View allAll Photos Tagged COMPROMISING
Balance,
Rear vision compromised,
road clearance,
The rear motorcyclist can't believe what he is seeing,
For my video; youtu.be/p192KRrlcN8
Taking a photograph that you want is often a compromise between ISO, Shutter Speed, and Aperture.
Within each of those parameters they are a compromise.
ISO, relates to light sensitivity of the sensor or film and the higher it is the more electronic noise or grain will be composed with your photograph, which is distracting and renders a subject "fuzzy". I chose ISO800. ISO determines what Aperture to set.
With Shutter Speed, a photographer must consider the focal length and weight of the lens and overall balance or center-of-gravity of the camera body and lens combination and he or she would the intent of the image, that is, to stop all motion or leave sufficient motion-blur to show action. I chose 1/4,000 second, to freeze the motion of the bee's body in flight and leave sufficient motion-blur of the bee's wings to show it flying and suspended in air by the Lift and turbulence its wings generate. Shutter Speed determines what Aperture to set.
Aperture focuses the desired light onto the sensor or film. Aperture determines the amount of light that focuses onto the sensor or film. Aperture determines what ISO and Shutter Speed too set. Aperture determines the amount of Bokeh in the background. Aperture determines Depth of Field and at f/8.0 I was able to achieve sharp focus on the bee's body, as it flew toward me, but its head and bum are out of focus as are the flowers. Also, using too fine an Aperture setting, more sensor spots and dust and lens imperfections will appear in a photo, as well as diffraction, as well as needing a higher ISO and slower Shutter Speed.
Lastly, timing is everything. If I focused and released the shutter a millisecond sooner, the bee's head would be in focus, but it's body wouldn't be.
Some of these decisions can be made in advance of approaching your subject, but may not be accurate and would need to be adjusted.
A gentle reminder about copyright and intellectual property-
Ⓒ Cassidy Photography (All images in this Flickr portfolio)
Ah! The burbs of Melbourne...
One of several projects, that explore photography as evidence amongst other ideas.
Blog | Tumblr | Website | pixelfed.au | Instagram | Photography links | my Ko-fi shop | Off Ya Trolley! | s2z digital garden | vero | Dpreview albums | my work archived on trove at the National Library of Australia.
Film: Kodak Vision 3 50D
35mm
No Filter, Slight crop, Negative Scratch removed in Photoshop.
Camera: Leica 1954 M3 Rangefinder
Lens: Summicron f=5cm 1:2
Metering: Sunny 16 Rule
F11 1/125
Two hours before dusk
Remjet removed and developed in Bellini C41 Kit.
Not A.I
Unfortunately the rest of the photos from this roll aren't any good because my near end of life developer's strength must of been compromised. I think too much remjet remained from my attempts to remove it. Upon reflection not much black came out at all in the with baking soda and warm water removal process. Only lots of pink. The rest of the results were yukky grainy. Plus i had a scratch down the whole roll. Likely done in my bulk rolling. So better luck next time. Way it goes...
Quickly glossing over the dear old Snowdrop..."Artistically" compromised by Peter Blake, the designer of the Sergeant Pepper album sleeve...( Glossing over it is literally what I would like to do, but some people actually like this....hey-ho )... Traditionalist and reactionary are some of the kinder words from them to me.
Ok...getting to the enormous Stanley Dock Warehouses...although recently most famous for being the backdrop location in many episodes of T.V. tour-de-force "Peaky Blinders", the buildings, especially the enormous tobacco warehouse, have a long and impressive history. Some of this is best shown in a video embedded in the website I am linking to this photo.
Gentrification has many benefits, and also some detriments to old industrial sites like this...I am sitting on the fence, and am only adding the website link, not as advertising for the fine apartments which will soon be available ( to a select few ), but because it best shows the possibilities of what preserving such heritage, albeit transforming it to residential use, can achieve.
You will see a link to a video showing an amazing story of Eleanor Roosevelt visiting American troops in the part of the warehouse which was used as a wartime hospital...truly fascinating.
First comment in the comment box, is where you will find the link...look for the video "Echoes of the past"
After doing my research on accommodations that are available on the way to Alaska, I realized, we were going to have to compromise. We love our bed so it is always difficult knowing that there are many unknowns when you travel. But, it is all part of the adventure! I read about many people’s experiences with hotels/motels so I thought I was quite prepared. I also put a fair amount of credence into the reviews and thus booked accordingly.
We contemplated getting a holiday trailer which in hindsight would actually be the very best way to do this trip. We even thought about getting a tent installed for the truck. Our main goal was to photograph bears on this trip, even though I have a real fear of bears. I have watched the movies, THE BACK COUNTRY and THE EDGE so many times. A tent, in the middle of nowhere, even on top of the truck just was not going to work. Bears can climb! Enough said!
So, for a lack of another word and not to offend many of our gracious hosts on our trip, I will say that the accommodations are quircky. You certainly do not get what you pay for. Everything is expensive!
Our first hotel was gorgeous but ridiculously expensive. Our second, was a cabin. From the outside it looked great, but once we opened the door, well, not so great. Put it this way - I was on spider patrol - all night! Spiders everywhere! I knew they were watching me and I also knew that as soon as I fell asleep I would wake up swathed in a silk cocoon somewhere in the rafters above, unable to move, an instant meal to be devoured at their whim. Needless to say, I did not sleep.
At 2:00 in the morning I was so hungry my stomach protested louder than my husband was snoring. Damn him! He can sleep anywhere!
There was a granola bar in the truck, but, I had to get to the truck first. I sat in the cabin, weighing the pros and cons of going outside. My hunger prevailed over my fear and I got up, and slipped into my jeans and runners. I opened the cabin door. A massive, black abyss greeted me. I have never seen this side of night before. With Jager by my side, I pushed my way through the blackness and stopped on the deck and looked up at the night sky. There are no words to describe the magnificence that hung over my head. The stars glistened like diamonds on black velvet.
It was my reward for bravery!
Our third motel was so small that all we could do was sit on what we thought was the bed and laugh. It was part of the adventure.
When we woke up in the morning we were covered in bite marks and I don’t mean bear bites!
We were three days, three nights, 2500 kilometres into our trip and a very long way from home…
Guggenheim Museum Bilbao
The organization of the artist is a method used by architect Frank Gehry that places the artist in control of the design throughout a building construction and deliberately eliminates the influence of politicians and business people on design.
Gehry enforces this organizational set-up when his designs are being built to avoid subordination of the design creator and to manage the project effectively. The heart of the phrase "organization of the artist" is to ensure that the design of the artist is actually built and not some compromise decided by political and business interests.
I get asked a lot about how I manage to get saturation levels that I do without compromising on image quality or details. My simple answer is exposure. The longer you expose, the more time you give the sensor to record the same detail over and over again. The downside is that it takes a while before you can fully come to terms with manually metering your scene and be fast at it too! If you try upping the saturation levels in photoshop and zoom in, you will see the obvious loss in details.
I was out for the better part of this week and on the road. I will definitely catch up with all of your work from now on.
This is a unique location in Lulworth Cove in the sense you can stand right on the top of the cliff and look down with the sun behind you. There are lota Man-O-Wars along the English coast and this is one of them on the Jurassic Coast. There are so many elements that were in play here that I could not help but marvel this beautiful yet a quiet little cove tucked away into the coast.
Thanks for viewing and have a nice day!
Berlin, Germany – 2019, February 09
website I facebook I instagram I publications & exhibitions
© 2019 Markus Lehr
The Art Nouveau is the style of natural harmony. Its committed goal is the establishment of the concord of the beauty and function without compromise. This is the last comprehensive European style enriching the European culture in the applied art, the fine art and construction design. The art of the Hungarian masters enriched the unique idiom of the Art Nouveau. Being a rich resource of the trasures of this style, the Hungarian Art Nouveau is a worthy competiror of the heritages of the French, German, Belgian and Aystrian Art Nouveau. The permanent exhibition consists of paintings, furniture, ornaments and interiors. It provides and authentic sight of the atmosphere of the civic life of the “peacetime” of Budapest for the visitors. A cafe of friendly atmosphere and shop of original silver jewelries and ceramic copies waith the visitors.
Opening hours 10-17, closed on Sunday.
1054 Budaoest, Honved u 3. Hungary
guideme.hu/place/house-of-hungarian-art-nouveau/
The building, designed by Emil Vidor, reflects the influence of Belgian and French architecture. At the same time, the facade of the building also incorporates Hungarian patterns, like the Zsolnay ceramics patterns. Not long ago, the building was entirely renovated. Besides the private museum operating in the establishment and displaying furniture, porcelain, ironwork and paintings, visitors can sit into a lovely café, too.
In 1907 the periodical Hungarian Competition (Magyar Pályázat) presents a description of the building in the Architectonic Chronicle section (Építőművészeti Krónika) with the title: Mr. Bedő Béla's Honvéd Street Palace. The designer, Emil Vidor, took good care of the building’s interior space as well, in the spirit of Gesamtkunstwerk (all objects in the same style).
This powerful unity of the arts and crafts in 1903 was a groundbreaking event in Hungary. The Bedő House was built only six years after the Belgian Victor Horta made his first fully Art Nouveau house, and in the same time with the Scottish architect, Mackintosh's famous arts house.
Even a contemporary description mentions the planned use of specially designed murals, the richly applied stained and ground glass, and generally the special design furnishing of the whole building.
On PBS Masterpiece Theatre “Vienna Blood” prodution the location was used and the Dr’s apartment was within this fine building.
The house was built by Emil Vidor in 1903, for the Bedő‘ family. The contemporary furniture, decorative objects, paintings and instruments displayed on more than 600 square meters faithfully evoke the beginning of the twentieth century. In this way, the museum gives insight to the visitor into the “peace-times”, the atmosphere of bourgeois life of Budapest.
First image in the series of Bedo Haz/House
PP work in Luminar Neo HDR filters.
All art works on this website are fully protected by Canadian and international copyright laws, all rights reserved. The images may not be copied, reproduced, manipulated or used in any way, without written permission from the artist. Link to copyright registration:
www.canada.ca > Intellectual property and copyright
Mendocino, California
I had to compromise between the high-noise ISO and a one minute exposure, and the stars making a trail with a much longer exposure at a low ISO. Technically, the photo is pretty dirty, but the stars were so amazing that I had to share. This makes me lust for the D700.
tells you to do, and what your nerves let you do :-)
Bruce Crampton
HBM!!
monarch butterfly, sarah p duke gardens, duke university, durham, north carolina
Okay, ive decided on a compromise on my ThreeSixFive. There wont be one every day, since im working alot - but there will still be three hundred and sixty five days of photos, just not consecutively.
:)
James has been round all day today. Kiri also came round, and whilst James was occupied by playing Halo ODST on the xbox, me and kiri failed at making biscuits! haha. they looked pretty, but tasted awfully dry xD was so funny. :)
copyright © Jay Harrison. All rights reserved. Use without permission is illegal.
Residential developments in Harpur Hill are seriously compromising some of the previously excellent vistas that were on offer. In this case, DB Cargo Class 66/0 No. 66076 makes the descent towards Buxton with 6V11, the 10:00 Dowlow Briggs Sidings – Theale Hope Cement loaded MMAs on 11th May 2021.
2021 represents a significant milestone in the history of the Phoenix Railway-Photographic Circle with the celebration of our 50th anniversary by publishing a book to showcase some of the members work, past and present, from 1971 to the present day.
The book contains 14 chapters and 144 pages of photographs depicting the work of over 50 accomplished railway photographers with many differing styles and approaches. It takes an alternative view on photographing the railway scene over the past 50 years. The book, called 50 Years of Phoenix will be published on 14th May 2021 with pre-orders now being taken – click on this link to order your copy: www.mortonsbooks.co.uk/product/view/productCode/15554
Why not take a look at the PRPC web site at www.phoenix-rpc.co.uk/index.html.
The Compromising of Integrity, Morality, and Principals in Exchange for Money Tour
All Time Low
November 29, 2008 @ Electric Factory
I want Sweet.
He wants Hot.
So we compromise!
First Sweet, of course!
♥Yup, poor guy!♥
Presented by Short Leash and Silly Llama Productions:
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- StunnerOriginals Boots Sakuri
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- ~Libertine~ Faineant, Adult Ed. Daybed (color update soon)
- Rebel Poses Sweethearts prop with poses
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- bonbon - mei hair
- Tulssy Studio - Octopus Red Ballerina Nails @Mainstore
- Rise Design Sagrado Necklace @Mainstore
- [ SQUARE ] - Velvet curtains Bright @Mainsotre
- Pitaya - Classic Rugs - Red
- Pixicat- Darkness.Room RARE
- 10-[Since1975] Special Lovers -Rose-Tealights
Weather conditions have not been ideal for the entire day, zero light at sunset, very nice blue hour full of dark clouds (picture next week!), and then just completely overcast. I went for a short nap and I decided to wake up again around midnight to check the sky. The conditions were not ideal but it was much better than I expected. This is the only lucky shot I managed to take at the Milky Way since a strong wind was blowing clouds just to the center of the Galaxy. After that I had to fight quite hard to get a decent shot of the foreground. The terrain was next to a lake and I was litterally sinking in water every movement I was making. These flowers are called Eriophorum (cotton-grass) and they are typical of the Artic Tundra or the north-west Alps (especially high in the Adamello National Park). I wanted these beauties rather than a simple reflection (which was anyway impossible due to wind). I had to make compromises with the dept of field because a long exposure of several minutes was impossible and so were for focus stacking shots, the wind just made everything tricky. After some attempts I got away with a clean shot at high iso and low f/. This is it, the night at 2600m in the wilderness of the Adamello National Park.
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Use this image on websites, blogs, magazine, calendars or other media without my express permission is illegal
To the left of the concrete bridge supports are the stone piers from the original bridge which was washed away during the great French Broad River Flood of 1916. The "new" railroad bridge was built after the flood, and is still in use. I don't know why they didn't reuse the old stone piers. Perhaps they were structurally compromised when the bridge was swept away.
Never let anyone compromise your worth, no matter how convincing they may be or how hard they may try.
(Side note: this was the only non-mint coins I could find for a prop and they were all Canadian).
Theme: Power In Words
Year Fourteen Of My 365 Project
“...not even in the face of Armageddon”
So lord allo wanted to see a groupshot of my updated watchmen
I’m sure you all know who’s who so I won’t get into that
But what do y’all think of em?
This is a black and white shot of the road surface of the compromised bridge crossing Pinios (river Peneus aka Pēneiós) near the village Diava, Greece (beneath Meteora). The bridge's official name is «G. Vlachoyannis ‘Makarios’ bridge». The shot was taken on September 7, 2023 in the afternoon.
The river was in spate on that date, for torrential rainfall had occurred during the previous 48 hrs or even more (storm ‘Daniel’). That morning the bridge appeared as standing all right, but in the afternoon of the same day the bridge was thought as compromised and no longer safe to cross.
Marqs DeSade, Lightly Frosted and Emotionally Compromised
Nene’s out of town, and I’ve entered what experts call “the glazed descent.” It started with one donut. Just one. A quiet act of survival. But then I saw it - a note on the fridge, written in her handwriting, taped just above the fruit bowl I’ve been ignoring since 10 a.m.
“Don’t forget to eat something sweet today. I love you.”
I stared at it for a full minute. Then I ate three more donuts. Possibly four. I blacked out briefly near the cake.
The pizza’s cold. The beer’s warm. The peacock figurine is silently judging me from across the room. I tried to make eye contact with the sailboat, but it just reminded me of emotional drift.
I miss her laugh. I miss her voice. I miss the way she gently reminds me that donuts are not a food group. But today, they are my coping mechanism. My breakfast, lunch, and emotional support pastry.
This is day one.
I’m shirtless.
I’m sugar-sweating.
And I’m not okay.
But I'm full....
A compromise of colour v black & white. A compromise of candid street v processed street image. A compromise of border v no border. It's all about compromise and how we find that middle ground. Any thoughts?
and what your nerves let you do :-)
Bruce Crampton
dahlia, j c raulston arboretum, ncsu, Raleigh, north carolina
Hey! Stop throwing seeds up there!!
Male painted bunting throwing seeds back and forth
and female cardinal getting a little annoyed...
at the turtle bird feeder in my yard...
Happy Sunday!
INFO & STYLE CREDITS::
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💗 (fd) Sweetheart Swim Set - FATPACK @ DUBAI July
❖ (fd) Sweetheart Swim Bottoms
❖ (fd) Sweetheart Swim Skirt
❖ (fd) Sweetheart Swim Top
❖ Sizes: Reborn/Waifu, Lara/Petite/LaraX/petiteX, Legacy/Perky, Gen.X Classic
📌 maps.secondlife.com/secondlife/Horizon%20Beach/128/128/22
📌 Main Store: maps.secondlife.com/secondlife/fd%20mainstore/129/51/51
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💗 no.match_ ~ NO_COMPROMISE ~ all COLORS @ Warehouse Sale July
❖ Unrigged mesh braid with matching hairbase EVOX and head tattoo - for THE WAREHOUSE SALE ( 15 % DIscount / 10 % store credit ) - open on 23rd
📌 maps.secondlife.com/secondlife/Rotten/127/110/23
📌 Main Store: maps.secondlife.com/secondlife/VALHAL/119/132/21
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The Walt Disney Concert Hall at 111 South Grand Avenue in downtown Los Angeles, California, is the fourth hall of the Los Angeles Music Center and was designed by Frank Gehry. It opened on October 24, 2003. Bounded by Hope Street, Grand Avenue, and 1st and 2nd Streets, it seats 2,265 people and serves, among other purposes, as the home of the Los Angeles Philharmonic orchestra and the Los Angeles Master Chorale. The hall is a compromise between an arena seating configuration, like the Berliner Philharmonie by Hans Scharoun,[1] and a classical shoebox design like the Vienna Musikverein or the Boston Symphony Hall