MarketPlace

Cult Discord

Cult Mainstore

Cult PrimFeed

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

In May 2016, Lockheed Martin’s first GPS III satellite for the U.S. Air Force, Space Vehicle 01 (SV 01),completed Electromagnetic Interference/Electromagnetic Compatibility (EMI/EMC) and Passive Intermodulation (PIM) testing within our Anechoic Test facility.Here, the full space vehicle went through trials to ensure that the powerful signals of the satellite’scomponents and payloads would not interfere with each other during operations. This was the third of three rigorous environmental tests which ensure GPS III can meet all mission requirements in the stress of space.

Introducing the Nova Eyebrows Collection by Vladdy and Body Alchemy!

 

Upgrade your look with the Nova Eyebrows Collection, a premium set of six unique, fully tintable HD eyebrows for men. This collection is a collaborative effort with Body Alchemy, bringing you top-quality designs that stand out.

 

The Nova Eyebrows Collection includes both SL UV (classic Bakes on Mesh applier) and Evo X applier versions, ensuring compatibility with a wide range of avatars. Each set offers the flexibility and customization you need to achieve the perfect look.

 

Taxi: maps.secondlife.com/secondlife/Vladdy/77/207/2000

+++ DISCLAIMER +++

Nothing you see here is real, even though the model, the conversion or the presented background story might be based historical facts. BEWARE!

  

Some background:

The Georgian Air Force and Air Defense Division (თავდაცვის ძალების ავიაციისა და საჰაერო თავდაცვის სარდლობა; tavdatsvis dzalebis aviatsiisa da sahaero tavdatsvis sardloba) was established on January 1, 1992, and in September the Georgian Air Force conducted its first combat flight during the separatist war in Abkhazia. On August 18, 1998, the two divisions were unified in a joint command structure and renamed the Georgian Air Force.

In 2010, the Georgian Air Force was abolished as a separate branch and incorporated into the Georgian Land Forces as Air and Air Defense sections. By that time, the equipment – primarily consisting of Eastern Bloc aircraft inherited from the Soviet Union after the country’s dissolution – was totally outdated, the most potent aircraft were a dozen Suchoj Su-25 attack aircraft and a handful of MiG-21U trainers.

 

In order to rejuvenate the air arm, Tbilisi Aircraft Manufacturing (TAM), also known as JSC Tbilaviamsheni and formerly known as 31st aviation factory, started a modernization program for the Su-25, for the domestic forces but also for export customers. TAM had a long tradition of aircraft production within the Soviet Union. In the 1950s the factory started the production of Mikoyan's MiG-15 and later, the MiG-17 fighter aircraft. In 1957 Tbilisi Aircraft State Association built the MiG-21 two-seater fighter-trainer aircraft and its various derivative aircraft, continuing the MiG-21 production for about 25 years. At the same time the company was manufacturing the K-10 air-to-surface guided missile. Furthermore, the first Sukhoi Su-25 (known in the West as the "Frogfoot") close support aircraft took its maiden voyage from the runway of 31st aviation factory. Since then, more than 800 SU-25s had been delivered to customers worldwide. From the first SU-25 to the 1990s, JSC Tbilaviamsheni was the only manufacturer of this aircraft, and even after the fall of the Soviet Union the production lines were still intact and spares for more than fifty complete aircraft available. Along with the SU-25 aircraft 31st aviation factory also launched large-scale production of air-to-air R-60 and R-73 IR guided missiles, a production effort that built over 6,000 missiles a year and that lasted until the early 1990s. From 1996 to 1998 the factory also produced Su-25U two-seaters.

 

In 2001 the factory started, in partnership with Elbit Systems of Israel, upgrading basic Su-25 airframes to the Su-25KM “Scorpion” variant. This was just a technical update, however, intended for former Su-25 export customers who would upgrade their less potent Su-25K export aircraft with modern avionics. The prototype aircraft made its maiden flight on 18 April 2001 at Tbilisi in full Georgian Air Force markings. The aircraft used a standard Su-25 airframe, enhanced with advanced avionics including a glass cockpit, digital map generator, helmet-mounted display, computerized weapons system, complete mission pre-plan capability, and fully redundant backup modes. Performance enhancements included a highly accurate navigation system, pinpoint weapon delivery systems, all-weather and day/night performance, NATO compatibility, state-of-the art safety and survivability features, and advanced onboard debriefing capabilities complying with international requirements. The Su-25KM had the ability to use NATO-standard Mark 82 and Mark 83 laser-guided bombs and new air-to-air missiles, the short-range Vympel R-73. This upgrade extended service life of the Su-25 airframes for another decade.

There were, however, not many customers. Manufacturing was eventually stopped at the end of 2010, after Georgian air forces have been permanently dismissed and abolished. By that time, approximately 12 Scorpions had been produced, but the Georgian Air Force still used the basic models of Su-25 because of high cost of Su-25KM and because it was destined mainly for export. According to unofficial sources several Scorpions had been transferred to Turkmenistan as part of a trade deal.

 

In the meantime, another, more ambitious project took shape at Tbilisi Aircraft Manufacturing, too: With the help of Israel Aircraft Industries (IAI) the company started the development of a completely new attack aircraft, the TAM-1 “Gvelgeslas” (გველგესლას, Viper). It heavily relied on the year-long experience gathered with Su-25 production at Tblisi and on the tools at hand, but it was eventually a completely new aircraft – looking like a crossbreed between the Su-25 and the American A-10 with a T-tail.

 

This new layout had become necessary because the aircraft was to be powered by more modern, less noisy and more fuel-efficient Rolls Royce AE 3012 turbofan engines - which were originally intended to power the stillborn Yakovlev Yak-77 twin-engine business jet for up to 32 passengers, a slightly derated variant of the GMA 3012 with a 44 in diameter (112 cm) fan and procured via IAI from the United States through the company’s connection with Gulfstream Aerospace. Their larger diameter (the Su-25’s original Soyuz/Tumansky R-195 turbojets had a diameter of 109,5 cm/43.1 in) precluded the use of the former integral engine nacelles along the fuselage. To keep good ground clearance against FOD and to protect them from small arms fire, the engine layout was completely re-arranged. The fuselage was streamlined, and its internal structure was totally changed. The wings moved into a low position. The wings’ planform was almost identical to the Su-25’s, together with the characteristic tip-mounted “crocodile” air brakes. Just the leading edge inside of the “dogteeth” and the wing roots were re-designed, the latter because of the missing former engine nacelles. This resulted in a slightly increased net area, the original wingspan was retained. The bigger turbofans were then mounted in separate pods on short pylons along the rear fuselage, partly protected from below by the wings. Due to the jet efflux and the engines’ proximity to the stabilizers, these were re-located to the top of a deeper, reinforced fin for a T-tail arrangement.

 

Since the Su-25’s engine bays were now gone, the main landing gear had to be completely re-designed. Retracting them into the fuselage or into the relatively thin wings was not possible, TAM engineers settled upon a design that was very similar to the A-10: the aircraft received streamlined fairings, attached to the wings’ main spar, and positioned under the wings’ leading edges. The main legs were only semi-retractable; in flight, the wheels partly protruded from the fairings, but that hardly mattered from an aerodynamic point of view at the TAM-1’s subsonic operational speed. As a bonus they could still be used while retracted during emergency landings, improving the aircraft’s crash survivability.

 

Most flight and weapon avionics were procured from or via Elbit, including the Su-25KT’s modernized “glass cockpit”, and the TAM-1’s NATO compatibility was enhanced to appeal to a wider international export market. Beyond a total of eleven hardpoints under the wings and the fuselage for an external ordnance of up to 4.500 kg (9.900 lb), the TAM-1 was furthermore armed with an internal gun. Due to procurement issues, however, the Su-25’s original twin-barrel GSh-30-2 was replaced with an Oerlikon KDA 35mm cannon – a modern variant of the same cannon used in the German Gepard anti-aircraft tank, adapted to the use in an aircraft with a light-weight gun carriage. The KDA gun fired with a muzzle velocity of 1,440 m/s (4,700 ft/s) and a range of 5.500m, its rate of fire was typically 550 RPM. For the TAM-1, a unique feature from the SPAAG installation was adopted: the gun had two magazines, one with space for 200 rounds and another, smaller one for 50. The magazines could be filled with different types of ammunition, and the pilot was able select between them with a simple switch, adapting to the combat situation. Typical ammunition types were armor-piercing FAPDS rounds against hardened ground targets like tanks, and high explosive shells against soft ground targets and aircraft or helicopters, in a 3:1 ratio. Other ammunition types were available, too, and only 200 rounds were typically carried for balance reasons.

 

The TAM-1’s avionics included a SAGEM ULISS 81 INS, a Thomson-CSF VE-110 HUD, a TMV630 laser rangefinder in a modified nose and a TRT AHV 9 radio altimeter, with all avionics linked through a digital MIL-STD-1553B data bus and a modern “glass cockpit”. A HUD was standard, but an Elbit Systems DASH III HMD could be used by the pilot, too. The DASH GEN III was a wholly embedded design, closely integrated with the aircraft's weapon system, where the complete optical and position sensing coil package was built within the helmet (either the USAF standard HGU-55/P or the Israeli standard HGU-22/P), using a spherical visor to provide a collimated image to the pilot. A quick-disconnect wire powered the display and carried video drive signals to the helmet's Cathode Ray Tube (CRT).

 

The TAM-1’s development was long and protracted, though, primarily due to lack of resources and the fact that the Georgian air force was in an almost comatose state for several years, so that the potential prime customer for the TAM-1 was not officially available. However, the first TAM-1 prototype eventually made its maiden flight in September 2017. This was just in time, because the Georgian Air Force had formally been re-established in 2016, with plans for a major modernization and procurement program. Under the leadership of Georgian Minister of Defense Irakli Garibashvili the Air Force was re-prioritized and aircraft owned by the Georgian Air Force were being modernized and re-serviced after they were left abandoned for 4 years. This program lasted until 2020. In order to become more independent from foreign sources and support its domestic aircraft industry, the Georgian Air Force eventually ordered eight TAM-1s as Su-25K replacements, which would operate alongside a handful of modernized Su-25KMs from national stock. In the meantime, the new type also attained interest from abroad, e. g. from Bulgaria, the Congo and Cyprus. The IDF thoroughly tested two early production TAM-1s of the Georgian Air Force in 2018, too.

  

General characteristics:

Crew: 1

Length: 15.53 m (50 ft 11 in), including pitot

Wingspan: 14.36 m (47 ft 1 in)

Height: 4.8 m (15 ft 9 in)

Wing area: 35.2 m² (378 sq ft)

Empty weight: 9,800 kg (21,605 lb)

Gross weight: 14,440 kg (31,835 lb)

Max takeoff weight: 19,300 kg (42,549 lb)

 

Powerplant:

2× Rolls-Royce AE 3012 turbofans with 44.1 kN (9,920 lbf) thrust each

 

Performance:

Maximum speed: 975 km/h (606 mph, 526 kn, Mach 0.79)

Range: 1.000 km (620 mi, 540 nmi) with internal fuel, clean

Combat range: 750 km (470 mi, 400 nmi) at sea level with 4.500 kg (9,911 lb) of ordnance,

incl. two external fuel tanks

Service ceiling: 7.800 m (25,550 ft)

g limits: +6.5

Rate of climb: 58 m/s (11,400 ft/min)

 

Armament:

1× 35 mm (1.38 in) Oerlikon KDA cannon with 200 rds in two magazines

under the lower forward fuselage, offset to port side.

11× hardpoints with a capacity of up to 4.500 kg (9,911 lb) of external stores

  

The kit and its assembly:

This rather rigorous conversion had been on my project list for many years, and with the “Gunships” group build at whatifmodellers.com in late 2021 I eventually gathered my mojo to tackle it. The ingredients had already been procured long ago, but there are ideas that make you think twice before you take action…

 

This build was somewhat inspired by a CG rendition of a modified Su-25 that I came across while doing online search for potential ideas, running under the moniker “Su-125”, apparently created by someone called “Bispro” and published at DeviantArt in 2010; check this: (www.deviantart.com/bispro/art/Sukhoi-Su-125-Foghorn-15043...). The rendition shows a Su-25 with its engines re-located to the rear fuselage in separate nacelles, much like an A-10, plus a T-tail. However, as many photoshopped aircraft, the shown concept had IMHO some flaws. Where would a landing gear go, as the Su-125 still had shoulder wings? The engines’ position and size also looked fishy to me, quite small/narrow and very far high and back – I had doubts concerning the center of gravity. Nevertheless, I liked the idea, and the idea of an “A-10-esque remix” of the classic Frogfoot was born.

 

This idea was fueled even further when I found out that the Hobbycraft kit lends itself to such a conversion. The kit itself is not a brilliant Su-25 rendition, there are certainly better models of the aircraft in 1:72. However, what spoke for the kit as whiffing fodder was/is the fact that it is quite cheap (righteously so!) and AFAIK the only offering that comes with separate engine nacelles. These are attached to a completely independent central fuselage, and this avoids massive bodywork that would be necessary (if possible at all) with more conventional kits of this aircraft.

Another beneficial design feature is that the wing roots are an integral part of the original engine nacelles, forming their top side up to the fuselage spine. Through this, the original wingspan could be retained even without the nacelles, no wing extension would be necessary to retain the original proportions.

 

Work started with the central fuselage and the cockpit tub, which received a different (better) armored ejection seat and a pilot figure; the canopy remained unmodified and closed, because representing the model with an open cockpit would have required additional major body work on the spinal area behind the canopy. Inside, a new dashboard (from an Italeri BAe Hawk) was added, too – the original instrument panel is just a flat front bulkhead, there’s no space for the pilot to place the legs underneath the dashboard!

 

In parallel, the fin underwent major surgery. I initially considered an A-10-ish twin tail, but the Su-25’s high “tail stinger” prevented its implementation: the jet efflux would come very close to the tail surfaces. So, I went for something similar to the “Su-125” layout.

Mounting the OOB stabilizers to the fin was challenging, though. The fin lost its di-electric tip fairing, and it was cut into two sections, so that the tip would become long enough to match the stabilizers. A lucky find in the scrap box was a leftover tail tip from a Matchbox Blackburn Buccaneer, already shortened from a former, stillborn project: it had now the perfect length to take the Su-25 stabilizers! To make it fit on the fin, an 8mm deep section was inserted, in the form of a simple 1.5mm styrene sheet strip. Once dry, the surface was re-built with several PSR layers. Since it would sit further back on the new aircraft’s tail, the stinger with a RHAWS sensor was shortened.

 

On the fuselage, the attachment points for the wings and the engine nacelles were PSRed away and the front section filled with lots of lead beads, hoping that it would be enough to keep the model’s nose down.

 

Even though the wings had a proper span for a re-location into a low position, they still needed some attention: at the roots, there’s a ~1cm wide section without sweep (the area which would normally cover the original engine nacelles’ tops). This was mended through triangular 1.5 mm styrene wedges that extended the leading-edge sweep, roughly cut into shape once attached and later PSRed into the wings’ surfaces

 

The next construction site were the new landing gear attachment points. This had caused some serious headaches – where do you place and stow it? With new, low wings settled, the wings were the only logical place. But the wings were too thin to suitably take the retracted wheels, and, following the idea of a retrofitted existing design, I decided to adopt the A-10’s solution of nacelles into which the landing gear retracts forward, with the wheels still partly showing. This layout option appears quite plausible, since it would be a “graft-on” solution, and it also has the benefit of leaving lots of space for underwing stores, since the hardpoints’ position had to be modified now, too.

I was lucky to have a pair of A-10 landing gear nacelles at hand, left over from a wrecked Matchbox model from childhood time (the parts are probably 35 years old!). They were simply cut out, glued to the Su-25 wings and PSRed into shape. The result looked really good!

 

At this point I had to decide the model’s overall layout – where to place the wings, the tail and the new engine nacelles. The latter were not 1:72 A-10 transplants. I had some spare engine pods from the aforementioned Matchbox wreck, but these looked too rough and toylike for my taste. They were furthermore too bulky for the Su-25, which is markedly smaller than an A-10, so I had to look elsewhere. As a neat alternative for this project, I had already procured many moons ago a set of 1:144 resin PS-90A engines from a Russian company called “A.M.U.R. Reaver”, originally intended for a Tu-204 airliner or an Il-76 transport aircraft. These turbofan nacelles not only look very much like A-10 nacelles, just a bit smaller and more elegant, they are among the best resin aftermarket parts I have ever encountered: almost no flash, crisp molding, no bubbles, and perfect fit of the parts – WOW!

With these three elements at hand I was able to define the wings’ position, based on the tail, and from that the nacelles’ location, relative to the wings and the fin.

 

The next challenge: how to attach the new engines to the fuselage? The PS-90A engines came without pylons, so I had to improvise. I eventually found suitable pylons in the form of parts from F-14A underwing missile pylons, left over from an Italeri kit. Some major tailoring was necessary to find a proper position on the nacelles and on the fuselage, and PSRing these parts turned out to be quite difficult because of the tight and labyrinthine space.

 

When the engines were in place, work shifted towards the model’s underside. The landing gear was fully replaced. I initially wanted to retain the front wheel leg and the main wheels but found that the low wings would not allow a good ground clearance for underwing stores and re-arming the aircraft, a slightly taller solution was necessary. I eventually found a complete landing gear set in the scrap box, even though I am not certain to which aircraft it once belonged? I guess that the front wheel came from a Hasegawa RA-5C Vigilante, while the main gear and the wheels once belonged to an Italeri F-14A, alle struts were slightly shortened. The resulting stance is still a bit stalky, but an A-10 is also quite tall – this is just not so obvious because of the aircraft’s sheer size.

 

Due to the low wings and the landing gear pods, the Su-25’s hardpoints had to be re-arranged, and this eventually led to a layout very similar to the A-10. I gave the aircraft a pair of pylons inside of the pods, plus three hardpoints under the fuselage, even though all of these would only be used when slim ordnance was carried. I just fitted the outer pair. Outside of the landing gear fairings there would have been enough space for the Frogfoot’s original four outer for pylons, but I found this to be a little too much. So I gave it “just” three, with more space between them.

The respective ordnance is a mix for a CAS mission with dedicated and occasional targets. It consists of:

- Drop tanks under the inner wings (left over from a Bilek Su-17/22 kit)

- A pair of B-8M1 FFAR pods under the fuselage (from a vintage Mastercraft USSR weapon set)

- Two MERs with four 200 kg bombs each, mounted on the pylons outside of the landing gear (the odd MERs came from a Special Hobby IDF SMB-2 Super Mystère kit, the bombs are actually 1:100 USAF 750 lb bombs from a Tamiya F-105 Thunderchief in that scale)

- Four CBU-100 Rockeye Mk. II cluster bombs on the outer stations (from two Italeri USA/NATO weapon sets, each only offers a pair of these)

Yes, it’s a mix of Russian and NATO ordnance – but, like the real Georgian Su-25KM “Scorpion” upgrade, the TAM-1 would certainly be able to carry the same or even a wider mix, thanks to modified bomb racks and wirings. Esp. “dumb” weapons, which do not call for special targeting and guidance avionics, are qualified.

The gun under the nose was replaced with a piece from a hollow steel needle.

  

Painting and markings:

Nothing unusual here. I considered some more “exotic” options, but eventually settled for a “conservative” Soviet/Russian-style four-tone tactical camouflage, something that “normal” Su-25s would carry, too.

The disruptive pattern was adapted from a Macedonian Frogfoot but underwent some changes due to the T-tail and the engine nacelles. The basic tones were Humbrol 119 (RAF Light Earth), 150 (Forest Green), 195 (Chrome Oxide Green, RAL 6020) and 98 (Chocolate) on the upper surfaces and RLM78 from (Modelmaster #2087) from below, with a relatively low waterline, due to the low-set wings.

As usual, the model received a light black ink washing and some post-shading – especially on the hull and on the fin, where many details had either disappeared under PSR or were simply not there at all.

 

The landing gear and the lower areas of the cockpit were painted in light grey (Humbrol 64), while the upper cockpit sections were painted with bright turquoise (Modelmaster #2135). The wheel hubs were painted in bright green (Humbrol 101), while some di-electric fairings received a slightly less intense tone (Humbrol 2). A few of these flat fairings on the hull were furthermore created with green decal sheet material (from TL Modellbau) to avoid masking and corrections with paint.

 

The tactical markings became minimal, matching the look of late Georgian Su-25s. The roundels came from a Balkan Models Frogfoot sheet. The “07” was taken from a Blue Rider decal sheet, it actually belongs to a Lithuanian An-2. Some white stencils from generic MiG-21 and Mi-8 Begemot sheets were added, too, and some small markings were just painted onto the hull with yellow.

 

Some soot stains around the jet nozzles and the gun were added with graphite, and finally the kit was sealed with a coat of matt acrylic varnish.

  

A major bodywork project – and it’s weird that this is basically just a conversion of a stock kit and no kitbashing. A true Frogfoot remix! The new engines were the biggest “outsourced” addition, the A-10 landing gear fairings were a lucky find in the scrap box, and the rest is quite generic and could have looked differently. The result is impressive and balanced, though, the fictional TAM-1 looks quite plausible. The landing gear turned out to be a bit tall and stalky, though, making the aircraft look smaller on the ground than it actually is – but I left it that way.

★ Item ★ The Bela backpack is a cute teddy backpack for any collector!

 

★ Rigged For ★ Reborn ★ Legacy Female ★ Maitreya ★ Kupra ★

★ Remember to always try the DEMOS!★Check for Body Type & Body MOD Compatibility★

★ Comes with a Color Control HUD for changeable color options

 

★ Cult LM ★ maps.secondlife.com/secondlife/Champ/189/200/17

 

★ Cult's Social Media Links ★

Cult Discord

Cult Mainstore

Cult Instagram

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

Hi Culties & Spookies, Time to kick off your weekend shopping just right!

★ Item ★ Demi are a sexy pair of boots with awesome details specifically made for Maze "Soft Thighs" Only.

 

★ Rigged For ★ Reborn ★ Legacy Female ★ Maitreya ★ Kupra ★

★ Remember to always try the DEMOS!★Check for Body Type & Body MOD Compatibility★

★ Comes with a Color Control HUD for changeable color options

 

★ Cult LM ★ maps.secondlife.com/secondlife/Champ/189/200/17

 

★ Cult's Social Media Links ★

Cult Discord

Cult Mainstore

Cult Instagram

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

Hi Culties & Spookies, time for even more sales for your Sunday Leisure!!

 

★ Item ★ The Rebeca boots are are sleek and sexy with o ring and lacing details and would be great for any boot collector!

 

★ Rigged For ★ Legacy F ★ Reborn ★ Kupra ★ Gen-X ★ Lara ★ MaitreyaX ★

★ Remember to always try the DEMOS!★Check for Body Type & Body MOD Compatibility★

★ Comes with a Color Control HUD for changeable color options

 

★ Cult LM ★ maps.secondlife.com/secondlife/Champ/189/200/17

 

★ Cult's Social Media Links ★

Cult Discord

Cult Mainstore

Cult PrimFeed

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

The IBM System/360 mainframe development which started in 1961 was the biggest product development in corporate history. Costing $5B at the time ($44B today), it was a huge gamble, but it paid off handsomely for IBM. They dominated the market for the remainder of the mainframe computer era.

There were several big innovations which created its success, including, upwards/downwards software compatibility across the range, standard interface for many different peripherals, emulation of other platform developed software, adoption of the 8-bit byte and Solid Logic Technology.

Seen in close up, SLT was a ceramic substrate technology with printed resistors and mounted transistors, creating Resistor Transistor Logic (RTL) blocks. The resistors were trimmed before the lid was put on the modules.

IBM gambled in large part because they were facing increasing stiff competition.

One of their competitors launched a product with early logic integrated circuits. IBM had considered this but felt the technology was too immature. They were right as the competitor's computer had many yield and cost issues and it failed.

By the time the System/370 was launched, IBM had adopted logic ICs (now called Monolothic Systems Technology), but they still packaged them in the same ceramic substrate package format.

IBM during the 60s was the world's largest producer of semiconductors and also used external companies like TI and Raytheon to produce discrete packaged transistors for their products.

+++ DISCLAIMER +++

Nothing you see here is real, even though the model, the conversion or the presented background story might be based historical facts. BEWARE!

  

Some background:

The Georgian Air Force and Air Defense Division (თავდაცვის ძალების ავიაციისა და საჰაერო თავდაცვის სარდლობა; tavdatsvis dzalebis aviatsiisa da sahaero tavdatsvis sardloba) was established on January 1, 1992, and in September the Georgian Air Force conducted its first combat flight during the separatist war in Abkhazia. On August 18, 1998, the two divisions were unified in a joint command structure and renamed the Georgian Air Force.

In 2010, the Georgian Air Force was abolished as a separate branch and incorporated into the Georgian Land Forces as Air and Air Defense sections. By that time, the equipment – primarily consisting of Eastern Bloc aircraft inherited from the Soviet Union after the country’s dissolution – was totally outdated, the most potent aircraft were a dozen Suchoj Su-25 attack aircraft and a handful of MiG-21U trainers.

 

In order to rejuvenate the air arm, Tbilisi Aircraft Manufacturing (TAM), also known as JSC Tbilaviamsheni and formerly known as 31st aviation factory, started a modernization program for the Su-25, for the domestic forces but also for export customers. TAM had a long tradition of aircraft production within the Soviet Union. In the 1950s the factory started the production of Mikoyan's MiG-15 and later, the MiG-17 fighter aircraft. In 1957 Tbilisi Aircraft State Association built the MiG-21 two-seater fighter-trainer aircraft and its various derivative aircraft, continuing the MiG-21 production for about 25 years. At the same time the company was manufacturing the K-10 air-to-surface guided missile. Furthermore, the first Sukhoi Su-25 (known in the West as the "Frogfoot") close support aircraft took its maiden voyage from the runway of 31st aviation factory. Since then, more than 800 SU-25s had been delivered to customers worldwide. From the first SU-25 to the 1990s, JSC Tbilaviamsheni was the only manufacturer of this aircraft, and even after the fall of the Soviet Union the production lines were still intact and spares for more than fifty complete aircraft available. Along with the SU-25 aircraft 31st aviation factory also launched large-scale production of air-to-air R-60 and R-73 IR guided missiles, a production effort that built over 6,000 missiles a year and that lasted until the early 1990s. From 1996 to 1998 the factory also produced Su-25U two-seaters.

 

In 2001 the factory started, in partnership with Elbit Systems of Israel, upgrading basic Su-25 airframes to the Su-25KM “Scorpion” variant. This was just a technical update, however, intended for former Su-25 export customers who would upgrade their less potent Su-25K export aircraft with modern avionics. The prototype aircraft made its maiden flight on 18 April 2001 at Tbilisi in full Georgian Air Force markings. The aircraft used a standard Su-25 airframe, enhanced with advanced avionics including a glass cockpit, digital map generator, helmet-mounted display, computerized weapons system, complete mission pre-plan capability, and fully redundant backup modes. Performance enhancements included a highly accurate navigation system, pinpoint weapon delivery systems, all-weather and day/night performance, NATO compatibility, state-of-the art safety and survivability features, and advanced onboard debriefing capabilities complying with international requirements. The Su-25KM had the ability to use NATO-standard Mark 82 and Mark 83 laser-guided bombs and new air-to-air missiles, the short-range Vympel R-73. This upgrade extended service life of the Su-25 airframes for another decade.

There were, however, not many customers. Manufacturing was eventually stopped at the end of 2010, after Georgian air forces have been permanently dismissed and abolished. By that time, approximately 12 Scorpions had been produced, but the Georgian Air Force still used the basic models of Su-25 because of high cost of Su-25KM and because it was destined mainly for export. According to unofficial sources several Scorpions had been transferred to Turkmenistan as part of a trade deal.

 

In the meantime, another, more ambitious project took shape at Tbilisi Aircraft Manufacturing, too: With the help of Israel Aircraft Industries (IAI) the company started the development of a completely new attack aircraft, the TAM-1 “Gvelgeslas” (გველგესლას, Viper). It heavily relied on the year-long experience gathered with Su-25 production at Tblisi and on the tools at hand, but it was eventually a completely new aircraft – looking like a crossbreed between the Su-25 and the American A-10 with a T-tail.

 

This new layout had become necessary because the aircraft was to be powered by more modern, less noisy and more fuel-efficient Rolls Royce AE 3012 turbofan engines - which were originally intended to power the stillborn Yakovlev Yak-77 twin-engine business jet for up to 32 passengers, a slightly derated variant of the GMA 3012 with a 44 in diameter (112 cm) fan and procured via IAI from the United States through the company’s connection with Gulfstream Aerospace. Their larger diameter (the Su-25’s original Soyuz/Tumansky R-195 turbojets had a diameter of 109,5 cm/43.1 in) precluded the use of the former integral engine nacelles along the fuselage. To keep good ground clearance against FOD and to protect them from small arms fire, the engine layout was completely re-arranged. The fuselage was streamlined, and its internal structure was totally changed. The wings moved into a low position. The wings’ planform was almost identical to the Su-25’s, together with the characteristic tip-mounted “crocodile” air brakes. Just the leading edge inside of the “dogteeth” and the wing roots were re-designed, the latter because of the missing former engine nacelles. This resulted in a slightly increased net area, the original wingspan was retained. The bigger turbofans were then mounted in separate pods on short pylons along the rear fuselage, partly protected from below by the wings. Due to the jet efflux and the engines’ proximity to the stabilizers, these were re-located to the top of a deeper, reinforced fin for a T-tail arrangement.

 

Since the Su-25’s engine bays were now gone, the main landing gear had to be completely re-designed. Retracting them into the fuselage or into the relatively thin wings was not possible, TAM engineers settled upon a design that was very similar to the A-10: the aircraft received streamlined fairings, attached to the wings’ main spar, and positioned under the wings’ leading edges. The main legs were only semi-retractable; in flight, the wheels partly protruded from the fairings, but that hardly mattered from an aerodynamic point of view at the TAM-1’s subsonic operational speed. As a bonus they could still be used while retracted during emergency landings, improving the aircraft’s crash survivability.

 

Most flight and weapon avionics were procured from or via Elbit, including the Su-25KT’s modernized “glass cockpit”, and the TAM-1’s NATO compatibility was enhanced to appeal to a wider international export market. Beyond a total of eleven hardpoints under the wings and the fuselage for an external ordnance of up to 4.500 kg (9.900 lb), the TAM-1 was furthermore armed with an internal gun. Due to procurement issues, however, the Su-25’s original twin-barrel GSh-30-2 was replaced with an Oerlikon KDA 35mm cannon – a modern variant of the same cannon used in the German Gepard anti-aircraft tank, adapted to the use in an aircraft with a light-weight gun carriage. The KDA gun fired with a muzzle velocity of 1,440 m/s (4,700 ft/s) and a range of 5.500m, its rate of fire was typically 550 RPM. For the TAM-1, a unique feature from the SPAAG installation was adopted: the gun had two magazines, one with space for 200 rounds and another, smaller one for 50. The magazines could be filled with different types of ammunition, and the pilot was able select between them with a simple switch, adapting to the combat situation. Typical ammunition types were armor-piercing FAPDS rounds against hardened ground targets like tanks, and high explosive shells against soft ground targets and aircraft or helicopters, in a 3:1 ratio. Other ammunition types were available, too, and only 200 rounds were typically carried for balance reasons.

 

The TAM-1’s avionics included a SAGEM ULISS 81 INS, a Thomson-CSF VE-110 HUD, a TMV630 laser rangefinder in a modified nose and a TRT AHV 9 radio altimeter, with all avionics linked through a digital MIL-STD-1553B data bus and a modern “glass cockpit”. A HUD was standard, but an Elbit Systems DASH III HMD could be used by the pilot, too. The DASH GEN III was a wholly embedded design, closely integrated with the aircraft's weapon system, where the complete optical and position sensing coil package was built within the helmet (either the USAF standard HGU-55/P or the Israeli standard HGU-22/P), using a spherical visor to provide a collimated image to the pilot. A quick-disconnect wire powered the display and carried video drive signals to the helmet's Cathode Ray Tube (CRT).

 

The TAM-1’s development was long and protracted, though, primarily due to lack of resources and the fact that the Georgian air force was in an almost comatose state for several years, so that the potential prime customer for the TAM-1 was not officially available. However, the first TAM-1 prototype eventually made its maiden flight in September 2017. This was just in time, because the Georgian Air Force had formally been re-established in 2016, with plans for a major modernization and procurement program. Under the leadership of Georgian Minister of Defense Irakli Garibashvili the Air Force was re-prioritized and aircraft owned by the Georgian Air Force were being modernized and re-serviced after they were left abandoned for 4 years. This program lasted until 2020. In order to become more independent from foreign sources and support its domestic aircraft industry, the Georgian Air Force eventually ordered eight TAM-1s as Su-25K replacements, which would operate alongside a handful of modernized Su-25KMs from national stock. In the meantime, the new type also attained interest from abroad, e. g. from Bulgaria, the Congo and Cyprus. The IDF thoroughly tested two early production TAM-1s of the Georgian Air Force in 2018, too.

  

General characteristics:

Crew: 1

Length: 15.53 m (50 ft 11 in), including pitot

Wingspan: 14.36 m (47 ft 1 in)

Height: 4.8 m (15 ft 9 in)

Wing area: 35.2 m² (378 sq ft)

Empty weight: 9,800 kg (21,605 lb)

Gross weight: 14,440 kg (31,835 lb)

Max takeoff weight: 19,300 kg (42,549 lb)

 

Powerplant:

2× Rolls-Royce AE 3012 turbofans with 44.1 kN (9,920 lbf) thrust each

 

Performance:

Maximum speed: 975 km/h (606 mph, 526 kn, Mach 0.79)

Range: 1.000 km (620 mi, 540 nmi) with internal fuel, clean

Combat range: 750 km (470 mi, 400 nmi) at sea level with 4.500 kg (9,911 lb) of ordnance,

incl. two external fuel tanks

Service ceiling: 7.800 m (25,550 ft)

g limits: +6.5

Rate of climb: 58 m/s (11,400 ft/min)

 

Armament:

1× 35 mm (1.38 in) Oerlikon KDA cannon with 200 rds in two magazines

under the lower forward fuselage, offset to port side.

11× hardpoints with a capacity of up to 4.500 kg (9,911 lb) of external stores

  

The kit and its assembly:

This rather rigorous conversion had been on my project list for many years, and with the “Gunships” group build at whatifmodellers.com in late 2021 I eventually gathered my mojo to tackle it. The ingredients had already been procured long ago, but there are ideas that make you think twice before you take action…

 

This build was somewhat inspired by a CG rendition of a modified Su-25 that I came across while doing online search for potential ideas, running under the moniker “Su-125”, apparently created by someone called “Bispro” and published at DeviantArt in 2010; check this: (www.deviantart.com/bispro/art/Sukhoi-Su-125-Foghorn-15043...). The rendition shows a Su-25 with its engines re-located to the rear fuselage in separate nacelles, much like an A-10, plus a T-tail. However, as many photoshopped aircraft, the shown concept had IMHO some flaws. Where would a landing gear go, as the Su-125 still had shoulder wings? The engines’ position and size also looked fishy to me, quite small/narrow and very far high and back – I had doubts concerning the center of gravity. Nevertheless, I liked the idea, and the idea of an “A-10-esque remix” of the classic Frogfoot was born.

 

This idea was fueled even further when I found out that the Hobbycraft kit lends itself to such a conversion. The kit itself is not a brilliant Su-25 rendition, there are certainly better models of the aircraft in 1:72. However, what spoke for the kit as whiffing fodder was/is the fact that it is quite cheap (righteously so!) and AFAIK the only offering that comes with separate engine nacelles. These are attached to a completely independent central fuselage, and this avoids massive bodywork that would be necessary (if possible at all) with more conventional kits of this aircraft.

Another beneficial design feature is that the wing roots are an integral part of the original engine nacelles, forming their top side up to the fuselage spine. Through this, the original wingspan could be retained even without the nacelles, no wing extension would be necessary to retain the original proportions.

 

Work started with the central fuselage and the cockpit tub, which received a different (better) armored ejection seat and a pilot figure; the canopy remained unmodified and closed, because representing the model with an open cockpit would have required additional major body work on the spinal area behind the canopy. Inside, a new dashboard (from an Italeri BAe Hawk) was added, too – the original instrument panel is just a flat front bulkhead, there’s no space for the pilot to place the legs underneath the dashboard!

 

In parallel, the fin underwent major surgery. I initially considered an A-10-ish twin tail, but the Su-25’s high “tail stinger” prevented its implementation: the jet efflux would come very close to the tail surfaces. So, I went for something similar to the “Su-125” layout.

Mounting the OOB stabilizers to the fin was challenging, though. The fin lost its di-electric tip fairing, and it was cut into two sections, so that the tip would become long enough to match the stabilizers. A lucky find in the scrap box was a leftover tail tip from a Matchbox Blackburn Buccaneer, already shortened from a former, stillborn project: it had now the perfect length to take the Su-25 stabilizers! To make it fit on the fin, an 8mm deep section was inserted, in the form of a simple 1.5mm styrene sheet strip. Once dry, the surface was re-built with several PSR layers. Since it would sit further back on the new aircraft’s tail, the stinger with a RHAWS sensor was shortened.

 

On the fuselage, the attachment points for the wings and the engine nacelles were PSRed away and the front section filled with lots of lead beads, hoping that it would be enough to keep the model’s nose down.

 

Even though the wings had a proper span for a re-location into a low position, they still needed some attention: at the roots, there’s a ~1cm wide section without sweep (the area which would normally cover the original engine nacelles’ tops). This was mended through triangular 1.5 mm styrene wedges that extended the leading-edge sweep, roughly cut into shape once attached and later PSRed into the wings’ surfaces

 

The next construction site were the new landing gear attachment points. This had caused some serious headaches – where do you place and stow it? With new, low wings settled, the wings were the only logical place. But the wings were too thin to suitably take the retracted wheels, and, following the idea of a retrofitted existing design, I decided to adopt the A-10’s solution of nacelles into which the landing gear retracts forward, with the wheels still partly showing. This layout option appears quite plausible, since it would be a “graft-on” solution, and it also has the benefit of leaving lots of space for underwing stores, since the hardpoints’ position had to be modified now, too.

I was lucky to have a pair of A-10 landing gear nacelles at hand, left over from a wrecked Matchbox model from childhood time (the parts are probably 35 years old!). They were simply cut out, glued to the Su-25 wings and PSRed into shape. The result looked really good!

 

At this point I had to decide the model’s overall layout – where to place the wings, the tail and the new engine nacelles. The latter were not 1:72 A-10 transplants. I had some spare engine pods from the aforementioned Matchbox wreck, but these looked too rough and toylike for my taste. They were furthermore too bulky for the Su-25, which is markedly smaller than an A-10, so I had to look elsewhere. As a neat alternative for this project, I had already procured many moons ago a set of 1:144 resin PS-90A engines from a Russian company called “A.M.U.R. Reaver”, originally intended for a Tu-204 airliner or an Il-76 transport aircraft. These turbofan nacelles not only look very much like A-10 nacelles, just a bit smaller and more elegant, they are among the best resin aftermarket parts I have ever encountered: almost no flash, crisp molding, no bubbles, and perfect fit of the parts – WOW!

With these three elements at hand I was able to define the wings’ position, based on the tail, and from that the nacelles’ location, relative to the wings and the fin.

 

The next challenge: how to attach the new engines to the fuselage? The PS-90A engines came without pylons, so I had to improvise. I eventually found suitable pylons in the form of parts from F-14A underwing missile pylons, left over from an Italeri kit. Some major tailoring was necessary to find a proper position on the nacelles and on the fuselage, and PSRing these parts turned out to be quite difficult because of the tight and labyrinthine space.

 

When the engines were in place, work shifted towards the model’s underside. The landing gear was fully replaced. I initially wanted to retain the front wheel leg and the main wheels but found that the low wings would not allow a good ground clearance for underwing stores and re-arming the aircraft, a slightly taller solution was necessary. I eventually found a complete landing gear set in the scrap box, even though I am not certain to which aircraft it once belonged? I guess that the front wheel came from a Hasegawa RA-5C Vigilante, while the main gear and the wheels once belonged to an Italeri F-14A, alle struts were slightly shortened. The resulting stance is still a bit stalky, but an A-10 is also quite tall – this is just not so obvious because of the aircraft’s sheer size.

 

Due to the low wings and the landing gear pods, the Su-25’s hardpoints had to be re-arranged, and this eventually led to a layout very similar to the A-10. I gave the aircraft a pair of pylons inside of the pods, plus three hardpoints under the fuselage, even though all of these would only be used when slim ordnance was carried. I just fitted the outer pair. Outside of the landing gear fairings there would have been enough space for the Frogfoot’s original four outer for pylons, but I found this to be a little too much. So I gave it “just” three, with more space between them.

The respective ordnance is a mix for a CAS mission with dedicated and occasional targets. It consists of:

- Drop tanks under the inner wings (left over from a Bilek Su-17/22 kit)

- A pair of B-8M1 FFAR pods under the fuselage (from a vintage Mastercraft USSR weapon set)

- Two MERs with four 200 kg bombs each, mounted on the pylons outside of the landing gear (the odd MERs came from a Special Hobby IDF SMB-2 Super Mystère kit, the bombs are actually 1:100 USAF 750 lb bombs from a Tamiya F-105 Thunderchief in that scale)

- Four CBU-100 Rockeye Mk. II cluster bombs on the outer stations (from two Italeri USA/NATO weapon sets, each only offers a pair of these)

Yes, it’s a mix of Russian and NATO ordnance – but, like the real Georgian Su-25KM “Scorpion” upgrade, the TAM-1 would certainly be able to carry the same or even a wider mix, thanks to modified bomb racks and wirings. Esp. “dumb” weapons, which do not call for special targeting and guidance avionics, are qualified.

The gun under the nose was replaced with a piece from a hollow steel needle.

  

Painting and markings:

Nothing unusual here. I considered some more “exotic” options, but eventually settled for a “conservative” Soviet/Russian-style four-tone tactical camouflage, something that “normal” Su-25s would carry, too.

The disruptive pattern was adapted from a Macedonian Frogfoot but underwent some changes due to the T-tail and the engine nacelles. The basic tones were Humbrol 119 (RAF Light Earth), 150 (Forest Green), 195 (Chrome Oxide Green, RAL 6020) and 98 (Chocolate) on the upper surfaces and RLM78 from (Modelmaster #2087) from below, with a relatively low waterline, due to the low-set wings.

As usual, the model received a light black ink washing and some post-shading – especially on the hull and on the fin, where many details had either disappeared under PSR or were simply not there at all.

 

The landing gear and the lower areas of the cockpit were painted in light grey (Humbrol 64), while the upper cockpit sections were painted with bright turquoise (Modelmaster #2135). The wheel hubs were painted in bright green (Humbrol 101), while some di-electric fairings received a slightly less intense tone (Humbrol 2). A few of these flat fairings on the hull were furthermore created with green decal sheet material (from TL Modellbau) to avoid masking and corrections with paint.

 

The tactical markings became minimal, matching the look of late Georgian Su-25s. The roundels came from a Balkan Models Frogfoot sheet. The “07” was taken from a Blue Rider decal sheet, it actually belongs to a Lithuanian An-2. Some white stencils from generic MiG-21 and Mi-8 Begemot sheets were added, too, and some small markings were just painted onto the hull with yellow.

 

Some soot stains around the jet nozzles and the gun were added with graphite, and finally the kit was sealed with a coat of matt acrylic varnish.

  

A major bodywork project – and it’s weird that this is basically just a conversion of a stock kit and no kitbashing. A true Frogfoot remix! The new engines were the biggest “outsourced” addition, the A-10 landing gear fairings were a lucky find in the scrap box, and the rest is quite generic and could have looked differently. The result is impressive and balanced, though, the fictional TAM-1 looks quite plausible. The landing gear turned out to be a bit tall and stalky, though, making the aircraft look smaller on the ground than it actually is – but I left it that way.

+++ DISCLAIMER +++

Nothing you see here is real, even though the model, the conversion or the presented background story might be based historical facts. BEWARE!

  

Some background:

The Georgian Air Force and Air Defense Division (თავდაცვის ძალების ავიაციისა და საჰაერო თავდაცვის სარდლობა; tavdatsvis dzalebis aviatsiisa da sahaero tavdatsvis sardloba) was established on January 1, 1992, and in September the Georgian Air Force conducted its first combat flight during the separatist war in Abkhazia. On August 18, 1998, the two divisions were unified in a joint command structure and renamed the Georgian Air Force.

In 2010, the Georgian Air Force was abolished as a separate branch and incorporated into the Georgian Land Forces as Air and Air Defense sections. By that time, the equipment – primarily consisting of Eastern Bloc aircraft inherited from the Soviet Union after the country’s dissolution – was totally outdated, the most potent aircraft were a dozen Suchoj Su-25 attack aircraft and a handful of MiG-21U trainers.

 

In order to rejuvenate the air arm, Tbilisi Aircraft Manufacturing (TAM), also known as JSC Tbilaviamsheni and formerly known as 31st aviation factory, started a modernization program for the Su-25, for the domestic forces but also for export customers. TAM had a long tradition of aircraft production within the Soviet Union. In the 1950s the factory started the production of Mikoyan's MiG-15 and later, the MiG-17 fighter aircraft. In 1957 Tbilisi Aircraft State Association built the MiG-21 two-seater fighter-trainer aircraft and its various derivative aircraft, continuing the MiG-21 production for about 25 years. At the same time the company was manufacturing the K-10 air-to-surface guided missile. Furthermore, the first Sukhoi Su-25 (known in the West as the "Frogfoot") close support aircraft took its maiden voyage from the runway of 31st aviation factory. Since then, more than 800 SU-25s had been delivered to customers worldwide. From the first SU-25 to the 1990s, JSC Tbilaviamsheni was the only manufacturer of this aircraft, and even after the fall of the Soviet Union the production lines were still intact and spares for more than fifty complete aircraft available. Along with the SU-25 aircraft 31st aviation factory also launched large-scale production of air-to-air R-60 and R-73 IR guided missiles, a production effort that built over 6,000 missiles a year and that lasted until the early 1990s. From 1996 to 1998 the factory also produced Su-25U two-seaters.

 

In 2001 the factory started, in partnership with Elbit Systems of Israel, upgrading basic Su-25 airframes to the Su-25KM “Scorpion” variant. This was just a technical update, however, intended for former Su-25 export customers who would upgrade their less potent Su-25K export aircraft with modern avionics. The prototype aircraft made its maiden flight on 18 April 2001 at Tbilisi in full Georgian Air Force markings. The aircraft used a standard Su-25 airframe, enhanced with advanced avionics including a glass cockpit, digital map generator, helmet-mounted display, computerized weapons system, complete mission pre-plan capability, and fully redundant backup modes. Performance enhancements included a highly accurate navigation system, pinpoint weapon delivery systems, all-weather and day/night performance, NATO compatibility, state-of-the art safety and survivability features, and advanced onboard debriefing capabilities complying with international requirements. The Su-25KM had the ability to use NATO-standard Mark 82 and Mark 83 laser-guided bombs and new air-to-air missiles, the short-range Vympel R-73. This upgrade extended service life of the Su-25 airframes for another decade.

There were, however, not many customers. Manufacturing was eventually stopped at the end of 2010, after Georgian air forces have been permanently dismissed and abolished. By that time, approximately 12 Scorpions had been produced, but the Georgian Air Force still used the basic models of Su-25 because of high cost of Su-25KM and because it was destined mainly for export. According to unofficial sources several Scorpions had been transferred to Turkmenistan as part of a trade deal.

 

In the meantime, another, more ambitious project took shape at Tbilisi Aircraft Manufacturing, too: With the help of Israel Aircraft Industries (IAI) the company started the development of a completely new attack aircraft, the TAM-1 “Gvelgeslas” (გველგესლას, Viper). It heavily relied on the year-long experience gathered with Su-25 production at Tblisi and on the tools at hand, but it was eventually a completely new aircraft – looking like a crossbreed between the Su-25 and the American A-10 with a T-tail.

 

This new layout had become necessary because the aircraft was to be powered by more modern, less noisy and more fuel-efficient Rolls Royce AE 3012 turbofan engines - which were originally intended to power the stillborn Yakovlev Yak-77 twin-engine business jet for up to 32 passengers, a slightly derated variant of the GMA 3012 with a 44 in diameter (112 cm) fan and procured via IAI from the United States through the company’s connection with Gulfstream Aerospace. Their larger diameter (the Su-25’s original Soyuz/Tumansky R-195 turbojets had a diameter of 109,5 cm/43.1 in) precluded the use of the former integral engine nacelles along the fuselage. To keep good ground clearance against FOD and to protect them from small arms fire, the engine layout was completely re-arranged. The fuselage was streamlined, and its internal structure was totally changed. The wings moved into a low position. The wings’ planform was almost identical to the Su-25’s, together with the characteristic tip-mounted “crocodile” air brakes. Just the leading edge inside of the “dogteeth” and the wing roots were re-designed, the latter because of the missing former engine nacelles. This resulted in a slightly increased net area, the original wingspan was retained. The bigger turbofans were then mounted in separate pods on short pylons along the rear fuselage, partly protected from below by the wings. Due to the jet efflux and the engines’ proximity to the stabilizers, these were re-located to the top of a deeper, reinforced fin for a T-tail arrangement.

 

Since the Su-25’s engine bays were now gone, the main landing gear had to be completely re-designed. Retracting them into the fuselage or into the relatively thin wings was not possible, TAM engineers settled upon a design that was very similar to the A-10: the aircraft received streamlined fairings, attached to the wings’ main spar, and positioned under the wings’ leading edges. The main legs were only semi-retractable; in flight, the wheels partly protruded from the fairings, but that hardly mattered from an aerodynamic point of view at the TAM-1’s subsonic operational speed. As a bonus they could still be used while retracted during emergency landings, improving the aircraft’s crash survivability.

 

Most flight and weapon avionics were procured from or via Elbit, including the Su-25KT’s modernized “glass cockpit”, and the TAM-1’s NATO compatibility was enhanced to appeal to a wider international export market. Beyond a total of eleven hardpoints under the wings and the fuselage for an external ordnance of up to 4.500 kg (9.900 lb), the TAM-1 was furthermore armed with an internal gun. Due to procurement issues, however, the Su-25’s original twin-barrel GSh-30-2 was replaced with an Oerlikon KDA 35mm cannon – a modern variant of the same cannon used in the German Gepard anti-aircraft tank, adapted to the use in an aircraft with a light-weight gun carriage. The KDA gun fired with a muzzle velocity of 1,440 m/s (4,700 ft/s) and a range of 5.500m, its rate of fire was typically 550 RPM. For the TAM-1, a unique feature from the SPAAG installation was adopted: the gun had two magazines, one with space for 200 rounds and another, smaller one for 50. The magazines could be filled with different types of ammunition, and the pilot was able select between them with a simple switch, adapting to the combat situation. Typical ammunition types were armor-piercing FAPDS rounds against hardened ground targets like tanks, and high explosive shells against soft ground targets and aircraft or helicopters, in a 3:1 ratio. Other ammunition types were available, too, and only 200 rounds were typically carried for balance reasons.

 

The TAM-1’s avionics included a SAGEM ULISS 81 INS, a Thomson-CSF VE-110 HUD, a TMV630 laser rangefinder in a modified nose and a TRT AHV 9 radio altimeter, with all avionics linked through a digital MIL-STD-1553B data bus and a modern “glass cockpit”. A HUD was standard, but an Elbit Systems DASH III HMD could be used by the pilot, too. The DASH GEN III was a wholly embedded design, closely integrated with the aircraft's weapon system, where the complete optical and position sensing coil package was built within the helmet (either the USAF standard HGU-55/P or the Israeli standard HGU-22/P), using a spherical visor to provide a collimated image to the pilot. A quick-disconnect wire powered the display and carried video drive signals to the helmet's Cathode Ray Tube (CRT).

 

The TAM-1’s development was long and protracted, though, primarily due to lack of resources and the fact that the Georgian air force was in an almost comatose state for several years, so that the potential prime customer for the TAM-1 was not officially available. However, the first TAM-1 prototype eventually made its maiden flight in September 2017. This was just in time, because the Georgian Air Force had formally been re-established in 2016, with plans for a major modernization and procurement program. Under the leadership of Georgian Minister of Defense Irakli Garibashvili the Air Force was re-prioritized and aircraft owned by the Georgian Air Force were being modernized and re-serviced after they were left abandoned for 4 years. This program lasted until 2020. In order to become more independent from foreign sources and support its domestic aircraft industry, the Georgian Air Force eventually ordered eight TAM-1s as Su-25K replacements, which would operate alongside a handful of modernized Su-25KMs from national stock. In the meantime, the new type also attained interest from abroad, e. g. from Bulgaria, the Congo and Cyprus. The IDF thoroughly tested two early production TAM-1s of the Georgian Air Force in 2018, too.

  

General characteristics:

Crew: 1

Length: 15.53 m (50 ft 11 in), including pitot

Wingspan: 14.36 m (47 ft 1 in)

Height: 4.8 m (15 ft 9 in)

Wing area: 35.2 m² (378 sq ft)

Empty weight: 9,800 kg (21,605 lb)

Gross weight: 14,440 kg (31,835 lb)

Max takeoff weight: 19,300 kg (42,549 lb)

 

Powerplant:

2× Rolls-Royce AE 3012 turbofans with 44.1 kN (9,920 lbf) thrust each

 

Performance:

Maximum speed: 975 km/h (606 mph, 526 kn, Mach 0.79)

Range: 1.000 km (620 mi, 540 nmi) with internal fuel, clean

Combat range: 750 km (470 mi, 400 nmi) at sea level with 4.500 kg (9,911 lb) of ordnance,

incl. two external fuel tanks

Service ceiling: 7.800 m (25,550 ft)

g limits: +6.5

Rate of climb: 58 m/s (11,400 ft/min)

 

Armament:

1× 35 mm (1.38 in) Oerlikon KDA cannon with 200 rds in two magazines

under the lower forward fuselage, offset to port side.

11× hardpoints with a capacity of up to 4.500 kg (9,911 lb) of external stores

  

The kit and its assembly:

This rather rigorous conversion had been on my project list for many years, and with the “Gunships” group build at whatifmodellers.com in late 2021 I eventually gathered my mojo to tackle it. The ingredients had already been procured long ago, but there are ideas that make you think twice before you take action…

 

This build was somewhat inspired by a CG rendition of a modified Su-25 that I came across while doing online search for potential ideas, running under the moniker “Su-125”, apparently created by someone called “Bispro” and published at DeviantArt in 2010; check this: (www.deviantart.com/bispro/art/Sukhoi-Su-125-Foghorn-15043...). The rendition shows a Su-25 with its engines re-located to the rear fuselage in separate nacelles, much like an A-10, plus a T-tail. However, as many photoshopped aircraft, the shown concept had IMHO some flaws. Where would a landing gear go, as the Su-125 still had shoulder wings? The engines’ position and size also looked fishy to me, quite small/narrow and very far high and back – I had doubts concerning the center of gravity. Nevertheless, I liked the idea, and the idea of an “A-10-esque remix” of the classic Frogfoot was born.

 

This idea was fueled even further when I found out that the Hobbycraft kit lends itself to such a conversion. The kit itself is not a brilliant Su-25 rendition, there are certainly better models of the aircraft in 1:72. However, what spoke for the kit as whiffing fodder was/is the fact that it is quite cheap (righteously so!) and AFAIK the only offering that comes with separate engine nacelles. These are attached to a completely independent central fuselage, and this avoids massive bodywork that would be necessary (if possible at all) with more conventional kits of this aircraft.

Another beneficial design feature is that the wing roots are an integral part of the original engine nacelles, forming their top side up to the fuselage spine. Through this, the original wingspan could be retained even without the nacelles, no wing extension would be necessary to retain the original proportions.

 

Work started with the central fuselage and the cockpit tub, which received a different (better) armored ejection seat and a pilot figure; the canopy remained unmodified and closed, because representing the model with an open cockpit would have required additional major body work on the spinal area behind the canopy. Inside, a new dashboard (from an Italeri BAe Hawk) was added, too – the original instrument panel is just a flat front bulkhead, there’s no space for the pilot to place the legs underneath the dashboard!

 

In parallel, the fin underwent major surgery. I initially considered an A-10-ish twin tail, but the Su-25’s high “tail stinger” prevented its implementation: the jet efflux would come very close to the tail surfaces. So, I went for something similar to the “Su-125” layout.

Mounting the OOB stabilizers to the fin was challenging, though. The fin lost its di-electric tip fairing, and it was cut into two sections, so that the tip would become long enough to match the stabilizers. A lucky find in the scrap box was a leftover tail tip from a Matchbox Blackburn Buccaneer, already shortened from a former, stillborn project: it had now the perfect length to take the Su-25 stabilizers! To make it fit on the fin, an 8mm deep section was inserted, in the form of a simple 1.5mm styrene sheet strip. Once dry, the surface was re-built with several PSR layers. Since it would sit further back on the new aircraft’s tail, the stinger with a RHAWS sensor was shortened.

 

On the fuselage, the attachment points for the wings and the engine nacelles were PSRed away and the front section filled with lots of lead beads, hoping that it would be enough to keep the model’s nose down.

 

Even though the wings had a proper span for a re-location into a low position, they still needed some attention: at the roots, there’s a ~1cm wide section without sweep (the area which would normally cover the original engine nacelles’ tops). This was mended through triangular 1.5 mm styrene wedges that extended the leading-edge sweep, roughly cut into shape once attached and later PSRed into the wings’ surfaces

 

The next construction site were the new landing gear attachment points. This had caused some serious headaches – where do you place and stow it? With new, low wings settled, the wings were the only logical place. But the wings were too thin to suitably take the retracted wheels, and, following the idea of a retrofitted existing design, I decided to adopt the A-10’s solution of nacelles into which the landing gear retracts forward, with the wheels still partly showing. This layout option appears quite plausible, since it would be a “graft-on” solution, and it also has the benefit of leaving lots of space for underwing stores, since the hardpoints’ position had to be modified now, too.

I was lucky to have a pair of A-10 landing gear nacelles at hand, left over from a wrecked Matchbox model from childhood time (the parts are probably 35 years old!). They were simply cut out, glued to the Su-25 wings and PSRed into shape. The result looked really good!

 

At this point I had to decide the model’s overall layout – where to place the wings, the tail and the new engine nacelles. The latter were not 1:72 A-10 transplants. I had some spare engine pods from the aforementioned Matchbox wreck, but these looked too rough and toylike for my taste. They were furthermore too bulky for the Su-25, which is markedly smaller than an A-10, so I had to look elsewhere. As a neat alternative for this project, I had already procured many moons ago a set of 1:144 resin PS-90A engines from a Russian company called “A.M.U.R. Reaver”, originally intended for a Tu-204 airliner or an Il-76 transport aircraft. These turbofan nacelles not only look very much like A-10 nacelles, just a bit smaller and more elegant, they are among the best resin aftermarket parts I have ever encountered: almost no flash, crisp molding, no bubbles, and perfect fit of the parts – WOW!

With these three elements at hand I was able to define the wings’ position, based on the tail, and from that the nacelles’ location, relative to the wings and the fin.

 

The next challenge: how to attach the new engines to the fuselage? The PS-90A engines came without pylons, so I had to improvise. I eventually found suitable pylons in the form of parts from F-14A underwing missile pylons, left over from an Italeri kit. Some major tailoring was necessary to find a proper position on the nacelles and on the fuselage, and PSRing these parts turned out to be quite difficult because of the tight and labyrinthine space.

 

When the engines were in place, work shifted towards the model’s underside. The landing gear was fully replaced. I initially wanted to retain the front wheel leg and the main wheels but found that the low wings would not allow a good ground clearance for underwing stores and re-arming the aircraft, a slightly taller solution was necessary. I eventually found a complete landing gear set in the scrap box, even though I am not certain to which aircraft it once belonged? I guess that the front wheel came from a Hasegawa RA-5C Vigilante, while the main gear and the wheels once belonged to an Italeri F-14A, alle struts were slightly shortened. The resulting stance is still a bit stalky, but an A-10 is also quite tall – this is just not so obvious because of the aircraft’s sheer size.

 

Due to the low wings and the landing gear pods, the Su-25’s hardpoints had to be re-arranged, and this eventually led to a layout very similar to the A-10. I gave the aircraft a pair of pylons inside of the pods, plus three hardpoints under the fuselage, even though all of these would only be used when slim ordnance was carried. I just fitted the outer pair. Outside of the landing gear fairings there would have been enough space for the Frogfoot’s original four outer for pylons, but I found this to be a little too much. So I gave it “just” three, with more space between them.

The respective ordnance is a mix for a CAS mission with dedicated and occasional targets. It consists of:

- Drop tanks under the inner wings (left over from a Bilek Su-17/22 kit)

- A pair of B-8M1 FFAR pods under the fuselage (from a vintage Mastercraft USSR weapon set)

- Two MERs with four 200 kg bombs each, mounted on the pylons outside of the landing gear (the odd MERs came from a Special Hobby IDF SMB-2 Super Mystère kit, the bombs are actually 1:100 USAF 750 lb bombs from a Tamiya F-105 Thunderchief in that scale)

- Four CBU-100 Rockeye Mk. II cluster bombs on the outer stations (from two Italeri USA/NATO weapon sets, each only offers a pair of these)

Yes, it’s a mix of Russian and NATO ordnance – but, like the real Georgian Su-25KM “Scorpion” upgrade, the TAM-1 would certainly be able to carry the same or even a wider mix, thanks to modified bomb racks and wirings. Esp. “dumb” weapons, which do not call for special targeting and guidance avionics, are qualified.

The gun under the nose was replaced with a piece from a hollow steel needle.

  

Painting and markings:

Nothing unusual here. I considered some more “exotic” options, but eventually settled for a “conservative” Soviet/Russian-style four-tone tactical camouflage, something that “normal” Su-25s would carry, too.

The disruptive pattern was adapted from a Macedonian Frogfoot but underwent some changes due to the T-tail and the engine nacelles. The basic tones were Humbrol 119 (RAF Light Earth), 150 (Forest Green), 195 (Chrome Oxide Green, RAL 6020) and 98 (Chocolate) on the upper surfaces and RLM78 from (Modelmaster #2087) from below, with a relatively low waterline, due to the low-set wings.

As usual, the model received a light black ink washing and some post-shading – especially on the hull and on the fin, where many details had either disappeared under PSR or were simply not there at all.

 

The landing gear and the lower areas of the cockpit were painted in light grey (Humbrol 64), while the upper cockpit sections were painted with bright turquoise (Modelmaster #2135). The wheel hubs were painted in bright green (Humbrol 101), while some di-electric fairings received a slightly less intense tone (Humbrol 2). A few of these flat fairings on the hull were furthermore created with green decal sheet material (from TL Modellbau) to avoid masking and corrections with paint.

 

The tactical markings became minimal, matching the look of late Georgian Su-25s. The roundels came from a Balkan Models Frogfoot sheet. The “07” was taken from a Blue Rider decal sheet, it actually belongs to a Lithuanian An-2. Some white stencils from generic MiG-21 and Mi-8 Begemot sheets were added, too, and some small markings were just painted onto the hull with yellow.

 

Some soot stains around the jet nozzles and the gun were added with graphite, and finally the kit was sealed with a coat of matt acrylic varnish.

  

A major bodywork project – and it’s weird that this is basically just a conversion of a stock kit and no kitbashing. A true Frogfoot remix! The new engines were the biggest “outsourced” addition, the A-10 landing gear fairings were a lucky find in the scrap box, and the rest is quite generic and could have looked differently. The result is impressive and balanced, though, the fictional TAM-1 looks quite plausible. The landing gear turned out to be a bit tall and stalky, though, making the aircraft look smaller on the ground than it actually is – but I left it that way.

Celebrating Ferruccio Lamborghini's birth, the exclusive Centenario supercar has just made its debut in Geneva.

 

Despite that, the 770 HP supercar that'll be available in just 40 examples, 20 Coupes and 20 Roadsters at a €1.75 million (1.9$ equivalent) price tag has already been sold out.

 

Accelerating from naught to 100 km/h (62 mph) takes only 2.8 seconds, 0 to 300 km/h (186 mph) 23.5 seconds and the top speed exceeds 350 km/h (217 mph). Braking from 100 km/h to a standstill is achieved in just 30 meters!

 

The Centenario uses mococoque and body made from carbon fiber, tipping the scale at 1,520 kg, 55 kg less than the Aventador on which it is based. It measures 4,924 mm long and 1,143 m high, meaning 144 mm longer and 7 mm taller than the Sant'Agata Bolognese flagship.

 

The aerodynamics are carefully managed with inlets, large air scoops in the front bonnet, air scoops on the roof, extending rear wing, aggressive diffuser with three mid-mounted exhaust pipes and Y-shaped taillights. The machine rides on 20-/21-inch front/rear rims in forged and milled aluminum, wrapped in Pirelli PZero tires, developed specifically for the rear-wheel steering found on the Centenario.

 

The interior can be finished to each client's specification and it includes lightweight carbon fiber sports seats, new stitching on the length of the dashboard, steering wheel, sunvisors, rocker covers and new carbon fiber-made inner door panels, wrapped in Alcantara.

 

Sat-nav with a high-def 10.1-inch touchscreen is at the driver's disposal, along with internet, e-mail, social media, online apps and Apple CarPlay compatibility.

 

The Centenario continues on the same path started with the Reventon, which included the Sesto Elemento, Aventador J and Veneno.

Hi Culties & Spookies, time for even more sales for your Sunday Leisure!!

 

★ For Lazy Sunday!!! ★ Elowynne ★ For So Kawaii Sundays ★ Melinda ★

 

marketplace.secondlife.com/p/CULT-Elowynne-Fatpack/27257030

★ Rigged For ★ Maitreya-X ★ Legacy F ★ Reborn ★ Kupra ★ Lara ★

★ Remember to always try the DEMOS!★Check for Body Type & Body MOD Compatibility★

★ Comes with a Color Control HUD for changeable color options

 

★ Cult LM ★ maps.secondlife.com/secondlife/Cult%20Coven/129/75/33

 

★ Cult's Social Media Links ★

Cult Discord

Cult Mainstore

Cult PrimFeed

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

thegoldensieve.com

 

A good thing continues

 

Some six months ago, I posted almost 100 images and a few thoughts I felt were missing from the many existing RX1 reviews. The outpouring of support and interest in that article was very gratifying. When I published, I had used the camera for six full months, enough time to come to a view of its strengths and weaknesses and to produce a small portfolio of good images, but not enough time to see the full picture (pun intended). In the following six months, I have used the camera at least as frequently as in the first six and have produced another small set of good images. It should be noted that my usage of the RX1 in the last six (and especially in the last 3) months has involved less travel and more time with the family and around the house; I will share relatively few of these images but will spend some time sharing my impressions of its functionality for family snapshots as I am sure there is some interest. And let it be said here: one of the primary motivations to purchase the camera was to take more photos with the family, and after one full year I can confidently say: money well spent.

The A7/r game-changer?

 

In the past six months, Sony have announced and released two full-frame, interchangeable lens cameras that clearly take design cues from the RX1: the A7 and the A7r. These cameras are innovative and highly capable and, as such, are in the midst of taking the photography world by storm. I think they are compelling enough cameras that I wonder whether Sony is wasting its energy continuing to develop further A-mount cameras. Sony deserve credit for a bold strategy—many companies would have been content to allow the success of the the RX1 (and RX1R) generate further sales before pushing further into the white space left unexplored by camera makers with less ambition.This is not the place to detail the relative advantages and disadvantages of the RX1 versus the A7/r except to make the following point. I currently use a Nikon D800 and an RX1: were I to sell both and purchase the A7r + 35mm f/2.8 I would in many ways lose nothing by way of imaging capability or lens compatibility but would pocket the surplus $1250-1750. Indeed this loyal Nikon owner thought long and hard about doing so, which speaks to the strategic importance of these cameras for a company trying to make inroads into a highly concentrated market.Ultimately, I opted to hang onto the two cameras I have (although this decision is one that I revisit time and time again) and continue to use them as I have for the past year. Let me give you a quick flavor of why.

The RX1 is smaller and more discrete

 

This is a small a point, but my gut reaction to the A7/r was: much smaller than the D800, not as small as the RX1. The EVF atop the A7/r and the larger profile of interchangeable mount lenses means that I would not be able to slip the A7/r into a pocket the way I can the RX1. Further, by virtue of using the EVF and its loud mechanical shutter, the A7/r just isn’t as stealthy as the RX1. Finally, f/2 beats the pants off of f/2.8 at the same or smaller size.At this point, some of you may be saying, “Future Sony releases will allow you to get a body without an EVF and get an f/2 lens that has a slimmer profile, etc, etc.” And that’s just the point: to oversimplify things, the reason I am keeping my RX1 is that Sony currently offers something close to an A7 body without a built-in EVF and with a slimmer profile 35mm f/2.

The D800 has important functional advantages

 

On the other side of the spectrum, the AF speed of the A7/r just isn’t going to match the D800, especially when the former is equipped with a Nikon lens and F-mount adapter. EVFs cannot yet match the experience of looking through the prism and the lens (I expect they will match soon, but aren’t there yet). What’s more, I have made such an investment in Nikon glass that I can’t yet justify purchasing an adapter for a Sony mount or selling them all for Sony’s offerings (many of which aren’t to market yet).Now, all of these are minor points and I think all of them disappear with an A8r, but they add up to something major: I have two cameras very well suited to two different types of shooting, and I ask myself if I gain or lose by getting something in between—something that wasn’t quite a pocket shooter and something that was quite a DSLR? You can imagine, however, that if I were coming to the market without a D800 and an RX1, that my decision would be far different: dollar for dollar, the A7/r would be a no-brainer.During the moments when I consider selling to grab an A7r, I keep coming back to a thought I had a month or so before the RX1 was announced. At that time I was considering something like the NEX cameras with a ZM 21mm f/2.8 and I said in my head, “I wish someone would make a carry-around camera with a full frame sensor and a fixed 35mm f/2.8 or f/2.” Now you understand how attractive the RX1 is to me and what a ridiculously high bar exists for another camera system to reach.

Okay, so what is different from the last review?

 

For one, I had an issue with the camera’s AF motor failing to engage and giving me an E61:00 error. I had to send it out to Sony for repairs (via extended warranty and service plan). I detailed my experience with Sony Service here [insert link] and I write to you as a very satisfied customer. That is to say, I have 3 years left on a 4 year + accidental damage warranty and I feel confident enough in that coverage to say that I will have this beauty in working order for at least another 3 years.For two, I’ve spent significantly less time thinking of this camera as a DSLR replacement and have instead started to develop a very different way of shooting with it. The activation barrier to taking a shot with my D800 is quite high. Beyond having to bring a large camera wherever you go and have it in hand, a proper camera takes two hands and full attention to produce an image. I shoot slowly and methodically and often from a tripod with the D800. In contrast, I can pull the RX1 out, pop off the lens cap, line up and take a shot with one hand (often with a toddler in the other). This fosters a totally different type of photography.

My “be-there” camera

 

The have-everywhere camera that gives DSLR type controls to one-handed shooting lets me pursue images that happen very quickly or images that might not normally meet the standards of “drag-the-DSLR-out-of-the-bag.” Many of those images you’ll see on this post. A full year of shooting and I can say this with great confidence: the RX1 is a terrific mash-up of point-and-shoot and DSLR not just in image quality and features, but primarily in the product it helps me create. To take this thinking a bit further: I find myself even processing images from the RX1 differently than I would from my DSLR. So much so that I have strongly considered starting a tumblr and posting JPEGs directly from the RX1 via my phone or an iPad rather than running the bulk of them through Lightroom, onto Flickr and then on the blog (really this is just a matter of time, stay tuned, and those readers who have experience with tumblr, cloud image storage and editing, etc, etc, please contact me, I want to pick your brain).Put simply, I capture more spontaneous and beautiful “moments” than I might have otherwise. Photography is very much an exercise in “f/8 and be there,” and the RX1 is my go-to “be there” camera.

The family camera

 

I mentioned earlier that I justified the purchase of the RX1 partly as a camera to be used to document the family moments into which a DSLR doesn’t neatly fit. Over the past year I’ve collected thousands and thousands of family images with the RX1. The cold hard truth is that many of those photos could be better if I’d taken a full DSLR kit with me to the park or the beach or the grocery store each time. The RX1 is a difficult camera to use on a toddler (or any moving subject for that matter); autofocus isn’t as fast as a professional DSLR, it’s difficult to perfectly compose via an LCD (especially in bright sunlight), but despite these shortcomings, it’s been an incredibly useful family camera. There are simply so many beautiful moments where I had the RX1 over my shoulder, ready to go that whatever difficulties exist relative to a DSLR, those pale in comparison to the power of it’s convenience. The best camera is the one in your hand.

Where to go from here.

 

So what is the value of these RX1 going forward, especially in a world of the A7/r and it’s yet-to-be-born siblings without an EVF and a pancake lens? Frankly, at its current price (which is quite fair when you consider the value of the the body and the lens) I see precious little room for an independent offering versus a mirrorless, interchangeable lens system with the same image quality in a package just as small. That doesn’t mean Sony won’t make an RX2 or an RX1 Mark II (have a look at it’s other product lines to see how many SKUs are maintained despite low demand). Instead, I see the RX1 as a bridge that needed to exist for engineers, managers, and the market to make it to the A7/r and it’s descendants.A Facebook friend recently paid me a great compliment; he said something like, “Justin, via your blog, you’ve sold a ton of RX1 cameras.” Indeed, despite my efforts not to be a salesman, I think he’s right: I have and would continue to recommend this camera.The true value of the RX1 going forward is for those of us who have the thing on our shoulders; and yes, if you have an investment in and a love for a DSLR system, there’s still tremendous value in getting one, slinging it over your shoulder, and heading out into the wide, bright world; A7/r or no, this is just an unbelievably capable camera.

Even though my Steamroller is a pretty good do-it-all-bike, I wanted a new bike for cyclocross, gravel grinding and touring. The specs were: steel frame, large tire clearance, easy single speed compatibility and disc brakes. The only options were really the Surly Straggler or the Soma Wolverine, and I was thinking about the latter.

 

Luckily, a friend offered this old Crosscheck frame, which he had modified by adding disc brake mounts and waterproof inlets for the cables. I think I'm the third owner of this frame and its was well-ridden before me. The frame needed a bit of painting, so I rattle-canned it. So, wanted a Wolverine, but got this, and it looks like a Racoon, or "trash panda" to me.

 

Specs:

* Saddle: WTB Volt (most comfortable saddle for long-distance thus far)

* Post: Cinelly Vai

* Stem: 70 mm no name ("Xtreme") stem

* Bar: Rose Bikes compact drop

* Levers: Sram S-500

* Head set: Cane Creek EC34

* Brakes: Avidd BB7 Road

* Tyres: Schwalbe Smart Sam 47 mm

* Front wheel: self-built Alpkit Love Mud Juice dynamo hub and DT Swiss R460db rim

* Rear wheel: old second-hand 29er wheel (Mavic rim, forgot which hub)

* Rear cog: Surly 21t cassette cog

* Cranks: second hand Sugino Messengers (170 mm), although the left crank seems to be a random crank

* Chain ring: Velosolo 44t 3/32", second hand as well

* Chain: some KMC

* Pedals: Shimano M520 SPD

* Front lamp: Büchel Immerlicht (or whatever) with USB-port

* Rear lamp: B&M Toplight (small)

* Fender: BBB quick release

About Valentine’s Day Premium Lightroom Presets Collection:

Valentine’s Day Lightroom preset enhances and adds more beautiful colors to pictures and make photo look cinematic. Our Lightroom Preset is perfect for photographers and graphic designers. They help you to perfect your photographs and backgrounds and to make them unique and look gorgeous. With this preset you will be able to add a professional finish to your images quickly.

 

INCLUDE 10 PRESET FOR ADOBE LIGHTROOM:

10 Original Preset:

 

01_Love Sunset Color

02_warm_love

03_Pure_Love

04_Natural_Style_Tone

05_Film_Love

06_Beach_split_tone

07_Magical_moments

08_Vibe_Love_Fade

09_Happiness_color

10_Moments

 

BEST FOR

Creative portrait photography Lifestyle, family and love-story photography Fashion street photography

 

COMPATIBILITY

Adobe Lightroom 4 and higher, including CC 2017. These presets are for Lightroom only and won’t work in Photoshop.

 

INSTALLATION

Standard for Lightroom presets. Brief installation and usage instructions are inside the archive.

 

bit.ly/RomanticPresets

Hi Spookies & Culties, Here is your "must have these Cult Items" Weekend Shopping List!!

 

★ For Happy Weekend Sale ★ Annalesse ★ Infinity ★

 

★ Rigged For ★ Reborn ★ Maitreya-X ★ Legacy F ★ Lara ★ Kupra ★

★ Featuring Color Hud w/ 10 light colors & 10 dark colors & 3 metal colors!

★ Remember to always try the DEMOS!★ Check for Body Type & Body MOD Compatibility ★

 

★ Cult LM ★ maps.secondlife.com/secondlife/Cult%20Coven/129/75/337

 

★ Cult's Social Media Links ★

Cult MarketPlace

Cult Discord

Cult Mainstore

Cult PrimFeed

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

Hi Spookies & Culties, Here is your "must have these Cult Items" Weekend Shopping List!!

 

★ For Saturday Sale ★ Alinta ★ Savita ★

 

★ Surya Rigged For ★ Reborn ★ Maitreya-X ★ Kupra ★ Legacy F ★ Lara ★

★ Featuring Color Hud w/ 10 light colors & 10 dark colors & 3 metal colors!

★ Remember to always try the DEMOS!★ Check for Body Type & Body MOD Compatibility ★

 

★ Cult LM ★ maps.secondlife.com/secondlife/Cult%20Coven/129/75/337

 

★ Cult's Social Media Links ★

Cult MarketPlace

Cult Discord

Cult Mainstore

Cult PrimFeed

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

This custom LEGO train station MOC features a Neoclassical facade, detailed interior, and modular compatibility. Designed by Symbioza and available on Rebrickable. Includes over 9200 parts and a 2088-page instruction booklet.

 

📎 Building instructions on Rebrickable:

rebrickable.com/users/symbioza/mocs/

One of the most original Nikon cameras ever, yet plagued with a very short life span. The cute Pronea S is world famous for its lack of reliability, a very unnikon tittle. In spite from being an APS camera, it still retains full compatibility with all Nikon models current at the time. It even will autofocus with AF non G lens, something that most Nikon AF SLR of today can't do. Still, a very cute camera that still works (hurray!) and a must have in any Nikon collection.

Hi Culties & Spookies, Time to kick off your weekend shopping just right!

 

★ Item ★ The AbazirV2 Boots

 

★ Rigged For ★ Reborn ★ Legacy Female ★ Kupra ★ Lara ★MaitreyaOG

★ Remember to always try the DEMOS!★Check for Body Type & Body MOD Compatibility★

★ Comes with a Color Control HUD for changeable color options

 

★ Cult LM ★ maps.secondlife.com/secondlife/Cult%20Coven/129/75/33

 

★ Cult's Social Media Links ★

Cult MarketPlace

Cult Discord

Cult Mainstore

Cult PrimFeed

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

Hi Culties & Spookies, Time to kick off your weekend shopping just right!

 

★ Item ★ The Jamie shoe is unisex and holds unique details that would make any outfit stand out!

 

★ Rigged For ★ Legacy M/F ★ Jake ★ Gianni ★ Maitreya ★ Reborn ★ Kupra ★

★ Remember to always try the DEMOS!★Check for Body Type & Body MOD Compatibility★

★ Comes with a Color Control HUD for changeable color options

 

★ Cult LM ★ maps.secondlife.com/secondlife/Cult%20Coven/129/75/33

 

★ Cult's Social Media Links ★

Cult MarketPlace

Cult Discord

Cult Mainstore

Cult PrimFeed

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

Hi Culties & Spookies, time for even more sales for your Sunday Leisure!!

 

★ Item ★ The Myka wedges are cute and sweet! The Celine shoes are also cute with their bows and ruffles!

 

marketplace.secondlife.com/p/CULT-Myka-Fatpack/27217871

★ Rigged For ★ Maitreya-X ★ Legacy F ★ Reborn ★ Kupra ★ Lara ★

★ Remember to always try the DEMOS!★Check for Body Type & Body MOD Compatibility★

★ Comes with a Color Control HUD for changeable color options

 

★ Cult LM ★ maps.secondlife.com/secondlife/Cult%20Coven/129/75/33

 

★ Cult's Social Media Links ★

Cult Discord

Cult Mainstore

Cult PrimFeed

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

BRANDI DRESS

 

⊡ Weekend sale

 

☰ Items Included: Color Hud

 

⋮ 22 Colors

 

☰ Compatibility with:

 

☑ Kupra ☑ Maitreya + Petite ☑ Belleza (Freya ,Isis) ☑ Slink (All) ☑ Tonic (Curvy) ☑ Legacy + Perky

 

maps.secondlife.com/secondlife/Morenci/109/41/2

Weston 18/04/14 Preserved at Weston

 

First Flown

29/05/1968 Holme-on-Spalding Moor

 

25/07/1968 Allocated to 'Electromagnetic Compatibility' and noise-level investigation

 

Date Delivered 19/08/1968To Royal Navy - NASU Lossiemouth

 

13/09/1968 On static display SBAC Show Farnborough

 

23/09/1968 Returned to NASU Lossiemouth

 

19/05/1969 To 'C' Sqn, A&AEE Boscombe Down -'Carrier Trials'

 

17/06/1969 Issued to 809 NAS, RNAS Lossiemouth

 

29/04/1970 Transferred to 736 NAS, RNAS Lossiemouth - coded '650/LM'

 

25/05/1971 To NASU Lossiemouth

 

17/11/1971 To RNAY Sydenham, Belfast for modification

 

26/02/1973 To Hawker Siddeley, Holme-on-Spalding Moor

 

01/03/1973 To Hawker Siddeley, Brough for upgrade to S.Mk.2D standard

 

10/06/1973 Returned to Holme-on-Spalding Moor

 

05/09/1973 To RNAY Sydenham, Belfast

 

14/11/1973 Issued to 809 Sqn., (RN Unit) RAF Honington - coded '020/R'

 

06/06/1974 Embarked HMS Ark Royal - coded '020/R'

(Cruises: 3xHome & Mediterranean Sea + 1xAtlantic)

 

09/06/1975 809 NAS, dis-embarked HMS Ark Royal - coded '020/R'

 

26/07/1975 To (RN Unit) RAF Honington

 

19/01/1976 Re-issued to 809 NAS, RAF Lossiemouth - coded '025/R'

 

06/02/1976 Embarked HMS Ark Royal - coded '025/R'

(Cruises: 1xAtlantic)

 

14/07/1976 809 NAS, dis-embarked HMS Ark Royal - coded '025/R'

 

31/08/1976 To (RN Unit) RAF Honington

 

20/09/1976 To No.23 MU RAF Aldergrove

 

13/10/1976 Returned to (RN Unit) RAF Honington

 

18/03/1977 Re-issued to 809 NAS, RAF Lossiemouth - coded '036/R'

 

05/09/1977 Embarked HMS Ark Royal - coded '036/R'

(Cruises: 2xHome & Mediterranean Sea + 1xAtlantic)

 

27/11/1978 Dis-embarked HMS Ark Royal

 

Date Delivered

27/11/1978 To Royal Air Force - to No.19 MU St. Athan

 

1979 upgrade to S.Mk.2B standard

 

17/01/1980 Issued to 16 Sqn., RAFG Laarbruch, West Germany

 

Feb. 1980 Buccaneer fleet grounded for six months following crash of XV345

at Nellis AFB, Nevada, USA during Exercise 'Red Flag 80'

 

1982 16 Sqn., RAFG Laarbruch, West Germany - coded 'U'

 

Apr.1984Transferred to 237 OCU, RAF Honington - coded '863'

 

Oct. 1984 237 OCU relocated to RAF Lossiemouth

 

07/11/1984 237 OCU, RAF Lossiemouth - coded 'CC'

 

1985 Returned to BAe, new avionics to ASR1012 - Sea Eagle 'Anti-Ship' missile capability

 

05/11/1985 Issued to 208 Sqn., RAF Lossiemouth - coded '863'

 

29/10/1987 Transferred to 237 OCU RAF Lossiemouth - coded '863'

Date Received 29/07/1988

To BAe Woodford - ASR1012 (Set No.029)

Avionics Upgrade Programme (AUP) - 48wks cycle

Date Delivered

26/03/1989 'AUP' completed - returned to 'Operational Status'

 

27/03/1989 To 'Station Flight', RAF Lossiemouth

 

Apr. 1989Re-Issued to 237 OCU, RAF Lossiemouth - coded '863'

Date (exact) Between

(unknown)

Aug.1989

Jan. 1991

Mod.1736 'Modified' - Smaller Wingtips — Fitted to extend airframe flying hours by reducing wing-loading. Result of fatigue testing of XN982 at HS Brough, to determine cause of the crash of XV345 while participating in 'Red Flag 80' on 07/02/1980 - (Fatigue testing commenced Jun. 1982 - solution implimented to specific airframes from Aug.1989-onwards)

 

Jan. 1991 Prepared for Operation 'Granby' - painted Desert 'ARTF' (Alkali Removable Temporary Finish) - coded 'S'

 

07/02/1991 Deployed to Gulf - Muharraq Air Base, Bahrain (batch of second six aircraft)

XX863/ S XX885/ L XX894/ O XX895/ G XV352/ U XX901/ N

'Nose-Art' added during campaign: 'Sea Witch/Debbie/Tamnavoulin'

By the end of campaign, six mission symbols displayed on starboard nose below cockpit canopy

 

17/03/1991 Returned to RAF Lossiemouth form the Gulf

 

Mar. 1991 Re-joined 237 OCU, RAF Lossiemouth

 

-----

Withdrawn from service - Allocated 'Maintenance Airframe' number 9115M

 

Mar. 1994 Gate Guardian, RAF Lossiemouth, Scotland in Gulf Markings "S" (9115M)

 

-----

Allocated 'Maintenance Airframe' number 9139M

 

-----

Allocated 'Maintenance Airframe' number 9145M

 

09/11/2001 Placed in storage, RAF Lossiemouth, Scotland - (9145M) — Replaced as Gate Guardian by: Tornado GR1 - ZA475

 

06/04/2007 Sold by Disposal Services Agency (DSA) for £5,300 to the Christie Keane Museum, Weston (8 miles west of Dublin)

 

25/08/2007 Arrived: Christie Keane Museum

— Transported by road and sea to Ireland via Liverpool

 

This picture was taken when logging into SL at dial up speeds thus the utter emptiness and half rezzed look - I'm standing in SL nothingness :). I'm on the equivalent of dial up speed for a week... it's a killer. (The RL component of it changes from time to time )

 

I have plurked the challenge here.

 

16 random facts about RL Moggs that you may not know

 

1. I once rode a mechanical bull for about 3 seconds. Three times in a row. I kept getting back on. My nemesis from school was at the controls ... taking me from 0-full speed in seconds.

 

2. Moggs is a nickname from real life.

 

3. I twirl my hair when I get tired. Which is probably better than ripping it out in handfuls like I used to do as a baby to make myself to cry so I'd sleep.

 

4. I love people and think you can never have too many GOOD people in your life... something I don't regret but which means trying to keep up with people can get interesting at times. I randomly mix my various (and quite different) groups of friends who live locally once or twice a year and never pause to think about who gets along with who or worrying about compatibility - it'd never happen otherwise. My friends are diverse in age, sexuality, religious and moral beliefs, culture/sub-culture and I love them all. (I believe you have to be a little bit in love with all of your [true] friends.)

 

5. I try to use my powers for good - unless someone 'makes' me do otherwise. (I'm relatively easy going and easy to get along with but don't like bullies. I will stand up for what I believe - vocally, in writing and with my feet.)

 

6. I love the city and the country. I hate the suburbs. I've been living in the outer 'burbs for the first time EVER for the last year and a bit and I HATE it (and my suburb smells like toilet - for real. I'm not making that up!). I'm currently plotting my return to the inner 'burbs or city. [Note - this woeful situation was rectified in March 2009... I'm closer to the city but aiming to move closer still... reasonably happy where I am but have a lot of my stuff stored so this place is just temporary]

 

7. I hate political correctness. I much prefer bluntness. I blame political correctness and the over use of weasel words for exaggerating a number of issues in our society. I don't 'get' discrimination based on gender, sexuality, religion, skin colour and I think that bluntness and common decency are not incompatible (BRUTAL honesty, however, is unneccessary... the regular kind of honesty is just fine and can be served with kindness on the side). I believe common decency is more important that being politically correct. (See also Soft Language by George Carlin).

 

8. I was a bridesmaid for someone I met in rest rooms at a pub - I'd raided the men's toilets for toilet paper and handed it over the cubicle... the person recognised my watch later while we were at the bar ordering drinks at the same time. We started chatting and went on to become good friends. Oh... did I forget to say that I meet people in strange and unusual circumstances?

 

9. I did the 'get to know you thing' with a guy who turned out to have 64 aliases (we didn't get to know each other too well - he was a little strange... even for me. We wouldn't have got to know one another at all but I'd made up this dumb rule for myself that I had to at least make an attempt to get to know the next guy who asked me out - something I'd regret a whole lot more if the resulting story wasn't so good!). He was a magician who often wore a bobby policeman outfit which, retrospectively, was very amusing. When the news hit the local papers my phone rang hot. One friend rocked up at 4am at my door, having walked from the city totally drunk and hardly able to speak. He held up the paper and then fell into my house (literally!) in a drunken laughing mess. When I shared the story with my grandma in a letter, she wrote me back a fictional letter - thinking if I could make stuff up, she could too!

 

10. My favourite colours are red and green. I love particular shades of green. I'm a Leo. I was born on a Thursday at either 00:43 or 00:46. I'm a ENFJ Jung Personality Type - E 11%, I 44% F 88% J 11% (well, according to an Internet based test on the humanmetrics site that I did thanks to Laleeta's plurk back in October 2008).

 

11. In my own opinon, I'm equal parts serious and nutty. I like to play. And I like to think.

 

12. I am not really into large parties but attend them and host them anyway because I love catching up with people. I much prefer catch ups when you can have actual dialogue rather than a range of greetings and short superficial topics. My parties generally go quite well despite the random mix of people and the fact I tend to let things evolve rather than try to direct proceedings. When I'm tired I revert to childhood shyness but few people believe me if I explain why I'm not so social - I had to learn to be outgoing and meet people when I moved to a new town when I was 12 or 13; it was hard work but now it's like second nature, except when I'm really tired.

 

13. I love sharing things that impress me (make me laugh, think or propel me to action). I love promoting the people I love... or those whose skills I respect. Many of my friends jokingly call me a pimp - but then ring me when they are after people or information. I compulsively share new finds with friends and aquaintances and go out of my way to email people with trivia or recommendations if I know they are interested in a particular topic. I'm an information junkie and sometimes think I absorb things by osmosis.

 

14. I believe it's important to tell people the good stuff as well as the bad. I will offer criticism (that I hope is constructive) but I'll also offer compliments. I don't understand why most people don't hestitate when it comes to the negatives but many find it so hard to share a compliment, pass on something good or to say I like/adore/love you.

 

15. I've never had a broken bone - even though I was a bit of a tomboy as a child and probably should have broken any number of them.

 

16. When it comes to people, music, tv, movies and books I'm very eclectic in my tastes and like a bit of everything... I think this comes back to the fact I'm insanely curious and hate not knowing.

 

Supplementary facts inspired by other people's posts

 

S1. I sometimes shop for shoes with my sense of humour ON (something you should never do but I can't help myself!) - inspired by Vixie Rayna (11)

 

S2. I'm not a fan of city beaches having grown up with beautiful country beaches. I like the beach best when it's relatively empty... and I love being near the sea when it's raining or there's a storm inspired by Serene Footman (6)

 

S3. My youngest sister (there are three of us) once told me if I wanted to punish someone, I should sing to them. - inspired by Bunny Brickworks (3)

 

S4. I'm seriously addicted to people watching - - inspired by Vixie Rayna (15)

 

S5. I have a dog-made-dimple on one of my cheeks... I fell over and during my fall my hand met with the dogs tail and bent it back the wrong way, he turned around and bit me (as a natural reaction) and stopped as soon as he realised he'd bitten one of his humans. The dog and I were both fine and I got a dimple. In other crazy ventures with pets - as a child I was annoying the dog, he gently grabbed my arm with his teeth in warning. Being a stubborn child rather than take the hint and let go, I bit the dog back. They tell me that the dog increased his pressure a bit... and then I did the same and the battle of wills continued until finally I let go. (My parents were watching and ensuring that I wasn't hurt - obviously I wasn't too scarred as I love all animals and have no fear at all of dogs) - inspired by Trinity Dechou (7)

 

S6. I am not a member of any organised religion. I strongly believe in the right to choose. I believe there are things that can't be explained and haven't decided whether to attribute them to god, science or our lack of knowledge of the human brain. I once house sat in a house I swore was haunted. I lasted there a whole week where as anyone who came to stay with me lasted a night or less. I ended up leaving a week early and just popped by morning and night to feed the animals and water plants (explaining to my family why I was home early was embarrassing). - inspired by Dolly Voom (7)

 

S7. I don't like the bed linen tucked in at the feet. My feet seem to be the master control for my body temperature and I like to be able to move them in and out of the covers. - inspired by Denise Rowlands (13)

 

S8. I have an excellent memory - which my friends often curse. Don't tell me stuff you don't want me to remember. BUT if you tell me anything about cricket (one of the few things that holds zero interest for me) I won't remember a bit of it. My dad likes to tell me about cricket highlights just to torment me :) - inspired by Bunny Brickworks (10)

 

S9. Caterpillers gross me out. (My favourite insect is the praying mantis). Not a lot else grossed me out - though if I'm going to be squeemish, it's generally in response to a sound or to a smell more than visuals. I have friends and family in the medical industry so very little phases me or grosses me out as a topic of conversation while eating - inspired by Madame Maracas (2)

 

S10. I'm a non-smoker but people often think I am a smoker because many of my friends smoke. I am probably one of the few non-smokers that will look at smoke fanners with reproach. - inspired by Vixie Rayna (17)

 

S11. The people in a range of cafes I frequent know my face, order and a number of factlets about me (though generally not my name - unless they specifically make a point of asking). I'll talk to anyone and I love coffee. I am fussy about coffee and am not a fan of chains like starbucks and hudsons - I'd rather go to small cafe with a skilled barista. If my sisters don't have real coffee and only have instant they won't bother offering me one. - inspired by Denise Rowlands (2)

 

S12. My legs are extremely ticklish. Which would be fine if no one knew. Kids, especially, are ruthless if they find out. - inspired by Trinity Dechou (7)

 

S13. I used to watch 'tear jerkers' with my mum when the rest of the family was out so we could sob without being mocked. These days I cry or laugh without shame in the cinema - I cry quietly and just let the tears stream down my face. I laugh whole heartedly and not particularly quietly. (BUT People who talk in the cinema during a movie drive me insane). " [...] , you're going to burn in a very special level of hell. A level they reserve for child molesters and people who talk at the theater." (Book, Firefly) - inspired by Bunny Brickworks (11)

 

S14. I have many (nick)names and they make me smile. I once read some quote that said, 'a child with many names is a much loved child ' - inspired by Vixie Rayna (18)

 

S15. I've only been on fire once... oh ... twice (that I can remember) - once was my thumb due to a flaming sambucca - I was in a crowded pub so couldn't just drop it either... months later I was at work assisting a client and he said, 'I know you from somewhere...' as soon as I mentioned the suburb where I hung out.. he said, "you were the girl with your thumb on fire!!". another time I caught my pants alight via a tea light candle my friend had artfully sat on the ground - much to the amusement of my friends. - Inspired by gr33ncat

 

S16 I hate chain letters and junk email. When I receive them and have time, I'll go through and harvest everyone's email and send (using BCC) a reply to them all - starting with, "now I have your email addresses, I can subscribe you all to porn lists..." - but then go on to reassure I won't really do this and provide advice about using the BCC field and sharing some basic email/web etiquette. I really hate junk email and figure if I tell people why, they might stop (or at least might leave me off their spam list :)). (moved up from my comments).

 

The challenge

 

Post your RL pic and 16 random facts about your person. But you needn't if you don't feel like. It's not that bad karma will hit you. // Post a pic of yourself on flickr and write down 16 random facts about yourself, funny, quirky, weird stuff then send on to/tag 16 other people.

 

I didn't tag anyone else... but if you do it.... or have already done it, please leave a link to your own post here in the comments as I'd love to see yours too. You'll find a number of other people's responses to this challenge by browsing my favourites or by visiting the 'You Got Tagged' flickr group.

Hi Culties & Spookies, time for even more sales for your Sunday Leisure!!

 

★ Item ★ The Maisie heels are cute and delightful with all kinds of details!

 

★ Rigged For ★ Legacy F ★ Reborn ★ Kupra ★ Gen-X ★ Lara ★ MaitreyaX ★

★ Remember to always try the DEMOS!★Check for Body Type & Body MOD Compatibility★

★ Comes with a Color Control HUD for changeable color options

 

★ Cult LM ★ maps.secondlife.com/secondlife/Cult%20Coven/129/75/33

 

★ Cult's Social Media Links ★

Cult Discord

Cult Mainstore

Cult PrimFeed

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

 

PERIYAR E.V.RAMASAMY and WOMEN RIGHTS

 

With regards to marriage, Periyar has stated that it is one of the worst customs in India. He claimed that the marriage principle, briefly, involves the enslavement of a woman by her husband and nothing else. This enslavement is concealed under the cover of marriage rites to deceive the women concerned by giving the wedding the false name of a divine function.[7]

 

There have been numerous papers in South India reporting how husbands have killed their wives, suspecting immoral behavior. The husband's suspicion of his wife's character has often led to murders. Those who believe in the divine dispensation, according to Periyar, do not have the knowledge to ask themselves why marriages conducted according to religious rites and the approval of God end in this fashion.[7]

 

Periyar further states that the very idea that the only proper thing for women to do is to be slaves of domesticity, bear children and bring them up, is a faulty one. As long as these restrictions are imposed on women, we can be sure that women have to be subservient to men and depend on men for help. If women have to live on terms of equality with men, they must have the liberty, like men, to have the kind of education they like and also to do unhampered, any work suitable to their knowledge, ability and taste.[8]

 

Furthermore, Periyar objected to terms like "giving of a maid" and "given in marriage". They are, "Sanskrit terms" and treat woman as a thing. He advocated the substitution of the word for marriage taken from the Tirukkual "Valkai thunai" or "life partner".[9]

 

Expenses[edit]

With marriage comes the expenses. Periyar stated that in our country, and particularly in Hindu society, a marriage is a function causing a lot of difficulties and waste to all people concerned. But those who conduct the marriage function and those who are getting married do not appear to notice the attendant difficulties because they think that social life necessitates wasteful expense and many difficulties and therefore they must necessarily face those inconveniences and hardships.[10]

 

Wedding feast, jewels, expensive clothes, procession, pandal, dance, music—money is spent on all these to satisfy the vanity of the organizers. Whatever may be the amount of money spent on the wedding and however pompous each of the items may be, the mirth and jollity associated with these are over in two or three days. In a week's time the prestige and honor connected with these are forgotten.[10] But the wedding expenses leave many families crushed; for many poor families these expenses leave an enormous burden and the debts remain uncleared for a number of years.[11]

 

However, if the money intended for the wedding expense is not borrowed and belongs to either of the marriage parties, then that amount could be used by her to bring up her children and to educate them. Such a procedure would be highly beneficial to her.[12]

 

Arranged marriages[edit]

In South Asia we mostly hear of arranged marriages as part of custom, heritage, and religions. Periyar thought that the Aryan wedding methods were barbarous because of the Aryan religion and art: Vedas, Sastras, Puranas, and Epics belong to the barbaric age. He further stated that is the reason why their wedding methods involve the parents giving the girl, prostituting the girl children and some stranger carrying the girl away by force or stealth.[13]

 

Arranged marriages in general were meant to enable the couple to live together throughout life and derive happiness, satisfaction and a good reputation, even years after the sexual urge and sexual pleasure are forgotten.[14]

 

But, with the selfish manipulation of this pact, Periyar claimed that women find 'pleasure' in slavish marriage because they have been brought up by their parents without education, independence and self-respect and because they have been made to believe that marriage means subordination to males. The inclusion of such slavish women in the group of 'chaste' women is another lure to them, leading them to find pleasure in such marriages.

 

Because a man is also married before he has understood the nature of life, its problems and its pleasures, he is satisfied with the slavish nature of the wife and the sexual pleasure she gives. If he finds any incompatibility, he adapts himself to his partner and the circumstances and puts up with his lot.[14]

 

Love marriages[edit]

Love marriages, claims Periyar, on the other hand will suit only those who have no ideals in life. Such a wedding gives primacy to sexual union along and it is doubtful if it indicates an agreement between the couple for good life. Sexual compatibility alone does not ensure happy married life; the couple should be able to live together cheerfully. Suitability for life or living together can be determined only if the man and woman get used to the company of each other, and are satisfied with each other. Only then, they can enter into an agreement to live together.[13]

 

Periyar further states that love marriages can give pleasure only as long as there is lust and the ability to satisfy that lust. If there is no compatibility between the partners in other respects, such marriages end only in the enslavement of women. The lies of such women resemble the lives of bullocks which are tied to a cart, beaten up and made to labor endlessly until they die.[14]

 

Therefore, there is a proverb stating, "A deeply loving girl is unfit for family life; a suitable life partner is unfit for love." Periyar believed that the agreement between partners to live together will constitute a better marriage than a love marriage.[14]

 

Self-respect marriages[edit]

In a leading article of Viduthalai, Periyar states that a self-respect wedding is based on rationalism. Rationalism is based on the individual's courage. Some may have the courage to conduct it during the time which almanacs indicate as the time of the planet Rahu and that, particularly in the evening. Some others may have just enough daring to avoid the Brahmin priest and his mother tongue - the Sanskrit language.[15] Some may feel nervous about not keeping the traditional lamp burning in broad daylight. Some others may have the rotten thought that conducting a wedding without 'mangala sutra' is disgraceful.

 

Still, the self-respect weddings conducted during the past thirty years have some basic limits. They are: Brahmins and their mantras should be utterly avoided; meaningless rituals, piling mud pots, one on another, having the traditional lamp during day time, ritual smoke - all these should be avoided. Rationalism does not approve of these. Periyar then asks why can't the government pass an Act that legalizes weddings which avoid the above-mentioned superstitious practices. If all these details cannot be accommodated in the Act, the latter can legalize weddings which don't have Brahmin priests, the Sanskrit language and the so called holy fire.[16]

 

Thus, marriages styled as Self-Respect marriages carried a threefold significance: a) replacing the Purohit, b) inter-caste equality, c) man-woman equality. Periyar claimed to have performed Self-Respect marriages unofficially since 1925 and officially since 1928.[17] Self-Respect marriages were legalized in 1967 by the Dravida Munnetra Kazhagam (DMK) Government.[18]

 

Widow-remarriage[edit]

On the remarriage of widows, Periyar states that among the atrocities perpetrated by the Hindu male population against women, here we have to consider the treatment meted out to widows alone. If a girl loses her husband, even before knowing anything of worldly pleasures, she is compelled to close her eyes to everything in the world and die broken-hearted. Even in Periyar's community at the time, there were widowed girls below the age of 13 years. Periyar stated how it is a touching sight to see the parents of those widowed children treating them like untouchables.[19]

 

He goes on to say that whatever may be the reason for the present state of the Hindu society, my firm belief that the low position given permanently to widows may prove to be the reason for the utter ruin of the Hindu religion and the Hindu society.[20]

 

If we try to find the reason for such conduct, we will have to conclude that they instinctively feel that women are slaves, subservient to men and that they must be kept under control. That is why these people treat women like animals. They seem to feel that giving freedom to women is equivalent to committing a very serious crime. The result of this attitude is that there is no independence or freedom to one half of the human race. This wicked enslavement of half of the human race is due to the fact that men are physically a little stronger than women. This principle applies to all spheres of life and the weaker are enslaved by the stronger.

 

If slavery has to be abolished in society, the male arrogance and wickedness which lead to the enslavement of women must be abolished first. Only when this is achieved, the tender sprouts of freedom and equality will register growth.[21]

 

One of the reasons why Periayr hated Hinduism and the orthodoxy practiced in the name of Hinduism was the practice of child marriage. Many of the girl children who were married before they were ten or twelve years old became widows before they knew the meaning of the word. According to the 1921 All India Census the details of the child widows reported living in the country that time were as follows:[22]

 

1 year baby widows - 497

1 to 2 year child widows - 494

2 to 3 year child widows - 1,257

3 to 4 year child widows - 2,837

4 to 5 year child widows - 6,707

Total number of widows - 11,342

5 to 10 year young widows - 85,037

10 to 15 year young widows - 232,147

15 to 20 year young widows - 396,172

20 to 25 year young widows - 742,820

25 to 30 year young widows - 1,163,720

Total number of widows - 2,631,238[22][23]

Periyar was deeply disturbed when he realized that among the widows in India, 11,892 were little children below 5 years and that young widows below 15 years numbering 232,147 were denied the pleasures of life.[24]

 

With regards to the re-marriage of widows, Periyar stated that it is the practice of our people to refer to such a wedding as "a widow's marriage". Such an expression is used only with reference to women and in connection with men. Just as this lady is marrying another husband after the death of the first husband, many men marry again after the death of the first wife. But the second marriage of a man is not referred to as "a widower's marriage", though that is the proper thing to do.

 

Periyar himself was a widower. After becoming one, he took a second wife. He claimed that in the ancient days, both men and women in the country had this practice. There were numerous instances in sastras and puranas of women getting married again after the death of their first husband. Periyar further stated that this is not an unusual practice in the rest of the world though it might appear strange for us at the present time. Christian and Muslim women marry again after the death of the first husband. 90 percent of women in Muslim countries get married again soon after the death of the first husband. This may be unusual in certain sections of Indian societies. But it is a common practice in certain other sections of our society which are called very backward communities.[25]

 

Further, inter-caste marriages and remarriage of widows are on the increase in India. Brahmins oppose these because they are afraid that they cannot exploit the people any more in the name of sastras. For the same reason they oppose the Sharada Act which is necessary for social well-being.[26]

 

Child marriage[edit]

In all the meetings of the non-Brahmins and the Self-Respectors, Periyar condemned child marriages and emphasized the need for educating all girl children and giving right to young widows to get married again.

 

Periyar has been very much against child marriage and stated that it reflects the cruelty to which innocent girls were subjected by their well-meaning parents. Periyar asked that if these parents can be considered civilized in any sense of the term. There was no other leader other than Periyar who reacted against this practice of child marriage.[24]

 

Those who supported child marriage were strongly against Periyar's condemnation of this act. Take for example, the Sharada Act. Those who opposed this Act say that it was against the Sastras to conduct the marriage of a girl after she has attained puberty. They further say that those who conduct such marriages are committing a sin and therefore will go to hell.[27]

 

Chastity[edit]

Periyar claimed that "household duties" have risen out of the foolishness of people and were not natural duties.[28] He went on to say that it was our selfish greed which has multiplied our household work. Nobody need worry that without household work, the women will lose their "chastity". On chastity, Periyar went on to say that it is something that belongs to women and is not a pledge to men. Whatever, chastity is, it was something that belonged to individuals.

 

In society, it was believed that if people lose their chastity, they will get divine punishment. Others are not going to get that punishment. Referring to the doctrines of institutionalized orthodox religions, he went on to say that men need not to worry themselves that women are committing a sin by not doing household work. Thus, let men realize that women are not slaves and that men are not their masters or guardians. Women should be allowed to develop the competence to protect themselves and their chastity and men need not be their watchdogs. He also believed that it was derogatory for men to play such a role.[citation needed]

 

It was said by the orthodox[who?] that women will develop diseases if they lose their chastity. The disease that a woman gets affects the husbands also. If we[who?] educate the women, they will develop the capability to keep themselves and their husbands pure. Thus, Periyar stated in the Kudi Arasu for the society to think deeply about taking a decision and do the right thing for their sisters and girl children.[29]

 

Periyar kindled the thoughts of everybody by also ridiculing the use of the word chastity only with reference to women. (Periyar-Father of Tamil 32) He stated that character is essential for both men and women and that speaking of chastity only with reference to women degraded not merely women but men also. He extended this thought and said that in any sphere of activity, civilized society cannot think of one law for men and another for women. He also said that the way most men treated their women was far worse than the way the upper class people treated the lower class, the way in which rich men treated the poor and the way in which a master treated his slave.[30]

 

Education[edit]

On education, Periyar stated that some foolish parents believe that if girls get educated, they will correspond with their secret lovers. That it is a very foolish and mischievous notion. No parent need be anxious about it. If a girl writes a letter, it will only be to a male. We can even now caution men not to read any love letter addressed to them by a woman and, even if they read it, not to reply to it. If men do not listen to this advice, they, as well as the girls who write them must be punished. It will be a hopelessly bad thing, if parents keep their girl children uneducated for this reason.[29]

 

At a speeched delivered by Periyar at the Prize Distribution function in the Municipal School for Girls at Karungal Palayam, Erode, he stated that girl children should be taught active and energetic exercises like running, high jump, long jump,and wrestling so that they may acquire the strength and courage of men. Their time and energy should not be wasted in light pastimes like Kummi (groups going in a circle, clapping their hands rhythmically) and in Kolatam (striking with sticks rhythmically).

 

In ancient Tamil literature, poets have stressed the value of education for women. In a famous verse, a poet by the name of Naladiar stated that, "What gives beauty to a woman is not the hair style or the patter of her dress or the saffron on her face but only education".[31] In a verse of Eladhi it states, "Beauty does not lie in the style of wailing or in the charm of a blush but only in the combination of numbers and letters (education).[32]

 

In a 1960 issue of Viduthalai Periyar stated that "There should be a drastic revolution in the desires and ideals of Indian women. They should equip themselves to do all types of work that men are doing. They should have good domestic life without allowing nature's obstacles in their own lives. Therefore, there should be a welcome change in the minds of our women. The administrators also most pay special attention to the advancement of women".[33]

 

Armed forces[edit]

Periyar advocated for women to be given weapons to protect themselves in reply to a question put in the Central Legislature. He stated that we have no hope that the state governments will do anything in this sphere because most of the state ministers hold the orthodox belief that women are slavish creatures.[34] Though here and there we[who?] find women also as ministers, they are old-fashioned traditionalists who will say, "We don't want any kind of freedom. We are perfectly happy with slavery".[33]

 

In Periyar's time he explained that ""Indian" women had no self-determination in any sphere of life like education property and marriage. They thought that modern civilization meant dressing themselves like British and American women and adorning themselves. Even our educated women do not entertain any thought that they must enter the police and army departments and learn to pilot airplanes like the women of Russia and Turkey. Just as modern education has made men cowards an book-worms, it has made our women decoratie [sic] dolls and weaklings".[33]

 

In a leading article written by Periyar in Viduthalai in 1946, he claimed that unless there is a drastic, fundamental and revolutionary change in our[who?] administrative machinery, it is impossible to make our women independent beings.[33]

 

Periyar goes on to explain that in our country also, there are thousands of women with the courage, competence and desire to work in the police department. Just as girls going to school was considered wonderful and cycle-riding by girls was considered funny, a few years ago, women on police duty may appear to be wonderful or strange for a few years. Then, in course of time, this will be considered natural.[33]

 

We[who?] need methods that will effect an astounding revolution in the world of women. Until we acquire those methods, we will be moving forward like a tortoise and writing and talking about Drowpath and Sita.[35]

 

Periyar, in a 1932 article of Kudi Arasu, explained that "women should develop physical strength like men. They must take exercise and get training in the use of weapons. They must acquire the ability to protect themselves when any sex-mad person tries to molest them. They should get the necessary training to join the armey [sic] when need arises and fight the enemy. This is the view of all civilized people. Women also wholeheartedly support this view. When the general view in the world is like this, who can accept the statement of some people that there is no use in giving higher education to women?"[33]

 

Birth control[edit]

"Others advocate birth-control, with a view of preserving the health of women and conserving family property; but we advocate it for the liberation of women."[36]

In the Kudi Arasu of 1932, Periyar explained the basic differences between the reasons given to us for contraception and the reasons given by others for this. We say that contraception is necessary for women to gain freedom. Others advocate contraception taking into consideration many problems like the health of women, the health and energy of the children, the poverty of the country and the maintenance of the family property. Many Westerners also support contraception for the same reasons. Our view is not based on these considerations. We recommend that women should stop delivering children altogether because conception stands in the way of women enjoying personal freedom. Further, begetting a number of children prevents men also from being free and independent. This truth will be clear if we listen to talk of men and women when their freedom is hampered.[33]

 

He went on to say how birth control does not aim at preventing the birth of children altogether, but aims only at limiting births. A man and his wife may have two children, or at the most, three children. This birth control policy is against bringing forth an unlimited number of children.[37]

 

While Periyar and the Self-Respect movement were advocating for birth control, Rajaji (C. Rajagopalachariar) very strongly opposed it. Others who opposed birth control was Thiru Adhithanar, the publisher of an extremely popular newspaper, Dina Thandhi at the time. In response to Rajaji's stand against birth control, Periyar explained that he was against this since he was of the Vedic Brahmin community that staunchly engrossed in the Manu Dharma. Thus, limiting births of overpopulation would limit diseases and death from many and therefore leave Brahmin priests without a job of doing ceremonies for the sick and funerals. In a 1959 article of Viduthalai he exclaimed that "If people like Rajaji discover new islands, make the forests habitable, do propaganda for the birth of more and more children and have farms for the upbringing of children, we may be in a position to understand them."[38]

 

During the late 1950s, 80 percent of the men and 90 percent of the women in Tamil Nadu were illiterate. Siriyar argued in a 1959 article in Viduthalai that "in this situation, if birth control is not practiced and people are allowed to have any number of children, the result will be the multiplication of castes among the "Sudras", like washermen, barbers, pot-makers, kuravas or gypsies, hunters, fishermen, famers [sic], toddy tappers, padayachies, pillars, cobblers, pariahs, and a thousand others and a limitless increase in population. The increase in population will force the 'Sudras' to preserve themselves from starvation by standing with folded hands before lazy fellows and calling them 'swami', 'master' and 'landlord'. What good result can we expect if birth control is not adopted?"[39]

 

Previously in a 1933 article of the Kudi Arasu, Periyar, in his words, explained that "even a High Court Judge in India does not know the amount of trouble that a mother takes to bring up a child. If a husband is kind to his wife and shows concern for her health and happiness, he must adopt the contraceptive method. Otherwise, he must be one who could manage to see that in delivery and in the brining [sic] up of children, she does not have much trouble. Therefore, the proper thing to do now is to drastically cut the expenses mentioned above and spend money on the proper upbringing of children with the help of nurses."[40]

 

Property rights and divorce[edit]

With regards to property rights for women, Periyar stated that there was no difference between men and women. He went on to say that like men, women should have the right to own property and enjoy its benefits. With regards to divorce or separations, he advocated that a woman can lie away from her husband if he is an undesirable person and if he has nay virulent disease. When a woman has to live apart from her husband in these circumstances, she is entitled to maintenance allowance and a claim on the husband's property. Even if a widow gets remarried, she must be given the right to claim a share of the first husband's property.[41]

 

On February 4, 1946, the Central Legislature passed an Act giving the right the Hindu married woman to get from her husband in certain circumstances a separate place to live in and a maintenance allowance. Periyar explained how that it was a useless Act. since it seems that the members of the Hindu Mahasabha and Sanadahnis agitated against the grant of even this right.[42]

 

Dowry[edit]

On the Dowry system practiced widely throughout the Indian sub-continent not only by Hindus but Christians too, Periyar calls it a "serious disease that was spreading fast amongst Tamilians". He went on to state that the disease was also found in its virulent form among the Andhras and the Brahmins of Tamil Nadu. Periyar also argued that if a man with property worth one lakh has three daughters, he has to become a beggar by the time these daughters are married. In the name of dowry, the parents of the young men who marry the three daughters, squeeze the man's property out of him.[43]

 

In the 1959 issue of Viduthalai, Periyar stated that, "according to a new legislation, women have the right to a share of the parents' property. Therefore every girl will definitely get her legitimate share from the parents' wealth - if the parents are wealth. It is inhuamane [sic] on the part of the parents of a boy to dump on him a girl whom he does not like and to plan to such as much as they can from the property of the girl's father. There is basically no difference between selling education and love for money and selling one's chastity for money. 'Prostitute' is a germ of contempt for a woman; a boy should not be reduced by his avaricous [sic] parents to get the name, 'a prostituted boy' or 'a boy that has been sold'. A father-in-law who has means, however miserly he may be by nature, will not be indifferent when his daughter suffers out of poverty. Therefore, it is very shameful on the part of the bridegroom's parents to demand from the bride's father that at the time of the marriage he should gie jewels worth so many thousands along with so many thousand rupees as dowry and that he should provide the bridegroom with a house and a care. The fact that another party makes such demands at the time of his daughter's marriage does not justify any parent's demands at the time of his son's wedding. All people must realize that both demanding and giving dowry are wrong and they must boldly declare this when occasion arises."[44]

 

Periyar calls the dowry an evil and exploitative practice depriving tens of thousands of talented and beautiful young women with sound character remaining spinsters without any chance of getting married.[45]

 

Devadasis[edit]

Among the atrocities the Tamil society committed against women was the practice of keeping some women attached to temples as Devadasis. Dr. Muthulakshmi proposed the resolution at the Madras Legislature that the Devadasi system should be abolished. The Government wanted comments on that from all important people. Periyar in his statement pointed out that the Devadasi system was a disgrace to Hindu religion. The fact that, in the name of a temple or a god, some women are kept as common property is an insult to all the women in the society. He also remarked that the prevalence of this system encouraged immorality among men and thus set the pattern for unprincipled life in many families. This was stoutly opposed in the Assembly by Satyamurthi Iyer, an orthodox Congress member, under the pretext of safeguarding the Hindu traditions. It should be said to the credit of Dr. Muthulakshmi and the leaders like Periyar that the proposal of the Doctor was accepted and a law was enacted against the Devadasi system.[30]

 

Periyar's example of the degradation of women in the Devadasi system is explained that "if a man's physical passion is aroused when his wife is not with him, he immediately goes to a prostitute. Rough stones are planted where cows and bufaloes [sic] graze to facilitate the animals to rub against the stones when they feel like it.[46] Likewise, Devadasis served in temples and in all villages rough stones planted on the borders and they say that these two (employing devadasis and the planting rough stones) are aamong [sic] the 32 dharmas mentioned in the sastras. When we consider why his kindness to the suffering and also the 32 dharmas are all bogus".[46]

 

Resolutions passed[edit]

As the Self-Respect conference held in Chengalpattu, Tamil Nadu in 1929, the following were among the many resolutions passed with regards for women's rights:

 

Women should be given equal right along with men for the family property.

There should be no objection to employing women to any job for which they are qualified.[47]

Schools, particularly schools, should try to employ only women teachers.

At the conference held in Erode in 1930, the same resolutions were passed again reminding the delegates and others that the interest of women was still uppermost in Periyar's mind. M.R. Jayakar who presided oer the Erode conference was greatly impressed by the progressive views of Periyar and other members. He was particularly happy that the movement included not merely non-Brahmin Hindus but Christians and Muslims too. He pointed out that the Self-Respect movement was more progressive than Congress. Furthermore, at the Virudhnagar conference the women members held a separate conference and passed some resolutions demanding that women should have the right to select their life partners without any consideration of religion or community and that weddings should not involve wasteful expenditure and elaborate ceremonies.[47]

LM : maps.secondlife.com/secondlife/Isla%20Margaritta/49/149/24

 

MP : marketplace.secondlife.com/stores/40934

 

PBR mesh Floor Tiles – Realistic & Beautiful!

 

Enhance your indoor and outdoor space with this high-quality PBR mesh floor tiles! Designed for realistic depth, detail, and lighting.

 

▶ High-Quality 2K Textures: Includes diffuse map, normal and roughness within the product folder.

 

▶ PBR Material Set: Designed for realistic rendering, with compatibility for non-PBR viewers.

 

▶ Sample Object Included: For immediate application and testing.

 

▶ Fully Copy & Modify: Customize to your specific project needs.

Hi Spookies & Culties, Here is your "must have these Cult Items" Weekend Shopping List!!

 

★ Item ★ The Bunbun shoes are cute and come with some legwarmers and are suitable for almost any outfit!

 

★ Rigged For ★ Reborn ★ Lara-X ★ Kupra ★ GEN-X Curvy ★ Legacy F ★

★ Featuring Color Hud w/ 10 light colors & 10 dark colors & 3 metal colors!

★ Remember to always try the DEMOS!★ Check for Body Type & Body MOD Compatibility ★

 

★ Cult LM ★ maps.secondlife.com/secondlife/Champ/189/200/17

 

★ Cult's Social Media Links ★

Cult Discord

Cult Mainstore

Cult Instagram

Cult Facebook

Cult Flickr

Cult Flickr Group

Cult Social Card

1 2 ••• 39 40 42 44 45 ••• 79 80