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Red Fox focusing in on another vole...
To see more pics from this day and other fox photos please check out my album entitled "foxes" at www.flickr.com/photos/black_cat_photography/albums/721577...
All comments regarding this picture, subject, composition, etc are welcome and appreciated. TIA.
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I'm finally getting around to posting some pictures from my first trip to the Roan Highlands (taken in late January). All I've got to say is that the Roan Highlands are impressive, even in the bland months of winter! Throw some pink in those rhododendrons, and some green on the trees, and it's no surprise that this becomes a world-class photographic destination! For those who aren't familiar, the Appalachian Trail crosses the summits of the Roan Highlands, taking a generally west-east route. I followed the AT about 1.5 miles to this location on Jane Bald, arriving an hour before sunrise.
This picture is yet another lesson in why you shouldn't pack up early. I knew that a winter storm was coming, so I was hoping that the sunrise would show for at least a little. When sunrise actually came, the first band of clouds obscured the light, and the sunrise seemed to be a bust. I was about to pack up my gear, but decided to wait just a few minutes later (it was 20 - 30 min. after sunrise by this point). I was opening my backpack to pack my stuff up when the sun finally broke through, showering the slopes of Round Bald with golden morning light. Also, at this moment, the first bands of the storm really started coming over the top of Roan Mountain. I would have missed it all if I left when I originally wanted to!
Even though this is probably the single most cliche shot form the Roan Highlands, I'm still very pleased with the picture and my trip. Regarding the picture, I really like the mix of warm and cool colors. with a gradual transition between the two. As far as the trip goes, I'm glad to have scouted out this area for a trip in June!
Listen Amarantine Enya
You know when you give your love away
It opens your heart,
Everything is new.
And you know time will always find a way
To let your heart believe it's true.
You know love is everything you say;
A whisper, a word,
Promises you give.
You feel it in the heartbeat of the day.
You know this is the way love is.
[Chorus:]
Amarantine...
Amarantine...
Amarantine...
Love is.
Love is.
Love...
You know love may sometimes make you cry,
So let the tears go,
They will flow away,
For you know love will always let you fly
...How far a heart can fly away!
[Chorus]
You know when love's shining in your eyes
It may be the stars
Fallen from above.
And you know love is with you when you rise,
For night and day belong to love.
Amarantine is an album by Irish musician Enya. The album was released on November 22, 2005. It won the Grammy Award for Best New Age Album for 2007. The release date was announced by Roma Ryan on September 23, 2005 at the official Enya forum.[1] It was subsequently leaked to the Internet on November 11, 2005.
Two songs from the album were released as singles: the title track "Amarantine" and "It's in the Rain." "Someone Said Goodbye" was released as a promotional single in the United States as well.
In Wordpress In Blogger photo.net/photos/Reinante/ In Onexposure
Mike, Andy, and I were live streaming on TVN when we pulled over to shoot this in southern Texas. Mike and I made a quick split for the middle of the road to get this shot, and I guess it worried a few of the viewers to see that we are in their view reckless (as Andy told us). We weren't however... I only had to flatten myself out for one semi rig that ran over me (not really). It was day of the blue core storms. Each one progressively bluer than the previous. What a day for shelf cloud structure!
The Very Best View On Black And Large
(Explore) (157)
El interior
Las columnas de la nave central.
Detalle de la bóveda.
Gaudí evolucionó de un primer proyecto gótico hacia un estilo personal, orgánico, inspirado en las formas de la naturaleza: para librarse de los contrafuertes góticos, ideó el uso de columnas en forma de tronco de árbol, que permiten descargar el peso de las cubiertas directamente en el suelo, solución práctica a la vez que estética, ya que convierte el interior de las naves del templo en un espacio orgánico que semeja un bosque. En 1987 se inició la cimentación de las naves; para 1997 se completaron las bóvedas laterales y se empezó la central.
El templo tiene planta de cruz latina, con cinco naves de 90 metros de longitud, y crucero de tres naves de 60 metros; la nave central tiene un ancho de 15 metros, y 7,5 las laterales, haciendo un total de 45 metros; ancho del crucero, 30 metros. La altura es de 45 metros en las bóvedas de la nave central y 30 en las laterales, mientras que las del cimborio central llegarán a los 60 metros. Las naves laterales contendrán las cantorías para los coros. El ábside es lobulado, con deambulatorio entorno del presbiterio. El templo contará con un total de 36 columnas, que oscilarán entre 11,10 y 22,20 metros de altura, con bases de polígonos estrellados de varios lados según su ubicación: 6 (naves laterales), 8 (nave central), 10 (torres de los Evangelistas), 12 (torre de Jesús). Los materiales de construcción varían de la piedra de Montjuïc al granito, basalto o pórfido.
Las bóvedas son hiperbólicas, construidas con baldosas de mosaico veneciano. Gaudí utilizó la técnica de la bóveda catalana o bóveda tabicada, que consistía en la superposición de varias capas de ladrillos con argamasa. Las cubiertas son de forma piramidal, coronadas por una linterna y un farol. Los ventanales están pensados para distribuir una iluminación suave y armónica, creando un efecto de recogimiento, y tienen forma geométrica abstracta; las vidrieras de colores son obra de Joan Vila i Grau. Gaudí realizó profundos estudios acústicos y lumínicos para conseguir una perfecta sonoridad e iluminación en el interior del templo.
The church plan is that of a Latin cross with five aisles. The central nave vaults reach 45 meters while the side nave vaults reach 30 meters. The transept has 3 aisles. The columns are on a 7.5 meter grid however the columns of the apse, resting on del Villar's foundation, do not adhere to the grid, requiring a section of columns of the ambulatory to transition to the grid thus creating a horseshoe pattern to the layout of those columns. The crossing rests on the four central columns of porphyry supporting a great hyperboloid surrounded by two rings of 12 hyperboloids (currently under construction). The central vault reaches 60 meters. The apse will be capped by a hyperboloid vault reaching 75 meters. Gaudi intended that a visitor standing at the main entrance be able to see the vaults of the nave, crossing, and apse, thus the graduated increase in vault loftiness.
The columns of the interior are a unique Gaudi design. Besides branching to support their load, their ever-changing surfaces are the result of the intersection of various geometric forms. The simplest example is that of a square base evolving into an octagon as the column rises, then a 16-sided form, and eventually to a circle. This effect is the result of a three-dimensional intersection of helicoidal columns (for example a square cross-section column twisting clockwise and a similar one twisting counter-clockwise).
(Wikipedia)
"Happiness is a thing to be practiced, like the violin."- John Lubbock
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© Copyright A Pendleton 2011 A Red Lily Beetle ( Lilioceris Lilii) Thank you Caz for the info :) Taken in my back garden this saturday afternoon, had to smile after seeing these two trying to figure things out, ....... Have a lovely weekend everyone, .................... Explored April 9th, a very big thank you one and all.............. Alan.
♥♥♥ Explore December 2, 2022 ♥♥♥
ENG The portal of Santa María La Real de Sangüesa (Navarra, Spain) is one of the most outstanding works of Spanish Romanesque art. Sculpted at the end of the 12th century. The statues-columns that support the three archivolts are one of the most beautiful elements of the portal, those on the left represent the Three Marys who symbolize the resurrection and those on the right Saint Peter, Saint Paul and Judas. The lower part of the cover is the work of the master Leodegarius.
ENG La portada de Santa María La Real de Sangüesa (Navarra, España) es una de las obras más sobresalientes del arte románico español. Esculpida a finales del siglo XII. Las estatuas-columnas que sostienen las tres arquivoltas son uno de los elementos más bellos de la portada, las de la izquierda representan a las Tres Marías que simbolizan la resurrección y las de la derecha a san Pedro, san Pablo y a Judas. La parte inferior de la portada es obra del maestro Leodegarius.
22P4528
"The chief enemy of creativity is good sense."- Pablo Picasso
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Mil gracias por pasar a ver mis fotos y un millón por comentar.
Thanks for stopping to see my photos and a million for commenting.
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Amanecer tranquilo en las aguas del Cabriel, a los pies de Cofrentes y con vistas al castillo; fortaleza del S. XV que se alza sobre una roca basáltica (magma de un volcán extinguido), en la parte más elevada de la confluencia de los ríos Júcar y Cabriel.
فصل يعرف بالبرد والمطر
ونشعر فيه اننا فى احتياج الى الدفئ
ولكن لماذا دائما عندما يأتى الشتاء
يأتى معه حبنا للوحدة
والشعور الدائم للعودة الى الحنين
ربما عند قدوم ذلك الفصل نتذكر معه
كل ذكرياتنا الماضية
نحّن معه الى دفئ أشخاص قد مروا علينا فى غيمة الشتاء
وحينما ننظر الى المطر نتمنى الطيران
تحت أرجائه وكأننا نريد منه أن يعيد
الينا زمن قد مضى وفات
!
This is the famous Fiori di Como by renowned glass sculptor, Dale Chihuly. It is composed of over 2,000 hand-blown glass flowers and covers 2,000 sq. ft. of the Bellagio resort's lobby ceiling. As far as I know, it is the largest glass sculpture ever made.
I hope this composition conveys how massive this sculpture is.
I'm at my parents' and their computer is a bit slow, so I will return later to catch up on your streams.
Please click here to view this large!
Captured in RAW. Processed in Photoshop CS6. Increased the overall saturation with Hue/Saturation in Photoshop. Curve adjustment to increase the overall contrast. 1 layer mask in soft light mode at 50% gray, using brush tool to lighten and darken some areas of the image, to bring out details. Topaz Clarity to increase color and contrast.
Japanese Maple Tree by Waterfall in Autumn at the Portland Japanese Garden. About time to visit the Portland Japanese Garden. This is an image from my archive. Captured in Fall of 2011.
To view my other Images from the Portland Japanese Garden, click here.
Here is a crazy spot I found thanks to sweet sweet Stuck On Earth. I’ve been to downtown LA many times, and there are many good angles, but I think this one is just about one of the best.
There was a lot of waiting around, however. I had to wait for big busses to pass me on either side so I could set up for the long exposure.
Usually, I’ll take 5 exposures in these situations, but I do something a little special. I’ll take the quicker exposures right away (often 1 or 2 seconds). And then I’ll pause and wait for a bus or something before taking the longer exposures. I create the HDR then mask in the tail lights from the photos where I get the best trails. I made that sound easier than it is, I think.
-Trey Ratcliff
Click here to read the rest of this entry at the Stuck in Customs blog.
🇮🇹È stato un anno impegnativo, ma ricco di soddisfazioni (anche culinarie). Spero che il 2020 possa essere altrettanto promettente. Colgo l’occasione per augurarvi un meraviglioso anno nuovo, sperando che sia migliore di quello passato! Ne approfitto per ringraziare ciascuno di voi per il caloroso supporto. 1300 volte grazie!❤️
🇬🇧 It has been a busy year, but full of satisfactions. I hope 2020 can be just as promising. I take this opportunity to wish you a wonderful new year, hoping that it will be better than the past one! Also I take this opportunity to thank each of you for your fantastic support!! 1300 times thanks! ❤️
"Imagination is the soul's happiest retreat."- James Basford
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