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not the best looking 9.9 metre alx400 but after an hour of cutting and sanding and filing, she is built and waiting for paint and some final adjustments.
This logo looks nice, and it is meant to link to many properties of the CODE ROOD movement. The spiralling shape refers to weather and climate, but also to the large changes that our society needs to make. The lines coming together refer to the movement of many people we are building. And of many types of people. The spiral also shows that we hope to be dynamic, active, creative, and open to new ideas and people.
‘NODE15 – Forum for Digital Arts’ is gathering designers, creative coders and digital artists for creative explorations of technologies. With the Leitmotif ‘Wrapped in Code – the Future of the Informed Body’, NODE15 is devoted to the negotiation of the body and its fusion with technology. It’s a week long rush with hands-on vvvv workshops, exhibition, symposium, performances and artist talks.
Photo: Nemanja Knežević
New free promo CD from Electrecords - CODE from Alex Wizz
"...work directly with cities and municipalities to bring Web 2.0 talent and technologies to make government function better." Read BasicGov entire article about Code for America.
KPL Code Camp: Teens work together to solve problems while learning basic computer programming skills, www.kpl.gov
KPL Code Camp: Teens work together to solve problems while learning basic computer programming skills, www.kpl.gov
KPL Code Camp: Teens work together to solve problems while learning basic computer programming skills, www.kpl.gov
KPL Code Camp: Teens work together to solve problems while learning basic computer programming skills, www.kpl.gov
Code making is a very old skill and easy to learn. Codes can be created by transposition, substitution and by signs and signals. Come and see some examples of codes and try out some secret codes too.
Imagination Fair
Saturday, May 31, 2014
Rasmussen College - Blaine Campus
My first output from 'Sound Profiles" project, and my first visualization of audio samples. This graph shows the overlay of several short samples. I still have a lot to learn, but am very much enjoying this research and coding.
I had the good fortune to be in Berlin, where our daughter lives, on German Mother's Day. As a treat I was taken to a Photography Playground, in an historic warehouse, where Olympus were loaning out their OM-D camera for a day.
Around the warehouse were many wonderful installations on the subject of 'Space and Art' quite a few of which featured light in one way or another.
At the end of our day we kept our SD cards to do with as we pleased.
At the cost of this camera I don't think they have sold it to me but it was great fun putting it through its paces.
Thanks Claire and Adam, it was a lovely day. ;o)
Scan codes randomly lit.
Simple Python code to calculate the value of Pi using a Monte Carlo method and a pseudo-random number generator.
GDS colleagues participated in 3 introductory sessions to coding at GDS. Students were from the Women's and BAME network. Volunteer coaches were from across the organisation, and included frontend developers, backend developers, and site reliability engineers.
A shot of one of the larger Buddy Icons, provided by Spleeney.
Dave, Prank Sky Media, Hackney, London
Try-out at E.ON Electriciteitsfabriek, The Hague 2015
Gwyneth Wentink, Wouter Snoei and Arnout Hulskamp present In Code, an audiovisual performance of Terry Riley’s ‘In C’ for harp, electronics and visuals.
Gwyneth Wentink, Wouter Snoei and Arnout Hulskamp’s interpretation of In C is inspired by its very first performance in 1964; a pioneering performance (with Steve Reich among others) where live electronics and “real-time” visuals were integrated into an ensemble of acoustic instruments. During the performance of In Code a custom made lens will join the ensemble on stage. It is a special structure on which visuals are shown. In Code investigates the coherence of sound and image, creating a mix of enthralling audible and visual textures. In Code revolves around the themes of embodiment and structure, creating surprising and unexpected connections between the senses.
Philip works hard on our new application.
ZURB is a close-knit team of interaction designers and strategists that help companies design better (www.zurb.com).
Code Impressions: Workshop Processing/Sérigraphie. École supérieure d'art d'Aix-en-Provence. Atelier Hypermédia + Atelier Sérigraphie. 13-17 février 2012. Julien Gachadoat & Marc Webster with Douglas Edric Stanley, Fabien Bodet, Mathilde Dufour, Adeline Harmide, Gabriel Gutierrez, Marie Liebes, Maude Vien, Jacques Hémery.
KPL Code Camp: Teens work together to solve problems while learning basic computer programming skills, www.kpl.gov