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Armory Center for the Arts is pleased to present DANCE, OPERA, DRAW, a performance and exhibition by artist Jocelyn Foye, located in Mezzanine East at the Armory Center for the Arts in Pasadena. The exhibition, organized by curator Sinéad Finnerty-Pyne, will commence with a live performance at the opening reception on Saturday, February 11, 2012 at 8:30pm. A subsequent exhibition of work created during the performance will be on display from February 12 – May 13, 2012. In conjunction with the opening of exhibitions by Richard Jackson, Dawn Kasper, and Nicolas Grider, a reception, free and open to the public, will take place on Saturday, February 11, 2012 from 7-9pm.
Jocelyn Foye’s works are defined by an interest in capturing and illustrating how the reoccurrence of every day actions - derived from labor - produce fundamental visual patterns. Many of her performances, in which she acts as producer rather than participant, have combined a sport or action not usually seen in a gallery that results in a static work - a record of the event - cast in clay. Her private and public performances are often heavy with spectacle, and the resulting objects carry the aura of the performance, but function as complete artworks to contemplate unto themselves. Unlike many performance artists who view the spectacle along with the resulting detritus as the work itself, Foye places significance on the end product standing on its own.
In her upcoming performance, DANCE, OPERA, DRAW, Foye has chosen to explore the arena of opera, dance, and art; seeking to create a conversation between the genres. As soprano opera singer Sonia Kazarova robustly resounds Strauss' modern opera Salome, two flanking dancers, Mecca Andrews and Lora Ivanova, will physically interpret the duality of spatial dramatics on a canvas of charcoal. The resulting "drawings" created by the imprints of the dancer's hands, bodies, and feet, will be mounted and displayed for the duration of the exhibition along with audio documentation from the event. For Foye, this performance is not only an opportunity to challenge the stereotype of what an operatic recital is, but also a chance to respond to the conversation that exists between the arts in our current political climate – one that is disconnected and under-supported but ripe for cross pollination.
About the Artist
Jocelyn Foye received her MFA from California State University, Long Beach. She has shown her work nationally and internationally, more prominently throughout Southern California, including the Torrance Art Museum and in a recent solo exhibition at Kristi Engle Gallery. In 2011 she was granted a California Community Fund Fellowship for Visual Artists. She lives and works in Long Beach, CA.
About the Performers
Mecca Vazie Andrews is a Los Angeles based dancer whose credits include American Apparel, Bedtime Stories, Rent, "MTV Movie Awards," Hysterica Dance Company, and VH1's "Showgirl Bootcamp." Some of her most recent artistic partnerships have involved Lady Gaga, The Slits, LA Philharmonic, Center Theatre Group, and the Santa Monica Museum of Art. Andrews currently teaches for Los Angeles Contemporary Dance Company and Edge Performing Arts Center. Her company mecca v.a and the MOVEMENT movement will be performing at the Armory Center for the Arts in summer 2012.
Lora Ivanova is a graduate of Washington University in St. Louis’ schools of Theatre and Film with an independent focus in Directing. She spent the earlier part of her career in Europe as part of the experimental physical theatre ensemble Naked Snail. She is a founding member of the Art Players ensemble in Hollywood and SKIN collaborative. Ivanova is a versatile artist whose work explores issues of identity, behavior patterns, habitual perceptions, conformism, and reality.
Sonia Kazarova is a native of Colorado, who has made her home in Manhattan, and now Los Angeles. Credits include Ensemble Studio Theatre’s production of Strippers, Snakes, and Elvis, Kate in Kiss Me Kate, Aldonza in Man of La Mancha, and Camelot. Her stage combat and martial arts skills led her to pieces like Cola Wars, the action short Fifteen Minutes to Two, and Kabuki theater. Other projects include the feature length film Darling XX (kiss kiss), filming in Tribeca. Kazarova has a B.F.A. in Acting from the University of Illinois.
This is Makenna Missal, a 13 year old supporter of the JDRF (Juvenile Diabetes Research Foundation) and who will be taking part, with her father, in the 100 mile 2011 Ride to the Cure event in Burlington Vermont on July 30th.
Training is taking place on the W&OD Trail that stretches from Shirlington to Purcellville, VA. Here we are right next to the Carolina Brother's BBQ restaurant in Ashburn.
You can see Makenna's JDRF page here, or just stop by the JDRF at www.jdrf.org
Strobist info: Single sb600 flash on stand w/snoot triggered with cactus v4 on right.
The first freshman bootcamp of 2023 brought students in to get a feel for campus, meet faculty, and engage in scavenger hunts, ice breakers and group projects on July 19. (Photos by Mike Glassburn/IU Kokomo)
OWH Designer Bootcamp - Color Theory-Analogous
This is a card using an Analogous color scheme. I applied turquoise, royal blue, and violet pigment inks to a piece of white cardstock creating the background and then stamped Hero Arts' "Silhouette Grass" with black Versafine ink. This was then mounted onto a black card. The final touch was the dragonfly charm, adhered to the card with Glossy Accents.
Shot with Einstein 640 bare camera right, Canon 580EXII bare camera left & silver reflector @ 2 o'clock to model.
Di's a true inspiration. She's a 53 year old mother of 3 who is also a champion body sculptor.
GenderNet Bootcamp: Accelerate Equality in The Tech Space
This Bootcamp aligns with International Women’s Day, 8 March 2023 (IWD 2023) theme —"DigitALL: Innovation and technology for gender equality”, CSW-67 theme —"Innovation and technological change, and education in the digital age for achieving gender equality and the empowerment of all women and girls”, and Generation Equality Action Coalition on Technology and Innovation for Gender Equality, and together, we can hope for a future where tech progress is gender-equal at its core, empowering girls and women.
Photo: UN Women/Ploy Phutpheng
The Data Science boot camp at Scholarspro provides you with a thorough understanding of most advanced tools & Techniques in data science with hands-on learning experience
URL: www.scholarspro.com/data-science-and-machine-learning-boo...
Contact Us: +966112682222
If you want to get the practical knowledge of managing complex networks – working with core technologies, optimizing infrastructure & keeping key applications secure and efficient then do join the CCNP bootcamp.
Armory Center for the Arts is pleased to present DANCE, OPERA, DRAW, a performance and exhibition by artist Jocelyn Foye, located in Mezzanine East at the Armory Center for the Arts in Pasadena. The exhibition, organized by curator Sinéad Finnerty-Pyne, will commence with a live performance at the opening reception on Saturday, February 11, 2012 at 8:30pm. A subsequent exhibition of work created during the performance will be on display from February 12 – May 13, 2012. In conjunction with the opening of exhibitions by Richard Jackson, Dawn Kasper, and Nicolas Grider, a reception, free and open to the public, will take place on Saturday, February 11, 2012 from 7-9pm.
Jocelyn Foye’s works are defined by an interest in capturing and illustrating how the reoccurrence of every day actions - derived from labor - produce fundamental visual patterns. Many of her performances, in which she acts as producer rather than participant, have combined a sport or action not usually seen in a gallery that results in a static work - a record of the event - cast in clay. Her private and public performances are often heavy with spectacle, and the resulting objects carry the aura of the performance, but function as complete artworks to contemplate unto themselves. Unlike many performance artists who view the spectacle along with the resulting detritus as the work itself, Foye places significance on the end product standing on its own.
In her upcoming performance, DANCE, OPERA, DRAW, Foye has chosen to explore the arena of opera, dance, and art; seeking to create a conversation between the genres. As soprano opera singer Sonia Kazarova robustly resounds Strauss' modern opera Salome, two flanking dancers, Mecca Andrews and Lora Ivanova, will physically interpret the duality of spatial dramatics on a canvas of charcoal. The resulting "drawings" created by the imprints of the dancer's hands, bodies, and feet, will be mounted and displayed for the duration of the exhibition along with audio documentation from the event. For Foye, this performance is not only an opportunity to challenge the stereotype of what an operatic recital is, but also a chance to respond to the conversation that exists between the arts in our current political climate – one that is disconnected and under-supported but ripe for cross pollination.
About the Artist
Jocelyn Foye received her MFA from California State University, Long Beach. She has shown her work nationally and internationally, more prominently throughout Southern California, including the Torrance Art Museum and in a recent solo exhibition at Kristi Engle Gallery. In 2011 she was granted a California Community Fund Fellowship for Visual Artists. She lives and works in Long Beach, CA.
About the Performers
Mecca Vazie Andrews is a Los Angeles based dancer whose credits include American Apparel, Bedtime Stories, Rent, "MTV Movie Awards," Hysterica Dance Company, and VH1's "Showgirl Bootcamp." Some of her most recent artistic partnerships have involved Lady Gaga, The Slits, LA Philharmonic, Center Theatre Group, and the Santa Monica Museum of Art. Andrews currently teaches for Los Angeles Contemporary Dance Company and Edge Performing Arts Center. Her company mecca v.a and the MOVEMENT movement will be performing at the Armory Center for the Arts in summer 2012.
Lora Ivanova is a graduate of Washington University in St. Louis’ schools of Theatre and Film with an independent focus in Directing. She spent the earlier part of her career in Europe as part of the experimental physical theatre ensemble Naked Snail. She is a founding member of the Art Players ensemble in Hollywood and SKIN collaborative. Ivanova is a versatile artist whose work explores issues of identity, behavior patterns, habitual perceptions, conformism, and reality.
Sonia Kazarova is a native of Colorado, who has made her home in Manhattan, and now Los Angeles. Credits include Ensemble Studio Theatre’s production of Strippers, Snakes, and Elvis, Kate in Kiss Me Kate, Aldonza in Man of La Mancha, and Camelot. Her stage combat and martial arts skills led her to pieces like Cola Wars, the action short Fifteen Minutes to Two, and Kabuki theater. Other projects include the feature length film Darling XX (kiss kiss), filming in Tribeca. Kazarova has a B.F.A. in Acting from the University of Illinois.
Nos passados dias 6 e 7 de dezembro o ISCTE recebeu mais uma edição do Pitch Bootcamp. O Pitch Bootcamp é um programa de dois dias que coloca algumas das mais competitivas empresas em Portugal em contacto com universitários e recém-diplomados para fazer acontecer futuro. A missão do Pitch Bootcamp é o desenvolvimento de competências de trabalho em jovens e potenciar a transferência de valor humano entre Academias e Empresas.
Fotografia de Hugo Alexandre Cruz.
Here are the results of a benchmark I ran on the MBP after installing Windows XP using BootCamp. It runs pretty good.
Treasure Hunters
My first submission for Strobist Bootcamp II.
My shot of Len below, Len's shot of me above.
I tried to work the composition of these shots around the theme (re: Financial Meltdown) as best I could. I live in Korea, so finding someone who is unemployed (read: drunk all day) is like shooting hookers in a barrel. You can't miss.
If you can't tell, this is us doing anything for a buck. Today, we're digging for gold up in them thar hills!
Strobist Information: (both shots)
SB-28: 1/4 power, high and slightly camera right, shoot through umbrella
SB-25: 1/8 power, gridded, aimed at the center of the guys' backs
SB-80x: 1/16 power, gelled blue, shot through the stump