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Rock City, Nottingham. Opened as the Alexandra Skating Rink (actually two rinks) in 1876, it was closed and renamed the Victoria Halls in 1887, which included both music hall and circus performances. Later known as The Heart of the Midlands, it was converted to Rock City in 1980. The club has a capacity of 2,450.

 

City of Nottingham, Nottinghamshire, England - Rock City, Talbot Street

May 2018

interesting architecture

The Chicago Board of Trade Building is a skyscraper located in Chicago, Illinois, United States. It stands at 141 W. Jackson Boulevard at the foot of the LaSalle Street canyon, in the Loop community area in Cook County. Built in 1930 and first designated a Chicago Landmark on May 4, 1977, the building was listed as a National Historic Landmark on June 2, 1978. It was added to the National Register of Historic Places on June 16, 1978. Originally built for the Chicago Board of Trade (CBOT), it is now the primary trading venue for the derivatives exchange, the CME Group, formed in 2007 by the merger of the CBOT and the Chicago Mercantile Exchange.

 

The 141 W. Jackson address hosted the former tallest building in Chicago designed by William W. Boyington before the current Holabird & Root structure, which held the same title for over 35 years until being surpassed in 1965 by the Richard J. Daley Center. The current structure is known for its art deco architecture, sculptures and large-scale stone carving, as well as large trading floors. A three-story art deco statue of Ceres, goddess of agriculture (particularly grain), caps the building. The building is a popular sightseeing attraction and location for shooting movies, and its owners and management have won awards for efforts to preserve the building and for office management.

 

en.wikipedia.org/wiki/Chicago_Board_of_Trade_Building

 

en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...

Jefferson Island / Rip Van Winkle Gardens

5505 Rip Van Winkle Road

New Iberia, Louisiana

Iberia Parish

 

Atop a coastal salt dome on Lake Peigneur, Rip Van Winkle Gardens is 25 acres surrounding the Joseph Jefferson Home, built in 1870 by acclaimed American actor Joseph Jefferson and listed on the National Register of Historic Places. Jefferson purchased "Orange Island" in 1869 and built his winter home here to enjoy the fine hunting and fishing and relatively mild climate of south Louisiana for 36 winter respites from the stage. Though Jefferson performed a great many roles in the theaters around the world, it was the role of Rip Van Winkle, as adapted by Jefferson from the Washington Irving tale that ensured Jefferson's fame. He played the role more than 4,500 times.

After his death in 1905, Jefferson's heirs sold the house and land on March 15, 1917 to John Lyle Bayless, Sr. of Anchorage, Kentucky. His heir, J. Lyle Bayless, Jr., began developing formal gardens surrounding the Joseph Jefferson home in the late 1950's, establishing the "Rip Van Winkle Gardens," named for its former actor-owner. Bayless successfully listed the Jefferson home as a national landmark with the Department of the Interior in 1972 and donated it in 1978 to a foundation which would assure its continued operation for the benefit of the public.

Bayless was widely recognized for his knowledge of and fondness for the camellia. In his writings, he related that he first glimpsed a brilliant red camellia in Natchez, Mississippi, during a stay at an old plantation home there with his mother, while his father hunted on Avery Island. Later, he became enchanted with the "Jeanerette Pink" camellia growing in front of the Jefferson Home in the midst of a bitter winter, when he observed the death of the beautiful pink blossom and its return to life only two weeks later.

 

In Bayless' development of the gardens, he used large numbers of camellias of a great many varieties and made them floral emphasis of the gardens. He gained distinction for his work with this beautiful southern flower, winning more than 1,000 prize ribbons in the southern states. In 1966 Bayless hired an English horticulturist, Geoffrey Wakefield, to landscape the gardens and the result was a beautiful mixture of camellias, azaleas, crape myrtles and other plants in a series of interlocking gardens.

Bayless continued to collect plants from around the world for his conservatory and a reception area for guests who came to view his gardens. Bayless built a "dreamhouse" right on the edge of Lake Peigneur adjoining the new conservatory and gardens where he planned to enjoy his retirement. This was not going to happen as he lived there for only 9 months until November 20, 1980, when disaster struck. A drilling rig pierced one of the giant salt caverns. Then things began to happen. The water from the lake started draining. The drilling rig and other pieces of equipment were sucked into a whirlpool and disappeared. Men in the mines below noticed water coming in. Miraculously, no one was killed.

Bayless knew soon after the tragic events began to happen that the Island was in danger. He went to the second floor of the new house and watched as the lake drained. The ground under the house was moving and he was forced to evacuate. Upon returning he found his "dream house", the conservatory, the visitors center and 65 acres of the gardens gone - now covered by water in an expanded lake.

The gardens were closed to the public for almost four years.

Bayless died in 1985. The foundation that he had endowed and entrusted sold the property in late 1996 to Carolyn Doerle and her husband, Dr. Ron Ray. They set out to revitalize the site by offering many ways for the public to enjoy the tradition that Bayless and the Foundation started years ago. Doerle ran the property from late 1996 until it closed to the public in July of 2001.

In October 2003 the gardens were sold to Live Oak Gardens, LTD which is owned and operated by Mike and Louise Richard and is located adjacent to the gardens. Gardens' restoration began with the removal of debris and restoration of many buildings. Some of these include the Bayless Conference Center, Cafe' Jefferson, the Caretaker's house, the Joseph Jefferson Mansion, Servant's Quarters and other buildings that were badly neglected for several years.

 

As per www.ripvanwinklegardens.com/history.html

The temple of the goddess Isis at Philae is one of the most beautiful in Egypt, not as large as some but structurally largely complete, which is fitting for the temple believed to be the last to operate under the ancient Egyptian religion, having only formally closed for pagan worship in the 6th century AD.

 

It was also the first of Egypt's great temples I ever saw in person and left me spellbound, and thus it was fitting that this should again be the first we visited on this trip.

 

The temple sits in a uniquely picturesque setting on a small island in the Nile south of Aswan and thus has only ever been approached boat. The complex consists of the main temple building dedicated to Isis (wife of Osiris and mother of Horus) whose inner sanctum is entered via a forecourt with towering pylons guarding the inner and outer entrances. All this is approached from the Nile through an open court flanked by lengthy colonnades making an unforgettable first impression.

 

There are several subsidary buildings of note around the site, the most imposing of which is undoubtedly the large rectangular colonnaded structure known as 'Trajan's Kiosk', which features some beautifully carved capitals.

 

The temple is relatively new by Egyptian standards, begun under one of the last of the native pharoahs, Nectanebo I (c380-62 BC) but mostly dating to the Ptolemaic period (as do many of the better preserved temples in the south of the country).

 

The temple's long use and later conversion to a church along with its remote location helped preserve it more or less completely over the centuries, but in the 20th century it faced its biggest threat, the construction of the Aswan dams which are located either side and caused Philae island to flood. The first dam (built 1902) caused the temple to be inundated for much of the year (thus washing away all the remaining paintwork from the interior; 19th century watercolours record what a loss the coloured details were). The bigger threat came in the 1960s when the Aswan High Dam was built to the south, causing the water levels to rise enough to completely submerge most of the temple. For some years all that could be seen of Philae were the four main towers and the columns of Trajan's Kiosk emerging from the waters.

 

Fortunately salvation came in the 1970s following the campaign to rescue and relocate the Nubian temples further south also threatened by the rising waters. Following the construction of a coffer-dam around the temple the entire temple complex was dismantled and rebuilt on higher ground on the adjoining island of Agilika where it can be enjoyed in its full splendour today.

 

For more on this wonderful site see below:-

en.wikipedia.org/wiki/Philae

Fotos Nuevas Agosto 2012

 

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© Álbum 0527

By Catedrales e Iglesias

By Cathedrals and Churches

Diócesis de Morelia

www.catedraleseiglesias.com

 

Santa Iglesia Catedral

Av Madero Poniente

Col Centro

Apdo Postal 17

C.P.58000

Morelia,Estado de Michoacán

(443) 312-29-36

 

Horarios de Misa de Lunes a Sábado a las 6:00 am, 7:00 am, 8:00 am, 9:00 am, 12:00 pm, 5:00 pm, 7:00 pm y 8:00 pm. Domingos a las 6:00 am, 7:00 am, 8:00 am, 9:00 am, 10:30 am, 11:30 am, 12:30 pm, 5:00 pm, 6:00 pm, 7:30 pm y 8:30 pm. Horario de Rosario de Lunes a Viernes a las 6:00 pm. Hora de Confesión durante Misa. Confirmación los Domingos a las 12:30 pm. Bautizos Sábados y Domingos a las 12:00 pm.

  

La Catedral de Morelia es un recinto religioso sede de la Arquidiócesis de Morelia de la Iglesia católica en México. Se encuentra ubicada como su nombre propiamente lo dice en la ciudad de Morelia, capital del estado de Michoacán, México. La catedral se localiza en el primer cuadro de la ciudad, conformando la traza del Centro Histórico de Morelia. El edificio fue construido en el siglo XVIII en la época de la Colonia Española, es de estilo barroco y esta realizado en cantera rosada que le da un color peculiar y característico.

# Arquitectónicamente la Catedral de Morelia comparándose con otras Catedrales de México, es similar a la Catedral Metropolitana de la Ciudad de México, Catedral de Puebla, e inclusive en su interior a la Catedral de Guadalajara.

# La catedral es la edificación más emblemática y representativa de Morelia dada su altura, ya que cuenta con dos altas torres, que se divisan por todo el valle de la ciudad. Por su altura, las torres de la Catedral de Morelia (66.8 m) son las cuartas más altas de México, después de las torres del Santuario Guadalupano (Catedral Inconclusa) en Zamora de Hidalgo (105 m), de la catedral de Villahermosa (80 m) y del Santuario de Guadalupe, en San Luis Potosí (68 m).

# Cuenta con una Iluminación escénica de singular belleza colocada por la empresa que iluminó la Torre Eiffel de París. Los fines de semana la catedral ofrece un espectáculo de luz y sonido con esta iluminación.

# La catedral está dedicada a la Transfiguración y en su interior alberga dos imágenes muy veneradas, Sagrado Corazón de Jesús que es el santo patrono de la ciudad, y el Señor de la Sacristía un Cristo muy antiguo realizado en pasta de caña de maíz. El cual es muy visitado y querido por la feligresía.

# Su belleza arquitectónica y su historia son otras razones por las cuales se ha convertido en un icono de la ciudad.

# En su interior este recinto dada su belleza, sonorización acústica y espaciosidad, figura como escenario de diversos eventos artísticos y culturales como el Festival Internacional de Órgano de Morelia, y el Festival Internacional de Música de Morelia.

La actual catedral de Morelia no ha sido la única catedral que ha tenido la ciudad, ya que en 1580, cuando los poderes civiles y eclesiásticos de Michoacán fueron trasladados de Pátzcuaro a Valladolid (anterior nombre de Morelia), se inauguró una catedral, muy inferior a la actual en tamaño y valor artístico. Esa construcción se ubicaba en la esquina de las actuales calles de Corregidora y Abasolo. Sin embargo, debido al crecimiento que experimentó la ciudad a finales del s. XVI e inicios del XVII, así como por causa de un incendio que en 1584 afectó severamente el anterior edificio catedralicio, se hizo necesario pensar en otro templo, más grande, sólido e importante. Por ello es que a inicios del s. XVII el cabildo catedralicio comenzó las gestiones para la construcción de la nueva catedral.

 

Muchos proyectos fueron propuestos, pero hasta mediados de ese siglo fue aceptado el proyecto del arquitecto italiano Vicenzo Barrochio, también conocido como Vicente Barroso de la Escayola por parte del Virrey Francisco Fernández de la Cueva, Duque de Alburquerque el 22 de marzo de 1660 concluyendo continuos trámites y proyectos de construcción durante un largo período de casi 80 años.

 

El día 6 de mayo de 1660 la primera piedra de la construcción fue colocada por el obispo Fray Marcos Ramírez del Prado. La construcción estuvo a cargo del propio Vicenzo Barrochio hasta el año de su muerte, acaecida en 1692, razón por la cual el gran arquitecto no pudo ver concluida su obra monumental. Sin embargo, solo 52 años después del deceso del maestro, sus discípulos lograron terminar la titánica tarea arquitectónica, por lo que la magnífica obra fue concluida en 1744.

 

La catedral sufrió diversos saqueos por parte del ejército independentista, en el año de 1810. Hacia fines del siglo XIX se construyó la reja perimetral que delimita el atrio. A finales de los años 90 del siglo XX se efectuaron diversas obras de restauración exteriores e interiores, con lo cual se preservó mejor la belleza del edificio. También, en los primeros años del siglo XXI, se inauguró la nueva iluminación escénica de esta catedral de Morelia.

 

The Cathedral of Morelia is a religious compound headquarters of the Archdiocese of Morelia of the Catholic Church in Mexico. It is located as the name itself says it in the city of Morelia, capital of Michoacan, Mexico. The cathedral is located on the first frame of the city, forming the trace of the Historic Center of Morelia. The building was built in the eighteenth century the Spanish colonial times, is in Baroque style and is made of pink quarry which gives it a distinctive and characteristic color.

# Architecturally, the Cathedral of Morelia compared against other Cathedrals in Mexico is similar to the Metropolitan Cathedral in Mexico City, Puebla Cathedral, and even inside the Cathedral of Guadalajara.

# The cathedral is the most emblematic and representative buildings of Morelia given their height, since it has two tall towers that can be seen throughout the valley of the city. For his height, the towers of the Catedral de Morelia (66.8 m) are the fourth highest in Mexico after the towers of the Sanctuary of Guadalupe (Cathedral Unfinished) in Zamora de Hidalgo (105 m) of the cathedral in Villahermosa (80 m) and the Sanctuary of Guadalupe, San Luis Potosi (68 m).

# Has a unique scenic beauty lighting placed by the company that lit the Eiffel Tower in Paris. On weekends, the cathedral offers a sound and light show with this lighting.

# The cathedral is dedicated to the Transfiguration and its interior houses two highly venerated image, Sacred Heart of Jesus who is the patron saint of the city, and the Lord of the Sacristy a Christ very old paste made of cornstalks. Which is much visited and loved by the congregation.

# Its beautiful architecture and history are other reasons why it has become an icon of the city.

# Inside this enclosure because of its beauty, sound and spacious sound, set for a variety of artistic and cultural events as the International Organ Festival in Morelia, and the International Music Festival of Morelia.

The current cathedral of Morelia was not the only cathedral in the city has had since 1580, when civil and ecclesiastical powers were transferred from Patzcuaro Michoacan to Valladolid (Morelia previous name), opened a cathedral, much lower the current size and artistic value. That building was located on the corner of the present streets of Corregidor and Abasolo. However, due to growth experienced by the city at the end of s. Sixteenth and early seventeenth centuries, and because of a fire in 1584 severely affected the former cathedral building, it became necessary to think of another temple, larger, robust and important. That is why at the beginning of s. XVII the cathedral chapter began efforts to build the new cathedral.

 

Many projects were proposed, but until mid-century the project was accepted by the Italian architect Vincenzo Barrochio, also known as the Plaster Vicente Barroso by the Viceroy Francisco Fernandez de la Cueva, Duke of Albuquerque on March 22, 1660 concluding continuous procedures and construction projects over a long period of almost 80 years.

 

On May 6, 1660 the first stone of the building was laid by Bishop Fray Marcos Ramírez del Prado. The building itself was given by Vicenzo Barrochio until his death in 1692, why the great architect could not see completed his monumental work. However, only 52 years after the death of the teacher, his pupils got through the daunting task of architecture, so that the magnificent work was completed in 1744.

 

The cathedral suffered several raids by the army for independence, in the year 1810. By the end of the nineteenth century built the perimeter fence that marks the atrium. In the late 90s of the twentieth century restoration work carried out various internal and external, thereby better preserved the beauty of the building. Also, in the early twenty-first century, opened the new stage lighting of the cathedral of Morelia.

> cambiar

Sunrise at the Angel building.

This was shot opposite to Seattle Great Wheel. If you're interested in building, architecture or street photography, then this is the place to go. Go ahead and take a stroll around downtown. Very windy & a beautiful walk to remember

 

De Bovenste Plasmolen is een midden- en bovenslag watermolen te Plasmolen, in de Nederlandse gemeente Mook en Middelaar. Deze korenmolen is in 1725 gebouwd als papiermolen. De molen maakt gebruik van water uit plaatselijke bronnen.

 

In 1944 is de Bovenste Plasmolen door oorlogshandelingen beschadigd. Hierbij is de toenmalige molenaar Fons Verouden door een granaatscherf geraakt en om het leven gekomen. Na zijn dood heeft het ruim 50 jaar geduurd voordat de molen hersteld werd. In 1995 werd hiertoe de Stichting Bovenste Plasmolen 1725 opgericht, die ervoor heeft gezorgd dat de molen in 1999 is hersteld.

 

De Bovenste Plasmolen is bijzonder omdat hij water uit twee molenvijvers op verschillende hoogte kan betrekken, waarbij het water uit de bovenste vijver (gevoed door de Beek van het Groene Water) bovenlangs wordt gevoerd, terwijl het water uit de onderste vijver (gevoed door de bron De Helskuil) vanaf het midden van het waterrad wordt aangevoerd.

 

De Bovenste Plasmolen is maalvaardig en is tijdens de zomermaanden op gezette tijden voor het publiek geopend.

Fotos de Alejandro Blanco www.flickr.com/photos/alejandro5000

 

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© Álbum 2841

By Catedrales e Iglesias

Diócesis de Cartagena

www.iglesias-espana.blogspot.mx/

 

La Catedral de Santa María

más conocida como Catedral de Murcia, es el templo principal y sede de la Diócesis de Cartagena. Se encuentra en pleno casco antiguo de la ciudad de Murcia.

 

Consagrada en 1465, sufrió varios añadidos (como la torre-campanario) o reformas puntuales (nuevas capillas o fachadas) principalmente en los siglos XVI y XVIII, por lo que integra el estilo gótico original con añadidos renacentistas, barrocos y neoclásicos. Entre sus elementos arquitectónicos destacan la torre, de 93 metros de altura; la fachada principal o imafronte, considerada como una obra maestra del barroco español; y las capillas de los Vélez, de Junterones y del Trascoro.

 

En la capilla mayor se halla la urna sepulcral donde reposan el corazón y las entrañas de Alfonso X el Sabio.

 

The Cathedral of Santa Maria

better known as the Cathedral of Murcia, is the main temple and seat of the Diocese of Cartagena. Located in the historic center of the city of Murcia.

 

Consecrated in 1465, underwent several additions (like the bell tower) or specific reforms (new chapels or facades) mainly in the sixteenth and eighteenth centuries, as a member of the original Gothic style with Renaissance, Baroque and neoclassical. Among its architectural features include the tower, 93 meters high, the main facade or imafronte, considered a masterpiece of Spanish baroque chapels and Velez, Junterones and choir.

 

In the chancel is the sepulchral urn where lie the heart and entrails of Alfonso X the Wise.

 

A Catedral de Santa Maria

mais conhecida como a Catedral de Múrcia, é o templo principal e sede da diocese de Cartagena. Localizado no centro histórico da cidade de Múrcia.

 

Consagrada em 1465, sofreu vários aditamentos (como a torre do sino) ou reformas específicas (novas capelas ou fachadas), principalmente nos séculos XVI e XVIII, como membro do estilo original gótico com renascentista, barroco e neoclássico. Entre suas características arquitetônicas incluem a torre, 93 metros de altura, a fachada principal ou imafronte, considerado uma obra-prima do barroco espanhol capelas e Velez, Junterones e coro.

 

Na capela-mor é a urna sepulcral onde estão o coração e entranhas de Alfonso X, o Sábio.

Parlamentsgebäude - Österreichisches Parlament / Austrian Parliament - Dr.-Karl-Renner-Ring - Ringstraße - Wien / Vienna - Österreich / Austria

 

en.wikipedia.org/wiki/Austrian_Parliament_Building

Visit to Chicago on March 29, 2013. I took this photo not far from our hotel. As my title indicates, this building is 311 S. Wacker Drive,

and it looks majestic in the evening with its night light cap glowing.

 

All of my Eastern and Southern U.S. photos can be found Here

Outside view of Yankee Stadium, Gate 6 entrance

More Raising a New York Yankees Fan

Olympus digital camera

New York, USA

 

The tower crane is a Potain MR 415.

Big Thunder Mountain Railroad

Lantern Detail

The Magic Kingdom

Walt Disney World

 

The more time I spend in the parks, the more details I see as I wander around. This past trip I did a simple study of all the lighting fixtures I came across in each of the parks, and I was amazed at just how much went into that element alone. This is the first of several I did from that study. Cheers, j

Photo André Knoerr, Genève. Reproduction autorisée avec mention de la source.

Utilisation commerciale soumise à autorisation spéciale préalable.

 

Le trolleybus Berliet ER 100 3922 circule sur la ligne 3.

Building at Victoria (Columbia Britannica, Canada).

I plan on taking a series of shots showing the view from my apartment window, at different times of day/night/year to reflect the changes. Can't wait to get a snowy one! This one was taken just before 6pm, in late October 2008, before daylight savings time kicked in. Downtown Toronto. Pretty nice view, if you ask me! :) As with the previous 'View At Night', I cropped it to give it a wide feel, and to get rid of the ugly porch in front of that otherwise nice-looking house across the street, lol.

 

Best viewed large or in full size, 2048 x 1123.

 

You can also (not yet*) see the Trump International Hotel and Tower under construction here, which Donald Trump claims "will be one of the great buildings of the world." I don't know how super-great it'll be, lol, but I assume it'll make an alright addition to the others next to it. :)

 

*Update: My mistake, apparently that building is another that is right next to the planned Trump one, practically inches apart. I'll be able to see Trump's as soon as they get to building the thing - I thought they were further along. Also, none of Trump's concept art shows this building (that will now be blocking most of the view for the condos facing north), so I was only anticipating Trump's tower there. Easy to see why I mixed them up. I'll take some photo including the real Trump tower soon enough.

El Ateneo Grand Splendid es una librería ubicada en Buenos Aires, Argentina. Destaca por situarse donde lo hiciera el teatro Grand Splendid, habiendo conservado la arquitectura original de dicho teatro, pero estando a su vez readaptado para funcionar como librería. Se encuentra en Avenida Santa Fe 1860, en el barrio de Recoleta.

 

El Ateneo Grand Splendid is a bookshop located in Buenos Aires, Argentina. Noted for locating where did the Grand Splendid theater, having preserved the original architecture of the theater, but turn being retrofitted to function as a library.

Wonder how much they sell...

That's the address of this place on the road to Cinnamon Pass, Hinsdale County, Colorado.

Gielgud Theatre London. The ceiling and balcony fronts with at the rear of the dress circle the new boxes containing extra seating. There are no pillars to obstruct views.

 

London Gieldgud Theatre

February 2012

Heath Mount School, Woodhall Park, Hertfordshire, 14 March 2011. Fully zoomed in with my Kodak Z981! It was quite far away.

 

A Grade I Listed Building. Built 1777-82, altered and extended 1794.

The Andy Warhol Museum opened in a renovated industrial warehouse at 117 Sandusky Street on May 13, 1994. The museum, one of the four Carnegie Museums of Pittsburgh and is a collaborative project of the Carnegie Institute, the Dia Art Foundation and The Andy Warhol Foundation for the Visual Arts (AWFVA), is the largest in the United States dedicated to a single artist. It holds an extensive permanent collection of art and archives from the Pittsburgh native and pop art icon, Andy Warhol.

 

The museum is located in an 88,000-square-foot Volkwein's, Frick & Lindsay Building, designed by Joseph Franklin Kuntz, of W. G. Wilkins Co. in 1913, and formerly belonged to the Volkwein Music Company and the Frick & Lindsay Company. It is spread across seven floors with 17 galleries and 900 paintings, close to 2,000 works on paper, over 1,000 published unique prints, 77 sculptures, and 4,000 photographs.

 

The Volkwein's, Frick & Lindsay Building was designated a landmark by the Pittsburgh History and Landmarks Foundation Historic Landmark in 2000.

Though constructed in 1912 as the Baxter Hotel, this building, at the heart of Denver’s Five Points community, achieved its prominence in the years following 1929. With its name change and establishment of the Rossonian Lounge, the hotel became one of the most important jazz clubs between St. Louis and Los Angeles. Jazz greats such as Duke Ellington, Louis Armstrong, Count Basie, Nat King Cole, George Shearing, and Dinah Washington stayed at the hotel and entertained in the Rossonian Lounge between their major Denver engagements. These shows were often staged after the musicians finished their scheduled performances at the same Denver hotels that refused them lodging due to the racial segregation existing at the time.

      

Quai Antoine Riboud

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