View allAll Photos Tagged Changes
This lovely young woman changed dance partners dancing with her Dad and her brand new husband at her wedding Saturday. This week's challenge was change.
Us islanders playing Rugby in Japan showing our support on Climate Change #350Fiji, Samoa and Tonga.
Press Release
September 24, 2011
Reference: Mark Cervantes
*HUNDREDS JOINS “MOVING PLANET “CLIMATE ACTION IN ROSARIO, CAVITE,
PHILIPPINES
*
Amidst signs of an early morning downpour, around 500 people from all walks
of life still converged in-front of the Municipal Hall of Rosario, Cavite to
join the 2011 Moving Planet climate action.
Municipal and barangay government officials and personnel together with
various schools and civic organizations went to the streets on foot and on
their bikes to show their solidarity to the global call to reduce greenhouse
gas emissions to 350 parts per million (ppm) to mitigate the impacts of
global warming and climate change.
Before reaching La Isla Bonita de Salinas beach where the Moving Planet and
350 human formation will be conducted, the participants walked and bike for
about 2 kilometers carrying paper windmills, 350 banners, and climate
posters while others shouted some chants about climate change.
Upon reaching the beach, a wave of people in different colors signifies that
climate action is everyone’s moral responsibility and concern regardless of
creed, religion and social status.
Michael Giongco, head of the Municipal Disaster Risk Reduction and
Management Office (MDRRMO) of Rosario, in his speech, asserts that everyone
just walked and used their bikes in going to the beach as a manifestation of
the simple action to reduce everyone’s carbon footprint. He added that the
Municipality of Rosario, together with the rest of the world supports the
global call to reduce GhG to 350ppm to mitigate climate change. He also
hopes that the said event will be start of a long term commitment of
everyone to act on climate change.
Mayor Jose Ricrafente, in his solidarity message congratulates the people of
Rosario for the successful Moving Planet event. He said that climate action
also means putting significance in protecting the environment which is of
vital importance to the survival of the people of Rosario. He shared that
the very beach where the Moving Planet and 350 human formation was held is a
living testimony of the commitment of his leadership in environmental
protection. He further shared that the local government unit has poured a
lot of effort to put an end to illegal fishing activities in the coastal
areas of Rosario.
The 2011 Moving Planet was then read by Ms. Janah Araracap, SK Chair of
Barangay Silangan 1. She expressed that climate change is bringing permanent
changes to our lives that the immediate effects that worsen natural hazard
events must be managed with proper preparedness and response. She added that
the more permanent changes require more massive actions, not just from
government, but from all sectors in society; including all of us. The
declaration also appeals to the people of Rosario and the world to change
“lifestyle” as a simple solution to mitigate climate change. Ms. Araracap
mentioned simple actions such as change of consumerist lifestyle, reduction
or zero use of plastics, promote the practice of walking and biking as mode
of transportation, switch off and unplug of electrical devices, and others.
She also highlights that the people of Rosario supports the current
Community Managed Disaster Risk Reduction (CMDRR) and Climate Change
Adaptation project that is being implemented in Rosario, Cavite that is
spearheaded by the International Institute of Rural Reconstruction (IIRR)
and funded by the United Methodist Committee On Relief (UMCOR). Finally, the
declaration emphasized on the basic rights of the people to a healthy
environment and free from disasters brought about by climate change.
The finale of the event was the 350 human formation wherein Mark Cervantes
of IIRR gave a quick background on the significance of 350 number in climate
change issue.
The Moving Planet 2011 event in Rosario was participated by the following
organization, schools and individual: Municipal Local Government of Rosario,
Municipal Disaster Risk Reduction and Management Office, Cavite State
University, Sapa National High School, Bagbag National High School, Bayan
Muna, Nagkakaisang Kabataan sa Rosario, Philippine Coast Guard Auxiliary
Divers, Seaborne, Philippine National Police, Bureau of Fire, Rosario Radio
Group, Barangay Health Workers, Rosario Bikers Association, Lingkod Bayan,
Association of Barangay Captains.
Staff and family members of IIRR and volunteers of the United Committee On
Relief (UMCOR) also joined the event wherein UMCOR provided free brewed
coffee to the participants.
--
Mark A. Cervantes, MA-CRS (c), CERT, Sphere
Program Specialist
Disaster Risk Reduction and Climate Change Adaptation
Regional Center for Asia
International Institute of Rural Reconstruction
Y.C. James Yen Center, Silang, Cavite, Philippines 4118
Tel/Fax: (63-46) 414-3216
E-mail: mark.cervantes@iirr.org
"As long as risk is not being reduced, achieving poverty reduction, social
equity improvement, and sustainable development maybe seriously
jeopardized."
The lichen is producing an organic substrate, upon which other things may eventually live (maybe already do) and the rust is gradually decomposing the steel structure. Meanwhile the sunshine, frost and rain are fading and weakening the paint. Change is constant and inevitable.
FORT INDIANTOWN GAP, Pa. -- Command Sgt. Maj. Michael Gundrum takes responsibility for the Pennsylvania National Guard's entire enlisted force during a change of responsibility ceremony held at the installation July 15, 2012. Gundrum takes over the Pennsylvania National Guard's top enlisted position from Command Sgt. Maj. Nicholas Gilliland who has served in the position since late 2009. Gilliland will be deploying overseas to Afghanistan with the Pennsylvania National Guard's Company B, 2nd Battalion, 104th Aviation Regiment. Prior to this new assignment, Gundrum served as Command Sgt. Maj. of the Pennsylvania National Guard's 56th Stryker Brigade Combat Team. (Pennsylvania National Guard photo by Staff Sgt. Ted Nichols/Released)
Soldiers of 4th Battalion, 31st Infantry Regiment, 2nd Brigade Combat Team, 10th Mountain Division, bid farewell to Command Sgt. Maj. Gavin Holmes, and welcomed Command Sgt. Maj. Jerry Heim, the Polar Bear battalion's new senior noncommissioned officer, during a Change of Responsibility ceremony, November 27, 2019, at Fort Drum, New York. (U.S. Army photo by Staff Sgt. Paige Behringer)
Fonte official FB page:
Over the course of Devin Townsend’s storied career, a single constant has persevered: change. As far back as Steve Vai’s Sex & Religion, which Townsend fronted, to 2001’s landmark full-length Terria to the multi-instrumentalist’s country rock outfit Casualties of Cool to his stunning new album Transcendence, the Canadian isn’t too interested in keeping an even musical keel. To stay the proverbial course is, well, anathema. For certain, he’s far too impatient to write the same Strapping Young Lad song over and over—which is why he folded the band in 2007—and it’s likely there will never be a fourth or fifth Ziltoid album (a third if we’re lucky) because by that point he’ll be in a totally different frame of mind for galactic puppets gone awry.
“The Devin Townsend Project is still essentially a solo project,” he reminds. “One of several, but the difference is that I've had a dedicated team of talented folks here that really had great ideas. of the ways I consciously stepped out of my comfort zone was to the solicit feedback from not only the band, but also to production and engineering. Opinions from people I trust at the management and label, and all with a sense of building a kind of archetype of the DTP sound that would not ostracize people who enjoy the style, but keeping it fresh for me as well. One of the things I did was present my vision—which I’ve always done—and within that framework, I’d massage it with the team. For this record, in those sections, I’d bring it to the band and say, ‘Look guys, here’s what it’s supposed to do. This is how it’s supposed to make me feel. And how the audience is supposed to feel. This is how it interacts with the parts prior and after. That’s why it exists. It’s not complicated because we’re trying to jerk off here. It’s complicated because, in my mind, the emotional component of the section is complicated. But in lieu of how quickly I tend to purge music I’m thinking: how can we make it cooler while I can still move quickly? 'Here’s the basic chord structure guys, this is what I think it should basically do, be it angular or in thirds or whatnot... Dave [Young; guitars] and Mike [St-Jean; keyboards] Ryan (VanPoederooyen: drums) and Brian (Waddell: bass) , can you think of something cooler there? I’ll be back tomorrow.’”
“It took a year to try and figure out a template for what DTP should be and still be of interest to me,” remembers Townsend, “And as much as I’ve been a control freak for so long, I’m also at an age where I recognize those elements—like friends—in my life are ultimately more important than music, and the need to control something like the DTP at this point is more rooted in insecurity now that necessity. I do enjoy being part of a team. I like to think after so many records with these guys that I don't really have to be at the center of everything. I can trust a team of people—the right people—to help where I need help. I need an engineer who has better ears than me. My ears are getting tired after all these years. If you put together a team whose strengths are better than yours, and then you put in your strengths, then what comes out of it, for no other reason than for an experiment, is really cool. And in line with my need for a project to have a theme to draw me into it, That’s what this records theme became. It’s an experiment put to music. If anything really kick started the inspiration for the record, it was that. The desire to get the DTP 'right' for what it is.”
Recorded at The Armoury Studios in Vancouver, Canada with Townsend and Adam ‘Nolly’ Getgood (Periphery, Animals as Leaders), Transcendence sounds absolutely massive. From the moment ‘Truth’—a re-work from the Infinity album—monstrously blends into the soul-stirring ‘Stormbending’ to the undulating cool of mid-point jam ‘Secret Sciences’ and Ween cover ‘Transdermal Celebration’, Townsend and crew have engineered a modern-day classic. The sheer scale of tracks like ‘Failure’, ‘Higher’, and the majestic title track is at once daunting and inviting. Transcendence pulls the listener in like a movie score. It has the emotional heft of Rosenman’s Star Trek IV: The Voyage Home and the mega-riff power of Black-era Metallica.
Even if Transcendence had its 'bikini wax' moments—(Townsend metaphorically refers to his process as 'professionally hitting myself in the face with a hammer')—the final product is fantastic. In many ways, it’s typical The Devin Townsend Project, however there is now an inviting sense of depth and relative breathing room in the sound. Always professional and sonically awash in darks, lights, and colors between, it turned out not only to be an acceptable new DTP record, but arguably one of the best. What also added to the overall quality was the addition of five guest musicians—including but not limited to ex-The Gathering vocalist Anneke Van Giersbergen, vocalists Ché Aimee Dorval and Katrina Natale—and a five-person choir called Tigers In A Tank. Their contribution to Transcendence’s overall ambiance is noteworthy and necessary.
“Well, I love working with female vocalists because I’m not particularly fond of singing and I really react emotionally to female voices,” posits the frontman. “I kind of fell into singing. I could never find someone who would sing like I wanted, so I begrudgingly took the job. Anneke’s obviously worked with me for a while now. Ché was on this record because she was with me in Casualties of Cool. And Katrina sang one song on the Ghost album. Also, I wanted the three of them on this record if this was to be the last DTP record. They bring it all together. So, sticking with the same people is the same reason I’ve been married for so long. Once I find great people, I have no need to look elsewhere for the similar things. It’s kind of great as it eliminates option paralysis in that area, though as different needs arise, often things evolve as well. As for the choir, it’s typically been inefficient. For the last record, I went to Amsterdam and it was crazy. I went to Sweden and it was cool but super-expensive. On Epicloud, I had a gospel choir, but had to over-dub a lot. For this one, I asked my buddy Eric [Severinson] to find three capable women and two men. I was able to create the choir by doing over-dubs and recording on-the-fly. It turned out great and it was very efficient.”
With over 60 songs in the bag for Transcendence, (not all, he is quick to point out, of the same quality) Townsend obviously had to pare down. The songs that made it, however, are breathtaking in their scope, beautiful in their presentation, and heavy—noticeably—enough to out-bombast the sum of The Devin Townsend Project’s previous full-lengths. Certainly, Townsend knows how he feels about the songs on Transcendence (and its accompanying second disc). Each song, from ‘Truth’ and ‘Secret Sciences’ to ‘Stars’ and ‘Offer Your Heart’, provoked a reaction from the man.
“My litmus test for whether or not a song or a record is working is really about my visceral reaction to it,” Townsend says. “If I react to it, then it’s correct, for me. That reaction could be repulsion, it could make me cry, it could irritate me, I could be loving it, it’s pretty much all the same. As long as I’m affected by the song, then I know I have something accurate.”
As for the Townsend’s loyal fans? The very fans who’ve been waiting with bated breath for Transcendence?
“If it gives me a reaction, then I hope it’ll contribute something to their world. Ultimately, I'm happy to contribute my observations to the massive sea of music. If there's anything that became clear to me throughout this all is the value of being part of something as opposed to being too concerned about 'being' the thing'
Baby changing baskets
•EASY TO TRANSPORT - Use it anywhere in your home or while you're traveling. Unlike those with handles at the ends, our basket has handles on both sides for easier handling and carrying.
•FITS ANY DIAPER CHANGING STATION - No need to buy a new table or dresser for this changing basket. With a width and length of 16x31 inches, it fits most nursery table sizes just fine.
•UNIQUELY MADE OF 100% NATURAL MATERIALS - Hand-crafted by women artisans from natural seagrass and recycled plastic, each diaper changing basket has a distinct boho look that is stunning and decorative.
•FREE ORGANIC COTTON BABY CHANGING LINERS! - We included 2 leak-proof organic cotton liner. It has a polyester back and TPU core for mess-free diaper changing sessions every time!
•MULTIPURPOSE HANDICRAFT - More than a changing basket, it can be used as storage caddy for books, blankets, and toys. It can also be used as a picnic basket or an indoor bed for small pets.
Visit our website at www.glovimex.com
Contact: sales1.glovimex@gmail.com
Change Alley, London. From blog post London's Back Passages.http://londonist.com/2008/12/londonists_back_passage_change_alle.php
Us islanders playing Rugby in Japan showing our support on Climate Change #350Fiji, Samoa and Tonga.
I understand different make up, but sometimes image change isn't what you'd expect or like (I have like 200 old style bottles)
Took these to share ideas with a cloth diapering mum on Diaperswappers.
Read my diaper reviews, product reviews, and tips/suggestions for cloth diapering, here:
dazed81.blogspot.com/2008/02/all-about-cloth-diapers-revi...
"GOOD-BY! BE GOOD ... AND SEND US A POSTCARD!
Germany celebrates many legal holidays during the year, and picnics and excursions are popular ways of spending the free days. Here is a typical farewell scene at one of Berlin's many railway stations."
Photograph by Wide World
(This historic photograph is from a National Geographic article in the February 1937 issue titled "Changing Berlin". It offers a fascinating look at Berlin, Germany, a few years before the start of World War II.)
Climate change makes agriculture a less secure source of income, often forcing men to migrate to the cities and leaving women behind. Therefore, typical male roles, such as fumigate, are now being done by women.
Credit: ©2014CIAT/GianBetancourt
Please credit accordingly and leave a comment when you use a CIAT photo.
For more info: ciat-comunicaciones@cgiar.org
A similar shot as the previous one, but shot vertically. Not sure which I prefer-- I like the utility pole here, leading out of frame, but...hm. Ilford Delta 100.
"IN SUMPTOUS, GLITTERING DAYS OF EMPIRE, SANSSOUCI PARK WAS A SHOW PLACE OF EUROPE
To the French Ambassador Frederick the Great once complained that oranges did not thrive here. 'Maybe not,' flashed the Frenchman diplomatically, ' but Your Majesty's laurels do!.' "
Finlay Photograph by Wilhelm Tobien
(This historic photograph is from a National Geographic article in the February 1937 issue titled "Changing Berlin". It offers a fascinating look at Berlin, Germany, a few years before the start of World War II.)
For some reason I found this road sign slightly amusing. It's warning about changes to the traffic priorities at the junction ahead, which is currently being rebuilt as part of Bradford's city centre regeneration project.
CAPTION: VICENZA, Italy – Spc. La-Drina Bell stationed in Vicenza Italy performs duty as an usher during the June 10 U.S. Army Africa change of command ceremony at Caserma Ederle’s Hoekstra Field. – US Army photo by SFC Kyle Davis.
Hogg takes command of U.S. Army Africa
10 June 2010 - By Rick Scavetta, U.S. Army Africa Public Affairs
VICENZA, Italy – During a ceremony today at Caserma Ederle’s Hoekstra Field, Maj. Gen. David R. Hogg assumed command of U.S. Army Africa.
Gen. William E. Ward, commanding general of U.S. Africa Command presided over the ceremony, which signaled the departure of outgoing commander, Maj. Gen. William B. Garrett III.
Hogg, who recently served as deputy commanding general of Combined Security Transition Command-Afghanistan, said he is delighted to become part of the Vicenza military community.
“After 29 years of service and six overseas assignments to include Germany, Panama and Belgium, this is our first opportunity to be in Italy,” Hogg said. “We are absolutely thrilled to be here.”
Hogg said he is excited to be a part of U.S. Army Africa, the Army's newest service component command, challenged with developing relationships with land forces in Africa and supporting U.S. Army efforts on the African continent.
Ward reminded the crowd that U.S. Army Africa has accomplished some great things since Dec. 2008, when it began its transformation to becoming the Army service component command for U.S. Africa Command.
“In that short time, the command has formed, grown, and matured into an active and effective outfit and has established strong strategic relationships with the ground forces in Africa,” Ward said. “U.S. Army Africa not only succeeded, they excelled. In fact, they thrived on the opportunities they were given.”
Garrett took command of the Southern European Task Force in 2008. He commanded SETAF throughout its transformation to U.S. Army Africa. Garrett now heads to Iraq, where he will serve as the chief of staff, U.S. Forces Iraq.
“We look forward to building upon the systems that Maj. Gen. Garrett and Mrs. Garrett have developed,” Hogg said. “We are truly thankful for the warm welcome that we have received from the community and, especially, the Garretts.”
Photo by SFC Kyle Davis USARAF PAO
It's been forecasted that Stamford's skyline is going to change rapidly, and the tower crane is a good indicator. You can see in the background of the picture the large tower crane that is currently building Trump Parc. In the lower left foreground of the picture, I thought the shadowed columns of the Bedford St. garage 3rd level was a nice effect.
a change to the centre bed. pots that edged the centre bed have been moved away from the centre bed and positioned as a collective group on the patio (seen here in the foreground)
jasmine on the far fence is beginning to leaf
honeysuckle and buddleia clambering over the front arch
ivy covers the back arch at the end of the garden
grumps resting on the pillow in his favourite spot
meteorological spring begins 1st march ends 31st may
astonomical spring begins 20th march ends 21st june
www.metoffice.gov.uk/weather/learn-about/weather/seasons/...
for many years my garden was a shrubbery flic.kr/p/Lhv9ag which i loved. a picket fence covered in an ivy hedge coming down in a storm flic.kr/p/2gnCyih meant that over time changes had to happen flic.kr/p/2mn2x8a i'll be glad when the trellis is covered in honeysuckle and jasmine. that's the plan ...
www.flickr.com/groups/gardening_is_my_hobby/ helpful for ideas. thank you for sharing
Took this series of photos at sunset, early August 2012. The view over Ballinskelligs bay is obscured but the changing hue over time was a sight to behold!
Mt Lofty Botanic Gardens.
South Australia.
Taken during Autumn, this place is amazing to explore or just head for a picnic!
Shots can be viewed here also:|Facebook| |Blogspot|
The Changing the Guard ceremony, or Guard Mounting as it is formally known, signifies the official handover of responsibility for the military security of the Royal Palaces in London.
Changing the Guard takes place outside Buckingham Palace from 10.45am and lasts around 45 minutes, with the actual handover taking place at 11am. The Buckingham Palace Old Guard forms up in the palace’s forecourt from 10.30am and is joined by the St James’s Palace Old Guard at around 10.45am. The New Guard then arrives from Wellington Barracks and takes over the responsibilities of the Old Guard in a formal ceremony accompanied by music.
The guard that looks after Buckingham Palace is called The Queen's Guard and is made up of soldiers on active duty from the Household Division’s Foot Guards. The guards are dressed in traditional red tunics and bearskin hats.
The ceremony is free to watch and currently takes place on Mondays, Wednesdays, Fridays and Sundays, weather permitting.
Read more at www.visitlondon.com/things-to-do/event/8725947-changing-t...
This is a photograph from the 1st round of the 2017 Pat Finnerty Memorial 5KM Road League which was held in Belvedere House and Gardens, Mullingar, Co. Westmeath, Ireland on Wednesday 3rd May 2017 at 20:00. The Road League is promoted and organised by Mulligar Harriers Athletic Club and sponsored by local sponsors including O'Brien's Renault dealership. This is a very well established as an annual event which takes place on every Wednesday night in the month of May. In a change from previous years the weather on the first night tonight was perfect running weather - a warm early summer evening with little or no breeze. About 220 participants took part in the race which runs a traffic free course over a mix of road and hilly forest trail.
Timing and event management was provided by http://www.myrunresults.com/. Their website will contain the results to today's race.
The full set of photographs is available at: www.flickr.com/photos/peterm7/albums/72157680670545682
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Instagram, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
How to sew a changing pad:
1. Purchase all necessary materials
2. Wash and dry material
21/2. Roll cat and dog hair off of ironing board
3. Iron material
4. Lay out on kitchen table to begin sewing
5. Realize kitchen table is covered in honey from your lovely darlings
6. Repeat steps 2 and 3
7. Clean kitchen table
8. Lay out material and cut to size
9. Decide to use same thread that is already in machine so a new bobbin will not be necessary
10. Begin sewing
11. Have a mild freak-out when you realize the bobbin thread is empty
12. Fill new bobbin - puff out your chest with pride when the thread fills the bobbin in an even and consistent manner
13. Replace bobbin
14. Attempt to pull bobbin thread through the bottom of the machine
15. Watch bobbin pop off and fly across the room
16. Repeat steps 13 thru 15 four additional times until you realize that doing the same thing over and over again is not working.
17. Chuck bobbin across room yourself
18. Dig out manuel from machine and thread bobbin properly
19. Begin sewing
20. Stop sewing when daughter interrupts you and asks to sew on her toy machine.
21. Repeat steps 13 thru 15 on daughter's machine
22. Give up and tell daughter that the thread will only go on the top of the material
23. Resume your own sewing project
24. Realize that the pattern you are using will make the pad too big for its companion diaper bag
25. Adjust pattern and complete project
And there you have it - a simple changing pad project!