View allAll Photos Tagged CASINO
2014 Junior League of Annapolis, Inc. annual gala, Casino Night with photography from Rob Korb Photography.
2014 Junior League of Annapolis, Inc. annual gala, Casino Night with photography from Rob Korb Photography.
Casino cake covered in buttercream and accented with fondant details. Cards, poker chips, and dice are fondant as well.
Votre soirée casino!
INFO : www.huguespomerleau.com
514-954-9300 Montréal
418-686-5162 Québec
Lors d'un congrès, d'un événement corporatif, d'un party du temps des fêtes ... Rien de mieux que des tables de jeu casino pour s'amuser. Avec nos croupiers dynamiques, vous n'aurez pas le temps de vous ennuyer !
Pour une campagne de financement ou levée de fond ... Le casino récréatif constitue la solution qui joint l'utile à l'agréable. Vous amassez des fonds tout en égayant ceux qui ont contribué à votre cause. En savoir plus...
Pour votre mariage ... Si des invités aiment moins danser, des tables de jeux pourrait certes les tenir occupés et faire en sorte que tous passent une belle soirée !
Nous avons une très grande variété de tables de jeux : Black Jack, Poker Hold 'em, Roulette, Course de chevaux, Baccarat, Roue de fortune, Chien rouge, Craps, Machines à sous ..
Students gambled on a good time at Casino Night on Oct. 30in the Bluebonnet Ballroom of the E.H. Hereford University Center. The event offered a pre-Halloween chance to dress in costumes and mingle.
In the little village of Bodega, Sonoma County, California. Bodega is famous as the place where many of the scenes from Alfred Hitchcock's 1963 classic, "The Birds", were filmed.
Live @Castelmaggiore, BO
© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at stemarotta@yahoo.it
2014 Junior League of Annapolis, Inc. annual gala, Casino Night with photography from Rob Korb Photography.
Textures in daylight, of a casino on Fremont street in Old Las Vegas, Nevada. Hasselblad 500c with the 80mm Zeiss Planar lens.
While in Rome during the course of his Grand Tour, Lord Charlemont came to know a number of artists such as Pompeo Batoni, whose wonderful portrait of him can now be found in the Yale Center for British Art. He also associated with Giovanni Piransi, the first four-volume edition of whose Antichitá Romane (1756) was dedicated to his Irish friend, ‘Regni Hiberniae Patricio’ although the two men subsequently quarrelled. But the link to Piranesi demonstrates Charlemont’s interest in architecture from an early age, also evidenced by his commissioning a design for a garden temple from Luigi Vanvitelli, today best-known for the enormous Bourbon palace of Caserta. Vanvitelli’s proposal for an Irish building was rejected on the grounds of expense, but another architect with whom Charlemont first became acquainted while in Rome produced a more satisfactory, if ultimately no less costly, scheme. This was Sir William Chambers, responsible not just for the casino in the grounds of Marino but also Charlemont’s superb townhouse in central Dublin (today the Hugh Lane Gallery of Modern Art). Despite designing both these buildings and Trinity College’s Chapel and Examination Hall it should be noted that Chambers never came to Ireland.
Work on the casino at Marino was not completed until the mid-1770s perhaps in part because its owner placed many other demands on his income and was therefore constantly short of funds. But even before completion the building’s exceptional merits were recognised, as can be testified by the number of artists who produced paintings in which it features. Aside from Thomas Roberts, there was James Malton's watercolour of 1795, also an engraving by Thomas Milton after Francis Wheatley which was produced twelve years before. Jonathan Fisher, James Coy and George Mullins were among those who also exhibited work depicting the casino during the same period. It is difficult to think of any other building, certainly one of the casino’s relatively modest proportions, that attracted as much notice in 18th century Ireland.
Live @Alcatraz, MI
© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at stemarotta@yahoo.it
online casino bonus offering mega online slots
casino and slot machine games,online slots bonus,online slot machine and many more online slots games, online casino games for all players world-wide.
Australian
Casino 1882-1932.
ON: 86361
IDNo:1086361
Year:1882
Name:CASINO
Type:Iron passenger/cargo ship
Flag:GBR
Launch Date:21.2.82
Owner: B.B. Nicoll
Builder: Gourlay Bros., Dundee.
Link:1620
Yard No:110
V1882 #116
GRT:425
1932 wrecked Apollo Bay, Vic., Australia on 10.7.32
Details: Miramar Ship Index.
Iron steamship, passenger-cargo built 1882 by Gourlay Bros & Co., Dundee, for B.B. Nicoll, Sydney.
425 tons, 274 net. Lbd: 160'4" x 24'1" x 10'2".
The ship left Dundee on 18th March 1882 and sailed to Sydney via the Cape of Good Hope. En route the ship stopped in Warrnambool to pick up coal. There, it was inspected by the Belfast and Koroit Steam Navigation Company, who decided to purchase the SS Casino. The steamship sailed onto Sydney to deliver its cargo and then returned to Melbourne to begin the west coast run.
Casino was three masted iron screw steamer. One deck, iron framework, a schooner rig and an inverted compound two cylinder 65 horsepower engine built by Gourlay Brothers.
In the early days, she was sometimes rigged as a topsail schooner as the ship’s big spread of canvas helped reduce fuel consumption.
On 10th July 1932, off Apollo Bay Victoria, in heavy weather, she keeled over and sank after striking seabed earlier when attempting to enter port. From a crew of sixteen plus two passengers, only eight survived.
Extra Info: John E. Hoskin, Flotilla Australia.
Photo Credits: The late Allan Green collection Vic Australia
Casino Royale
Garage Club - San Martino di Lupari Padova
12/11/2011
print, contact and more picture on www.visuali.it
------
This images is copyright © Enrico Celotto. All right reserved. This photo must not be used under ANY circumstances without written consent.
Queste immagini sono protetta da copyright © Enrico Celotto. Tutti i diritti sono riservati. Le immagini non devono essere utilizzate in nessun caso senza liberatoria scritta dell'autore.