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© Photography of Ricardo Gomez Angel
All rights reserved. All images on this website are the property of Ricardo Gomez Angel. Images may not be reproduced, copied or used in any way without written permission.
© Fotografía de Ricardo Gomez Angel
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"The more we value things, the less we value ourselves."- Bruce Lee
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"In the end, it's not going to matter how many breaths you took, but how many moments took your breath away."- Shing Xiong
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Summer is fog season here in the San Francisco area. Odd as it seems, it's colder, damper and more overcast during the summer months than it is the rest of the year. But there are a few spots that are elevated enough to get you above the fog, where it's sunnier, warmer and not-overcast. My favorite place to get above the fog these past few years has been Mount Tamalpais (a.k.a. Mt Tam), in Marin County, just north of the Golden Gate Bridge. In fact, my friend and fellow fogaholic Larry Nienkark and I have been up on Mt Tam more often than we care to admit. But let's just say that in August we've only missed going up the mountain 1 or 2 days each. Yes, it's an obsession, but a healthy one, I think. The trips have been very rewarding socially (I've met many other fog addicts), physically (lots of hiking) and photographically (I now have an even more enormous catalog of fog photos). All in all it's been a most excellent and productive season.
I'm a very slow publisher, so you'll be seeing my fog photos for several months...well beyond the end of fog season. I hope you enjoy them. In the meantime, if you want to follow along on my foggy adventures, feel free to find me on Instagram, where I've been using the "Stories" feature to post live photos and video from the locations where I've been shooting. The photos and videos in the Stories section only last 24 hours (like Snapchat, if you're familiar with that), but it's a fun way to see the more "real life" side of the folks you follow. If you're on Instagram, you can find me here.
Happy Sunday/Monday, friends! I'm off to shoot more fog tonight....
-Lorenzo
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"Art is the imposing of a pattern on experience, and our aesthetic enjoyment."- Whitehe
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Europe - Germany - Deutschland - Saxony - Sachsen - Saxon Switzerland National Park - Sächsische Schweiz - Hilly climbing area around the Elbe valley - Elbe/Labe Sandstone Mountains - Bizarre & intriguing landscape with huge, smooth rocks & deep, narrow valleys & gorges during autumn foggy morning before sunrise
Camera Model: Canon EOS 5D Mark II; Lens: EF24-105mm f/4L IS USM; Focal length: 47.00 mm; Aperture: 10; Exposure time: 30.0 s; ISO: 200
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www.youtube.com/watch?v=ewqtp9dN-R8
Siehst du mich
Hörst du mich
Was hab ich dir getan
Warum zerstörst du mich
Fühlst du mich
Spürst du mich
Wenn du mich nicht mehr liebst
warum berührst du mich
Brauchst du mich
Sag glaubst du nicht
Dass es besser ist
du lebst dein leben ohne mich
Erkennst du mich
Verstehst du nicht
Warum bist du überhaupt noch hier
Was willst du noch von mir
Augen auf
Wer sieht versteht
wie gnadenlos die Zeit vergeht
wie sich der Zeiger dreht
unentwegt
Er steht nie still
Du weißt nicht was du willst
Du weißt nicht wo du stehst
weißt nicht woher du kommst
wohin du gehst
Du weißt nicht was dich treibt
was am Ende für dich bleibt
Warum bist du so blass
so kalt so herzlos
Du weißt nicht was du tust
weißt nicht woran du glaubst
Sag mir wozu und ob
du mich noch brauchst
Wenn's einfach nicht mehr passt
Wenn du mich wirklich nur noch hasst
Warum bist du noch hier
Wofür
Was willst du noch von mir
Was willst du noch
Was willst du noch von mir
Siehst du mich
Erkennst du mich
Ganz tief in meinem Herz ist noch ein Platz für dich
Ich suche dich
Ich sehne mich
nach dem was ich geliebt hab
doch ich find es nicht
Augen auf
Wer sieht versteht
wie gnadenlos die Zeit vergeht
wie sich der Zeiger dreht
unentwegt
Er steht nie still
Viel zu lange
Viel zu spät
Sturm geerntet
Wind gesät
die Zeit vergeht
unentwegt
Sie steht nie still
"We must accept finite disappointment, but we must never lose infinite hope."- Martin Luther King
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"Imagination is the soul's happiest retreat."- James Basford
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Find me uncensored on:
Follow Me on Medium For articles on various topics:
Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...
www.google.com/search?q=brecht+corbeel
Free images:
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I'm finally getting around to posting some pictures from my first trip to the Roan Highlands (taken in late January). All I've got to say is that the Roan Highlands are impressive, even in the bland months of winter! Throw some pink in those rhododendrons, and some green on the trees, and it's no surprise that this becomes a world-class photographic destination! For those who aren't familiar, the Appalachian Trail crosses the summits of the Roan Highlands, taking a generally west-east route. I followed the AT about 1.5 miles to this location on Jane Bald, arriving an hour before sunrise.
This picture is yet another lesson in why you shouldn't pack up early. I knew that a winter storm was coming, so I was hoping that the sunrise would show for at least a little. When sunrise actually came, the first band of clouds obscured the light, and the sunrise seemed to be a bust. I was about to pack up my gear, but decided to wait just a few minutes later (it was 20 - 30 min. after sunrise by this point). I was opening my backpack to pack my stuff up when the sun finally broke through, showering the slopes of Round Bald with golden morning light. Also, at this moment, the first bands of the storm really started coming over the top of Roan Mountain. I would have missed it all if I left when I originally wanted to!
Even though this is probably the single most cliche shot form the Roan Highlands, I'm still very pleased with the picture and my trip. Regarding the picture, I really like the mix of warm and cool colors. with a gradual transition between the two. As far as the trip goes, I'm glad to have scouted out this area for a trip in June!
Listen Amarantine Enya
You know when you give your love away
It opens your heart,
Everything is new.
And you know time will always find a way
To let your heart believe it's true.
You know love is everything you say;
A whisper, a word,
Promises you give.
You feel it in the heartbeat of the day.
You know this is the way love is.
[Chorus:]
Amarantine...
Amarantine...
Amarantine...
Love is.
Love is.
Love...
You know love may sometimes make you cry,
So let the tears go,
They will flow away,
For you know love will always let you fly
...How far a heart can fly away!
[Chorus]
You know when love's shining in your eyes
It may be the stars
Fallen from above.
And you know love is with you when you rise,
For night and day belong to love.
Amarantine is an album by Irish musician Enya. The album was released on November 22, 2005. It won the Grammy Award for Best New Age Album for 2007. The release date was announced by Roma Ryan on September 23, 2005 at the official Enya forum.[1] It was subsequently leaked to the Internet on November 11, 2005.
Two songs from the album were released as singles: the title track "Amarantine" and "It's in the Rain." "Someone Said Goodbye" was released as a promotional single in the United States as well.
In Wordpress In Blogger photo.net/photos/Reinante/ In Onexposure
Mike, Andy, and I were live streaming on TVN when we pulled over to shoot this in southern Texas. Mike and I made a quick split for the middle of the road to get this shot, and I guess it worried a few of the viewers to see that we are in their view reckless (as Andy told us). We weren't however... I only had to flatten myself out for one semi rig that ran over me (not really). It was day of the blue core storms. Each one progressively bluer than the previous. What a day for shelf cloud structure!
The Very Best View On Black And Large
(Explore) (157)
El interior
Las columnas de la nave central.
Detalle de la bóveda.
Gaudí evolucionó de un primer proyecto gótico hacia un estilo personal, orgánico, inspirado en las formas de la naturaleza: para librarse de los contrafuertes góticos, ideó el uso de columnas en forma de tronco de árbol, que permiten descargar el peso de las cubiertas directamente en el suelo, solución práctica a la vez que estética, ya que convierte el interior de las naves del templo en un espacio orgánico que semeja un bosque. En 1987 se inició la cimentación de las naves; para 1997 se completaron las bóvedas laterales y se empezó la central.
El templo tiene planta de cruz latina, con cinco naves de 90 metros de longitud, y crucero de tres naves de 60 metros; la nave central tiene un ancho de 15 metros, y 7,5 las laterales, haciendo un total de 45 metros; ancho del crucero, 30 metros. La altura es de 45 metros en las bóvedas de la nave central y 30 en las laterales, mientras que las del cimborio central llegarán a los 60 metros. Las naves laterales contendrán las cantorías para los coros. El ábside es lobulado, con deambulatorio entorno del presbiterio. El templo contará con un total de 36 columnas, que oscilarán entre 11,10 y 22,20 metros de altura, con bases de polígonos estrellados de varios lados según su ubicación: 6 (naves laterales), 8 (nave central), 10 (torres de los Evangelistas), 12 (torre de Jesús). Los materiales de construcción varían de la piedra de Montjuïc al granito, basalto o pórfido.
Las bóvedas son hiperbólicas, construidas con baldosas de mosaico veneciano. Gaudí utilizó la técnica de la bóveda catalana o bóveda tabicada, que consistía en la superposición de varias capas de ladrillos con argamasa. Las cubiertas son de forma piramidal, coronadas por una linterna y un farol. Los ventanales están pensados para distribuir una iluminación suave y armónica, creando un efecto de recogimiento, y tienen forma geométrica abstracta; las vidrieras de colores son obra de Joan Vila i Grau. Gaudí realizó profundos estudios acústicos y lumínicos para conseguir una perfecta sonoridad e iluminación en el interior del templo.
The church plan is that of a Latin cross with five aisles. The central nave vaults reach 45 meters while the side nave vaults reach 30 meters. The transept has 3 aisles. The columns are on a 7.5 meter grid however the columns of the apse, resting on del Villar's foundation, do not adhere to the grid, requiring a section of columns of the ambulatory to transition to the grid thus creating a horseshoe pattern to the layout of those columns. The crossing rests on the four central columns of porphyry supporting a great hyperboloid surrounded by two rings of 12 hyperboloids (currently under construction). The central vault reaches 60 meters. The apse will be capped by a hyperboloid vault reaching 75 meters. Gaudi intended that a visitor standing at the main entrance be able to see the vaults of the nave, crossing, and apse, thus the graduated increase in vault loftiness.
The columns of the interior are a unique Gaudi design. Besides branching to support their load, their ever-changing surfaces are the result of the intersection of various geometric forms. The simplest example is that of a square base evolving into an octagon as the column rises, then a 16-sided form, and eventually to a circle. This effect is the result of a three-dimensional intersection of helicoidal columns (for example a square cross-section column twisting clockwise and a similar one twisting counter-clockwise).
(Wikipedia)
"Happiness is a thing to be practiced, like the violin."- John Lubbock
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© Copyright A Pendleton 2011 A Red Lily Beetle ( Lilioceris Lilii) Thank you Caz for the info :) Taken in my back garden this saturday afternoon, had to smile after seeing these two trying to figure things out, ....... Have a lovely weekend everyone, .................... Explored April 9th, a very big thank you one and all.............. Alan.
♥♥♥ Explore December 2, 2022 ♥♥♥
ENG The portal of Santa María La Real de Sangüesa (Navarra, Spain) is one of the most outstanding works of Spanish Romanesque art. Sculpted at the end of the 12th century. The statues-columns that support the three archivolts are one of the most beautiful elements of the portal, those on the left represent the Three Marys who symbolize the resurrection and those on the right Saint Peter, Saint Paul and Judas. The lower part of the cover is the work of the master Leodegarius.
ENG La portada de Santa María La Real de Sangüesa (Navarra, España) es una de las obras más sobresalientes del arte románico español. Esculpida a finales del siglo XII. Las estatuas-columnas que sostienen las tres arquivoltas son uno de los elementos más bellos de la portada, las de la izquierda representan a las Tres Marías que simbolizan la resurrección y las de la derecha a san Pedro, san Pablo y a Judas. La parte inferior de la portada es obra del maestro Leodegarius.
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