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The amazing beauty of Clara. First (and of course not last) collaboration with her.
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The Mercedes-Benz CLA-Class is a new compact executive car four-door sedan based on the platform of the Mercedes-Benz A-Class compact car and the B-Class compact car, formally launched at the January 2013 North American International Auto Show. The car was previewed by the 2012 Concept Style Coupe.
Als Mercedes-Benz C 117 wird ein viertüriges Coupé im Kompaktwagen-Segment des deutschen Automobilherstellers Mercedes-Benz, das im Frühjahr 2013 erstmals der Öffentlichkeit vorgestellt und am 13. April 2013 europaweit eingeführt wird, nachdem die Produktion am 25. Januar 2013 begonnen hat, bezeichnet. Das Fahrzeug gehört zur neu gegründeten CLA-Klasse. Eine erste Studie wurde auf der Peking Motor Show im April 2012 präsentiert. Es handelt sich beim C 117 um das dritte Modell, das auf der modularen Frontantriebsarchitektur, der auch schon die einige Monate zuvor erschienene A-Klasse (W 176) und die 2011 erschienene B-Klasse (W 246) angehören, basiert. Der CLA soll das windschlüpfigste Serienfahrzeug der Welt sein, der c_w-Wert liegt bei 0,23, als CLA 180 BlueEFFICIENCY Edition sogar bei 0,22.
Evening shot of this beautiful machine. I was using my Mamiya M645 with Velvia 50 and the 80mm 1.9 lens.
@Zwolle, the Netherlands Last Thursday I've seen this new Mercedes CLA-Class!
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Cor Leonis Armory
-MK. 1 Rifle-
Caliber: 6.5 Grendel or available in 5.56 NATO, 6.5 MPC, 6.8 SPC, 7.62 x 39 and 7.62 NATO.
Barrel Length: 20''
Magazine Capacity: 30 or 45 rounds
Effective Range: 800 yards (6.5 Grendel)
RPM: 500- 750
Weight: 6 lb. (unloaded)
Length: 805mm
Available Finishes: Dark Earth, Olive Drab, or Black
The standard model of the MK. 1 series of rifles from Cor Leonis Armory. At the heart of the design is the the heavy 20 inch barrel, which keeps the 6.5 Grendel ammunition supersonic at over 1000 yards, and provides excellent accuracy. Uses a rifle length gas system to ensure reliability in all conditions. Can use a variety of different calibers by simply changing the bolt, barrel and magazine if necessary. The weapon can also be fired from either a closed bolt operation for reliability, or an open bolt for sustained automatic fire. The charging handle is non-reciprocating when the weapon is being fired. Comes standard with a Troy Industries rear flip up sight and our own flip up front sight / gas block assembly. Available with our XR1 muzzle break or standard flash hider. The monolithic upper rail and adjustable cheek-rest are prefect for mounting and using your preferred optic. All rifles are guaranteed to shoot 1/2 MOA at 100 yards.
Da qualche mese ho recuerato una splendida Hasselblad SWC del 1968 con due magazzini da 12 pose, paraluce ed impugnatura esterna.
L'ho verificata a fondo e, sotto la piastra posteriore di riscontro dei magazzini pellicola, ho rilevato che le guarnizioni di tenuta alla polvere erano completamente sgretolate.
Ho pertanto aperto la fotocamera, rimosso i residui delle vecchie giarnizioni ed applicato le nuove (ricavate da schiuma adesiva ad alta densità per fotocamere).
Ho ovviamente colto l'occasione per rimuovere il cono di protezione alla meccanica ed ottica e pulito l'interno dalla poca polvere presente, oltre ad applicare piccole dosi di lubrificante nei nodi principali in movimento.
Anche ai due magazzini delle pellicole ha sostituito le guarnizione della luce che erano in pessimo stato.
Ora la SWC è tornata perfettamente funzionante.
For a few months now I have had a splendid Hasselblad SWC from 1968, with two 12-exposure film magazines, hood and external handle.
I thoroughly checked it and, under the back plate of the film magazines, I found that the camera's dust seal seals were completely crumbled.
I therefore opened the camera, removed the residues of the old seals and applied the new ones (made from high density adhesive foam for cameras).
I obviously took the opportunity to remove the mechanical and optical protection cone and clean the interior of the little dust present, in addition to applying small doses of lubricant to the main moving nodes.
Also at the two film warehouses I replaced the light seals which were in poor condition.
Now my SWC is back in perfect working order.