View allAll Photos Tagged CHRONOS

Double exposure on FILM

Nikon Fm2 & Kodak T-MAX 400

www.lensculture.com/sergi-escribano-2

#Brands And Logos #MacroMondays

 

✼ Voici l'oeuvre des grandes marées avec cette plage insolite aux couleurs de rêves. Une plage seulement dédiée à l'exploration.

 

✼ Un beau matin, l'océan se retire laissant place à un décor des plus splendides. Comme téléporté plus loin sur la planète, le chrono est lancé : une heure m'est donné pour profiter des lieux avant de revoir cet endroit replonger sous les eaux.

 

Presqu'île de Crozon, France.

---

www.thibaultporiel.com/

Facebook

Instagram

Formerly @ Engine Room ~ September 20 - October 20

Now on the marketplace!

 

On those bad hair days it feels like it takes stopping time itself to keep your hair from falling out of place. Now you can keep that bun where you put it with these repurposed clock hands~

 

Comes with a color/texture HUD that tints the inner and outer lens surrounding the rotating runic dice within. There's 8 metal textures for the hairpins and 15 for the spinny dice.

 

In the pack are individual pins and a linked "cluster" version, if you'd like to wear them all together as shown above!

 

Mod / Copy / No Trans

 

More from me ♥

In-World MainstoreMarketplace

WebsiteTwitterTumblrFacebookPatreonDiscord

   

Double exposure on film

Kodak t-Max400

www.sergiescribano.com

reflection detail from nicholas schoffer's chronos XIV, a steel sculpture with 49 light projectors and 65 movable discs,

 

embarcadero center

san francisco, california

Double Exposure on Film

KODAK T-MAX 400 & Nikon Fm2

www.sergiescribano.com

• Urban image in Montreal, Quebec, Canada.

 

• Image urbaine à Montréal, Québec, Canada

 

• Imagen urbana en Montreal, Quebec, Canadá

  

originally started as a random pair of wings, then turned into giving tempra a vehicle similar to toa ignika's... then turned into some kind of gold space stingray thing.

Nicolas Schöffer, LaM, Villeneuve d'Ascq, 2018.

Double Exposure on Film

KODAK T-MAX 400 & Nikon Fm2

One of the many marvellous photography techniques provided by analog photography is the double (or triple…) exposure film, directly on camera.

I was always fascinated by the possibility of handling the negative from the moment of shooting, and this factor was the key one for me when it came the time to chose a camera; I need a fully mechanical camera that allows me to control shutter speed, aperture, and lock the film for double exposure. Doesn’t seem like i am asking to much, am I?

Nowadays is relatively easy to produce double exposure. Although i like digital photography, i always preferred to create my double exposures with my trusty old camera, get out in the streets and enjoy shooting, avoiding tedious hours of post production in front of a computer screen, often ending up with a result that is closer to graphic design than photography.

The magic of double exposure is limitless. I love how it’s possible to mix and mash spaces that are completely different from each other, make them clash inside a new world that takes life inside a negative. I call it pre-darkroom; a manipulation of reality that we cannot affect in any way. Only at the time of processing the film we will how the planes stack with each other. Most times it is actually almost impossible to discern how the images complement each other; it might be simple luck, or it might very well be that these 2 worlds really take a life of their own on the silver of the film, and they become something else. In the end, what we try to do is to clumsily control the light.

 

In the desert

 

I saw a creature, naked, bestial,

 

Who, squatting upon the ground,

 

Held his heart in his hands,

 

And ate of it.

 

I said, “Is it good, friend?”

 

“It is bitter—bitter,” he answered;

 

“But I like it

 

“Because it is bitter,

 

“And because it is my heart.”

 

Stephen Crane

 

www.sergiescribano.com

 

Double exposure on FILM

Nikon Fm2 & Kodak T-MAX 400

www.sergiescribano.com

Kodak T-MAX 400 & Nikon Fm2

Barcelona street photography

www.lensculture.com/sergi-escribano-2?modal=project-392966

On demand, the *[Deadwool] Nuvolari chrono* has been scripted and is now available at [DEADWOOL] - TAILOR'S CABIN

Double exposure on film

Kodak T-MAX 400 & Nikon Fm2

 

www.sergiescribano.com

C-FYPN

Boeing 737-200 Combi (B732)

Chrono Aviation

 

airside

Montreal-Trudeau (YUL / CYUL)

Chrono Seidh can be very helpful in watch repair, as they can repair the tiny works without need for tools

Double exposure on film

Kodak T-MAX 100 & Nikon Fm2

Chronos project

www.sergiescribano.com/chronos

 

This is crono the hedgehogs oringinal look i had cacti from devianart draw him for me and i like what he or she came up with hope you all like his or her art work on crono too

Chronos

www.sergiescribano.com

Double exposure on film

Kodak t-Max 400 & Nikon Fm2

One of the many marvellous photography techniques provided by analog photography is the double (or triple…) exposure film, directly on camera.

I was always fascinated by the possibility of handling the negative from the moment of shooting, and this factor was the key one for me when it came the time to chose a camera; I need a fully mechanical camera that allows me to control shutter speed, aperture, and lock the film for double exposure. Doesn’t seem like i am asking to much, am I?

Nowadays is relatively easy to produce double exposure. Although i like digital photography, i always preferred to create my double exposures with my trusty old camera, get out in the streets and enjoy shooting, avoiding tedious hours of post production in front of a computer screen, often ending up with a result that is closer to graphic design than photography.

The magic of double exposure is limitless. I love how it’s possible to mix and mash spaces that are completely different from each other, make them clash inside a new world that takes life inside a negative. I call it pre-darkroom; a manipulation of reality that we cannot affect in any way. Only at the time of processing the film we will how the planes stack with each other. Most times it is actually almost impossible to discern how the images complement each other; it might be simple luck, or it might very well be that these 2 worlds really take a life of their own on the silver of the film, and they become something else. In the end, what we try to do is to clumsily control the light.

Tomba G. Piaggio by S. Saccomanno (1876). Staglieno Genova.

 

 

Double exposure on Film

www.lensculture.com/sergi-escribano-2

Kodak T-MAX 400 & Nikon Fm2

 

Double exposure on film

Kodak T-Max 400 & Nikon Fm2

www.lensculture.com/sergi-escribano-2?modal=project-392966

 

 

Double exposure on film

Kodak T-MAX 100 & Nikon Fm2

www.lensculture.com/sergi-escribano-2?modal=project-392966

Liquid Silver.

 

Sculpt: Luts Winter Event head

Chronos in a pastel wig. (it's so unlike him lol)

Faceup by Angie (propertyoftheuchiha) ^^

1964 Ferrari 250 GT Lusso Competizione

 

Cars and Chronos | 12/16/17

 

Website | Instagram

Ava Jhamin For

 

HILLY HAALAN

 

"Malina Dress W/Hud"

 

"Fern Heels W/Hud"

 

a beautiful little coctail dress with attention to detail. From the sheer top and pattern at the bottom of the top, to the flared skirt with the same pattern at the bottom of the top.

 

The shoes are the greatest in a point heeled pump with a color hud to change to match anything you wear.

 

Hilly Haalan Main Store

maps.secondlife.com/secondlife/Chronos/135/124/22

 

Double exposure on film Kodak T-MAX 400 & Nikon Fm2

November 26, 2017

One of the many marvellous photography techniques provided by analog photography is the double (or triple…) exposure film, directly on camera.

I was always fascinated by the possibility of handling the negative from the moment of shooting, and this factor was the key one for me when it came the time to chose a camera; I need a fully mechanical camera that allows me to control shutter speed, aperture, and lock the film for double exposure. Doesn’t seem like i am asking to much, am I?

Nowadays is relatively easy to produce double exposure. Although i like digital photography, i always preferred to create my double exposures with my trusty old camera, get out in the streets and enjoy shooting, avoiding tedious hours of post production in front of a computer screen, often ending up with a result that is closer to graphic design than photography.

The magic of double exposure is limitless. I love how it’s possible to mix and mash spaces that are completely different from each other, make them clash inside a new world that takes life inside a negative. I call it pre-darkroom; a manipulation of reality that we cannot affect in any way. Only at the time of processing the film we will how the planes stack with each other. Most times it is actually almost impossible to discern how the images complement each other; it might be simple luck, or it might very well be that these 2 worlds really take a life of their own on the silver of the film, and they become something else. In the end, what we try to do is to clumsily control the light.

www.sergiescribano.com/chronos

2 4 5 6 7 ••• 79 80