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DSC_4868

 

This is one image in a series I'm shooting on parking decks ... shapes and forms, light and shadow play, mood and atmosphere. Some images are minimalist; others representational; still others abstract. To see more in the series click Parking Deck Series

DSC_5207

 

This is one image in a series I'm shooting on parking decks ... shapes and forms, light and shadow play, mood and atmosphere. Some images are minimalist; others representational; still others abstract. To see more in the series click Parking Deck Series

Inside an abandoned house in rural Ontario.

 

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Ian Boulton 2014. All rights reserved

Callejón y Señora de Provincias

 

Max's Gallery in Color, click here

Max en Color, aqui

Max Color Gallery

I've been wanting to visit this spot for years, and finally found a day to do so. I had clear skies, so I put cameras facing in opposite directions. This camera looked out from the columns, and the other camera captured the North Star over these columns. A small moon provided helpful illumination over the landscape; this is a single image with no compositing/stacking involved.

Hierapolis.

A UNESCO World Heritage Site.

 

Pamukkale., Turkey.

Thanks for taking the time to look, your comments are appreciated. All photos ©NickRichards 2016

Within the Kuneevsky forest area in Togliatti

for Chris becuase he loves rust sooooooo much

Modern representation of Georgian architecture at the Southgate Shopping area Bath

Taken from the entrance of the Pantheon. To this day I am amazed that I was standing before and inside a building that was constructed nearly 2,000 years ago.

Temple of Athena, Acropolis of Lindos - Rhodes island, Greece

Hailed as one of the great works of twentieth-century sculpture, Endless Column by Constantin Brancusi (1876-1957) was commissioned by the Women's League of Gorj to honor the soldiers who defended Târgu-Jiu against a German force during World War I. The sculpture is a 98-foot-high (30 meter) column of zinc, brass-clad, cast-iron modules threaded onto a steel spine, and is part of a three-sculpture ensemble along with two travertine monuments called Gate of the Kiss and Table of Silence. Despite the ensemble's artistic importance, it was considered degenerate art during the Communist era.

(World Monuments Fund)

 

This image may not be copied, reproduced, republished, edited, downloaded, displayed, modified, transmitted, licensed, transferred, sold, distributed or uploaded in any way without my prior written permission.

Thank you everyone for your visit, favorites and comments.

Always appreciated.

Architecture

Basarene ved Oslo domkirke, også kalt Stortorgets basar, ble oppført i årene 1840–1859 i upusset tegl i nyromansk stil, arkitekt var Christian H. Grosch.

For the All New Scavenger Hunt #16. I just happened to notice the sunlight shining through the balustrade opposite the library the other day.

Made Explore; #255, 3-20-'15.

Tempio di Selinunte

The “line_up“ is a paperwork series I developed since 2010. The “liners” are made out of paper (Din A3/A4),

oil paint and graphite. The theme is the hermetical laws of polarity and movement. There is no ending and no beginning in any direction, just an endless movement. You have the possibility to arrange the papers like you want and that makes it an endless playground for my photo-work and the eyes of the viewers.

Yanomano

3"x3" section of the column lock for tripod.

Image taken with Nikon D5500 and Tamron 16-300mm @ 86mm and 20mm extension tube.

 

It's not easy for me to take a macro of a tripod without a tripod!... so I needed to bump up ISO to 25600 in order to take hand held @ 1/160th.

 

For Macro Mondays

Theme: Photographic Equipment

Taken 2016 with Leica CL on Ilford FP4+

One I took a while ago - we don't get the aurora too often so had to try! One lesson learned - scout out a better location to shoot before you go out at night and drive around in the dark for an hour looking for a decent place.....

Nasrides Palace, Granada

⭐️Thank you in Advance for your kind ‘Faves’ Visits and Comments they are so very much appreciated. 👍

 

I cannot always ‘Thank’ everyone individually, for their Visits and ‘Faves’ however, I will always try to respond and thank all those that leave a ‘Comment’. If I do not reply to your 'Comment', it is not because I am ignoring you, it's because I have not seen the 'Comment'.

 

Your 'Comments' do not always appear in 'Notifications' or Flickr mail, so, I am sorry for any delay in responding. Often your 'Comment' is only spotted 'On the Page' on the day, that I see it. (seen ONLY when replying to someone HAS 'Commented' on the image, and I see a notification)

©2012 Luiz L. (Please do not use without my written permission.)

 

Best seen on black (by pressing L) to have larger view!

Comments are always welcome.

The history column is the essential part of a fountain on the Josef-Görres-Platz in the old town of Koblenz. It was presented to the city by the state of Rhineland-Palatinate in 1992 for the 2000th anniversary celebrations. However, it was only completed and handed over to the city on June 1, 2000. The fountain with historical column was created by the sculptor Jürgen Weber. The column, which is 10.59 meters high, weighs 3.6 tons and costs DM 1.25 million, tells the moving 2000-year history of the city of Koblenz in ten images from Roman times to the present day. From 1884 until it was removed shortly after World War II, the Goeben Monument stood on the same site in honor of the Prussian General August Karl von Goeben.

The following events are shown in rows from bottom to top:

Row one: Roman fort settlement. A boat loaded with wine barrels symbolizes the Roman settlement from the 1st to the 5th century.

Row Two: Crown Estates and Conference. Venue Franconian royal court between the 6th and 9th centuries.

Row Three: From the Reich to Electoral Trier. The figures symbolize the affiliation of Koblenz to the Archdiocese of Trier in the 10th to 12th centuries.

Row Four: Crusades / Slave Trade Koblenz in the 12th and 13th centuries, the age of the Crusades.

Row Five: A thriving urban community. Figures with horses represent the thriving city of craftsmen, merchants and ecclesiastical dignitaries from the 13th to the 16th centuries.

Row Six: Thirty Years' War / Witch Mania. The silhouette of the city at the time of the Thirty Years' War and the witch hunt.

Row Seven: French Revolution. Reminiscence of the warlike events during and after the French Revolution around 1800.

Row Eight: Prussian Era. Representation of a mighty fortress and thus Prussian Koblenz in the 19th and 20th centuries.

Row Nine: Destruction 1944. Destroyed Koblenz after the air raids of 1944 in World War II.

Row Ten: A future-oriented cit. Symbolizes the rebuild and future-oriented city of today. (Wikipedia) Koblenz, Germany

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