View allAll Photos Tagged CHRONOS
Double exposure on film Kodak T-MAX 400 & Nikon Fm2
November 26, 2017
One of the many marvellous photography techniques provided by analog photography is the double (or triple…) exposure film, directly on camera.
I was always fascinated by the possibility of handling the negative from the moment of shooting, and this factor was the key one for me when it came the time to chose a camera; I need a fully mechanical camera that allows me to control shutter speed, aperture, and lock the film for double exposure. Doesn’t seem like i am asking to much, am I?
Nowadays is relatively easy to produce double exposure. Although i like digital photography, i always preferred to create my double exposures with my trusty old camera, get out in the streets and enjoy shooting, avoiding tedious hours of post production in front of a computer screen, often ending up with a result that is closer to graphic design than photography.
The magic of double exposure is limitless. I love how it’s possible to mix and mash spaces that are completely different from each other, make them clash inside a new world that takes life inside a negative. I call it pre-darkroom; a manipulation of reality that we cannot affect in any way. Only at the time of processing the film we will how the planes stack with each other. Most times it is actually almost impossible to discern how the images complement each other; it might be simple luck, or it might very well be that these 2 worlds really take a life of their own on the silver of the film, and they become something else. In the end, what we try to do is to clumsily control the light.
See Greek mythology for references:
-> chronos-personification of time
-> string-representing the flow of life
Ruelle du village haut perché que l'on voit depuis le Pont du Gard; donc une suite logique de ma petite série du Pont du Gard après la crue.
J'ai sélectionné 5 photos de ce petit village pittoresque.
Chrono: 3053
Exposition 2023 aux carrières des lumières des Baux de Provence sur les Maîtres Hollandais.
Précédentes vidéos pour voir le prologue et les chapitres 1 à 7.
Chapitre 8/11 - Scènes d’hiver
Un vent glacial soulève les flocons de neige qui virevoltent dans les airs tapissant de blanc les toits des chaumières et des églises, les ailes des moulins et les mâts des bateaux. L’hiver s’installe sur les polders, les lacs et canaux gelés, qui offrent à présent un véritable terrain de glisse aux habitants. Enneigés, les œuvres désertiques de Jacob van Ruisdael et peuplées d’Hendrick Avercamp ont contribué à l’essor de ce thème au XVIIe siècle, où la fascination pour la nature et l’évènement climatique est placée au premier plan et atteint son apogée.
Chapitre 9/11 – La conquête des mers
A la fin du XVIIe siècle, la flotte hollandaise domine le paysage maritime mondial et la mappemonde se précise grâce à une maîtrise de la cartographie par les mathématiciens et astronomes parmi les plus remarquables d’Europe. Nation de marins aguerris, les hollandais voguent contre vents et marées sur une mer agitée, plongée dans le tumulte des tempêtes qui offrent le spectacle d’une nature déchainée sous le pinceau de Ludolf Backuysen et Willem van de Velde le Jeune. Empire puissant qui s’étend du Brésil aux îles d’Indonésie, dont le port d’Amsterdam deviendra la ville la plus urbanisée et riche au monde, offrira un sentiment de prospérité et d’abondance aux habitants, comme en témoignent les objets de curiosité et fruits exotiques des Stilleven
Chrono: 2607.
“Thousands of years ago, when kitties first domesticated humans, we did it so that someone would scratch our butts.”
― Didjeradoo via Jeremy Greenberg
HopeFest Bellesseria Block Party hosted by Patch Linden and some pretty wonderful Moles.
10x12.5" handmade collage using (partial) materials sent by Adrian Velazco for a mail-exchange collaboration.
Check out Adrian's awesome colages here:
Just keep swimming!
Jinx Aeilyn Head
Jinx Petit Ruth Body
Jinx Hippocamputaur Petite Tail
Fallen Gods Inc Chronos Coal Gold Skin
This is a captive Northern Goshawk who is cared for by Nature's Educators. This nonprofit cares for birds of prey and other animals that cannot be returned to the wild due to either an injury or human imprinting.
STROBIST: 580EX camera right about 6 inches away, and 3 inches above and another camera left about 12 inches above; both shot through difussers (pieces of ripstop nylon).
I wanted to make an MF-Zero frame based on the leg work of A. YATES' gremlin as reference, but end up making something bigger.