View allAll Photos Tagged Cocks)
Peter was our personal photographer at "Under Contstruction 2" -- a live sewing event put on by the lively miss velvet cream. This was a quick shot I took between the action. Peter sports his own customized hoody with his signature rooster theme. Dimples, dots & cocks are where it's at.
cotton hoody, applique of recycled textiles. made by peter.
Yellow and red cocks-comb flower carpet. Taken at Shikisai-no-Oka, Biei, Hokkaido, Japan.
Shikisai-no-Oka (四季彩の丘) HP [JP]
IMG_23665
*Explored on Sep. 11, 2007, #478. Thank you!
The losing cock in a cockfight is still useful as food. Here, a cock is boiled to remove the feathers before being taken home to be cooked.
Taken at Latitude/Longitude:13.364522/123.556099. km (Map link)
Cock-rocket painting in 'I'm not a Fucking Princess, I'm the King' at Le Bar, Buenos Aires. August 2008
An offer tag at SRS Value Bazaar, Gurgaon.
It's now easy to get your fix over the counter now.
Note that the offer is a 'Mega' one, valid on all 'variants' :)
This image was scanned from a glass negative in the Josiah Cocking Photographic Archive. The archive was transferred to Cultural Collections and stored in archives at the Auchmuty Library, University of Newcastle, together with other archival material from the Cocking family.
Josiah Cocking (1867-1960) was a published Newcastle poet, a coal miner and often wrote for local Socialist newspapers. Cocking was a member of the Australian Socialist League and advocate of industrial unionism and Industrial Workers of the World.
Born in South Australia of Cornish descent, poverty frequently surrounded the Cocking household. Three brothers settled in Wallsend in 1886, Josiah gained work in the mines outside the local area. By 1911 he built a house on Billygoat Hill and had five children. In 1914 the family moved near the steelworks.
The photographic collection contains some images of Wallsend, Plattsburg and Pit town, looking east from Billygoat Hill, steam engines and coal trucks. There are also photographs of steam and electric trams. There are also a number of photographs taken of friends and family members.
Part of this archive contains diaries and copies of his writings. Papers include his description of the Australian Socialist League in Wallsend (1893-1896), and his diary ceases and resumes in various years, however is a valuable source of historical information about Newcastle and the Hunter Region.
Please contact us if you know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the “Josiah Cocking archive, University of Newcastle (Australia)" For commercial requests please contact Cultural Collections at archives@newcastle.edu.au
If you would like to comment on the photograph, please contact Cultural Collections at the University of Newcastle, NSW, Australia. This image was scanned by a volunteer. When we have sufficient funds in the Vera Deacon Regional History Fund, we are able to give these wonderful people some paid employment. If you would care to make a small donation to this fund, please see libguides.newcastle.edu.au/benefactors/new for more information and a link to the donation form.
I live in the town of Aachen, which is the most western city in Germany, just at the border to Belgium and the Netherlands. The picture displays a small part of the Fountain of Puppets near the great cathedral. It consists of several brass puppets that can be moved and twisted just like real puppets.
The cock thrones above all other figures of the fountain and is said to represent the french occupation (20 years from 1794 to 1814).
This is a joint work together with Yannick Flaskamp
Strobist: Nikon D90 with Nikkor 50mm/1.4G lens on tripod, ISO 320
YN460 II (gelled towards orange) @1/4 through 80cm shoot-through umbrella from the cock's right, triggered via RF602 RF remote triggers
White balance shifted manually to approx 4550K (for shifting the background ambient light towards blue)
COCK by Mike Bartlett is a theatre production presented by Buds Theatre Company and directed by Rayann Condy. It had shown at Singapore DRAMA CENTRE, BLACK BOX at 10 -12 MAY 2012.
My team and I had involved creating the projections mapping visual effects for the transitions during the play. The concept for the visual was based on the idea that the set reflects the john’s mind, the protagonist of the play, in the style of wire frame, with waves signifying the passing of time and explodes and implodes representing sexual activity and so on. All the visual effects are done by using open source software called Processing.
Director – Rayann Condy
Producer – Claire Devine
Visual Artists - Jacky Boen, Mithru Vigneshwara, Mui RuiYi and Zac Ong.
Lighting Design – Shaiful Islam
Sound Design – Jean Low
Actors
John – Walter Hanna
M – Koey Foo
W – Rebecca Lee
F – Ray Condy
Check out www.zacr8.com to see more.
Pheasant (/ˈfɛzənt/) refers to several genera within the subfamily Phasianinae, of the family Phasianidae in the order Galliformes.
Pheasants are characterised by strong sexual dimorphism, males being highly ornate with bright colours and adornments such as wattles and long tails. Males are usually larger than females and have longer tails. Males play a part in rearing the young. Pheasants typically eat seeds and some insects.
The best-known is the common pheasant, which is widespread throughout the world in introduced feral populations and in farm operations. Various other pheasant species are popular in aviaries, such as the golden pheasant (Chrysolophus pictus).
This ring-necked pheasant cock is proclaiming is patch of the prairie grass. Unfortunately for him, I don't see any hens in sight.
You know how you're supposed to use the week between Xmas and New Year to get around to stuff you wanted to do but didn't yet?
Well, putting a picture of this soup on the interpipes was one of mine. Note the UK currency price sticker - we bought it before we moved over to Ireland, and yes I did spend about €1 on this purely for the adolescent lulz. Sue me.