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A George V wall box (HP18 153D) by W.T. Allen & Co of London. Windmill Street, Brill, Buckinghamshire. 30th April 2017.
Design: Clemente Giusto
One Sheet Origami Box
Measurement of paper: 15 cm x 12 cm / 5.9 in x 4.7 in
Article to this design: origamitutorials.com/one-sheet-rectangular-origami-box/
The farmer has managed to harvest the field before heavy showers closed in at Wrawby Junction box on 28th August 2015. The lovely rural views from the box are in stark contrast to the busy workings of the box! Photo: Ivan Stewart.
Made from discount Agathis plywood (I'm not above haggling at Home Depot for damaged plywood). CNC cut on a Joe's Hybrid 4x4 CNC. Totally collapsable, but very sturdy when assembled. Multiple boxes nest perfectly!
box on calculator. Please feel free to use this image that I've created on your website or blog. If you do, I'd greatly appreciate a link back to my blog as the source: CreditDebitPro.com
Example: Photo by Credit Score Guide
Thanks!
Mike Lawrence
On Saturday, September 26, 2009, I had the opportunity to participate in the 2009 Livin Hisory Tour at Angelus-Rosedale Cemetery. I portrayed Remi Nadeau, a prominant figure in Los Angeles history.
Here's a transcript of my porrtrayal. . .
Good Morning Everyone! My name is Remi Nadeau. Uncle Rem if you like.
If my name sounds familiar to you, it’s probably my grandfather you’re thinking of. That Remi Nadeau made is fame and fortune here in Los Angeles hauling borax from the Cerro Gordo Mine in Death Valley to Los Angeles. Do any of you remember the old boxes of Borax Soap? What was the logo? That’s righ! The 20 Mule Team. That was grandpa’s idea. Each team was comprised of 18 mules, 2 horses, and 4 wagons. Each train could haul 20 to 30 tons on borax.
My grandfather wisely reinvested his money in land. Lots of it. Three-thousand, two hundred, and fifty acres! Some say that he was the holder of the largest contiguous tract of land in Southern California held by any private individual. On some of his land he planted grapes. And at one time he had the largest winery in Southern California, producing 200,000 gallons of wine a day.
His name might also be familiar from the famous Nadeau hotel downtown. You’d recognize it better today as the site of the Los Angeles Times Mirror Square building. My grandfather met a lot of opposition when building his hotel, because he wanted to build a four-story building, rather than the customary two. He did build his hotel, and installed California’s first elevator.
But all that is his story.
There’s another famous Remi Nadeau. This one is an author. You might have read the book “The Water Seekers,” about the early water wars here in Los Angeles. One of his other books is still in print today. It’s called “Ghost Towns and Mining Camps of California.”
I’m not him either. That’s my nephew.
My Grandfather is buried here at Rosedale, up on the hill behind me. My nephew you won’t find here because, like all of you, he’s still amongst the living.
Growing up in the shadow of someone famous like my grandfather, whom I was named after, gave me the impetus, the drive, to make a name for myself in my own right. And, that’s what I did. For the last 40 years of my life I was a rancher in Soledad Canyon, which at the time was considered part of Saugus.
Now I was born I 1867 in Montana. At the age of just one year old I was brought around the Horn to Los Angeles. Here I grew up on my grandfather’s rancho. During that time I developed my love of animals and life on a ranch.
I remember my first job. I was a freighter, just like my grandfather. I hauled wood from the eucalyptus groves here in the basin to the brick kilns in Los Angeles. The eucalyptus groves were an enterprise started by my father Joseph and Mr. Phineas Banning. You may have heard of him as well. At other times in my life I was co-owner of a furniture store, and a builder and a contractor. I really earned my real estate in real estate. Sometimes we Nadeau’s could be cash poor, but we were always land rich. I helped subdivide and sell my grandfather’s vast land holdings. Some would say that by age of 40 I had already earned my prominence in society.
After my father died in 1908, I earned my inheritance and I was finally able to do what I had always wanted – build my own ranch. And, so I bought the land and moved up to Soledad Canyon.
My ranch adjoined the ranch of Mr. Jon Mitchell. We quickly struck up a friendship and formed a partnership in the cattle raising industry. It was a partnership that would last until the day I died. Together we purchased the old Cuneo farm in the canyon and expanded our lands. The yearly cattle round-ups at the Nadeau-Mitchell ranch were an event not to be missed. It seemed the whole Santa Clarita Valley turned out for it.
Now, I was a bit of an experimenter on the ranch. When Luther Burbank came out with his Spineless Cactus for stock feed, I decided to give it a try and plated over 100 acres of it. Have you ever heard of cactus fed beef? I didn’t think so. Obviously, it didn’t work out so well. Another time I bought Arabian horses and tried horse breeding.
As I mentioned, I also loved animals. I always had a few ranch dogs around; mostly Shepherd mixes. But I had one very special dog. His name was Goofus. Good name for a dog, don’t you think? He was my best friend right up until the end. I had a special horse, named Chappo, that all the Nadeau children used to ride. He outlived me be 37 years!
Then in 1927 I finally had the opportunity to do what I always wanted to do. I built a deer farm and preserve. Now, that sounds exactly what it is – part farm and part preserve. Some of the deer we raised for venison, but a certain percentage I allowed to roam free. It was my hope that these deer would repopulate the grasslands and forests of California.
I spent $40,000 setting up the deer farm in Canyon Country. I imported deer from Central Europe and Central America. I brought in mule deer from Arizona. And, I even bought the entire stock of deer from the Mesa, Arizona, zoo. And that’s how I ended up with buffalo on the deer farm. Odd, isn’t it? I have to say that the venison bar-b-ques on the Nadeau-Mitchell ranch were famous.
The deer farm and preserve was open to the public, and people came from all over California to picnic under great oaks, see and pet the deer, and commune with nature. I even had one very famous visitor. You may have heard his name before. Albert Einstein! But mostly it was children from the local schools that would come up. I loved to impress them by calling out to the deer, and they’d come up ad eat right out of my pocket.
Now it’s true, I never did marry. But I loved the children. And there were enough Nadeau children anyway.
Speaking of children, it reminds of a story about my favorite niece Marilyn. One time my family was up at the ranch for target practice, which was a common thing for our family to do. Marilyn was only about yeah-high. As he family shot targets, Marilyn wondered away from the group. Now as a rancher, you know you have to watch children on the ranch! So, I followed her. I found her over by a barbed-wire fence. At the base of the fence was a Diamond-Back Rattler, ready to strike! I pulled her back, pulled out my pistol, and shot the sake dead. Well, that made me a hero in her eyes. Probably the rest of the family’s too.
If I have time, I do have one other story. I guess I should say, if you have time. I have all the time in the world.
This is a Christmas story, which should be coming up soon I think. My family, probably like yours, would get together every Christmas. Sometimes we’d get together at the Deaveaux club in Glendale, or another club, or up at the ranch. This one year, I think it was 1937, it was my cousin Margarete’s turn to host. She chose to have the event at the Women’s Club in Santa Monica.
She lined up tables end to end and covered them in with white linen. She’d even gone up to the ranch and brought back tumble weeds, spray painted them white, dusted them with glitter, and hun blue glass bulbs from them. It was really quite stunning.
So the Christmas dinner had been come and gone. The children had all opened their gifts, and the adults had opened their joke or gag gifts (I guess you could call them). But still there was no Uncle Rem (that’s me). It’s a long drive from Saugus, so the family was understandably concerned.
Finally, I did show up. But, I’m a bit embarrassed to tell you that I was. . . inebriated. Drunk as a skunk, more like. Now, I have to tell you that almost nobody in our family drank alcohol at this time. My family was a bit disappointed and more than a little scandalized.
But when I walked in and saw that beautiful table, well, I thought it was a stage. I jumped up on the nearest bench next to my niece Marilyn, and then climbed up on the table. There I began dancing an old soft shoe. Then I began singing one of those old folk songs that seems to have 70 verses. Well, that was rather appropriate, considering I was 70 years old! Pretty spry for an old man. I bet my cousin Margarete wished she’d had a pen to write down all the verses. Well, the evening ended well, and my family forgave me my transgression.
It was only a few years later in 1941 that my cousin Margarete came up the ranch to check on me. It could be isolated up there sometimes. When she found me I was in bed, covered in all my flannel blankets and the wood stove going right beside me. It was the middle of summer, so she knew something wasn’t right.
The family came up and took me to Old Sans – that’s the Seventh Day Adventist Hospital in Glendale. It turns out I had pneumonia. A few days later I passed away surrounded by my loving family. My best friend and business partner, Jon Mitchell, was even a pall bearer at my funeral.
The family decided to bury me here with the rest of my family – my father Joseph and Stepmother Fannie, and all my brothers and sisters. There are actually three Nadeau family plots here. This one, my mother’s at the front gate, and my grandfather’s up on the hill. It’s fitting that I should be buried here. It was 125 years ago, that my grandfather donated this land to be used as a the Rosedale Cemetery. Originally, it was a part of the vast Nadeau land holdings.
Well, I want to thank all of you for coming and visiting me and listening to my stories. It’s not often I get visitors here. I hope you enjoy meeting some of my other neighbors here. Thank you.
One of the tool boxes I keep for work in the back of my van. It holds most of my basic hand tools I need for work. I got the tool box from an estate of a cabinet maker and it fits my needs better than any other that I have had. I also carry a canvas tool bag which I use to carry tools and small supplies to where I need them on the job site.
This Treasure Box was made from hot colored fused glass cabochons, Venetian tile, recycled glass mini tiles, and ball chain on cigar box.
Three little wooden boxes and that little bit of pink I believe is a friendship loom band - which appears to be all the craze. You makes the little bracelets and give them to your friends. Lewis was given this one from his cousin, Skye ~ she's a girl hence the pink!!
Our Daily Challenge ~ BOXES ....
Thanks, in advance, to everyone who views this photo, adds a note, leaves a comment and of course BIG thanks to anyone who chooses to favourite my photo .... thanks to you all.
This camera is a gift from my friend Tümer Ekşioğlu
Manufactured by Agfa Camera-Werk AG, Munich, Germany
Model c.1937, (B-2 = Box 94), (produced between 1937-38)
The Box No. 94 from Agfa is also called Box B2 because the maker recommended to load it with Agfa B2 film
Box Medium format film camera,
Film 120 roll (known as B2 at that times), picture size 6x9, takes 8 frames
Lens: Single element meniscus type, locates behind the shutter leaf
Aperture: f/11
Fix-focus
Shutter: simple spring , w/ metallic sliding aperture disc, about 1/60, +B, installed on the front cover of the camera and therefore is located in front of the lens,
Setting lever for snap-shot and B: on the right-upper side of the camera
Shutter cocking and release lever: lover-right side of the camera, slide down for the exposure, then slide up for the cocking
Winding handle: on the right side of the camera
Viewfinders: two ground glass screens, on the top and right sides of the camera, for portrait and landscape views,
There are two viewer lenses on front of the camera, images reflect via polished steel reflectors behind the viewer lenses
Backcover: Hinged, opens by a latch on the top-back of the camera, w/ a red window
Film loading: via a removable magazine ( the lens on it !..), open the back cover, then pull out the winding handle and then pull out the inner part of the camera, then insert the film roll to the lower plate, and place it to the upper take up spool, then insert the film magazine into the camera and pull in the winding handle, then close the back cover,
wind the film untill the number 1 visible in the red window
Body: metal, covered with leatherette
Stampings on the front of the camera: Agfa-Box, B-2, and the logo of Agfa
A sticker inside of the back cover for ad of Agfa Film B-2, Isopan Film and Isodrom Film.
Hand-strap buttons: on top of the camera
surprise: the camera is working very well
The noticeable feature on this camera is the nicely art-deco front face.
Box cameras on the market in the 1930s were rugged, inexpensive, and easy to use.
Some had built-in accessories, others had attachments, but consumers liked them all.
Box cameras got their name from their rigid boxy shape, most often rectangular but sometimes a cube. They often had fixed focus, fixed lens opening and limited speeds. They gave the beginner an opportunity to learn the basics of photography such as composition and subject choice, without too much emphasis on complicated technical details.
The most common problem with these Agfa box cameras was difficulty in loading the film. It was hard to keep light from hitting the film and causing fogginess on the edges of the finished print. In spite of this drawback, box cameras were surprisingly easy to use for outdoor and indoor portraits, action shots, landscapes, and silhouettes.
Andy Todd
Ramsbottom Station signal box 7 signal (Down Home) protects Bridge Street level crossing with the signal box and 10 signal (Up Home) visible beyond. Saturday 18th February 1984
Ramsbottom Station signal box is a London Midland and Scottish Railway Type 11c design which opened in 1938 fitted with a 40 lever Railway Executive Committee frame, replacing Ramsbottom South, Ramsbottom Station and Ramsbottom North Sidings signal boxes. The box was reduced to a non block post controlling the adjacent level crossing only on 4th June 1972 and it closed on 5th December 1980 along with the Castleton to Rawtenstall single line. Eventually ownership passed to the East Lancashire Railway who reopened it on 17th November 1990
The box carries a British Railways London Midland Region maroon enamel nameplate, and 7 signal is carried on a London Midland and Scottish Railway designed all-welded stem right-hand bracket
Many thanks to Ingy the Wingy
Bottom box creases before folding.
Dimensions for the inner elongated hexagon are 5 mm smaller than the top lid, to allow for folding of the top sides-
My brother gave me this box of treats when he came back from Japan. It was so elegantly presented, I had to take pictures while I ruined its perfection.
Ok, this is actually a "painter" effect added to one of my constructions. I haven't used painter in years. Never really cared much for that program but it came with my Wacom pad.
Name: Jeannette Anthos
School: Lovin Elementary
Town: Lawrenceville
State: GA
In the box are hanging files, which house white free drawing paper, a picture file, how to draw books & instructions,as well as extra markers. This way I don't have a crowd around a drawing center. It had been really effective for me.
The 1896 vintage Midland Railway signal box at Lowdham. The box contains its original 16 lever Midland 'Tumbler' lever frame. It closed in the early hours of Saturday 1st October after 120 years of service. Control has now passed to the EMCC at Derby. Photo: Ivan Stewart.
Wooden box with handcarved viking pattern on it.
The wood is stained with coffe and acrylic paint.
And I only cut my fingers a few times while making it :D *beaming proudly*
A birthday present for my viking jewellery making cousin, so he has some where to put his tools :)
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️ Play : [***]
🚰 Information Source : [√√√]
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🏢 Nintendo
️ Nintendo 64
###
✔️ Download VIDEO: www.dropbox.com/sh/bur5g0cfelmjmai/AABE3M5jy8lk7HzoLFeBgI...
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~~~
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Wikipedia
The Magic Box
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Computer and Video Games
Cedec
Games Radar
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📡 Posted by Laurent Guidali
️ Video by Laurent Guidali (Adobe Premiere Pro 2020)
🌅 Thumbnail by Laurent Guidali (Adobe Photoshop 2020)
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