View allAll Photos Tagged Combing
Comb.
Bone/antler.
The comb has an animal-shaped head, perhaps that of a horse.
Björkö, Adelsö, Uppland, Sweden.
SHM 5208:824
Description: Comb grave of Nancy T. Bratton in Perkins Cemetery, Franklin Co., Tenn.
Date: November 3, 2011
Creator: Dr. Richard Finch
Collection name: Richard C. Finch Folk Graves Digital Photograph Collection
Historical note: Comb graves are a type of covered grave that are often called "tent graves." The length of the grave was covered by rocks or other materials that look like the gabled roof or comb of a building. They were popular in the 19th and early 20th centuries. It is conjectured that these graves were covered to protect them from either weather or animals, or perhaps both. While comb graves can be found in other southern states, the Cumberland Plateau in Tennessee has the highest concentration of these types of graves.
Accession number: 2013-022
Owning Institution: Tennessee State Library and Archives
ID#: Winchester Q - Perkins Cem 9
Ordering Information To order a digital reproduction of this item, please send our order form at www.tn.gov/tsla/dwg/ImageOrderForm.pdf to Public Services, Tennessee State Library & Archives, 403 7th Ave. N., Nashville, TN 37243-0312, or email to photoorders.tsla@tn.gov. Further ordering information can be found at the bottom of the page at the following location under Imaging Services Forms: www.tn.gov/tsla/forms.htm#imaging.
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At the end of Val Veny, a small wild valley below Mt. Blanc, there is this beautiful lake. Actually it is a series of rivers rather than a lake, since it is drying. The peacks far in the center of the photo are the Calcareous Pyramids.
Next to the place where I shoot this photo there is the refuge where we had the whorse hot chocolate ever!
Alla fine della Val Veny, una stretta e selvaggia valle ai piedi del Mt. Bianco, c'è questo bellissimo lago. In realtà si tratta più di una serie di fiumi piuttosto che un lago, perché si sta prosciugando. Le cime in fondo al centro della foto sono le Piramidi Calcaree.
Vicino al posto dove ho scattato questa foto c'è il rifugio dove abbiamo bevuto la peggiore cioccolata calda di sempre!
SGT Combs, attached to B co WTU at Ft Stewart, caught this bass on 1 Sept 2012 at Pond 26. It was released back into the pond. He roughly estimated the weight of the bass at 10lbs.
These caught my eye today whilst wandering round town waiting for my car to be fixed. I immediately thought "Flickr colours!"....
A crazy comb story...
(Taken by iPhone 4)
My Free Copyright code for this one - MCN: CBNEC-9SEFW-1963E
© Daniela Cifarelli
© myfreecopyright.com
All images are copyright ©. All Rights Reserved - Copying, altering, displaying or redistribution of any of these images without written permission from the artist is strictly prohibited. Thanks
A Sikh is a follower of Sikhism, a monotheistic religion which originated during the 15th century in the Punjab region. The term "Sikh" has its origin in the Sanskrit words शिष्य (śiṣya; disciple, student) or शिक्ष (śikṣa; instruction). A Sikh is a disciple of a guru. According to Article I of the Sikh Rehat Maryada (the Sikh code of conduct), a Sikh is "any human being who faithfully believes in One Immortal Being; ten Gurus, from Guru Nanak to Guru Gobind Singh; Guru Granth Sahib; the teachings of the ten Gurus and the baptism bequeathed by the tenth Guru". "Sikh" properly refers to adherents of Sikhism as a religion, not an ethnic group. However, because Sikhs often share strong ethno-religious ties, many countries, such as the U.K., recognize Sikh as a designated ethnicity on their censuses. The American non-profit organization United Sikhs has fought to have Sikh included on the U.S. census as well, arguing that Sikhs "self-identify as an 'ethnic minority'" and believe "that they are more than just a religion".
Male Sikhs usually have "Singh" (Lion), and female Sikhs have "Kaur" (Princess) as their middle or last name. Sikhs who have undergone the khanḍe-kī-pahul (the Sikh initiation ceremony) may also be recognized by the five Ks: uncut hair (kesh); an iron or steel bracelet (kara); a kirpan (a sword tucked into a gatra strap); kachehra, a cotton undergarment, and kanga, a small wooden comb. Baptized male Sikhs must cover their hair with a turban, which is optional for baptized female Sikhs. The greater Punjab region is the historic homeland of the Sikhs, although significant communities exist around the world.
HISTORY
Sikh political history may be said to begin with the death of the fifth Sikh guru, Guru Arjan Dev, in 1606. Guru Nanak was a religious leader and social reformer in the 15th-century Punjab. Religious practices were formalized by Guru Gobind Singh on 30 March 1699. Singh baptized five people from a variety of social backgrounds, known as the Panj Piare (the five beloved ones) to form the Khalsa, or collective body of initiated Sikhs. Sikhism has generally had amicable relations with other religions, except for the period of Mughal rule in India (1556–1707). Several Sikh gurus were killed by the Mughals for opposing their persecution of minority religious communities including Sikhs. Sikhs subsequently militarized to oppose Mughal rule. The emergence of the Sikh Confederacy under Ranjit Singh was characterized by religious tolerance and pluralism, with Christians, Muslims and Hindus in positions of power. The confederacy is considered the zenith of political Sikhism, encompassing Kashmir, Ladakh and Peshawar. Hari Singh Nalwa, the commander-in-chief of the Sikh army in the North West Frontier, expanded the confederacy to the Khyber Pass. Its secular administration implemented military, economic and governmental reforms. The months leading up to the partition of India in 1947 were marked by conflict in the Punjab between Sikhs and Muslims. This caused the religious migration of Punjabi Sikhs and Hindus from West Punjab, mirroring a similar religious migration of Punjabi Muslims from East Punjab.
The 1960s saw growing animosity between Sikhs and Hindus in India, with the Sikhs demanding the creation of a Punjab state on a linguistic basis similar to other states in India. This was promised to Sikh leader Master Tara Singh by Jawaharlal Nehru, in return for Sikh political support during negotiations for Indian independence. Although the Sikhs obtained the Punjab, they lost Hindi-speaking areas to Himachal Pradesh, Haryana and Rajasthan. Chandigarh was made a union territory and the capital of Haryana and Punjab on 1 November 1966.
Tensions arose again during the late 1970s, fueled by Sikh claims of discrimination and marginalisation by the Hindu-dominated Indian National Congress party and tactics adopted by the Prime Minister Indira Gandhi.
According to Katherine Frank, Indira Gandhi's assumption of emergency powers in 1975 resulted in the weakening of the "legitimate and impartial machinery of government", and her increasing "paranoia" about opposing political groups led her to institute a "despotic policy of playing castes, religions and political groups against each other for political advantage". Sikh leader Jarnail Singh Bhindranwale articulated Sikh demands for justice, and this triggered violence in the Punjab. The prime minister's 1984 defeat of Bhindranwale led to an attack on the Golden Temple in Operation Blue Star and to her assassination by her Sikh bodyguards. Gandhi's assassination resulted in an explosion of violence against Sikh communities and the killing of thousands of Sikhs throughout India. Khushwant Singh described the riots as a Sikh pogrom; he "felt like a refugee in my country. In fact, I felt like a Jew in Nazi Germany". Since 1984, relations between Sikhs and Hindus have moved toward a rapprochement aided by economic prosperity. However, a 2002 claim by the Hindu right-wing Rashtriya Swayamsevak Sangh (RSS) that "Sikhs are Hindus" disturbed Sikh sensibilities. The Khalistan movement campaigns for justice for the victims of the violence, and for the political and economic needs of the Punjab.
In 1996, United Nations Commission on Human Rights Freedom of Religion or Belief Special Rapporteur Abdelfattah Amor (Tunisia, 1993–2004) visited India to report on religious discrimination. The following year Amor concluded, "In India it appears that the situation of the Sikhs in the religious field is satisfactory, but that difficulties are arising in the political (foreign interference, terrorism, etc.), economic (in particular with regard to sharing of water supplies) and even occupational fields. Information received from nongovernment (sic) sources indicates that discrimination does exist in certain sectors of the public administration; examples include the decline in the number of Sikhs in the police force and the military, and the absence of Sikhs in personal bodyguard units since the murder of Indira Gandhi".
Although Sikhs comprise 10 to 15 percent of all ranks of the Indian Army and 20 percent of its officers, they make up 1.87 percent of the Indian population.
During the 1999 Vaisakhi, Sikhs worldwide celebrated the 300th anniversary of the creation of the Khalsa. Canada Post honoured Sikh Canadians with a commemorative stamp in conjunction with the 300th anniversary of Vaisakhi. On April 9, 1999, Indian president K.R. Narayanan issued a stamp commemorating the 300th anniversary of the Khalsa.
DEFINITION
According to Guru Granth Sahib:
One who calls himself a Sikh of the Guru, the True Guru, shall rise in the early morning hours and meditate on the Lord's Name. Upon arising early in the morning, the Sikh is to bathe, and cleanse himself in the pool of nectar. Following the Instructions of the Guru, the Sikh is to chant the Name of the Lord, Har. All sins, misdeeds and negativity shall be erased. Then, at the rising of the sun, the Sikh is to sing Gurbani; whether sitting down or standing up, the Sikh is to meditate on the Lord's Name. One who meditates on my Lord, Har, with every breath and every morsel of food – that Gursikh becomes pleasing to the Guru's Mind. That person, unto whom my Lord and Master is kind and compassionate – upon that Gursikh, the Guru's Teachings are bestowed. Servant Nanak begs for the dust of the feet of that Gursikh, who himself chants the Naam, and inspires others to chant it.
Simran of the Lord's name is a recurring theme of Guru Granth Sahib, and Sukhmani Sahib were composed to allow a devotee to recite Nam throughout the day. Rising at Amrit Velā (before sunrise) is a common Sikh practice. Sikhism considers the spiritual and secular lives to be intertwined: "In the Sikh Weltanschauung ... the temporal world is part of the Infinite and partakes of its characteristics." According to Guru Nanak, living an "active, creative, and practical life" of "truthfulness, fidelity, self-control and purity" is superior to a purely contemplative life.
FIVE Ks
The five Ks (panj kakaar) are five articles of faith which all baptized Sikhs (Amritdhari Sikhs) are obliged to wear. The symbols represent the ideals of Sikhism: honesty, equality, fidelity, meditating on God and never bowing to tyranny. The five symbols are:
- Kesh: Uncut hair, usually tied and wrapped in a Dastar
- Kanga: A wooden comb, usually worn under a Dastar
- Katchera: Cotton undergarments, historically appropriate in battle due to increased mobility when compared to a dhoti. Worn by both sexes, the katchera is a symbol of chastity.
- Kara: An iron bracelet, a weapon and a symbol of eternity
- Kirpan: An iron dagger in different sizes. In the UK Sikhs can wear a small dagger, but in the Punjab they might wear a traditional curved sword from one to three feet in length.
MUSIC & INSTRUMENTS
The Sikhs have a number of musical instruments: the rebab, dilruba, taus, jori and sarinda. Playing the sarangi was encouraged in Guru Har Gobind. The rubab was first played by Bhai Mardana as he accompanied Guru Nanak on his journeys. The jori and sarinda were designed by Guru Arjan. The taus was made by Guru Hargobind, who supposedly heard a peacock singing and wanted to create an instrument mimicking its sounds (taus is the Persian word for peacock). The dilruba was made by Guru Gobind Singh at the request of his followers, who wanted a smaller instrument than the taus. After Japji Sahib, all of the shabda in the Guru Granth Sahib were composed as ragas. This type of singing is known as Gurmat Sangeet.
When they marched into battle, the Sikhs would play a Ranjit Nagara (victory drum) to boost morale. Nagaras (usually two to three feet in diameter, although some were up to five feet in diameter) are played with two sticks. The beat of the large drums, and the raising of the Nishan Sahib, meant that the singhs were on their way.
DISTRIBUTION
Numbering about 27 million worldwide, Sikhs make up 0.39 percent of the world population; approximately 83 percent live in India. About 76 percent of all Sikhs live in the north Indian State of Punjab, where they form a majority (about two-thirds) of the population. Substantial communities of Sikhs (more than 200,000) live in the Indian states or union territories of Haryana (more than 1.1 million), Rajasthan, West Bengal, Uttar Pradesh, Delhi, Maharashtra, Uttarakhand, Madhya Pradesh Assam and Jammu and Kashmir.
Sikh migration from British India began in earnest during the second half of the 19th century, when the British completed their annexation of the Punjab. The British Raj recruited Sikhs for the Indian Civil Service (particularly the British Indian Army), which led to Sikh migration throughout India and the British Empire. During the Raj, semiskilled Sikh artisans were transported from the Punjab to British East Africa to help build railroads. Sikhs emigrated from India and Pakistan after World War II, most going to the United Kingdom but many to North America. Some Sikhs who had settled in eastern Africa were expelled by Ugandan dictator Idi Amin in 1972. Economics is a major factor in Sikh migration, and significant communities exist in the United Kingdom, Canada, the United States, Malaysia, East Africa, Australia and Thailand.
Although the rate of Sikh migration from the Punjab has remained high, traditional patterns of Sikh migration favouring English-speaking countries (particularly the United Kingdom) have changed during the past decade due to stricter immigration laws. Moliner (2006) wrote that as a consequence of Sikh migration to the UK "becom[ing] virtually impossible since the late 1970s", migration patterns evolved to continental Europe. Italy is a rapidly growing destination for Sikh migration, with Reggio Emilia and Vicenza having significant Sikh population clusters. Italian Sikhs are generally involved in agriculture, agricultural processing, the manufacture of machine tools and horticulture.
Primarily for socio-economic reasons, Indian Sikhs have the lowest adjusted growth rate of any major religious group in India, at 16.9 percent per decade (estimated from 1991 to 2001). Johnson and Barrett (2004) estimate that the global Sikh population increases annually by 392,633 (1.7 percent per year, based on 2004 figures); this percentage includes births, deaths and conversions.
REPRESENTATION
Sikhs have been represented in Indian politics by former Indian prime minister Manmohan Singh and the deputy chairman of the Indian Planning Commission, Montek Singh Ahluwalia. Punjab Chief Minister Parkash Singh Badal is also a Sikh. Past Sikh politicians in India include former president Giani Zail Singh, Sardar Swaran Singh (India's first foreign minister), Speaker of Parliament Gurdial Singh Dhillon and former Chief Minister of Punjab Pratap Singh Kairon.
Politicians from the Sikh diaspora include the first Asian American member of the United States Congress, Dalip Singh Saund, British MPs Piara Khabra, Parmjit Dhanda and Paul Uppal, the first couple to sit together in a Commonwealth parliament (Gurmant Grewal and Nina Grewal, who requested a Canadian government apology for the Komagata Maru incident), former Canadian Shadow Social Development Minister Ruby Dhalla, Canadian Minister of State for Sport Baljit Singh Gosal and Legislative Assembly of Ontario members Vic Dhillon and Jagmeet Singh. Ujjal Dosanjh was the New Democratic Party Premier of British Columbia from July 2004 to February 2005, and was later a Liberal frontbench MP in Ottawa. In Malaysia, two Sikhs were elected MPs in the 2008 general elections: Karpal Singh (Bukit Gelugor) and his son, Gobind Singh Deo (Puchong). Two Sikhs were elected assemblymen: Jagdeep Singh Deo (Datuk Keramat) and Keshvinder Singh (Malim Nawar).
Sikhs comprise 10 to 15 percent of all ranks in the Indian Army and 20 percent of its officers, while making up 1.87 percent of the Indian population. The Sikh Regiment is one of the most-decorated regiments in the army, with 73 Battle Honours, 14 Victoria Crosses, 21 first-class Indian Orders of Merit (equivalent to the Victoria Cross), 15 Theatre Honours, five COAS Unit Citations, two Param Vir Chakras, 14 Maha Vir Chakras, five Kirti Chakras, 67 Vir Chakras and 1,596 other awards. The highest-ranking general in the history of the Indian Air Force is a Punjabi Sikh, Marshal of the Air Force Arjan Singh. Plans by the United Kingdom Ministry of Defence for a Sikh infantry regiment were scrapped in June 2007.
Historically, most Indians have been farmers and 66 percent of the Indian population are engaged in agriculture. Indian Sikhs are employed in agriculture to a lesser extent; India's 2001 census found 39 percent of the working population of the Punjab employed in this sector. The success of the 1960s Green Revolution, in which India went from "famine to plenty, from humiliation to dignity", was based in the Punjab (which became known as "the breadbasket of India"). The Punjab is the wealthiest Indian state per capita, with the average Punjabi income three times the national average. The Green Revolution centred on Indian farmers adopting more intensive and mechanised agricultural methods, aided by the electrification of the Punjab, cooperative credit, consolidation of small holdings and the existing, British Raj-developed canal system. According to Swedish political scientist Ishtiaq Ahmad, a factor in the success of the Indian green revolution was the "Sikh cultivator, often the Jat, whose courage, perseverance, spirit of enterprise and muscle prowess proved crucial". However, not all aspects of the green revolution were beneficial. Indian physicist Vandana Shiva wrote that the green revolution made the "negative and destructive impacts of science [i.e. the green revolution] on nature and society" invisible, and was a catalyst for Punjabi Sikh and Hindu tensions despite a growth in material wealth.
Punjabi Sikhs are engaged in a number of professions which include science, engineering and medicine. Notable examples are nuclear scientist Piara Singh Gill (who worked on the Manhattan Project), fibre-optics pioneer Narinder Singh Kapany and physicist, science writer and broadcaster Simon Singh.
In business, the UK-based clothing retailers New Look and the Thai-based Jaspal were founded by Sikhs. India's largest pharmaceutical company, Ranbaxy Laboratories, is headed by Sikhs. UK Sikhs have the highest percentage of home ownership (82 percent) of any religious community. UK Sikhs are the second-wealthiest (after the Jewish community) religious group in the UK, with a median total household wealth of £229,000. In Singapore Kartar Singh Thakral expanded his family's trading business, Thakral Holdings, into total assets of almost $1.4 billion and is Singapore's 25th-richest person. Sikh Bob Singh Dhillon is the first Indo-Canadian billionaire. The Sikh diaspora has been most successful in North America, especially in California’s fertile Central Valley. American Sikh farmers such as Harbhajan Singh Samra and Didar Singh Bains dominate California agriculture, with Samra specialising in okra and Bains in peaches.
Sikh intellectuals, sportsmen and artists include writer Khushwant Singh, England cricketer Monty Panesar, former 400m runner Milkha Singh, Indian wrestler and actor Dara Singh, former Indian hockey team captains Ajitpal Singh and Balbir Singh Sr., former Indian cricket captain Bishen Singh Bedi, Harbhajan Singh (India's most successful off spin cricket bowler), Bollywood actress Neetu Singh, Sunny Leone, actors Parminder Nagra, Neha Dhupia, Gul Panag, Mona Singh, Namrata Singh Gujral, Archie Panjabi and director Gurinder Chadha.
Sikhs have migrated worldwide, with a variety of occupations. The Sikh Gurus preached ethnic and social harmony, and Sikhs comprise a number of ethnic groups. Those with over 1,000 members include the Ahluwalia, Arain, Arora, Bhatra, Bairagi, Bania, Basith, Bawaria, Bazigar, Bhabra, Chamar, Chhimba, Darzi, Dhobi, Gujar, Jatt, Jhinwar, Kahar, Kalal, Kamboj, Khatri, Kumhar, Labana, Lohar, Mahtam, Mazhabi, Megh, Mirasi, Mochi, Nai, Rajput, Ramgarhia, Saini, Sarera, Sikligar, Sunar, Sudh, Tarkhan and Zargar.
An order of Punjabi Sikhs, the Nihang or the Akalis, was formed during Ranjit Singh's time. Under their leader, Akali Phula Singh, they won many battles for the Sikh Confederacy during the early 19th century.
IN THE INDIAN & BRITISH ARMIES
Sikhs supported the British during the Indian Rebellion of 1857. By the beginning of World War I, Sikhs in the British Indian Army totaled over 100,000 (20 percent of the force). Until 1945 fourteen Victoria Crosses were awarded to Sikhs, a per-capita regimental record. In 2002 the names of all Sikh VC and George Cross recipients were inscribed on the monument of the Memorial Gates on Constitution Hill, next to Buckingham Palace. Chanan Singh Dhillon was instrumental in campaigning for the memorial.
During World War I, Sikh battalions fought in Egypt, Palestine, Mesopotamia, Gallipoli and France. Six battalions of the Sikh Regiment were raised during World War II, serving in the Second Battle of El Alamein, the Burma and Italian campaigns and in Iraq and receiving 27 battle honours. Around the world, Sikhs are commemorated in Commonwealth cemeteries.
In the last two world wars 83,005 turban wearing Sikh soldiers were killed and 109,045 were wounded. They all died or were wounded for the freedom of Britain and the world, and during shell fire, with no other protection but the turban, the symbol of their faith.
—General Sir Frank Messervy
British people are highly indebted and obliged to Sikhs for a long time. I know that within this century we needed their help twice [in two world wars] and they did help us very well. As a result of their timely help, we are today able to live with honour, dignity, and independence. In the war, they fought and died for us, wearing the turbans.
—Sir Winston Churchill
IN THE WEST
During the late 19th and early 20th centuries, Sikhs began to emigrate to East Africa, the Far East, Canada, the United States and the United Kingdom. In 1907 the Khalsa Diwan Society was established in Vancouver, and four years later the first gurdwara was established in London. In 1912 the first gurdwara in the United States was founded in Stockton, California.
Since Sikhs (like Middle Eastern men) wear turbans, some in Western countries have been mistaken for Muslim or Arabic men since the September 11 attacks and the Iraq War. Several days after the 9/11 attacks Sikh Balbir Singh Sodhi was murdered by Frank Roque, who thought Sodhi was connected with al-Qaeda. CNN suggested an increase in hate crimes against Sikh men in the United States and the UK after the 9/11 attacks.
Since Sikhism has never actively sought converts, the Sikhs have remained a relatively homogeneous ethnic group. The Kundalini Yoga-based activities of Harbhajan Singh Yogi in his 3HO (Happy, Healthy, Holy) organisation claim to have inspired a moderate growth in non-Indian adherents of Sikhism. In 1998 an estimated 7,800 3HO Sikhs, known colloquially as ‘gora’ (ਗੋਰਾ) or ‘white’ Sikhs, were mainly centred around Española, New Mexico and Los Angeles, California. Sikhs and the Sikh American Legal Defense and Education Fund overturned a 1925 Oregon law banning the wearing of turbans by teachers and government officials.
In an attempt to foster Sikh leaders in the Western world, youth initiatives by a number of organisations have begun. The Sikh Youth Alliance of North America sponsors an annual Sikh Youth Symposium, a public-speaking and debate competition held in gurdwaras throughout the U.S. and Canada.
ART & CULTURE
Sikh art and culture are nearly synonymous with that of the Punjab, and Sikhs are easily recognised by their distinctive turban (Dastar). The Punjab has been called India’s melting pot, due to the confluence of invading cultures (Greek, Mughal and Persian) from the rivers from which the region gets its name. Sikh culture is therefore a synthesis of cultures. Sikhism has forged a unique architecture, which S. S. Bhatti described as "inspired by Guru Nanak’s creative mysticism" and "is a mute harbinger of holistic humanism based on pragmatic spirituality".
During the Mughal and Afghan persecution of the Sikhs during the 17th and 18th centuries, the latter were concerned with preserving their religion and gave little thought to art and culture. With the rise of Ranjit Singh and the Sikh Raj in Lahore and Delhi, there was a change in the landscape of art and culture in the Punjab; Hindus and Sikhs could build decorated shrines without the fear of destruction or looting.
The Sikh Confederacy was the catalyst for a uniquely Sikh form of expression, with Ranjit Singh commissioning forts, palaces, bungas (residential places) and colleges in a Sikh style. Sikh architecture is characterised by gilded fluted domes, cupolas, kiosks, stone lanterns, ornate balusters and square roofs. A pinnacle of Sikh style is Harmandir Sahib (also known as the Golden Temple) in Amritsar.
Sikh culture is influenced by militaristic motifs (with the Khanda the most obvious), and most Sikh artifacts - except for the relics of the Gurus - have a military theme. This theme is evident in the Sikh festivals of Hola Mohalla and Vaisakhi, which feature marching and displays of valor.
Although the art and culture of the Sikh diaspora have merged with that of other Indo-immigrant groups into categories like "British Asian", "Indo-Canadian" and "Desi-Culture", a minor cultural phenomenon which can be described as "political Sikh" has arisen. The art of diaspora Sikhs like Amarjeet Kaur Nandhra and Amrit and Rabindra Kaur Singh (the "Singh Twins") is influenced by their Sikhism and current affairs in the Punjab.
Bhangra and Giddha are two forms of Punjabi folk dancing which have been adapted and pioneered by Sikhs. Punjabi Sikhs have championed these forms of expression worldwide, resulting in Sikh culture becoming linked to Bhangra (although "Bhangra is not a Sikh institution but a Punjabi one").
PAINTING
Sikh painting is a direct offshoot of the Kangra school of painting. In 1810, Ranjeet Singh (1780–1839) occupied Kangra Fort and appointed Sardar Desa Singh Majithia his governor of the Punjab hills. In 1813 the Sikh army occupied Guler State, and Raja Bhup Singh became a vassal of the Sikhs. With the Sikh kingdom of Lahore becoming the paramount power, some of the Pahari painters from Guler migrated to Lahore for the patronage of Maharaja Ranjeet Singh and his Sardars.
The Sikh school adapted Kangra painting to Sikh needs and ideals. Its main subjects are the ten Sikh gurus and stories from Guru Nanak's Janamsakhis. The tenth Guru, Gobind Singh, left a deep impression on the followers of the new faith because of his courage and sacrifices. Hunting scenes and portraits are also common in Sikh painting.
WIKIPEDIA
www.victoriaschofield.co.uk/prints
I started selling some prints from a project I've been doing over the last few years called 'It's Grim Up North'...
You can buy them via my website, and also see more images from the project!
:10 things: April #1
When my mom died on Christmas day, just 3 months ago, after an 18 month battle with ovarian cancer it was hard to make the thousand mile drive with the family down to Alabama, knowing what I'd be facing. The loss of my mother.
As we drove for almost 17 hours, my mind flashed over the years of my childhood and my adult days of going "back home." And oddly enough, the one thing that was part of all of that was this pink comb that belonged to my mom.
We are not sure of its origin. Mom thought she got it from my dad's mom (her MIL)... Dad thinks they may have bought it when they first got married. No one is quite sure. But what I do know is that its older than I am. Its combed my hair thousands of times. I have vivid memories of sitting in the floor on Sunday nights after a bath, eating grilled cheese sandwiches in the living room floor (picnic!!!!). I would nibble, we'd watch Wild Kingdom and the Wide World of Disney (70s!!) as a family and my mother would comb out my long blond hair.
I asked Dad for the comb just a couple hours after we got down the day after Christmas... the day after mom died. And it came back to Pennsylvania with me. It now combs the hair of my family. Its had long service and shows signs of miscoloring and a couple broken and bent teeth. But its my treasure. Its my mom.
Heavily processed mage of the girl with a comb ukiyo-e print. Embossed Arabic calligraphy used as the seed image.
I think in Simon's list of 50 best Suffolk churches, Woolpit comes in at number 31. It is now that I remember that I cannot remember why I should go to Woolpit on what would be the last of the EA church visits this year, as Mum was home and in the care of the district nurse, and there was nothing else we could do, not in actions, money or time given. She really has to stand on her own two feet now.
Anyway; Woolpit.
I decided to go, and after looking on the map I saw that with some create route planning, I could go down the 143, then double back and join the A14 eastwards before turning south down our old friend, the A12.
On the way I did also visit Stowlangtoft, which was a wonderful church, a church filled with wonderful things that seemed to hang together as a whole. Woolpit would have to be something special to trup St George.
And it nearly did. Nearly. Woolpit is a picture perfect village, all timber framed buildings, narrow lanes and impossible to park in. I drove through it finding a kind of space just past the church. I could see from the tower and building it was a church on which the Victorians had been very busy.
Most glorious is Mary's roof; double hammerbeam adorned with 208 angels one of the wardens told me. It had been counted several times during a dull sermon. Or two.
The wardens were building the crib for Christmas, so were using a pallet as a base, or something like that. I didn't see it finished, but Ken Bruce was booming out from a radio, preaching the Gospel According to Popmaster to all who would listen.
The angels in the roof and on the walls of the church are indeed impressive, as is the rood screen, but not sure if they are original. There are carved pew ends aplenty, but to my eye, not as well carved or as old as at Stowlangtoft. I could be wrong. But I snap a few anyway.
But I received a warm welcome here, and it is a fantastic church for me.
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2008: Woolpit is a village which I often visit, and it is always a pleasure to go into the church. But the entry for St Mary was one of the last on the original Suffolk Churches site, making its appearance in late 2001. In fact, I think it was the last of the old-style entries. I was getting a bit wordy by then.
Woolpit was one of the longest entries, and this wasn't just because there is so much to see. I went off at a great tangent about the meaning of medieval iconography, and how it survived the Reformation. It certainly got some thoughts clear in my own head, even if it confused other people. I actually wrote the entry in the back of an old exercise book sitting outside a café on the Cote d'Azur in southern France. Reading that back, it seems a little pretentious, but I really was there. Here in Ipswich on a frosty February evening, I can't help remembering the heat as I scrawled in the pad.
I've left the original entry almost entirely as it was, apart from the removal of one absolute howler, which I won't mention. I am not sure if Woolpit still has a Sunday market, and I am sure that someone will tell me if it has not. Paul Hocking is no longer Rector of Woolpit, but to my eyes the church continues to go from strength to strength, feeling at once busy and at the heart of its community, the still centre of a busy village. I like it very much.
2001: The clear blue waters of the Mediterranean swirl around my legs, then past me, buffeting the rocks along the silver beach. Millions of tiny flecks of mica swarm through the current, washed out of the hills of Southern Provence. They shine for a fraction of a second with all the light the high summer sun can give, a universe caught in a moment; then turn, disappearing, making of the water a shimmering skein, an ancient memory.
The sea is at the start of all European civilisation. Here, history wells about me. I think of Europe, and the fragmentation of nations. I think of the Balkans, and the Reformation, and the same water surrounding, tending, isolating. I think of time passing.
A week before, I'd been standing in the cool nave of the church of the Assumption of the Blessed Virgin, Woolpit - or at least, that is what it probably was once, back then. Today, it is dedicated simply as 'St Mary', in common with the majority of Suffolk's medieval churches, among which it is one of the finest, some say. This is mostly by virtue of its beautiful porch, and extraordinary angel roof.
But is that true? For there are those who love this church that, perhaps, never look up at the porch or roof. Is it the plethora of 15th century bench ends that captures the imagination? Or could it be Richard Phipson's outrageous 1850s tower and lacy spire, straight out of the Nene Valley, its evangelistic slogans around the side in a Victorian equivalent of Piccadilly Circus neon? It ought not to work, and yet it does. Or is it that supremely articulate view to the east, perfect of proportion despite the stripping away of its medieval liturgical apparatus? Above all else, and above most others, this is a church with presence.
It was the bench ends that I was thinking of as I immersed myself out of the intensity of the Provencal sun. A number of questions occured to me, as they have done on other occasions, in other churches. Who made them? What did they mean by them? And how did they survive the iconoclasms of the Protestant Reformation? Here in Southern Europe, I thought I might have found some answers.
Woolpit, then. It is perhaps the most perfect of all Suffolk villages. Not sleepy, and chocolate boxy, but to actually live in. Its shops and pubs are arranged around the pleasant village square, and Phipson's crazy spire towers above them. Woolpit still has its school, and you wouldn't need to get in the car every time you needed a loaf of bread, as you'd have to do in some of Suffolk's more famously picturesque villages, like Kersey and Tuddenham. And Woolpit has its Sunday market, beloved of hundreds of non-sabbatarian junk-hunters each week.
Further, Woolpit has its mythology; the two green children, who climbed out of the ground, speaking a strange language and afraid of the sunlight. The boy died soon after, but the girl grew up and married; she learned to speak English, and told of St Martin's Land, from where she and her brother had emerged. There are holes in the ground around Woolpit, quarries where bricks were made in the 19th century. But perhaps there was once something much older, for every Suffolk schoolchild knows that the name 'Woolpit' is nothing to do with wool, but with the wolves that once lived in the pits here...
So, it is a well-known village. It is because of this as much as anything about St Mary itself that makes this church so well-known to people who haven't heard of the even more interesting and beautiful church of St Ethelbert, Hessett, barely three miles away.
Your first sight of St Mary will be Phipson's crazy spire, visible from miles away, and quite unlike anything else in East Anglia. Suffolk is a county where spires are rare enough, anyway. From the far side of the Gipping valley you can see this one and two others, piercing the soft harvest mist in autumn. They are Phipson's equally absurd Great Finborough, and the 1990s blade of St Peter and St Mary, Stowmarket. There are only about a dozen more in the whole of the county. The excuse for this one was that the tower was struck by lightning in 1852, bringing down the previous lead and timber affair (presumably like the one at Hadleigh). The font is contemporary with the tower, suggesting that the old one was destroyed by the fall.
In the 1950s and 1960s, the artist John Piper produced a series of screen prints of aspects of Suffolk churches; for most, he used the fine perpendicular tower, ramifying it in bold Festival of Britain primary colours. But for Woolpit, he chose the porch, because it is Suffolk's finest. Cautley thought it the best in all England. It is two-storey, 15th century, contemporary with the nave. Mortlock tells us that they were both built by wealthy Bury Abbey, who owned the living here. As at Beccles, it rises way above the south aisle, tower-like in itself.
A rood group of niches surmounts the shields of East Anglia above the door. More flank them. Mortlock says that the work began in the early 1430s, and the niches were filled by a bequest of 1473, suggesting that the porch was forty years in the making. The south aisle and chancel are slightly earlier, the north aisle slightly later, so it is the nave that promises us great things, and doesn't disappoint.
You step into cool darkness, and look up. It is breathtaking. This is Suffolk's most perfectly restored angel hammerbeam roof. It may not have the drama of Mildenhall, the exquisiteness of Blythburgh, the sheer mathematics of Needham Market, but it shows us in detail more than any other what the medieval imagination was aiming at. From the still, small silence of the church floor below, you look up into a great shout of praise. Here are hundreds of figures, both angelic and human. The profusion is ordered, as if some mighty hymn were in progress.
Paul Hocking thinks that it is a representation of the Te Deum Laudamus: We praise thee, O God, we acknowledge thee to be the Lord... To thee all Angels cry aloud, the Heavens, and all the Powers therein. To thee Cherubim and Seraphim continually do cry Holy Holy Holy Lord God of Sabaoth... The glorious company of the Apostles praise thee, the goodly fellowship of the Prophets praise thee, the noble army of Martyrs praise thee...
I know this, because he told me so. I was busy photographing bench ends when this very enthusiastic American bounced in with another visitor, and gave him a whistlestop tour of the church, describing the details with great knowledge and understanding. Solicitously, he talked to me afterwards about what I was doing, and asked me if I'd met the Rector of Woolpit yet. I said that I went out of my way to avoid Rectors wherever possible. He laughed, and replied that, on this occasion, I'd failed, because he was, in fact, the Rector.
After I'd coughed miserably, and he'd laughed again, we had a long chat, uncovering a few mutual aquaintances. He described the roof, which he has obviously spent a lot of time exploring. He pointed out the way the wall posts contained Saints, some with apostolic symbols, some with books, and some with martyr's palms. There are angels on the hammerbeams above, and bearing symbols below. John Blatchly counted 128 angels alone. Some of the shields have letters on them. Are they an acrostic, as on the east chancel wall at Blythburgh? Do they indicate individual Saints? The great Henry Ringham completely restored this roof in 1862, but Mortlock thinks that one of the angels is not his, and I agree - you'll find it in the south west corner. Paul Hocking argues that the restoration was nowhere near as complete as has been made out, and that many features are original.
Henry Ringham also restored the range of bench ends, by duplicating some of the medieval ones, as he did at Great Bealings and Tuddenham St Martin. All are rendered with his customary skill. If Ringham did restore this roof, then the imagery must have been destroyed at some point. One instinctively thinks of William Dowsing, the Puritan inspector of the churches of Cambridgeshire and Suffolk, who progressed across the counties during the course of 1644. His delight in the destruction of angel roofs was matched only by that at the destruction of stained glass.
And Dowsing did visit this church. He arrived here in the afternoon of February 29th 1644. It was a Thursday, and he had come here across country from Helmingham, where he had found much to do. He also planned to visit Beyton that day, but in the end stayed overnight at the Bull hotel, and inspected All Saints there in the morning. He then rested for the weekend - the following week, he had a busy tour of southern Cambridgeshire ahead of him.
Dowsing records in great detail what he found to do at each church. In the case of Woolpit, the angel roof is the Dog That Didn't Bark: My Deputy. 80 superstitious pictures; some he brake down, and the rest he gave order to take down; and three crosses to be taken down in 20 days. 8s 6d. There are only two possible reasons why Dowsing doesn't mention the roof. Either he didn't notice it (extremely unlikely) or it had already been destroyed. This second option seems certain; mid-Suffolk was a strongly protestant area, and nearby Rougham, which clearly had a similar roof, was not visited by Dowsing, but was vandalised even more comprehensively than Woolpit. Most likely, the destruction at both churches dated from a hundred years earlier, although it is possible that the Rougham and Woolpit congregations had been puritan enough in the 1630s to do it to their own churches themselves.
Beneath the roof, the church is broad, its two aisles giving room for the panoply of medieval liturgical processions. At the east end of the south aisle was once the shrine of Our Lady of Woolpit, a site of medieval pilgrimage in connection with a nearby holy well. Apart from the front rows, many of the benches appear to be in their original positions. Some of the bench ends are 15th century, others are Ringham's 19th century copies. I wandered around the medieval bench ends, running my hands over them, crouching down and engaging them, face to face. For anyone educated in a Marxist or Weberian historical tradition, as most of my generation were, interpreting the less-obviously liturgical or theological features of a medieval church is fraught with difficulties. One possibility is to do a Cautley, and try not to interpret them at all. But it is more fun to try to do so, don't you think?
The bench ends of Woolpit are remarkable for their abundance. They are not representations of sacraments, virtues and vices as at Tannington and elsewhere, or Saints as at Ufford and Athelington. They are almost all non-allegorical animals, although not the art objects we find at Stowlangtoft, or the mysterious beasts of Lakenheath. Perhaps a good comparison is the similar body of work at nearby Combs. Indeed, although they do not appear to be from the same workshop, it is likely that their creators knew of each others' work. There are dogs, with geese hanging from their mouths, and another which may be a cat with a rat or lizard. There are lions and bears, and a chained monkey, and birds in profusion. So who did them, and why are they here?
There is one school of thought that says that they are simply there to beautify the church, and that they were made by local craftsmen doing what they were best at. If they could do lions, they did lions. If they could render a decent rabbit, then that is what they did. And so on.
But I think that there is rather more to it than that. On my journey down through France, I had spent an afternoon in one of my favourite towns, Autun, in Burgundy. One of the reasons I like Autun is its 11th century Cathedral of St-Lazaire; this is Lazurus, raised by Christ from the dead, and until the 18th century his relics were venerated at a shrine here. St-Lazaire is most famous for its great tympanum above the west door, generally recognised as one of the greatest Romanesque art treasures in the world, and with International Heritage status. It was created during the middle years of the 12th century, and shows the Last Judgement. To emphasise Christ's majesty over all the world, it features all manner of beasts, domestic, wild and mythical.
Throughout the Cathedral, animals infest the famous capitals, which tell the Gospel story. Abbe Denis Grivot, in his Un Bestiaire de la Cathedrale D'Autun (Lyon, 1973) argues that the 12th century creators of all this filled it with animals to echo the final verse of the 150th Psalm, the crowning point of that great sequence of hymns of praise: Let everything that hath breath praise the Lord!
Standing in the nave at Autun, I instantly recalled Paul Hocking's words about the roof at Woolpit, when he said he thought it was a representation of the Te Deum Laudamus. The Te Deum is one of the canticles; another is the Benedicite, traditionally sung through Lent: Oh all ye Works of the Lord, bless ye the Lord; praise him and magnify him for ever... O ye whales, and all that move in the Waters, bless ye the Lord... O all ye Fowls of the air, bless ye the Lord... O all ye beasts and Cattle, bless ye the Lord: praise him, and magnify him for ever!
Could it be that the bench ends at Woolpit, and elsewhere in Suffolk, were intended to reflect and represent the praise defined in the canticles and psalms? Both would have been central to the liturgy of the medieval Catholic church. Perhaps the bench ends of Woolpit are liturgical and theological after all.
How would a carpenter, or group of carpenters, go about creating a set of benches like the ones at Woolpit? Who were they? Almost certainly, they were locals. They might have been itinerant jobbing carpenters, but I don't think so. The bench ends at adjacent Tostock are clearly by the same hand. But those at nearby Stowlangtoft and Norton are not, and a third hand seems to be responsible for those at Combs, as I previously mentioned. I do not think that the mutilated ones at Rougham and Elmswell are either; they were probably from the same workshop as each other.
So, we have a conscious attempt by skilled members of a community to create a hymn of praise in carved oak, by representing as many beasts as they felt capable of making. Where did they get their ideas from? They would have had no problems with oxen, cocks, conies - these were all around them, in their daily lives. The person who carved the hunting dog here was very familiar with it. Perhaps it was his own. What about monkeys and lions? These are more problematic. In medieval bestiaries, exotic creatures had fabulous legends attached to them, which gave them a theological symbolism.
But this symbolism doesn't usually seem intended when we see them on bench ends. Sometimes they are rendered accurately, but more often wild animals are fairly imaginary; I think particularly of Barningham's camel, and Hadleigh's wolf. It isn't enough to say that the carvers could have seen pictures of exotic beasts. This is fairly unlikely. Probably, the ordinary people of Woolpit never saw a book other than the missals, lectionaries and hagiographies used in church.
They might have seen pictures of lions and monkeys in wall paintings, either in other churches or here at Woolpit. They might have seen them carved in bench ends, for the same reason. In fact, the representation of wild animals varies so much as to suggest that this is not the case - compare, for example, the lions of Combs with those of Stowlangtoft. Probably, they were created in the imagination from descriptions and attributes in stories. But I think that there is a strong possibility that the woodcarvers of Woolpit did see lions and monkeys in real life.
Here in Catholic Southern Europe, there are many remote small towns which, by virtue of being so very far from each other, take on a rich and complex life of their own. Even small villages have their shops, their craftsmen, their tradespeople; they replicate a situation that existed in Suffolk until well into the 19th century, and in some cases beyond, before the great industrialisation and easy transport swept it away. Further, there are traditions here still that we have lost. Whenever I come here, I am fascinated by the itinerant entertainers, who move from village to village, giving a single performance befre moving on. This must also once have been true of England. The thing that fascinates me most is the multitude of small family circuses.
Many of them seem to be of Italian or Romany origin; all family members have multiple roles, from the oldest grandparent to the youngest child, selling tickets, doing acrobatics, being the straight men to the clown (who is typically Grandpa). They all put up the tent before the performance, and take it down afterwards. They move on, through the remote hills of Provence and the Languedoc, performing on village greens, wastegrounds, the corners of fields, even traffic islands.
As I say, I am fascinated, and can rarely resist them, even though I am shocked, even appalled, by the easy cruelty to animals. Performing animals are still often chosen for their curiosity value, if you can call running around in a circle to the crack of a whip 'performing', poor things.
The choices are strange indeed; camels and zebras often feature; I have seen an old bear on a chain, and at one circus in remote Languedoc a hippopotamus of all things - it caught bread thrown by the crowd. There was no safety fence between the seats and the ring, no Health and Safety Executive to penetrate these lost valleys. I do not know if such circuses existed in medieval Suffolk. But I think that they probably did. Suffolk is a maritime county, and exotic animals were widely known and exhibited in medieval Europe. Before the Protestant Reformation cut us of from the mainland, clerics and merchants thought of themselves as European, and travelled widely - English sovereignty was a hazy concept at best, and 'Britishness' was still centuries away from being formulated as an idea. People owed allegiance to their village, their parish, and their lord, not to the Crown and Parliament in London.
Were the woodcarvers of Woolpit and Tostock remembering this? A circus visit, perhaps back in their childhood? Exotic animals rendered inaccurately, to be sure, but with an enthusiastic nostalgia for that exciting moment in their lives? Was there a lion? A monkey, or a bear? How much more powerful if they also knew the fabulous legends about the beasts - and had seen them in real life!
Some of the carvings at Woolpit are allegorical. One shows a monkey dressed in monk's robes. This, I think, is a joke at the expense of the itinerant friars who went from parish to parish, preaching repentance in the streets. They were sanctioned by the Pope, but were beyond the jurisdiction of the local Bishop. They didn't always go down well with the local Priest and congregation, who considered the Friars nosey and hypocritical. A monkey is often a symbol of foolish vanity - hence, a Friar thinking he was better than anyone else. What better way to make the point than to slip him in as one of the creatures praising the Lord?
How did they survive? But why should they have been destroyed? We make the mistake of thinking of the Puritans as vandals. But the more you read about William Dowsing, the more he emerges as being a principled, conservative kind of chap, despite his clearly flawed and fundamentalist theological opinions. He had no reason to destroy animal bench ends. They weren't superstitious - even Dowsing didn't think Catholics worshipped animals. If he didn't think they were meant to represent the canticles, he wouldn't even have considered them religious. Amen to that.
So much for the 17th century. What about the 19th? St Mary is one of the most enthusiastically restored of Suffolk's churches, despite its survivng medieval detail. But it was done well. Mortlock thought that the 19th century pulpit was the work of Ringham - but the brass lectern is pre-Reformation, a fine example. The rood screen dado panels have sentimental 19th century Saints on them, that may or may not duplicate what was there before. They are actually very good, particularly the gorgeous Mary of Magdala. They have their names painted on the cross beams for the less hagiologically articulate Victorians - from left to right across the aisle they are Saints Barbara, Felix, Mary of Magdala, Peter, Paul, Mary, Edmund and Etheldreda. It is unlikely that Saint Felix would have been on a medieval roodscreen, and Mary almost certainly wasn't - it would have relegated her to a position of no more importance than the others. If it reflects anything of what was there before, it was probably St Anne with the infant Virgin.
The top part of the screen was renewed in 1750, and dated so. The gates are probably a Laudian imposition of 120 years earlier, as at Kedington. This may suggest that, by the time of Dowsing's visit, the chancel was being used for some other practical purpose. Above, high above, set in the east nave wall over the chancel arch, is one of the wierdest objects I've seen in a medieval church. It was installed in the 1870s, and is clearly meant to echo the coving of a rood loft. Goodness knows what it actually is, but it is painted in garish colours, and inscribed with texts. In one of those moments where Cautley and credibility part company, he describes anyone who doesn't think it is a genuine medieval canopy of honour as 'stupid'. I suppose that it has a certain curiosity value.
The three-light window above it would have given light to the rood. The east window contains one of Suffolk's best modern Madonna and child images which was made by the artist Ian Keen for the King workshop in the early 1960s. Ian Keen was also responsible for the beautiful St Margaret in St Margaret's church in Norwich, and for the memorable window of St Francis with a labrador at Somerleyton near Lowestoft.
I turned back westwards, past a superb medieval bench end of the three Marys. This is a delight, and you'd travel to London to see it if it was in the V&A. Mary the mother of Jesus, Mary the mother of James and Mary of Magdala huddle together, perhaps on the morning of the Resurrection. One of them has a lily of the Annunciation. One head is destroyed - but was it vandalised? Or is it the result of carelessness, the wear and tear of the centuries? Would 17th century puritans have destroyed it if they'd seen it?
Dowsing rarely mentions bench ends, so perhaps few were left by then anyway. So how could it possibly have survived the violent zeal of the 16th century Protestants, battering the Church of England into existence with their axes, pikes and bonfires? How, even after the 1540 edict of Edward VI which ordered the destruction of all statues and images of Saints, especially those of the Blessed Virgin Mary, is it still there at all?
Still more questions than answers, I suppose. I dived beneath the water, and there was beneath me a restless current, shifting and reshifting the silver sand into unique patterns, the work of millennia, still changing, never the same.
- le Rayol Canadel, Cote d'Azur, August 2001.
This frame has some capped honey chambers in the upper right while the workers are still building comb in the lower left.
The Hmong (RPA: Hmoob/Moob, IPA: [m̥ɔ̃ŋ]) are an ethnic group from the mountainous regions of China, Vietnam, Laos, and Thailand. Hmong are also one of the sub-groups of the Miao ethnicity (苗族) in southern China. Hmong groups began a gradual southward migration in the 18th century due to political unrest and to find more arable land.
During the first and second Indochina Wars, France and the United States recruited thousands of Hmong people in Laos to fight against forces from north and south Vietnam and communist Pathet Lao insurgents, known as the Secret War, during the Vietnam War and the Laotian Civil War. Hundreds of thousands of Hmong refugees fled to Thailand seeking political asylum. Thousands of these refugees have resettled in Western countries since the late 1970s, mostly the United States, but also in Australia, France, French Guiana, Canada, and Argentina. Others have returned to Laos under United Nations-sponsored repatriation programs.
SUBCULTURES
Hmong people have their own terms for their subcultural divisions. Hmong Der and Hmong Leng are the terms for two of the largest groups in America and Southeast Asia. In the Romanized Popular Alphabet, developed in the 1950s in Laos, these terms are written Hmoob Dawb (White Hmong) and Moob Leeg/Moob Ntsuab (Blue/Green Mong). The final consonants indicate with which of the eight lexical tones the word is pronounced.
White Hmong and Green Hmong speak mutually intelligible dialects of the Hmong language with some differences in pronunciation and vocabulary. One of the most characteristic differences is the use of the voiceless /m̥/ in White Hmong, indicated by a preceding "H" in Romanized Popular Alphabet. Voiceless nasals are not found in the Green Hmong dialect. Hmong groups are often named after the dominant colors or patterns of their traditional clothing, style of head-dress, or the provinces from which they come.
VIETNAM
Vietnamese Hmong women continuing to wear 'traditional' clothing tend to source much of their clothing as 'ready to wear' cotton (as opposed to traditional hemp) from markets, though some add embroidery as a personal touch. In SaPa, now with a 'standardised' clothing look, Black Hmong sub-groups have differentiated themselves by adopting different headwear; those with a large comb embedded in their long hair (but without a hat) call themselves Tao, those with a pillbox hat name themselves Giay, and those with a checked headscarf are Yao. For many, such as Flower Hmong, the heavily beaded skirts and jackets are manufactured in China.
NOMENCLATURE
In Southeast Asia, Hmong people are referred to by other names, including: Vietnamese: Mèo or H'Mông; Lao: ແມ້ວ (Maew) or ມົ້ງ (Mong); Thai: แม้ว (Maew) or ม้ง (Mong); Burmese: မုံလူမျိုး (mun lu-myo). The xenonym, "Mèo", and variants thereof, are considered highly derogatory by many Hmong people and are infrequently used today outside of Southeast Asia.
The Hmong people were also referred to by some European writers as the "Kings of the Jungle," because they used to live in the jungle of Laos. Because the Hmong lived mainly in the highland areas of Southeast Asia and China, the French occupiers of Southeast Asia gave them the name Montagnards or "mountain people", but this should not be confused with the Degar people of Vietnam, who were also referred to as Montagnards.
HMONG, MONG AND MIAO
Some non-Chinese Hmong advocate that the term Hmong be used not only for designating their dialect group, but also for the other Miao groups living in China. They generally claim that the word "Miao" or "Meo" is a derogatory term, with connotations of barbarism, that probably should not be used at all. The term was later adapted by Tai-speaking groups in Southeast Asia where it took on especially insulting associations for Hmong people despite its official status.
In modern China, the term "Miao" does not carry these negative associations and people of the various sub-groups that constitute this officially recognized nationality freely identify themselves as Miao or Chinese, typically reserving more specific ethnonyms for intra-ethnic communication. During the struggle for political recognition after 1949, it was actually members of these ethnic minorities who campaigned for identification under the umbrella term "Miao"-taking advantage of its familiarity and associations of historical political oppression.
Contemporary transnational interactions between Hmong in the West and Miao groups in China, following the 1975 Hmong diaspora, have led to the development of a global Hmong identity that includes linguistically and culturally related minorities in China that previously had no ethnic affiliation. Scholarly and commercial exchanges, increasingly communicated via the Internet, have also resulted in an exchange of terminology, including Hmu and A Hmao people identifying as Hmong and, to a lesser extent, Hmong people accepting the designation "Miao," within the context of China. Such realignments of identity, while largely the concern of economically elite community leaders, reflect a trend towards the interchangeability of the terms "Hmong" and "Miao."
HISTORY
The Hmong claim an origin in the Yellow River region of China. According to Ratliff, there is linguistic evidence to suggest that they have occupied the same areas of southern China for at least the past 2,000 years. Evidence from mitochondrial DNA in Hmong-Mien-speaking populations supports the southern origins of maternal lineages even further back in time, although Hmong-speaking populations show more contact with Han than Mien populations. Chinese sources describe that area being inhabited by 'Miao' people, a group with whom Hmong people are often identified.
The ancient town of Zhuolu, is considered to be the legendary birthplace of the Miao. Today, a statue of Chi You, widely proclaimed as the first Hmong king, has been erected in the town. The Guoyu book, considers Chi You’s Jui Li tribe to be related to the ancient ancestors of the Hmong, the San Miao people
CULTURE
The Hmong culture usually consists of a dominant hierarchy within the family. Males hold dominance over females and thus, a father is considered the head in each household. Courtships take place during the night when a man goes to visit a woman at her house and tries to woo her with sweet-talks through the thin walls of the house where the woman's bedroom may be located. If a man kidnaps an unwilling woman as a bride, she would have to marry him or risk having a tarnished reputation.
Today, bridenapping is uncommon because those marriages can end in divorce since women are no longer afraid of a tarnished reputation. During a marriage, the man pays the woman's family for taking away a daughter who is economically essential to her parents. Hmong women retain their own maiden names following marriage, but attends to the ancestors of their husbands. The children they bear take their husbands' clan names. Consequently, the Hmong favour having sons over daughters because sons perpetuate the clan.
The Hmong practice shamanism and ancestor worship. Like other animists, they also believe that all things are endowed with spiritual beings and so should be respected.
See Anne Fadiman's ethnography: The Spirit Catches You and You Fall Down for more info.
Hmong families in Thailand, Vietnam, and Laos practice subsistence agriculture, supplemented by hunting and some foraging. Although they have chickens, pigs and cows, the traditional staple of the Hmong consists mostly of vegetable dishes and rice. Domestic animals are highly valued and killed for consumption only during special events such as the New Year's Festival or during events such as a birth, marriage, or funeral ritual.
GEOGRAPHY
Roughly 95% of the Hmong live in Asia. Linguistic data show that the Hmong of the Peninsula stem from the Miao of southern China as one among a set of ethnic groups belonging to the Hmong–Mien language family. Linguistically and culturally speaking, the Hmong and the other sub-groups of the Miao have little in common.
In China the majority of the Hmong today live in Guizhou, Sichuan and Yunnan. The Hmong population is estimated at 3 million. No precise census data exist on the Hmong in China since China does not officially recognise the ethnonym Hmong and instead, clusters that group within the wider Miao group (8,940,116 in 2000). A few centuries ago, the lowland Chinese started moving into the mountain ranges of China's southwest. This migration, combined with major social unrest in southern China in the 18th and 19th century, served to cause some minorities of Guizhou, Sichuan and Yunnan to migrate south. A number of Hmong thus settled in the ranges of the Indochina Peninsula to practise subsistence agriculture.
Vietnam, where their presence is attested from the late 18th century onwards, is likely to be the first Indochinese country into which the Hmong migrated. During the colonization of 'Tonkin' (north Vietnam) between 1883 and 1954, a number of Hmong decided to join the Vietnamese Nationalists and Communists, while many Christianized Hmong sided with the French. After the Viet Minh victory, numerous pro-French Hmong had to fall back to Laos and South Vietnam.
At the 2009 national census, there were 1,068,189 Hmong living in Vietnam, the vast majority of them in the north of the country. The traditional trade in coffin wood with China and the cultivation of the opium poppy – both prohibited only in 1993 in Vietnam – long guaranteed a regular cash income. Today, converting to cash cropping is the main economic activity. As in China and Laos, there is a certain degree of participation of Hmong in the local and regional administration. In the late 1990s, several thousands of Hmong have started moving to the Central Highlands and some have crossed the border into Cambodia, constituting the first attested presence of Hmong settlers in that country.
In 2005, the Hmong in Laos numbered 460,000. Hmong settlement there is nearly as ancient as in Vietnam. After decades of distant relations with the Lao kingdoms, closer relations between the French military and some Hmong on the Xieng Khouang plateau were set up after World War II. There, a particular rivalry between members of the Lo and Ly clans developed into open enmity, also affecting those connected with them by kinship. Clan leaders took opposite sides and as a consequence, several thousand Hmong participated in the fighting against the Pathet Lao Communists, while perhaps as many were enrolled in the People's Liberation Army. As in Vietnam, numerous Hmong in Laos also genuinely tried to avoid getting involved in the conflict in spite of the extremely difficult material conditions under which they lived during wartime.
After the 1975 Communist victory, thousands of Hmong from Laos had to seek refuge abroad. Approximately 30 percent of the Hmong left, although the only concrete figure we have is that of 116,000 Hmong from Laos and Vietnam together seeking refuge in Thailand up to 1990.
In 2002 the Hmong in Thailand numbered 151,080. The presence of Hmong settlements there is documented from the end of the 19th century. Initially, the Siamese paid little attention to them. But in the early 1950s, the state suddenly took a number of initiatives aimed at establishing links. Decolonization and nationalism were gaining momentum in the Peninsula and wars of independence were raging. Armed opposition to the state in northern Thailand, triggered by outside influence, started in 1967 while here again, many Hmong refused to take sides in the conflict. Communist guerrilla warfare stopped by 1982 as a result of an international concurrence of events that rendered it pointless. Priority is since given by the Thai state to sedentarizing the mountain population, introducing commercially viable agricultural techniques and national education, with the aim of integrating these non-Tai animists within the national identity.
Burma most likely includes a modest number of Hmong (perhaps around 2,500) but no reliable census has been conducted there recently.
As result of refugee movements in the wake of the Indochina Wars (1946–1975), in particular in Laos, the largest Hmong community to settle outside Asia went to the United States where approximately 100,000 individuals had already arrived by 1990. California became home to half this group, while the remainder went to Minnesota, Wisconsin, Washington, Pennsylvania, Montana, and North Carolina. By the same date, 10,000 Hmong had migrated to France, including 1,400 in French Guyana. Canada admitted 900 individuals, while another 360 went to Australia, 260 to China, and 250 to Argentina. Over the following years and until the definitive closure of the last refugee camps in Thailand in 1998, additional numbers of Hmong have left Asia, but the definitive figures are still to be produced.
WIKIPEDIA
Shell Reflection.
Murex pecten, lightfoot, Murex triremes, Venus Comb, thorny woodcock. It is rare to find a perfect specimen.
Bolinopsis sp.
Kind of hard to focus on these things, since they're so transparent that they don't even show up on the camera LCD. Just had to set manual focus and keep shooting in the hope that a few would be in focus.
Lighting: Nuked by a strobe at upper camera right. The nice thing about transparent subjects is that they make it so easy to get even lighting!
Weaving comb.
Bone/Antler.
The weaving comb is decorated with animal and circle and dot ornamentation.
Grave find, Björkö, Adelsö, Uppland, Sweden.
SHM 34000:Bj 644
Laboratory of Photonics and Quantum Measurements
École Polytechnique Fédérale de Lausanne, EPFL
Swiss Federal Institute of Technology
i tried to spend as much time as possible without taking care of my hair. no shampoo, no brush! i had lots of free time as a result to do MORE selves in the mirror:-)
this is what it looked like the day before i cracked and washed and brushed my beginnings of dreadlocks. it was getting itchy anyway...